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‘Walker’ 4.05 Revisits the Past: We’ve Been Here Before

This week’s episode of “Walker” saw the search for the Jackal heat up (along with Cassie and Luna), while James, on the other hand, refuses to warm up to Cordell at all after their falling out. It’s an episode all about how our past impacts our present, for better or worse.

Down the Rabbit Hole (Again)

Picking up where last week left off, Walker reluctantly fills James in on their new leads on the Jackal, taking him to their wall of “Supernatural”-looking case notes. 

Walker Cassie and Cordell drawing up a murder board at the station.

They announce it to the news and all put their heads together to try to stop this guy before he keeps going on another killing spree.

Det. Luna pulls his hair back. Yes, this is an important note.

Cordell is still worried about James, who’s noticeably cool to him.

Walker Cordell knocking on James door at station.

In fact, lots of people are kinda hard on him recently. Geri has to do all the exposition of what happened to lead up to Walker and James’ rift, which makes it sound like she’s critical of him trying to protect Larry. She also tells him to focus more on being a Ranger and not a co-owner of the Side Step, going to meet with an influencer about opening another without him. She’s not wrong that he can’t be in three places at once, but he looks a little sad to be left out.

Then Kelly comes over wanting to make a plan to keep James grounded and tells him that Larry’s more or less forgiven her, when it’s clear he hasn’t forgiven Cordell.

Poor guy is trying to keep everyone happy and it really isn’t working. Kelly wants him to make sure James doesn’t drown, but how is he supposed to do that?? I feel like he’s being set up to be blamed when things go off the rails again.

Geri and Cordell are in a good place, though. There’s a tender little scene where she helps him button his shirt sleeve cuffs later in the episode.

The episode pulls the viewer in on the mystery that is trying to figure out who the Jackal is. Interestingly, the motel room had zero DNA, which makes me instantly worried that’s because Det. Luna was of course there already. I do not want him to be the bad guy!! Poor Cassie doesn’t need another Kevin experience (and isn’t it ominous that the title of the episode is We’ve Been Here Before… I hope that doesn’t apply to Cassie here too!)

Everyone is pretty much stymied so James suggests they take a day, which seems like him being a bit more measured than last time at least. 

Walker set with Jared Padalecki, Cassie, hot Luna and Cody Bell.

Walker sends the rest of them home and hangs back in case James needs him, obviously feeling the weight of that responsibility.

We see another flashback of the last time they were close to catching the Jackal, James assaulted and bloody, Walker trying to help, Kelly begging him to come home with her, James shutting both of them out.  Back then, Kelly admonishes Walker, says he should have kept his eyes on him.

He really can’t get a break. No wonder he feels so much responsibility this time!

There’s a lot of guilt driving people’s behavior right now on Walker, and it’s mostly encouraging people to make not so great decisions.

And so, Cordell takes an undercover car and tails James, which of course will be a terrible idea – but it gave us some gorgeous shots of Padalecki through the windshield. He sees James meet with a young man – it’s Henry (the young boy whose dad was buried alive), who’s not (understandably) overjoyed to see James.  The poor guy is still regretting that he never told his dad that he looked up to him, which only increases Larry’s guilt. He also gives James some new information – that his dad was hooked on Oxy, which didn’t show up in the toxicology report.

Henry also gives James what should be some much-needed forgiveness, and he gives Henry some understanding of addiction in return, and a promise that he’s gonna catch the Jackal.  Henry insists he already knows who the Jackal is – a guy named Joe Barnes who keeps coming into his car repair shop.  James tries to calm him down; Henry gets heated and goes to walk out and Walker comes to the rescue, which of course James does not appreciate.

Cordell: How long are you gonna keep punishing me?

James: I’m not, we’ve been here before; the lying to protect each other!

They go after Henry, who’s determined to enact his own version of justice on this Barnes guy.  They catch him just as he’s chloroformed the man. Henry runs and Walker goes after him, dodging lots of heavy items thrown at him and finally catching Henry, who insists he gave them the Jackal. They find Henry’s research notebook and a photo of the Jackal – who is not Joe. But it is a bona fide clue.

