Home Blog Page 88

‘Jurassic World: Fallen Kingdom’ tops box office again while ‘Sicario 2’ overperforms

It’s no surprise that “Jurassic World: Fallen Kingdom” topped the weekend box office chart again without much competition, but some surprises cropped up with Josh Brolin’s “Sicario: Day of the Soldado,” “Uncle Drew,” and “Sanju.”

The “Jurassic World: Fallen Kingdom” dinosaurs ruled the box office for a second weekend in a row, but also left a little room for more modest newcomers like “Sicario: Day of the Soldado” and the basketball comedy “Uncle Drew” to over-perform in the crowded marketplace.

Studios on Sunday estimate that the blockbuster sequel to “Jurassic World” earned an additional $60 million in its second weekend in North American theaters, bringing its domestic total to $264.8 million. While its second weekend drop is about 10 percent steeper than that of the first film, worldwide, the film has grossed $932.4 million to date and is barreling toward the $1 billion mark.

The dinosaurs didn’t gobble up all the attention this weekend, however. “Incredibles 2,” now in its third weekend in theaters, took second place with $45.5 million, bringing its domestic total to $439.7 million.

North American audiences came out in larger than expected numbers for both the action thriller “Sicario: Day of the Soldado” and “Uncle Drew.”

The “Sicario” sequel starring Josh Brolin and Benicio Del Toro earned $19 million to take third place. The film, distributed by Sony Pictures, cost a reported $35 to $40 million to produce.

The film cements Mr. Brolin’s unlikely rise from character actor to an anchor of three franchises, following his villain turns in “Avengers: Infinity War” and “Deadpool 2.”

“Day of the Soldado” was distributed by Sony and financed by Black Label Media for $35 million, and follows an escalating battle between Mexican cartels and the U.S. government. The decision to make a sequel to the brutal 2015 drama raised some eyebrows when first announced, especially because of the absence of Emily Blunt, one of the first film’s stars. But the opening weekend of “Day of the Soldado” outpaced that of its predecessor, which opened wide to $12.1 million.

While the first “Sicario” received stronger reviews — 93 percent positive on Rotten Tomatoes, compared with 62 percent for its sequel — this installment might have been boosted both by the increased visibility of its two leading men in a string of blockbusters and its timely material, as debates rage about the U.S.-Mexico border.

Landing in fourth place was the basketball comedy “Uncle Drew,” which features NBA All-Stars Kyrie Irving and Shaquille O’Neal. With a production price tag under $20 million, the film exceeded expectations grossing $15.5 million and got audience stamp of approval with an A CinemaScore.

The ad and marketing campaign included spots during the NBA playoffs and finals, a Wheaties box featuring Irving as Uncle Drew, and an Uncle Drew capsule collection from Nike.

Lionsgate, which distributed the movie, knew the film had built-in marketability because of the celebrity of the stars, but was also pleased to discover that the film in early screenings appealed to non-basketball fans too.

“That was the surprise, that wow, we have a picture that really plays to a general audience,” said David Spitz, Lionsgate’s president of domestic distribution. “It has a really sweet message.”

The A CinemaScore, which suggests that the film will have good word-of-mouth buzz, could bode well for the film over the Fourth of July holiday and into the rest of the summer.

“We’re hoping it’s the old adage, ‘It’s not a sprint, it’s a marathon,’” Spitz said.

Lower down on the charts the Indian film “Sanju,” a biopic about Bollywood star Sanjay Dutt, earned an impressive $2.6 million from only 356 screens in its opening weekend. And the Fred Rogers documentary “Won’t You Be My Neighbor?” now playing on 654 screens, continues to do well in its expansion. It added $2.3 million to its earnings this weekend.

After two weekends of $100 million-plus movies, this past weekend provided a little blockbuster break before “Ant-Man and the Wasp” opens this week. But even without a record-breaker or a $100 million movie, the box office is still up 15.3 percent from last summer’s abysmal performance and 9.3 percent for the year overall.

“We can’t have every weekend like the last two weekends,” said comScore senior media analyst Paul Dergarabedian.

“The theatrical box office is on a major roll right now,” Dergarabedian added. “This puts to bed any notion that the summer movie season has run its course. Audiences want to go out to the movie theater during the summer season.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

jurassic world fallen kingdom vs sicario day of the soldado 2018

  1. “Jurassic World: Fallen Kingdom,” $60 million ($56.1 million international).
  2. “Incredibles 2,” $45.5 million ($44.3 million international).
  3. “Sicario: Day of the Soldado,” $19 million ($8.4 million international).
  4. “Uncle Drew,” $15.5 million.
  5. “Ocean’s 8,” $8 million ($13.8 million international).
  6. “Tag,” $5.6 million ($3.7 million international).
  7. “Deadpool 2,” $3.5 million ($2.8 million international).
  8. “Sanju,” $2.6 million ($22.2 million international).
  9. “Solo: A Star Wars Story,” $2.3 million ($6.1 million international).
  10. “Won’t You Be My Neighbor?” $2.3 million.

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

  1. “Jurassic World: Fallen Kingdom,” $56.1 million.
  2. “Incredibles 2,” $44.3 million.
  3. “Animal World,” $31.6 million.
  4. “Sanju,” $22.2 million.
  5. “Ocean’s 8,” $13.8 million.
  6. “Escape Plan 2,” $11.6 million.
  7. “Sicario: Day of the Soldado,” $8.4 million.
  8. “Witch,” $7.3 million.
  9. “Solo: A Star Wars Story,” $6.1 million.
  10. “Tag” and “The Accidental Detective 2,” $3.7 million.

Stan Lee’s public life much rosier than his tumultuous private life

While Stan Lee continues doing cameos in all the epic Marvel superhero movies dominating the box office this year, his private life has continued spinning into chaos with rumors abounding about elder abuse. Since his wife died last year, the legendary icon has appeared to become prey to many people looking to profit off his recent successes.

It has been another epic year for characters Stan Lee helped create, with “Black Panther” and “Avengers: Infinity War” earning more than $3 billion combined globally and “Ant-Man and the Wasp” still to open next week, all three featuring the clever cameos beloved by devoted fans of the Marvel Comics mastermind.

But for Lee himself, the past year has been tough and tumultuous. After the death last July of Joan, his wife of 69 years and partner in all things, the 95-year-old has found himself in the middle of a fight over his finances and legacy that has led to lawsuits, a restraining order and a police investigation of elder abuse.

His exact circumstances may be unique, but Lee’s status as a celebrity in declining mental health and vulnerable to exploitation has many precedents and may become increasingly common as a wave of wealthy baby boomers reaches old age.

Into the void left behind by Joan Lee poured many acquaintances seeking a part of her popular and accommodating husband, and holdings his lawyer estimates are worth between $50 million to $70 million.

Probate attorney Troy Martin, who has worked on the cases of many late-in-life celebrities, including Casey Kasem, said Lee’s circumstances made him a compelling target.

“He’s going through the grief of a wife he relied upon. He’s always had the reputation for being a people pleaser, and you add his grief to, at 95, some cognitive difficulties, it makes him vulnerable,” said Martin, who is not involved in Lee’s case.

Key to Lee’s situation is his only child, 68-year-old Joan Celia “JC” Lee, who has been dependent her entire life on her father, according to a sworn declaration signed by Lee in February that was drafted by attorney Tom Lallas.

Several “bad actors with bad intentions … have insinuated themselves into relationships with JC … to try to take advantage of me to gain control of my assets, property, and money,” the declaration said.

Lallas was fired after drafting the declaration, and many of Lee’s longtime employees have been dismissed, according to a February story in The Hollywood Reporter.

One of the “bad actors” named in the document, Keya Morgan, a memorabilia dealer and Marilyn Monroe aficionado, appeared to gain control over Lee’s life and affairs for the next several months. Morgan has vehemently denied that he has had any intentions other than helping Lee.

During that time, two lawsuits were filed seeking millions from Lee’s past business partners.

On May 30, Morgan left Lee’s side briefly and returned to find that he was shut out as detectives and a social worker interviewed Lee to investigate elder abuse.

Morgan called 911 to report the authorities as burglars, which led to his arrest and jailing on suspicion of reporting a false emergency.

Lallas returned and was granted an elder abuse restraining order against Morgan June 13. He wrote in the filing that Lee has shown severe impairment with his hearing, vision, short-term memory and judgment.

It’s unclear who currently surrounds Lee and is managing his affairs. A series of court hearings for Morgan next week on the false emergency charges, a probation violation on an unrelated case that his arrest triggered, and the restraining order, may bring clarity.

Morgan, 42, did not respond to multiple emails seeking comment, and his cell phone has not been accepting messages for weeks.

But shortly after the restraining order, he tweeted :

“For over 10 years I have shown nothing but love, respect & kindness to Stan Lee, & his wife, a fact he has repeated countless times. I have NEVER EVER abused my dear friend. Everything you read in the #FakeNews is pure malicious lies & I will 100 percent prove it.”

Lallas and a lawyer representing JC Lee did not respond to multiple requests for comment.

Morgan’s restraining order does not allege he engaged in physical abuse of Lee, but that he isolated him from associates, friends, and relatives, which is considered a form of elder abuse.

“Isolation is the No. 1 red flag for abuse,” said Kerri Kasem, who has become an advocate for the elderly and their adult children after having to fight to see her father, Casey Kasem, before his 2014 death. “Because when you take your victim and you isolate them, you can then abuse them physically, financially, emotionally, sexually.”

Lee finds himself in a late-in-life limbo that other celebrities, including Mickey Rooney and Peter Falk, have faced.

A conservatorship, giving a trusted person court-enforced control over his financial affairs, could be the next step.

While conservatorships can be abused it can be “a very necessary tool to protect somebody in his situation,” Martin said.

The fight over Lee may well be a forerunner to a big wave of similar battles to come as old age and decline arrives for baby boomers with huge entertainment holdings, including intellectual property that could pay off for decades, said Kenneth J. Abdo, another lawyer who works on entertainment estates, including Prince’s.

“Stan Lee’s a little older than a baby boomer, but culturally he’s a baby boomer,” Abdo said. “What we’re learning here is that our generation, our culture, is passing on. As much as we think we’re all bulletproof, we’re moving on. These things need to be planned.”

None of the turmoil has kept Lee from making another of his signature cameos in the latest Marvel movie, “Ant-Man and the Wasp.”

In it, Lee is thrown for a loop during an action sequence. Bewildered, he says, “Well, the ’60s were fun, but now I’m paying for it.”

‘Three Identical Strangers’ brings triplet brothers together 19 years later

While the recently released documentary film “Three Identical Strangers” may sound like an uplifting, feel-good story of triplets separated at birth, then being reunited after 19 years, be warned. Things take a strange and sadly ominous turn with plenty of surprises.

This is what documentary filmmaking is all about, and Tim Wardle masterfully wades through the fascinating story of brothers David Kellman, Bobby Shafran, and Eddy Galland. We interviewed Wardle at Sundance this year, and you can see his breakdown on the nature vs. nurture debate prevalent in his film.

three identical strangers with mickey mouse shirts

The first time that brothers were in the public eye, it was joyous. The then 19-year-old identical triplets, separated at birth, had just learned about the others’ existence.

Despite growing up separately, the three big-smiling, curly-haired kids smoked the same cigarettes and finished each other’s sentences. They appeared on shows like Phil Donahue, became early ’80s tabloid regulars and even made a cameo alongside Madonna in 1985’s “Desperately Seeking Susan.” They opened a restaurant in New York’s Soho called Triplets Roumanian Steak House.

three identical strangers documentary images 2018

“We were sort of falling in love,” Kellman recalls in the new documentary “Three Identical Strangers.”

Their second go-around has been more complicated. Galland killed himself in 1995. And the disturbing reasons for their separation only emerged after that initial glow of reunion. “Three Identical Strangers,” directed by British filmmaker Tim Wardle, is the stranger-than-fiction tale behind their story, one of the more disquieting cases of separation at birth.

Since its Sundance Film Festival debut, the film — a real-life roller-coaster ride into a dark and twisted history — has astonished and infuriated moviegoers in equal measures. It has renewed pressure on a prominent child development center to make the study transparent. And it has returned the remaining brothers to the spotlight under far less festive circumstances.

“When we went through the limelight before it was celebratory. It was all fun,” Kellman, now 57, said in an interview. “Is this somewhat enjoyable? Yeah, but it brings up a lot of pain too.

“Seeing it in the theater really got me,” he added. “I cried like a baby.”

“Three Identical Strangers,” which opens in theaters Friday, is about a much-documented case that had largely receded from public memory. After the triplets found each other in 1980 (Shafran, remarkably, arrived at an upstate New York community college only to find everyone already knew him, believing him to be the already-enrolled Galland), another discovery followed.

The triplets, born in 1961, were placed with three families — one upper class, one middle, one working — by the now-defunct Louise Wise Agency as part of a study about nature vs. nurture by the Child Development Center. The center would later merge with the Jewish Board of Family and Children’s Services, a large, 140-year-old New York nonprofit.

The study — which encompassed an unknown number of twins — was conducted through the 1960s and ’70s by Dr. Peter Neubauer, a prominent, Austrian-born psychologist who died in 2008. Without the knowledge of the children or their parents, researchers studied the children’s development right until the triplets showed up on TV.

“I don’t know what these people are going to do, if anything. I just know what they did was wrong,” said Shafran. “They can blame people who are no longer alive, but it’s an institution, a continuing institution. The entire study should just be open for starters.”

The files from the study, stored at Yale University, will not be unsealed until 2066. Some heavily redacted research was shared by the Jewish Board with Kellman and Shafran but only in the final days of post-production on “Three Identical Strangers” after months of effort by the filmmakers and family. “It was pulling teeth to get every page,” said Kellman.

“They wouldn’t talk with us during the film,” said Wardle. “They’d only engage with us via a crisis management PR firm which they had hired. They would only engage with the brothers via a medical malpractice attorney. I would say the Jewish Board was extremely unhelpful.”

A spokesperson for the Jewish Board declined to specifically address those claims or answer questions regarding the study’s release. It responded with a statement to media outlets.

“We do not endorse the Neubauer study, and we deeply regret that it took place,” said the statement. “We recognize the great courage of the individuals who participated in the film, and we are appreciative that this film has created an opportunity for a public discourse about the study.”

Several other sets of twins involved in the study have also found themselves, including Elyse Schein and Paula Bernstein, who penned a 2007 memoir, and Doug Rausch and Howard Burack, who appeared on “20/20” in March.

“Most of the people I’ve spoken to involved in the study just want to know: Was anything learned?” said Wardle. “Me and my producer would sometimes leave an interview going, ‘Oh my goodness! This story is incredible! I can’t believe it! And then you’d think later: Actually, this was these guys’ lives. We’d have to remind ourselves that this wasn’t just a great story. This was something these guys lived through.”

Shafran, a Brooklyn attorney who has two children with his wife of 30 years, criticizes the Jewish Board for “shrouding this whole thing in secrecy.” But he has little hope that they can provide anything like catharsis for him and his brother. Their story has previously been told in a 1995 New Yorker piece on twins by Lawrence Wright, who turned it into a book. But aside from another documentary last year, “The Twinning Reaction,” the brothers had retreated from talking publicly, they said.

“We didn’t do anything since the lights went out. We didn’t do anything since Eddy passed away,” said Shafran.

three identical strangers today meet up

But “Three Identical Strangers” has been an unexpectedly rewarding process for the brothers. Shafran recalls being moved watching the gasping faces of a Sundance audience following their bizarre journey. The brothers weren’t especially close at the time of filming, but the movie helped repair their relationship.

“You don’t get together with siblings as much as you’d like. That’s just life,” said Kellman, who works in insurance and lives in New Jersey. Kellman, who has children similar in age to Shafran’s, said he’s currently going through a divorce.

And they’re resolutely impressed by both Wardle’s film and his sensitivity throughout the filmmaking process. They greatly prefer their experience as documentary subjects to “lab rats.”