Walker is still trying to be helpful and friendly, and James is still keeping him at arm’s length, calling him “Ranger.” Ouch.

Kelly comes to find her husband that night, expressing her worry that what happened before is happening again. He assures her that he’s not going to repeat the past. She reminds him that Walker cares and that she asked him to look out for him, which I was glad to hear.

But James is overcome with guilt every time he looks at the photo of Henry’s dad. He swigs a little bottle of liquor before he goes home with her, which honestly, I didn’t expect. Uh oh.

Speaking of Warming Up

Trey and Cassie invite Luna to come have a bite at the Side Step with them since they have the day off and he agrees, saying he’d like to get to know them a little better. Trey sees the way Cassie looks quite interested at that and makes an amused face – and honestly it seems a little soon for him to be so cool with that. He was holding out some hope for a relationship with her not long ago, so I find it hard to believe he’d find it cute or amusing already.

Maybe you’re just a bigger person than me, Trey!

Cassie and Luna bond over weirdnesses, weighted blankets on “toesies” for him and obsessive search for the perfect ground roast for her, while Trey looks on and possibly judges.

Luna goes to get them drinks.

Walker Trey recognizing how hot Luna is to Cassie.

Trey: Luna’s got swagger for days, huh?

He apologizes for pushing Cassie into a romance with Kevin, but she says this is a different situation. Trey says he fully supports it as her best friend in Austin. I still think he’s being way too cool, but okay. (I prefer Cassie and Trey as friends so this is not a complaint).

Trey says goodnight and leaves, and then Luna says the exact same thing about Trey as he did about him, and oh crap, that can’t be a coincidence, can it? Damn it!

She invites Luna to crash at her place, giving him bedding, and we all get to admire Luna bare chested. So does Cassie.

She contemplates knocking on his door, clearly interested but then doesn’t.

Cassie wakes up to find the bed made and Luna not there and coffee beans roasting in the oven (which seems like a terrible idea if she was asleep) but I guess he was coming right back? He reappears and they make a mutual unspoken decision to make out, and I’m good with that decision too, gotta say.

Walker Cassie deep kissing on Luna.

Shady Family History Redux

Augie goes to check on Stella, the two of them trying to find the necklace that someone is willing to kill Witt for. Stella has been in touch with Denise Davidson to try to find out if there’s any antique jewelry in the Davidson line of the family (oh and btw she broke up with Colton, which we assumed, but too bad, I liked that kid).  Stella’s not happy that Augie has been searching for the necklace in pawn shops by himself and is awfully cocky about being invincible because he’s in boot camp now.

Walker gay Augie talking to Stella.

They go off to search together, Stella cancelling on Liam at the horse rescue again.

It is really not Liam’s day. After Stella cancels, he calls Ben to see if he can help while he’s standing up on an ATV looking for holes in the path, which seems like a bad idea especially simultaneously.

Sure enough, he runs his ATV right into a stump, gets catapulted off and then lands hard. Oof.

It doesn’t seem to me to be entirely Stella’s fault, but Abeline seems to think it is, and that he’s taken on too much responsibility as a result. Bonham and Abeline offer to help while Liam is laid up with injuries and ask Geri to stay with Liam, so she asks the influencer to meet them there.

The influencer is every bad thing you might think about influencers. Liam jumps in to review the contract, which turns out to be not such a great idea as it sounded. Geri instead decides to open another Side Step herself.

Walker social media influencer with Geri to help with Side Step bar.

Mawline guilt trips Stella (and Augie) into coming to help out which Augie totally calls her on.

I am usually the number one Abilene fan, but I’m not so sure this was the right message to send to Stella. She essentially tells her to put up and do what you need to do, which I don’t entirely agree with. Helping people, especially loved ones, is great, but if you’re in pain and overwhelmed, you ought to be able to say so and ask for help too.

Mawline: I understand college is tough and the last few months tougher, but the truth is life doesn’t get easier. People are gonna ask things of you even if you’re overwhelmed or in pain, and if you love and care for those people, you’re gonna have to help.