But ask them for their own conclusions about what their story means in terms of nature vs. nurture, and they’re at a loss.

“It’s very difficult for me to watch this movie in an objective fashion,” says Kellman. “In order to get into the nuances between the brothers as individuals, you’d have to make a much longer movie, a movie that no one would sit through. Because it’s our lives.”

‘Cloak and Dagger:’ Now we’re getting somewhere midseason

The latest episode (that I’ve watched) of Marvel’s Cloak and Dagger entitled “Call/Response” was quite interesting, and it seems that the series is finally getting somewhere. Episode Three, “Stained Glass” felt like it was more of the same as episodes one and two. “Stained Glass” helped viewers to get to know more about the characters and for Tandy and Tyrone to get to know more about each other. “Call/Response” meanwhile builds and works with “Stained Glass” and finally takes us to interesting places. Spoiler Alert for those who haven’t seen either episode.

We’ll have to accept that Marvel’s Cloak and Dagger is designed to be more of a young adult drama than an action-packed live-action superhero show like the stuff from DC and the CW, considering the type of channel it’s on. It’s also ironic that for one of the characters to be based on darkness, this series should be on Netflix. We’re not complaining (well just a little bit) as Marvel continues to experiment on various genres of entertainment and often succeeds. But seriously, the pacing could be a bit faster. At least the pair sporadically gets their powers activated to keep things interesting, reminding us that this is still a superhero show.

cloak dagger tandy tyrone connection

“Call/Response” is where Tandy and Tyrone finally get to know more about each other. They have more time to directly interact than when they did in “Stained Glass.” In “Stained Glass,” Tyrone engaged in a ritual cleansing bath to help with his inner demons with the help of his classmate Evita. This bath, however, didn’t answer his questions but instead gave him glimpses of Tandy Bowen’s life. The bath, which happened at the time Tandy was leaving New Orleans on a bus, indirectly affected Tandy who in turn had visions of Tyrone.

Tyrone tries to help Tandy who keeps running away from her problems instead of facing them while Tandy tries to steer Tyrone from his revenge mission against the cop who killed Billy. Their visions make them realize that they’re connected, so Tandy cancels her departure and Tyrone goes to the church to figure out their connection.

Episode four gives us an alternating narrative with the pair talking about themselves and their actions afterward. We’re left to deduce that their talk was not continuous. They talk about each other’s visions and their issues. Tandy helps Tyrone get over his fear of the police station in order to seek help against officer Connors. This action required the use of a bolt cutter which caught the attention of Tyrone’s father Otis who assumes that Tyrone is in trouble.

cloak for tyrone in marvel comics

To steer Tyrone away from a wayward life, Otis takes Tyrone to his old seemingly criminal Mardi Gras tribe and manages to make a bond with his son. When I said this show was finally getting somewhere, we get a glimpse of the ultimate Easter egg which is actually the cloak that comic book Cloak uses, in the form of an unfinished beadwork cloak by Tyrone’s brother Billy. I actually have my hopes up that Tyrone would use it in the future. Otherwise, we may have to make due with Tyrone’s old hoodie which Tandy uses as a safety blanket.

Meanwhile, Tandy actually manages to bond with her mother’s boyfriend, Greg. Through her power, she sees Greg’s sincerity in helping them despite being married to someone else. Tandy’s mother was working with Greg in digging into Roxxon about the accident on the rig. About the accident, if the rig weren’t located in New Orleans, it would have tied nicely into the power plant somewhere in California in Agents of SHIELD Season 4 that had indirect ties with the Darkforce dimension.

Anyway, it was nice that Cloak and Dagger killed off the cliché of troubled teen hating her stepfather. Like Tyrone bonding with his father, Tandy warmed up to Greg as they discussed Roxxon. Unfortunately, Tandy’s mother broke up with Greg, and on the same night, Tandy witnessed Greg’s assassination.

Tandy and Tyrone’s final discussion seemed awkward and out of place. Tandy seemed to lose hope after Greg’s death, but it wasn’t clear if she discussed it with Tyrone. The dialogue led to Tandy’s thoughts on suicide which suddenly irked Tyrone who himself had a death wish before episode 3. They left each other on a bitter note but positive results with Tyrone seeking detective O’Reilly’s help and Tandy retrieving Greg’s secret files on Roxxon but not before actually trying to commit suicide in the river (which she escapes using her powers). Also, Tandy decides to shun the rest of her roofies after their separation but not after snorting one.

This aspect of Tandy broke me as I assumed those pills she was taking were anti-depressants. Tandy even goes so far as to sell them to make money. The original premise of Cloak and Dagger (pardon this purist) is that they’re crusaders against drugs. They’re supposed to destroy the Sith, not be one of them. Oops. I guess I can let this one slide as Tandy has yet to master her powers; if she eventually realizes her light daggers can cure drug addiction and not be literal daggers that can cut through rapists, ropes, chains and steel vaults. Hopefully, the series does get to that part about their anti-drug campaign.

It’s also strange that Tyrone’s darkness doesn’t crave Tandy’s light or shows any sign of weakness being on his own. In the comics, Cloak’s darkness hungers for light, and when deprived, he becomes weak or out of control while Dagger suffers from overload where she could actually die if she doesn’t release them. Tandy actually described how she becomes ‘hot and bothered’ prior to releasing her power while Tyrone described the feeling of Tandy’s power as initially pleasant. Now that we’re done with character exposition, we should probably be getting somewhere. Episode 4 just jump-started this series and made things more interesting.

‘Supernatural’ Day with Paws4AKF Charity Event Hits Austin with Jensen Ackles, Jared Padalecki

Supernatural fans have long made pilgrimages to Vancouver, where the show is filmed – but there’s another city that’s also a sort of Mecca for the SPNFamily. That city is Austin, Texas, where Jared Padalecki and Jensen Ackles make their home. Padalecki owns the San Jac Saloon in the heart of the city and Ackles and family own the Family Business Beer Company, a brewery in nearby Dripping Springs. That gives fans two destinations in which to congregate – and this past weekend, they had a good reason to brave the Texas summer heat.

Jensen Ackles Jared Padalecki with sandra tonia paws supernatural day
Jared Padalecki, Jensen Ackles, Mayor Adler, and Paws 4AKF Charity Event organizers Sandra and Tonia Photos: by Kim Prior for @FangasmSPN

Longtime Supernatural fans Sandra and Tonia created Paws 4 AKF (@Paws4AKF), a charity fundraiser to benefit Austin Pets Alive (which Jared and Jensen have supported) and the National Suicide Prevention Hotline (the other charity selected by Jared Padalecki for this fundraiser). The event was held on June 23 at the San Jac Saloon, which attracted Supernatural fans from all over the country to Austin. About 50 fans gathered in ‘Jack’s Place,’ as the upstairs room of the bar is known, to do some good in the world and to enjoy each other’s company. There was a silent auction with plenty of donated items – I brought some signed copies of Family Don’t End With Blood to donate – as well as games, a photo op area with props, a Twister board, and a very popular karaoke mic.

I’m a passionate dog lover (almost as passionate as I am about Supernatural), so I was excited to be helping Austin Pets Alive. Volunteers Channing, Ashley, and Kristin spoke with us about the organization.  They explained that Austin is the largest no-kill city in the country, and their facility rescues animals who have been abandoned or who are facing euthanasia at other facilities (outside of Austin). For example, they rescued thousands of animals in the wake of last year’s hurricane and subsequent flooding in Houston. All the animals they take in are given medical treatment if needed, and all the animals go through behavior training before being placed up for adoption or in foster care. Austin Pets Alive is largely a staff of volunteers. To learn more about their organization and help them keep doing their important work, please visit their website at https://www.austinpetsalive.org/

Jack’s Place was perfect for a casual gathering, with comfy couches and armchairs scattered throughout. It was a last minute decision for many of us to make the trek to Austin, so the evening was full of “OMG I didn’t know you were gonna be here” exclamations and lots of enthusiastic hugging as fans ran into old friends or people they knew online and hadn’t yet met in person.  Bartender and manager Matt McDonald and his staff kept the drinks flowing and even joined in for some karaoke (after much cajoling from patrons).