Stella apologizes, but also tries to get some info from her grandparents about the necklace.  Bonham estimates it’s from the late 1800s, so they end up getting some after all.

Liam thinks about maybe wanting to get back in the courtroom, after his positive experience helping Geri deal with the annoying influencer. His dad reminds Liam that he should be able to rest; he says he just wants to help people.

(That’s kind of a theme of this episode – helping as a value, but also as something that can be unwanted or intrusive, or become such a strong value that asking for help for yourself gets lost in the shuffle.)

As Liam is focused entirely on helping people, he’s having a hard time asking for any. So he starts taking some pain pills for his back, which… uh oh.

A Familiar Name

Armed with their new information, Stella and Augie continue their search for the missing necklace.

Augie (who reminds me of one Sam Winchester with his long-haired online research skills) finds out the necklace belonged to one Ophelia Rawlins and was stolen from a museum five years ago.

Stella: Rawlins? As in Uncle Hoyt? Our favorite thief? No way he’d let it collect dust in a museum. He’d have gotten it back…

The plot thickens!

As always, I really enjoy the underlying themes this show weaves throughout the action. In this case, the power of guilt to warp our perception and decision-making. Cordell feels guilty for what happened with James last time, so he’s trying to make up for it by being hypervigilant, but it’s driving Larry further away.

Larry feels guilty for not being able to save Henry’s father, and that guilt is eating away at him, pushing him back towards alcohol to escape it. Kelly probably feels guilty too, that she couldn’t “save” her marriage and protect her child from heartbreak back then, so she’s encouraging Cordell in his hypervigilance and putting a lot of responsibility on him.

Stella feels guilty about almost killing Witt, so she and Augie are deep into a case that involves way too much danger to keep to themselves. Liam’s drive to rescue and help sometimes is too much, getting in the way of him being able to allow others to help him, as Bonham tries to point out – but Mawline guilt trips Stella into doing more helping and less talking about her own feelings, and I fear where that will go.  Helping is one of those great things that can turn out to not be a great thing if it’s the only thing we believe we’re valued for.

The only ones not mired in guilt right now are Luna and Cassie – or are they? How much has the Jackal case infiltrated Luna’s psyche?

Be sure to tune in and watch “Walker” when it airs or stream it on the CW app – the show is on the bubble right now, not knowing if it will get a renewal, so every view and stream helps!

‘Walker’ 4.04 Gets Real Dark With Insane B.S. and Bloodshed

Walker” is both a family drama and a crime fighting mystery drama. So far this season, we’ve had more of the family drama, which if you’ve been reading my reviews, you know I’ve enjoyed. I’m usually not quite as drawn into the case focused episodes, but this one was an exception – the show is getting as dark as it probably has so far with the Jackal, and it’s pretty compelling.

And disturbing.

There are a lot of interesting team-ups in this episode, some new and some long-standing (but maybe soon-to-be-disrupted…)

Stella and Augie Team Up With Witt

I wonder if the situation with Witt will somehow wind into the Jackal case too, or if it’s separate. The episode also saw a lot happening with Witt and Stella, after we left off the last episode with Witt holding Sadie and Stella at gunpoint and ordering them to “just drive”.

Witt, after forcing Stella and Sadie to drive him away from HQ, insists they’re on the same side. I can understand why they’d be a bit skeptical, Witt!

Walker Witt has Stella at gunpoint in car with Sadie 4.04.

He says that the shady and scary woman who hired him to steal a necklace from Geri’s house (and got him shot when Stella and Sadie came back there) is after him. Turns out it was his accomplice who died in that burning car – Witt switched their wallets so he could play dead. He feels as guilty about the other man dying as Stella did when she thought she accidentally killed him.

Sadie: All this insane BS and bloodshed is over a frickin’ necklace??

Apparently yes.

Witt gives them his gun and says he wouldn’t blame them if they shot him, but he’s asking for their help finding the necklace and he’s sorry for what he put them through. Then he walks away, leaving Stella holding the gun and sobbing.