Jensen Ackles with Lynn, Austin Mayor Adler and Jared Padalecki for Supernatural Day

In addition to the charity event, the mayor of Austin, Mayor Steve Adler, had agreed to attend – and in appreciation of Ackles and Padalecki’s good citizenship and support of the city, was set to proclaim it “Supernatural Day.”  I had arranged a chat with the Mayor, so we had a chance to talk for a few minutes while we waited for the other special guests to arrive so he could kick off the evening’s festivities. Most fans had no idea that Jensen and Danneel Ackles and Jared and Genevieve Padalecki were also attending, so when they appeared at the door there was more than one OMG from the crowd and possibly a few people struck speechless. Understandably.

The Mayor read the Proclamation that declared it Supernatural Day, all smiles and clearly proud of his city and its two prominent citizens. “This is a cultural city, it’s culturally creative to our core,” the Mayor said. “So to have these two guys here, in a 14th season, about to do a 300th episode, is so much of what this city is about. So we wanted to celebrate with you.”

As Mayor Adler proclaimed June 23 as Supernatural Day, Jared turned around to where Jensen was standing a few feet behind him and reached back while Jensen reached forward so they could fist bump in celebration, both all smiles – as was the entire room.  Then Jared took the mic and thanked the Mayor and the fans.

jared padalecki signs fans autographs at austin supernatural day 2018

 

Jared: It’s a wonderful strangely flattering experience to come here and see people I’ve seen all over the world – like oh hey, hey! – I speak for both of us when I say we feel so supported, and I’m really grateful for you guys and that we’re raising money for these great causes. We’re humbled and thrilled, and I’m sweating because it’s 100 degrees in here – who owns this place?!”

The crowd laughed as Jared went on to say what a wonderful honor it was to have the Mayor there to celebrate, and then he addressed the fans.

Jared: This is on you guys. This is because of the SPNFamily. We [Jared and Jensen] wear makeup for a living – we’re gonna wear makeup again two weeks from today

He paused, and looked over to Jensen. “Is it two weeks?”

jensen ackles signs fans autographs at supernatural day 2018

Jensen: [facepalm]

Jared again expressed his appreciation to Mayor Adler, who had come to the event even though he was on “grandparent duty” that night.

Jensen then took the mic, thanking the Mayor not only for being there, but for also being a part of such a cool city.

Jensen: We truly do love calling this city home, and we’re proud that you’re a part of this with us. And thank you guys [the fans].

He then turned to Jared, and gestured to his friend.

Jensen: And thank you.

Jared cocked his head as if to say, for what?

Jensen: Thank you for this journey that we’ve been on.

Jared nodded, clasping Jensen’s hand and then giving him a slap on the chest to express the emotion of the moment.

Jensen: Here we are, in some random bar, some random city, hanging out with some random guy (points to the Mayor)…

Everyone was laughing, including the Mayor.

Jensen: It’s all pretty awesome, so thank you [to Jared] for being a part of this with me. Now let’s take some pictures!

He then went into Director!Jensen mode, getting people into position and making sure that photographer Kim Prior had all the shots she needed before moving to the next configuration.

jared padalecki jensen ackles with sandra danneel and gen selfie
Jared Padalecki, Jensen Ackles, Danneel and Gen take a selfie with Sandra

After the requisite posed shots, Jared insisted that we get a photo of the entire group, so we all jammed in together for a few photos. It’s not every celebrity who wants a picture with every fan in the room, but anyone who knows Jared probably wasn’t surprised. Afterwards, the Supernatural actors and their wives stayed to chat with fans and with the volunteers from Austin Pets Alive. It was a small enough group that the foursome felt comfortable enough to mingle, as did the Mayor.

In fact, I’m fairly certain they took a photo with every single fan who asked for one, stopping to chat a bit with anyone who had something to say. At one point, a fan was feeling a bit overcome by the excitement of Jared and Jensen being there and by too many people crowded around them, and they made sure to seek her out for a photo in a quieter section of the room. Jared and Jensen both purchased some Austin Pets Alive merch that Danneel and Gen proudly wore and donated in the donations jar as well.

Gen and Danneel also mingled with the crowd, taking selfies and chatting with fans. They introduced me to two guys from the Supernatural crew who were also there (Tyler later belted out some amazing karaoke). I chatted with Jensen about the beer I’d tried at his brewery the day before (the Summer Spree, for those who might be interested – a delicious seasonal beer with a watermelon twist) and to get some food recommendations for my return trip to the Family Business Beer Company (the shrimp po boy, which by the way was FABULOUS).

Before they left, the foursome posed for a selfie with organizer Sandra, with Jensen once again trying to direct while Jared took the picture and all of them ending up laughing together. It was a fun and candid moment, seeing the four of them enjoy each other’s company and be so comfortable among their fans. Jensen stole a pair of shark glasses for his daughter JJ from the photo op table – if you can really call it ‘stealing’ when he loudly announced that he was doing just that.

Near the end of the evening, Jared climbed up on a table to once again thank everyone for coming and for the good work that the fandom does, clearly touched and grateful. There were goodbye hugs, and then the Ackles and Padaleckis headed out and Mayor Adler headed home to be with his grandchildren.

The room full of very happy fans gathered around the mic for a giant group karaoke rendition of ‘Carry On Wayward Son’ and had a few more drinks – then we walked back to our hotel down 6th Street, blocked off to traffic and full of joyous revelers at midnight. It was like a mini Bourbon Street, and the perfect way to cap off a wonderful night. One that made us proud to be Supernatural fans!

Filming starts July 10, according to Jared and Jensen – stay tuned for my Comic Con coverage and then my weekly episode reviews of Season 14!

‘Jurassic World: Fallen Kingdom’ falls short but tops box office ahead of ‘Incredibles 2’

Dinosaurs might still roar loudly at the box office, but “Jurassic World: Fallen Kingdom” was a little quieter than its predecessor this weekend. $150 million in ticket sales in U.S. and Canada theaters over the weekend is nothing to sneeze at, Universal Pictures still has a long way to recoup the $300 million plus the movie cost including marketing.

While that total didn’t approach the record-breaking $208.8 million debut of 2015′s “Jurassic World,” it proved the 25-year-old franchise still roars loudly among moviegoers.

It also gave Hollywood its first back-to-back $100 million-plus openings in a non-holiday period. After opening with $182.7 million last week, Pixar’s acclaimed sequel “Incredibles 2” slid 56 percent in its second week, with an $80.9 million haul.

The combined firepower of “Fallen Kingdom” and “Incredibles 2″ fueled $280 million in total ticket sales, making it Hollywood’s fourth-biggest overall weekend ever, not accounting for inflation. Business was roughly double what it was the same June weekend last year, according to comScore.

“The normal course of box office is that the two films would cannibalize each other’s box office in some way,” said Paul Dergarabedian, senior media analyst for comScore. “This weekend proves that if you have two incredibly appealing movies in the marketplace at the same time, the marketplace will expand. The year-to-date box office jumped 2.5 percent in one weekend, from 6 percent to 8.5 percent.”

“Jurassic World: Fallen Kingdom” has already tallied hundreds of millions in overseas ticket sales over the past two weeks. Its worldwide total already stands at $711.5 million.

The film, starring Chris Pratt and Dallas Bryce Howard, moves the action away from an isolated tropical island. In “Fallen Kingdom,” directed by J.A. Bayona, the dinosaurs are again threatened with extinction because of a soon-to-explode volcano. But they are trapped by a band of mercenaries, a plot intended to mirror real-life animal poaching.

Like 2015′s “Jurassic World,” ″Fallen Kingdom” was able to shrug off mediocre reviews — something that many other franchises have struggled to do lately. It sits at just 50 percent rotten on Rotten Tomatoes but received an A-minus CinemaScore from audiences.

Universal Pictures, which is planning a third “Jurassic World” film, heavily promoted the $170 million production. Drawing audiences equally young and old, male and female, and from a diverse array of ethnicities, “Fallen Kingdom” played like a classic crowd-pleaser.

“We’re seeing exit polls that indicate all quadrants came out to see this movie,” said Jim Orr, Universal’s distribution chief. “The majority of the audience was under 25. Obviously, we’re playing very broadly, and to families overall, and so thus the result at the very high end of our expectations.”

The domestic opening is the second-best for the 106-year-old Universal. It only follows “Jurassic World,” which went on to make nearly $1.7 billion for the studio.

After notching the biggest opening ever for an animated release last weekend, Brad Bird’s “Incredibles 2” held on strongly considering the family-film competition. Its global gross is now up to $485 million, including a $21.2 million debut in China, a Pixar best.

The female-fronted heist film “Ocean’s 8,” starring Sandra Bullock and Cate Blanchett, crossed $100 million domestically, with $11.7 million in its third week. Thanks to drive-in double-features with “Incredibles 2,” Ava DuVernay’s “A Wrinkle in Time” also cleared the $100 million milestone, a first for a black female director.

The Fred Rogers documentary “Won’t You Be My Neighbor” became the summer’s second documentary to crack the top 10. Following the Ruth Bader Ginsberg documentary “RBG,” Morgan Neville’s hit documentary on the man behind “Mister Rogers’ Neighborhood” grossed $1.9 million on 348 screens.

Sony Pictures Classics’ “Boundaries,” a father-daughter road trip starring Vera Farmiga and Christopher Plummer, made a muted debut with $29,000 from five theaters.

Peter Fonda, who plays a supporting role in the film, on Wednesday apologized for a tweet in which he suggested 12-year-old Barron Trump, son of President Donald Trump, should be ripped from “his mother’s arms and put in a cage with pedophiles” as payback for the policy of separating children from their parents at the Mexican border.

Donald Trump Jr. criticized Sony Pictures Classics for releasing the film. In response, the specialty distributor condemned Fonda’s words as “abhorrent and reckless” but said it would go ahead with the film’s planned limited release.

Despite some high-profile misfires, including the recent “Solo: A Star Wars Story,” the North American box office has rebounded back from an alarming downturn last summer. For the year so far, ticket sales in the United States and Canada stand at $5.9 billion, an 8.5 percent increase from the same period last year, according to comScore. Still to come this summer are expected hits like “Skyscraper,” “The First Purge” and “Mamma Mia: Here We Go Again!” — all from Universal.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final domestic figures will be released Monday.

  1. “Jurassic World: Fallen Kingdom,” $150 million ($106.7 million international).
  2. “Incredibles 2,” $80.9 million ($56.8 million international).
  3. “Ocean’s 8,” $11.7 million ($26.9 million international).
  4. “Tag,” $8.2 million.
  5. “Solo: A Star Wars Story,” $4 million ($2.6 million international).
  6. “Deadpool 2,” $5.3 million ($5.3 million international).
  7. “Hereditary,” $3.8 million ($3.8 million international).
  8. “Superfly,” $3.4 million.
  9. “Avengers: Infinity War,” $2.5 million ($1.4 million international).
  10. “Won’t You Be My Neighbor,” $1.9 million.

Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:

  1. “Jurassic World: Fallen Kingdom,” $106.7 million.
  2. “Incredibles 2,” $56.8 million.
  3. “Ocean’s 8,” $26.9 million.
  4. “Lobster Cop,” $6.7 million
  5. “Deadpool 2,” $5.3 million.
  6. “The Accidental Detective 2,” $5.3 million.
  7. “Hereditary,” $3.8 million.
  8. “The Way of the Bug,” $3.6 million.
  9. “Solo: A Star Wars Story,” $2.6 million.
  10. “A Quiet Place,” $1.7 million.

Top 10 Must Watch Summer Shows

Summer may have just started but once July 4 hits, it feels like it’s just a fast slide into fall television, but there are plenty of great tv shows for you to check out. Many you may not have heard of with all the other news cluttering the airwaves, but here are 10 worth your time.

The fall television season is months away, but that’s no reason to stare moodily at a blank screen. In this era of peak TV, there are so many outlets and shows clamoring for your summertime attention that it can be as daunting as choosing between a mojito and a frozen daiquiri.

The following highlights include enough crime to send chills down your spine, the temperature notwithstanding, along with a slice of history and some upbeat options (debut dates noted for upcoming series, all times EDT).

— “Love Is_,” OWN, 10 p.m. Tuesdays. The romantic drama from married producers Mara Brock Akil (“Girlfriends,” ″The Game”) and Salim Akil (“Black Lightning”) is inspired by their relationship. The series toggles between the 1990s Hollywood scene and present day as it follows the intertwined lives and careers of Nuri (Michele Weaver) and Yasir (Will Catlett) and how they reflect back on it all.

— “The Great British Baking Show,” PBS, 9 p.m. Friday (check local listings). Mary Berry and Paul Hollywood, the show’s original and inspiringly exacting judges, are on hand for this previously unaired (in the U.S.) season of the butter-drenched contest. Hosts Sue Perkins and Mel Giedroyc lend support as amateur bakers try to top each other’s bagels, strudel, treacle tarts and more.

the pacific war in color hot summer shows

— “The Pacific War in Color,” Smithsonian Channel, 8 p.m. EDT Sunday. The eight-part documentary series combines rare color film from the World War II Pacific theater and homefront with first-hand accounts. The footage, some shot by servicemen, includes dogfights and beachfront invasions and Gen. Douglas MacArthur’s home movies of post-war Japan.

—“The Incredible Dr. Pol,” Nat Geo Wild, 9 p.m. July 7. A reality series set in rural Michigan and featuring a veterinarian in his mid-70s is far from standard TV fare. But the intrepid dedicated Dr. Jan Pol is so popular that the show is in its eighth year. Among the new challenges facing Pol and his colleagues: a horse with colic, a piglet in serious trouble and a dehydrated dachshund.

amy adams sharp objects show
Amy Adams in Sharp Objects on HBO

—“Sharp Objects,” HBO, 9 p.m. July 8. Amy Adams stars in this eight-episode adaptation of Gillian Flynn’s novel about a reporter who’s immersed in murder and her dark hometown past. The Oscar nominee is in good company, playing opposite Patricia Clarkson and Chris Messina and directed by Jean-Marc Vallee (“Big Little Lies”) in scripts from Flynn and Marti Noxon (“Dietland,” ″Girlfriends’ Guide to Divorce”).

kevin hart tko hot summer show

—“TKO: Total Knock Out,” CBS, 8 p.m. July 11. Kevin Hart is in charge as host of this light-hearted competition series from “Survivor” producer Mark Burnett. Contestants navigate an obstacle course as rivals try hard to thwart their progress. A cash prize awaits the winner.

— “Hidden,” Acorn TV, Monday, July 16. If you forgot to book a trip to scenic Wales, get an eyeful combined with a murder mystery in this eight-part drama filmed on location. Sian Reese-Williams stars as a police detective who returns to her Welsh hometown to care for her father and ends up on the job, confronting the death of a local woman with far-ranging implications.

ray romano get shorty epix hot summers shows
Ray Romano with Chris O’Dowd in Get Shorty on Epix

—“Get Shorty,” Epix, 9 p.m. Aug. 12. Chris O’Dowd and Ray Romano are back for season two of the dark comedy based on Elmore Leonard’s novel about a career criminal (O’Dowd) and his foray into Hollywood filmmaking. Raymond Cruz (“Breaking Bad”) joins the cast as a prison gang leader with a 1980s style fetish, and Felicity Huffman and Steven Weber are among the guest stars.

— “Ozark,” Netflix, Friday, Aug. 31. The danger builds for Marty Bryde and those close to him in the drama’s sophomore season. Jason Bateman stars as the Chicago financial adviser who’s re-settled his family in the Missouri Ozarks after a serious misstep with a drug cartel. Laura Linney plays Marty’s wife, with newcomer Janet McTeer as an attorney to be feared.

— “Castle Rock,” Hulu, Wednesday, July 25. This new drama has a pedigree to brag about, with J.J. Abrams and Stephen King as executive producers and Andre Holland, Sissy Spacek and Bill Skarsgard in the cast. But other than describing it as a psychological-horror series that combines the hallmarks of the King’s “best-loved works,” Hulu is mum. They stream, you decide.