Sadie tries to console her, but all the emotions Stella has been trying to swallow all this time, believing she killed Witt, just come pouring out. I thought Violet Brinson did an amazing job showing Stella’s breakdown, the way her face just crumples as Witt walks away. Ouch.

Sadie and Stella go to HQ to tell her dad, but then Stella has second thoughts. She doesn’t want Witt to go to jail and wants to help him instead. She now feels a connection with him, knowing what it feels like to be responsible for someone else’s death. This time Sadie is the voice of reason, but Stella prevails. Like father like daughter, Stella wants to wait until they find out more about the necklace before they tell her dad.

Sadie’s not having it.

Sadie: You insist on carrying around this misguided guilt, and I won’t carry it too. We can end this right now, I wish you’d see that.

While the two are arguing about whether to confide in Cordell, Augie and Liam are at Cordell’s waiting for Stella, who had promised to come back there but hasn’t shown up. The two decide to eat massive amounts of midnight steak nachos in some odd masculine ritual about bulking up, make themselves half sick, and make lots of jokes about stinking up the bathroom (which has to be an inside joke for Jared Padalecki, whose reputation for being “gassy” precedes him on this set too I’m sure).

Walker gay Liam pumping himself up for Augie.

Augie is worried about Stella, but Liam has been told by so many people to leave her alone that he’s reluctant to be intrusive.

Liam: I heard loud and clear that we should stop hounding her so I’m staying out of it.

I knew all this accusing Liam of being intrusive would come back to bite someone on the butt!

Augie comes to check on Stella anyway, though, just in time to say goodbye as Sadie leaves. Stella tries to get him to leave too but he refuses, saying she can always ask for his help, considering all they’ve been through.

Augie: I feel like I only survived those things because we had each other’s backs.

That gets through to Stella, who really needs someone on her side right now. Stella asks him to promise not to say a word and he does. The siblings lay on the floor to talk as they’ve done probably all their lives, and she tells him what’s happening. Augie, wanting to be a man and the protective brother for his sister, agrees to help.

Augie: I’m doing this boot camp thing – I’m basically a Navy SEAL so…

Witt comes to the door, saying he got Stella’s text and appreciates her help.

Augie holds out his hand and introduces himself, and the three try to figure out where to start. Which I’m sure is going to end up nowhere good.

Cassie Teams up With Detective Luna

Cassie does not agree with keeping Captain James in the dark. In fact, she’s so upset about it that she’s forced into using a lot of air quotes to say no, they don’t lie to Captain James. (Which hilariously is contagious because Walker starts using them too).

Cordell explains that the Jackal case screwed up James too much the first time, insisting that he’ll understand because he did the same thing for Walker when his wife died (didn’t tell him until they confirmed something). It kinda makes sense when you listen to Walker tell it like that, but it also seems like something that is guaranteed to go south.

Trey points out that Kelly expressly asked them not to say anything until they knew for sure, which is more compelling to Cassie. I mean, she really did put them in a very tough position. She specifically asked them not to tell him, terrified of losing him again. I can understand why they didn’t want to, even if it wasn’t the best idea. Their hearts were in the right place.

Trey fills her in on the latest clues on the Jackal, including medical equipment in a car (the Jackal immobilizes victims with Digoxin) and planning kills from a motel. How very “Supernatural!”

Cordell and James have a boys night out at the Side Step, so Cassie heads down to meet with Det. Luna, which fandom was anticipating, me included. It’s wonderful to have Walker Independence’s Justin Johnson Cortez back on our screens!

At their first meeting, he hops in the car with her, trying make them not look like cops to the bad guys lurking at the seedy motel.

Luna: Lucky for us, they’ll just assume I’m propositioning you as a sex worker.

Cassie: Mmm, lucky for us.

Luna knows the culture, grew up in it himself, and cues Cassie in – including her way too classy earrings and letting down her hair. There are sparks between these two already and I don’t think anyone is surprised about that! Also, I want to know more about Det. Luna and his backstory right now if not sooner.

He asks her if she’s ever worked a serial killer case and she runs down her impressive credentials and asks if that’s sufficient. Nicely done, Cassie!  He apologizes, but unfortunately, he also brought meat that is not from the Perez family business and therefore she is insulted by that too. Cassie gives the dinner to Amy, a young girl who lives at the motel with her mom (played by Jared Padalecki’s niece, Cecilia Balldin).

 I would totally have kept the cornbread.

Luna tells Cassie the disturbing parts they didn’t tell the press – the Jackal paralyzes his victims and then feeds them pureed fruit to keep them alive. Before burying them alive.

Oof is right, Cassie.

Did I mention this episode gets very dark? I’m not complaining, I’m a “Supernatural” fan after all, I appreciate a dark story, but this one was darker than “Walker” has been for the most part, especially this season.

There’s an altercation at the motel desk and Luna and Cassie play sex worker and client to check it out. They learn that Amy’s mom is missing and suspect that she might be the Jackal’s latest victim. Unfortunately, the bad guys get suspicious when they try to help Amy, and when one of them pulls a gun on them, Luna and Cassie instantly pull theirs. And with some smoothly coordinated badassery, they get the upper hand and hold the bad guys at gunpoint. Nice!

They go looking for Amy’s mom in a scene that’s dark in every way – lit only by their flashlights, as Luna shares one of the other things that messed up James so bad about this case. The dad of a young boy named Henry was one of the victims – they found his dad buried alive in his own backyard, not flatlined yet but brain dead. But the body will still reflexively cough if the brain stem is intact, so Henry thought he could save his dad, trying desperately to resuscitate his father to no avail. That’s one of the things that James saw that he couldn’t get out of his head, and honestly? I can understand that.

Walker Cassie and LUna looking for Amys mom 4.04.

Cassie and Luna eventually find some freshly turned dirt and start digging frantically, hoping they might be in time to save Amy’s mom.

They find her buried but still warm and try desperately to revive her, but it’s too late. There’s dirt in her lungs and a jackal tooth in her mouth, and someone will have to tell Amy that her mom is gone. Cassie is rattled, knowing the woman was buried alive. 

Me too! There’s something so horrifying about that, it’s just an instinctive reaction I think we all have, a built-in fear that evolution has kept with us. Just in case.

James and Walker Team Up for a Guys Night Out

James and Cordell go to the Side Step to have some drinks and play some pool and talk about how their lives are going so much better, Cordell trying hard to be normal but so nervous he can barely answer normal questions.

James says Kelly has been acting oddly and asks Cordell about it. He stammers.

James: She emptied the liquor cabinet too.

James thinks that might mean she’s pregnant; Cordell knows that’s not what’s happening, that Kelly is terrified that the Jackal is back and James will soon find out about it.

Oblivious to Cordell’s anxiety, James confides that they tried to have another baby before, but it was around the time they were pursuing the Jackal and oh dear, that makes Cordell even more anxious.

It almost seems like James knows and is talking in code, ostensibly about Kelly keeping a baby secret but really about what he knows Cordell and Kelly are keeping from him.

James: I don’t wanna poke that bruise on a mere hunch… I’m just surprised she’d go down this road without even mentioning it…

Cordell mostly listens. He knows full well why Kelly emptied that liquor cabinet. Captain James says he’s happy to see how well Cordell and Geri are doing, that he crawled out of that dark hole that he was in after Emily’s death, reminding Walker again of how dark and deep those holes can be and how much he doesn’t want to see Captain James fall down one again.  

Walker confides that things are going well for him and Geri too – that they finally said “I love you” to each other. James teases him, and Cordell is kind of adorably shy about it.

The two play some pool, enjoying their partnership.

Which, of course, means…

Then Cordell goes to the bathroom (with another stinking it up joke) and all hell breaks loose.

A distraught Cassie calls Walker, and when he doesn’t pick up, she calls James, who does.

Cassie: He said we would tell you as soon as we had to, and this is real now. We found another victim. Buried alive.