‘Roseanne,’ ‘Transparent,’ ‘House of Cards’ fighting through scandals

2017 saw politicians and celebrities flame out quickly after a scandal, but 2018 has seen television shows fighting through their issues. Mainly the star of the show getting rocked by scandal which would usually kill a show off immediately.

Three current shows — “Roseanne,” ″Transparent” and “House of Cards” — have been crippled by scandal, but each plans to continue without their disgraced stars.

“The bottom line is fundamentally money,” said Karen Tongson, a professor of English, Gender Studies and American Studies and Ethnicity at the University of Southern California. “These crews, these actors, these shows that have audiences, that have critical acclaim, are pushed to continue for those reasons.”

The reboot of “Roseanne” had an excellent first season in the ratings — it also earned an estimated $45 million in advertising revenue for ABC — when its future was thrown into doubt by a racist tweet by star Roseanne Barr.

roseanne barr signs off for the connors

On Thursday, ABC said it ordered 10 episodes of a spinoff called “The Conners” after Barr relinquished any creative or financial participation in it, which the network had said was a condition of such a series.

In a statement issued by the show’s producer, Barr said she agreed to the settlement to save the jobs of 200 cast and crew members who were idled when “Roseanne” was canceled last month.

“I regret the circumstances that have caused me to be removed from ‘Roseanne,’ she said, adding, “I wish the best for everyone involved.”

A Barr-less “Roseanne” sitcom might get viewers to tune in, but Tongson doesn’t believe they’ll all hang around. “I think people will be curious to see what they try to do with the exit of its lead. But I’m not sure it will hold necessarily,” she said.

“People tuned in largely because of the volatility of Roseanne — the character and also the personality,” she added. “It has the opportunity to gain different audiences and new audiences by centering certain characters, but I think that some of that tension might be removed.”

“Roseanne” isn’t alone in trying to forge a new TV path without a key member.

“House of Cards,” Netflix’s first original series and one that’s important for its brand, was rocked last October amid sexual misconduct allegations against star Kevin Spacey. Robin Wright, who co-starred as wife to Spacey’s Francis Underwood, will be the focus of the new final season.

And Amazon Studios has said “Transparent” star Jeffrey Tambor won’t be on the series when it returns for its fifth season. Two women — an actress on his show and his assistant — allege sexual misconduct; he has vehemently denied it.

Marc Berman, a TV analyst who is the creator of Programming Insider, said any network taking a lead character off a hit show is taking a gamble. But networks are loathe to walk away from a successful show.

“To not have the lead character on any of these three shows is certainly a challenge. It’s not impossible, but it’s a challenge,” he said. “When you do something like this, you have to focus on the ensemble of the show. You have to focus on the other characters.”

Tongson notes that “Roseanne,” ″Transparent” and “House of Cards” — two of which appear on streaming platforms and one on a big network — face different challenges when they restart.

“The thing about all three shows is that they appeal to widely different demographics so there will be different reasons for tuning in for those audiences,” she said.

Tongson notes that while Tambor was a prominent character on “Transparent,” he’s not as front-and-center anymore, perhaps meaning that the show can better survive his loss. The series also prides itself on having a diverse production staff with many transgender people represented; something creators want to keep together.

With “House of Cards,” while Spacey was without a doubt a central character, Tongson notes that the show has always been about the interplay between Frank and Claire Underwood. “Spacey was both irritant and stimulant for many viewers of that show, so I think they can easily see themselves proceeding without that character,” she said.

Television history offers a mixed scorecard of shows surviving without its original star: For every successful one — “Cheers” and “CSI: Crime Scene Investigation” — there’s a “Nashville” or a “Spin City” that largely failed.

Hit shows surviving the loss of their stars include “The Office,” which bid farewell to Steve Carell after seven seasons and continued on for two more. “Cheers” nicely weathered the loss of Shelley Long and kept going for six more seasons and “NYPD Blue” shrugged off the loss of David Caruso.

Other examples include “Charmed,” which survived the loss of Shannen Doherty after three seasons to press on for five more, and “CSI,” which kept solving cases until the final 15th season with Laurence Fishburne and Ted Danson after William Petersen walked away from regular duties after season nine. Even the show “Valerie” survived without its star, Valerie Harper.

But “Nashville” couldn’t overcome the loss of Connie Britton after season five and ratings plunged for the final season six. And Charlie Sheen couldn’t save “Spin City” after the departure of Michael J. Fox. Many believe “The X-Files” didn’t succeed without star David Duchovny in seasons 8 and 9.

Berman said he thought “The Conners” might succeed simply because “Roseanne” lasted for 10 seasons. “These characters have been around for a very long time. We know who they are. In some ways, this will give these characters a chance to stand out a little bit more without the central character on the show,” he said. “The secret sauce in all these shows is it’s not just about this one character.”

Supreme Court gives cellphones more privacy plus net neutrality

Privacy rights advocates got a win on Friday after the Supreme Court ruled that police do need to get a warrant to look at records that reveal where cellphone users have been. Now law enforcement will require a judge’s approval before being able to track where you’ve been by way of historical cellphone location data. This decision upholds the Fourth Amendment which protects citizens from unreasonable searches and seizures.

The justices’ 5-4 decision marks a big change in how police may obtain information that phone companies collect from the ubiquitous cellphone towers that allow people to make and receive calls, and transmit data. The information has become an important tool in criminal investigations.

Chief Justice John Roberts, joined by the court’s four liberals, said cellphone location information “is detailed, encyclopedic and effortlessly compiled.” Roberts wrote that “an individual maintains a legitimate expectation of privacy in the record of his physical movements” as they are captured by cellphone towers.

[pdf-embedder url=”https://movietvtechgeeks.com/wp-content/uploads/2018/06/supreme-court-ruling-on-cellphone-privacy-search-warrants-2018.pdf” title=”supreme court ruling on cellphone privacy search warrants 2018″]

Roberts said the court’s decision is limited to cellphone tracking information and does not affect other business records, including those held by banks. He also wrote that police still can respond to an emergency and obtain records without a warrant.

But the dissenting conservative justices, Anthony Kennedy, Samuel Alito, Clarence Thomas and Neil Gorsuch, cast doubt on Roberts’ claim that the decision was limited. Each wrote a dissenting opinion, and Kennedy said in his that the court’s “new and uncharted course will inhibit law enforcement” and “keep defendants and judges guessing for years to come.”

Roberts does not often line up with his liberal colleagues against a unified front of conservative justices, but digital-age privacy cases can cross ideological lines, as when the court unanimously said in 2014 that a warrant is needed before police can search the cellphone of someone they’ve just arrested.

The court ruled Friday in the case of Timothy Carpenter, who was sentenced to 116 years in prison for his role in a string of robberies of Radio Shack and T-Mobile stores in Michigan and Ohio. Cell tower records spanning 127 days, which investigators got without a warrant, bolstered the case against Carpenter.

Investigators obtained the records with a court order that requires a lower standard than the “probable cause” needed for a warrant. “Probable cause” requires strong evidence that a person has committed a crime.

The judge at Carpenter’s trial refused to suppress the records, finding no warrant was needed, and a federal appeals court agreed. The Trump administration said the lower court decisions should be upheld.

The American Civil Liberties Union, representing Carpenter, said a warrant would provide protection against unjustified government snooping.

“This is a groundbreaking victory for Americans’ privacy rights in the digital age. The Supreme Court has given privacy law an update that it has badly needed for many years, finally bringing it in line with the realities of modern life,” said ACLU attorney Nathan Freed Wessler, who argued the Supreme Court case in November.

The administration relied in part on a 1979 Supreme Court decision that treated phone records differently than the conversation in a phone call, for which a warrant generally is required.

The earlier case involved a single home telephone and the court said then that people had no expectation of privacy in the records of calls made and kept by the phone company.

“The government’s position fails to contend with the seismic shifts in digital technology that made possible the tracking of not only Carpenter’s location but also everyone else’s, not for a short period but for years and years,” Roberts wrote.

The court decided the 1979 case before the digital age, and even the law on which prosecutors relied to obtain an order for Carpenter’s records dates from 1986, when few people had cellphones.