Oh shit.

Walker comes back from the bathroom, still trying to be upbeat and happy about the possible baby, smiling and pouring them drinks, having no idea that everything has changed – which is kind of heartbreaking.

Cordell Walker smiling wide for James at Side Step bar.

James: Tonight was really special, man.

Then the captain’s expression changes, the warmth leaving it.

James: Right up until I learned you were lying to my face.

Game over.

Walker’s face falls, Padalecki does an amazing job of showing the cascade of emotions that runs through him at lightning speed. Shock. Horror. Dismay.

James: So, what? You here like babysitting me while everyone else is looking into the Jackal?

Walker tries to explain, but James cuts him off.

James: I have very little interest in how you rationalized this betrayal, Cordell. How long?

He realizes it goes back to before his honeymoon. And that Kelly knows too.

James walks out. Coby Bell also did an amazing job with this scene, showing the depth of his rage and fear and sense of betrayal as he disappears into that cold implacable shell that we know he must have worn the last time he tried to take on the Jackal.

Cordell is left shocked and dismayed – and probably terrified of what’s going to happen to Captain James’ happiness they’d just been celebrating.

WAlker Jared Padalecki at Side Step bar all shook up about Jackal 4.04.

Walker, Trey, and James join Cassie and Luna at the crime scene as they take away the latest victim, and the young girl Amy stands to the side, sobbing. It must seem like Henry all over again. The shallow grave, the dirt. The trauma of someone’s child who just lost their parent.

A great music cue starts to play, the lyrics “When the clock of life has ticked away…”

Walker, Trey, Cassie and Luna watch as Captain James takes it all in.

There’s a brilliant lighting change in the last frames, from James lit like the rest of them to a shift, the colors going colder. It seems like we’re watching that same chill envelop James, all the warmth of his second chance with Kelly and friendship with Walker going cold in the face of this killer he never was able to stop.

Chilling – literally.

Wow. I wonder what next week will bring – and honestly, I can’t wait for “Walker” 4.05!

‘Walker’ 4.03 Tackles Lessons From the Gift Shop

This episode of “Walker” is all about our ‘things.’ Physical, psychological, emotional. What we keep and what we decide to give up, and how we all make those decisions differently. How they change at different times of our lives as the meaning of all the “things we carry” changes over time. As someone who is probably too sentimental about a lot of things, I could relate to many of the characters’ struggles – so, as usual, I enjoyed this episode the most for its psychological explorations.

I’m guessing the title too is meant to hold multiple meanings. Yes, we buy things at the gift shop, and maybe they become souvenirs of experiences we want to remember. But some of the most important gifts we get in life aren’t things at all – love, caring, understanding, friendship, a gentle challenge. The space to be who we are and where we want to be. Space in every sense of the word.

This was a surprisingly deep episode, in other words!

Once again, the interconnected relationships also make the show work a lot more smoothly now. The becoming-family bond between Cassie and Liam is one of the relationships that I’m really enjoying.

Cassie and Liam, Giving Space and Taking Space

The episode begins with Cassie packing up some things that Geri had left in the spare bedroom that’s now hers, automatically assuming they might have some meaning to her now housemate.

Ben wants her to clean her stuff out of his storage unit (and bring those to Geri’s or donate them to a charity sale they’re having soon at Ranger HQ). Cassie’s been unwilling to put down roots for most of her life, but transferring things from a storage unit to a house is a step toward putting down those roots, symbolizing a new phase of life for Cassie.

She asks Liam to help her clean it out. Liam has been trying so hard to help everyone else. He wants Cordell and Trey to check out a podcast on Kintsugi – “embracing the broken and rolling that history into the future.” Could there be a more apt podcast for the repeatedly traumatized Walker clan?

Of course, no one else is very interested. (Kintsugi really is somewhat mainstream popular right now, seen as a metaphor for post traumatic growth in the midst of a world full of trauma – it’s actually the Japanese art of repairing broken pottery fragments and making the object whole again, but with visible cracks. Just like people who have been through trauma and come out the other side).