The Supreme Court in recent years has acknowledged technology’s effects on privacy. In 2014, Roberts also wrote the opinion that police must generally get a warrant to search the cellphones of people they arrest. Other items people carry with them may be looked at without a warrant, after an arrest.

Roberts said then that a cellphone is almost “a feature of human anatomy.” On Friday, he returned to the metaphor to note that a phone “faithfully follows its owner beyond public thoroughfares and into private residences, doctor’s offices, political headquarters, and other potentially revealing locales.”

As a result, he said, “when the government tracks the location of a cell phone it achieves near perfect surveillance, as if it had attached an ankle monitor to the phone’s user.”

Even with the court’s ruling in Carpenter’s favor, it’s too soon to know whether he will benefit from Friday’s decision, said Harold Gurewitz, Carpenter’s lawyer in Detroit. The Cincinnati-based 6th U.S. Circuit Court of Appeals will have to evaluate whether the cellphone tracking records can still be used against Carpenter under the “good faith” exception for law enforcement — evidence should not necessarily be thrown out if authorities obtained it in a way they thought the law required. There also is other evidence implicating Carpenter that might be sufficient to sustain his conviction.

mark santiago feels repercussions over net neutrality bill

A California lawmaker’s decision to alter a net neutrality bill considered one of the nation’s most aggressive efforts to require an equal playing field on the internet has generated intensely personal online attacks aimed at his family as well as criticism from fellow Democrats in Congress.

Assemblyman Miguel Santiago leads a committee that this week stripped whole chunks of a net neutrality measure. He stirred a passionate reaction from open internet advocates who think the state that is home to the technology sector and the liberal resistance to President Donald Trump should take a hardline stance on the matter.

The decision reverberated far beyond California’s Capitol, drawing rebukes from members of Congress and leading the state Democratic chairman to try to diffuse tension. Santiago quickly drew fire in online memes and a flood of calls to his office accusing the Los Angeles lawmaker of selling out to internet providers, citing his contributions from AT&T.

“My personal family pictures have been stolen from my social media platforms and used to create memes,” Santiago wrote in a lengthy statement defending his move Friday. “This is a new low.”

One meme shows a picture of him with his wife and two children with text portraying a hypothetical conversation in which Santiago tells them how to be “a sellout whore” who is “just like daddy.” Facebook commenters urged people not to donate to the foundation where his wife works.

In his most thorough explanation for the decision to date, Santiago said he changed the bill to help it withstand legal muster. But the bill’s author, Democratic Sen. Scott Wiener of San Francisco, declared his measure “eviscerated” and “mutilated,” saying he couldn’t stand behind legislation that he doesn’t believe has teeth.

Wiener said the attacks on Santiago are inappropriate.

“That is fair game to criticize any elected official for the positions that we take,” Wiener said. “It’s not OK to attack people’s families or to engage in personal attacks.”

The Federal Communications Commission last year repealed Obama-era regulations that prevented internet companies from speeding up or slowing down the delivery of certain content.

The debate in California is being closely watched by net neutrality advocates around the country, who are looking to the state to pass sweeping net neutrality provisions that could drive momentum in other states, Marc Martin said, chair of the communications group at the law firm Perkins Coie.

“California’s got this very significant Democratic majority. If it can’t make it there, how’s it going to make it anywhere else?” Martin said.

Three states have adopted legislation that takes various approaches preserving net neutrality, but Wiener’s California bill was seen as the most comprehensive effort.

Wiener and Santiago both said they’re committed to improving the bill, though it’s unclear if their differences can be bridged.

Santiago has taken the bulk of the fire for amendments that were approved by eight of the 11 members of the Assembly Communications and Conveyance Committee.

The showdown represents the latest flashpoint in the Democratic Party over ideological purity. California Democratic Party chairman Eric Bauman attempted to defuse tension Thursday with a statement urging Santiago and Weiner to work together to find the right solution. He did not condemn Santiago’s actions.

The decision disappointed House Minority Leader Nancy Pelosi, her spokeswoman, Taylor Griffin, said in an email.

“It is our hope that the state legislature will find a solution to safeguard Californians from the Trump FCC’s misguided net neutrality decision and secure California’s rightful place as a national leader in the fight for an open internet for all,” Griffin said. Pelosi lives in San Francisco but rarely weights into state legislative issues.

Rep. Edward Markey of Massachusetts, who is leading a federal effort to revive net neutrality, was similarly critical, as were Los Angeles Mayor Eric Garcetti and actress Alyssa Milano.

Donald Trump NKorea nukes and family separation fact check

Donald Trump did something we’re very familiar with. He changed his mind on a divisive wedge issue that he had been pushing Republicans to solve. After being forced to sign an executive order stopping the separation of immigrants entering the United States illegally from their families, he reversed course on Twitter.

Lawmakers had been struggling and fighting each other over two immigration bills, and suddenly they were hamstrung. It came as no surprise to many in Congress as the Trump administration has changed its story on family separation 14 times already before finally giving up on it.

mark meadows fighting with paul ryan about immigration on house floor
Mark Meadows fights with Speaker Paul Ryan on House floor over immigration.

President Donald Trump is misrepresenting the scope of his executive order that would halt his administration’s policy of separating children from their parents when they are detained illegally crossing the U.S. border.

He suggests the order is a permanent solution. But the president is contradicted by his own Justice Department, which describes the effort as stopgap and limited by a 21-year-old court settlement under which the federal government essentially agreed not to detain immigrant minors longer than 20 days. Trump has instructed Attorney General Jeff Sessions to ask a federal court to overturn the settlement. But immigration advocates criticize that move as allowing a more indefinite detention of families until criminal and removal proceedings are completed, signaling legal battles ahead.

A look at Trump’s statement and the underlying facts:

TRUMP: “We’re keeping families together, and this will solve that problem.”

THE FACTS: It doesn’t solve the problem.

Trump’s executive order will continue his “zero tolerance” policy of criminally prosecuting all adults caught crossing the border illegally and will now seek to keep families together instead of separating them while their legal cases are heard by the courts.

But a 1997 landmark settlement known as the Flores agreement that generally bars the government from keeping children in immigration detention for more than 20 days remains in place. Trump is seeking to have the settlement overturned, but his Justice Department said Wednesday that the 20-day policy essentially remains in effect until Congress or the courts take action to change that.

That means without further action from Congress or the courts, the Trump administration could be forced to again separate the immigrant children from their parents in three weeks.

Trump’s order also requests that the Defense Department make facilities available on military bases to house detained immigrant families or to construct new facilities. Depending on the availability of space, his order does not indicate whether children will continue to remain separated from their parents while additional facilities are being built.

donald trump on north korea nuclear agreement

President Donald Trump is trumpeting results of his summit with North Korean leader Kim Jong Un that get ahead of reality.

He is declaring that North Korea has already begun ridding itself fully of nuclear weapons following an agreement with Kim in Singapore earlier this month, even though his Defense Department says otherwise.

Trump also prematurely claimed the return of remains of U.S. servicemen missing from the 1950-53 Korean War.

A look at how his statements compare with the facts:

TRUMP: “The big thing is, it will be a total denuclearization, which has already started taking place.” — remarks Thursday at Cabinet meeting.

THE FACTS: That’s not what his Pentagon chief, Jim Mattis, says. When asked by a reporter on Wednesday whether he had seen any sign that North Korea had begun steps toward denuclearization, Mattis replied, “I’m not aware of any. Obviously, we’re at the very front end of the process. Detailed negotiations have not begun.”

At the summit, Kim committed to “complete denuclearization of the Korean Peninsula,” but no details were worked out.

In May, prior to the summit, North Korea demolished tunnels at its sole underground nuclear test site, although outsiders have not inspected the result. Its nuclear program has many other elements, including nuclear materials production facilities, nuclear warheads, ballistic missiles and missile launchers.

TRUMP: “We got back our great fallen heroes, the remains sent back today, already 200 have been sent back.” — remarks Wednesday at a rally in Duluth, Minnesota.

THE FACTS: No remains have been returned, although Pentagon officials say they are prepared to receive them. Although the Singapore declaration said this would happen immediately, U.S. officials have given no indication that North Korea has committed to any specific timetable for the return.

On Thursday, in remarks at a Cabinet meeting, Trump modified his claim, saying, “They’ve already sent back or are in the process of sending back the remains of our great heroes who died in North Korea during the war.”

Aside from uncertainty over when North Korea will return the remains it has collected over the years, it’s unclear whether all will be in a condition to permit their positive identification, or whether they all are even Americans. A number of allied soldiers who fought alongside the U.S. during the war also are missing.

Nearly 7,700 American service members are listed as unaccounted for from the Korean War, of which an estimated 5,300 were lost in North Korea.

‘Gaming disorder’ now considered an addictive illness by WHO

The video game industry isn’t happy with the World Health Organization (WHO) adding ‘gaming disorder’ to its list of medical condition and diagnosis. They along with many researchers feel that their scientific evidence is ‘weak.’

Now that the world’s leading public health group says too much Minecraft can be an addiction, could overindulging in chocolate, exercise, even sex, be next?

The short answer is probably not.

The new “gaming disorder” classification from the World Health Organization revives a debate in the medical community about whether behaviors can cause the same kind of addictive illness as drugs.

The strictest definition of addiction refers to a disease resulting from changes in brain chemistry caused by compulsive use of drugs or alcohol. The definition includes excessive use that damages health, relationships, jobs and other parts of normal life. Brain research supports that definition, and some imaging studies have suggested that excessive gaming might affect the brain in similar ways.

Under a looser definition, addiction is considered “a disease of extreme behavior. Any behavior carried to an extreme that consumes you and keeps you from doing what you should be doing becomes an addiction as far as life is concerned,” said Dr. Walter Ling, a UCLA psychiatrist.

In its widely used manual for diagnosing mental illness, the American Psychiatric Association calls excessive video gaming a “condition” but not a formal diagnosis or disease, and says more research is needed to determine if it qualifies as an addiction.

DRUGS AND THE BRAIN

Certain drugs including opioids and alcohol can over-activate the brain’s reward circuit. That’s the system that under normal circumstances is activated when people engage in “behaviors conducive to survival” including eating and drinking water when thirsty, explained Dr. Andrew Saxon, chairman of the association’s addiction psychiatry council. The brain chemical dopamine regulates these behaviors, but narcotic drugs can flood the brain with dopamine, encouraging repeated use and making drug use more rewarding that healthy behaviors, Saxon said. Eventually, increasing amounts are needed to get the same effect, and brain changes lead to an inability to control use.

WHAT ABOUT OTHER SUBSTANCES?

Caffeine is a stimulant and also activates the brain’s reward system, but to a much lesser degree than addictive drugs. The “reward” can make people feel more alert, and frequent users can develop mild withdrawal symptoms when they stop, including headaches and tiredness. Caffeine-containing chocolate may produce similar effects. Neither substance causes the kinds of life problems found in drug addiction, although some coffee drinkers develop a tolerance to caffeine and need to drink more to get the same “buzz” or sense of alertness.

The World Health Organization recognizes caffeine “dependence” as a disorder; the American Psychiatric Association does not and says more research is needed.

“The term ‘addiction’ is tossed around pretty commonly, like ‘chocoholic’ or saying you’re addicted to reality TV,” said Dr. Ellen Selkie, a University of Michigan physician who studies teens’ use of digital technology. But addiction means an inability to control use “to the point where you’re failing at life,” she said.

WHAT ABOUT BEHAVIOR?

The only behavior classified as an addiction in the American Psychiatric Association’s diagnostic manual is compulsive gambling. To be diagnosed, gamblers must have several symptoms including repeatedly gambling increasing amounts of money, lying to hide gambling activity, feeling irritable or restless when trying to stop, and losing jobs or relationships because of gambling. Research suggests excessive gambling can affect the brain in ways similar to addictive drugs. Since the diagnostic manual was last updated, in 2013, studies have bolstered evidence that excessive video gaming may do the same thing, and some experts speculate that it may be added to the next update.

The manual doesn’t include sex addiction because there’s little evidence that compulsive sexual behavior has similar effects on the brain.

Many excessive gamblers, gamers, and sex “addicts” have other psychiatric conditions, including anxiety, attention deficit disorder and depression, and some mental health specialists believe their compulsive behaviors are merely symptoms of those diseases rather than separate addictions.

Excessive use of the internet and smartphones is also absent from the psychiatric manual and World Health Organization’s update. Psychiatrists disagree on whether that is a true addiction — partly because overuse is hard to measure when so many people need to use their smartphones and the internet for their jobs.

DOES THE TERM MATTER?

The World Health Organization’s decision to classify excessive video gaming as an addiction means “gaming disorder” will be added to this year’s update to the organization’s International Classification of Diseases. Doctors worldwide use that document to diagnose physical and mental illnesses. Insurers, including Medicaid and Medicare, use billing codes listed there to make coverage decisions. The American Psychiatric Association’s manual is widely used for defining and diagnosing mental disorders. If conditions aren’t listed in these documents, insurance coverage for treatment is unlikely.

Can AMC beat Moviepass with new $20 subscription service?

Rather than trying to fight off the flagging MoviePass, AMC Theatres, the world’s largest movie theater chain, has unveiled a $20-a-month subscription service. It will be twice as expensive, but the service will have fewer restrictions.

The theater chain announced a new service to its loyalty program, AMC Stubs, allowing subscribers to see up to three movies a week for a monthly fee of $19.95. That’s more expensive than the $9.95 monthly fee for MoviePass, but AMC’s plan gives access to premium format screenings like IMAX and 3-D.

AMC Stubs A-List members also enjoy all the benefits of AMC Stubs Premiere, including free upgrades on popcorn and soda, free refills on large popcorn, express service at the box office and concession stand, no online ticketing fees and 100 points for every $1 spent for the AMC Stubs A-List monthly fee and food and beverage spending at AMC theatres. AMC Stubs Premiere members receive a $5 reward for every 5,000 points earned, which translates to a 10% credit toward future AMC purchases.

The new subscription model is the latest salvo in a heated battle for what the movie business most craves: frequent moviegoers. AMC, which has blocked MoviePass sales at some of its theaters, has been a vocal opponent of MoviePass’ model. But subscription services are popular among Millennials, who have proven difficult for theaters to attract.

AMC Theatres chief executive Adam Aron pointedly noted Wednesday that AMC’s program was set at “a sustainable price.” Since MoviePass slashed its monthly fee, questions have mounted over the long-term viability of its economics.

“AMC Stubs A-List is being taken to market at more than double the price of that charged by some of our competitors,” Aron said in a conference call with investors. “A good deal to consumers to be sure, but being done at a sustainable price point where we can be very confident that we will be profitable across the membership base and in turn, that we can share that increased profitability with our studio and premium format partners.”

Added Aron: “Other discounters, by contrast, will continue to be hemorrhaging cash.”

MoviePass has attracted 3 million members, but the stock price of the service’s parent company, Helios, and Matheson, has dropped from $38 a share to 44 cents a share. MoviePass pays for full-priced tickets and sells them at a discounted rate in order to capitalize on user data.

When asked if Stubs A-List is meant to compete with MoviePass, an AMC representative countered that the company is focused on giving moviegoers something valuable.

“We understand the comparison, but we’re focused on our own program and on delivering the very best, most reliable movie-going value option in the entertainment industry, which is what we believe AMC Stubs A-List provides to our guests,” the representative told MTTG. “It’s simple, seamless, and a great way to go to the movies.”

AMC Stubs A-List membership plan, which also features concessions discounts, will debut Tuesday. Unlike MoviePass, subscribers will be allowed to see all three movies on the same day, and can watch the same movie repeatedly. Movies won’t carry over if a subscriber sees fewer than three films in a week.

AMC is estimating that subscription members will see an average of 2.5 movies a month. The theater chain expects the service could cost the company $5-10 million in ticket revenue in the next six months, but that those losses are worth future gains. If you see more than one movie a month, the AMC plan is one worth checking out when it starts next week.