Cordell Walker going up with gay Liam and Trey at Side Step bar 4.03.

Liam is still worried about Stella, confiding in Cordell and asking him to talk to her. Cordell says he’s been trying hard to sit back and give his kids space, and he trusts that she’ll come to him if she needs him.  Liam is not so sure, but he respects Cordell’s decision as her dad.

Jared Padalecki showing off big ears on Walker set 4.03.

“Walker” picks up the theme of how it’s okay to be “perfectly imperfect” – which to many Jared Padalecki fans, reminds us of one of his tee shirts – “Imperfectionist”. I kind of love how all the themes in this episode are interwoven together, and how relevant they are to the show’s characters and to real life.

The theme of “space” goes hand in hand with the theme of “things” – psychological space to work out when we need help and when we just need time to deal with, and physical space that carries so much meaning. Our own space in a house, a space to make our own, versus a temporary space while we move around, restless and perhaps avoiding something. (Sadie is similarly on the move, trying to avoid facing what happened with Witt – and possibly before – by not staying in one place very long).

Liam doesn’t judge Cassie for having a lot of (well organized) stuff in the storage locker.

Liam: Our family has barns. Plural. With all kinds of stuff in them.

Walker Cassie and gay Liam going into storage shed to clean it out 4.03.

Cassie: I guess I never realized how much I was holding onto (physically and psychologically, I’m guessing)

One of the interesting things she’s kept is a Hawk’s Shadow game. I love fangirl Cassie!

She and Liam play the game during breaks in the clean-out. Cassie plays with the bear, which seems like a shout out to Jared Padalecki’s real life fear of bears, and guess what else is on the board? An Impala!  “Supernatural” Easter egg!

Walker gives Supernatural shout out with Black Impala and bears.

Liam is trying so hard to help Stella but she’s not having it, he tells Cassie, and Cassie is empathic but doesn’t want to insert herself in there either.

They sort through those little name license plate keychains that kids love, which Cassie laments she could never find in her name. Liam says he could have gotten one for himself but they never had any “Cordell” and he didn’t want his big brother to feel left out. Awwww.

I absolutely love that Cassie is also not giving up her Hawk’s Shadow on DVD, even though there’s streaming and digital.

Cassie: Everyone says that until their shows just disappear!

(A little pointed bit of reality right there – Do not come for my “Supernatural” 15 Season boxed set!)

I love everything about Liam and Cassie – she tells him that his love language is taking care of people and that’s awesome, but he could wait to ask how high until someone says jump.

Liam talking to Cassie about his love language for men Walker 4.03.

After volunteering at the charity yard sale (Rangers for Paws, which is similar to a real life charity that the “Supernatural” fandom has done charity events for, Paws 4 AKF, a nod to Jared’s mental health campaign Always Keep Fighting). Anyway, Cassie surprises Liam with a gift – a little license plate with his name on it. A new “thing” that has some special meaning. He gives her virtual tickets to Bot Fights, like the poster that she had – for both of them.

I love this friendship a lot.

Cordell and Geri, Leaving Space for Those You’ve Lost

Cordell confides in Trey and Liam that’s he’s struggling with something too – saying “I love you” to Geri and committing to a next step, since both of their previous relationships ended in literal tragedy.

(Trey and Liam immediately start with “I love you, man” and “look how easy that is!” Not all that helpful, boys.)

Trey: It could be a drawer at your place. That shows commitment and moving forward.

Again, the episode touches on the way having your own space in a place can symbolize that you belong there. The physical space is a metaphor for giving the person emotional space in the relationship, a sense of belonging.

Trey, as he’s leaving: Hey Walker, I love you.

So, Cordi surprises Geri with a drawer for her stuff – “more official, more of us.”

He’s adorably nervous, but she says it’s perfect and gives him a kiss. I like that they’re a bit bumbling and fumbling, but he says he trusts her judgment about tidying up the rest of the room and they hug. It’s a lovely gesture, truly, giving her a space of her own at his place.

Geri unfortunately, as she cleans out the room, donated to the charity sale a shirt that Emily gave him that had a lot of sentimental value. It’s from a vacation the four of them were on, and he can’t believe she doesn’t remember that and cherish the memory as much as he does.

Cordell can’t even talk about it; he storms out.

Cordell Walker realizes Geri has donated his special shirt to charity 4.03.

When he gets to the main house, he slams the door, clearly upset, telling his mom that everything is a mess.

Abeline: Just breathe and tell me what happened.

She reminds him that the chapter he had with Emily, and that Geri had with Hoyt, that experience doesn’t exist in any one “thing”.

Abeline: It exists in how we carry those memories.

(I’m gonna try to remember that next time I try to force myself to clean out the garage…)

I love Abeline and Cordell’s relationship, and that she calls him “love” with so much affection.

Later that day, Geri apologizes for donating the shirt, and she and Cordell have an awkward conversation, both of them really trying to communicate and apologizing to each other. 

Walker: It used to be the four of us, and now it’s… us.  We’ve both suffered losses and we need to leave space for…them.

It’s true. Sometimes the important space is not the physical space but the emotional space we leave for people we’ve lost who will always be important parts of our lives; who we will always love.

Geri says she had a version of that shirt – it was the coffee mug that Cordell accidentally broke the week before.

They realize they need to tell each other all the things, not leave things unsaid.

Jared Padalecki face showing major age lines on Walker set.

Then Walker tries to say something that’s clearly important, but he can’t get it out.

Geri takes his hands, says softly, “Cordi.”

It grounds him, and he says “I love you.”

Geri: I love you, too.

When they kiss, it feels very real.

Cordell: How’s that for communication?

Geri: Don’t ruin it.

Later that night, Geri finds that Walker puts her mug back together, with a note – I want you to have everything too.

Cordell may not think he’d enjoy a podcast on Kintsugi, but he sure as hell gets it!

Geri sees that Walker has put her mug together badly on 4.03.

August and What To Keep as You Grow Up

In keeping with the theme of stuff and space, August is also being encouraged to donate to the charity auction at HQ to benefit Rangers 4 Paws  – for me personally, that’s the most comfortable way to get rid of stuff, if I know someone else is going to use it and especially if it will benefit someone who needs it.

August is late to Boot Camp with Trey, who comes down on him a bit hard for being late (and for calling him “dude” and “huffing and puffing” his displeasure when he’s called on it.)

Walker Augie in officer training camp with Trey.

Augie promises to do better, taking to heart what Trey says of now being part of a “symphony” – a team, and about prioritizing that over other things.

After his talking to from Trey, August decides he’s going to donate his keyboard and all of his music equipment, to focus on boot camp and his aspirations to enlist – Mawline and Bonham aren’t so sure that’s the right thing to do, however.

August: This is all just stuff. I have a new symphony now. That’s where I’ve gotta focus.

Bonham nods approvingly; Mawline still isn’t so sure.

Walker Bonham and Maddie talk sense or try to with Augie 4.03.

Later at the charity sale, Augie sells most of his music equipment and tells Trey that he “eliminated all distractions” from his room.  Trey reminds him it’s more how you manage everything so you don’t end up with nothing; that it’s all a process.

Growing up is hard; so is deciding what you take with you through life and what you give up. August realizes maybe he doesn’t have to give up playing music in order to take boot camp – or enlist. He ends up keeping his albums that he was going to sell, working on finding that balance between things we keep and things we give up to make space for something else.

Stella and Sadie and Witt Oh My

Stella is still having nightmares, flashbacks to the shooting and Sadie lying to Liam that they didn’t know Witt. Sadie talked Stella into leaving it at that, though Stella had her doubts. 

When someone knocks on the door, she grabs her pepper spray before she opens it – only to find Sadie there. Instead of agreeing with Stella that they need to tell a detective about the “It’s Not Over” on her window, Stella wipes it off, insisting “There, now nothing’s changed.”

Sadie is firmly stuck in avoidance, keeping on the move and to try and avoid remembering the reality of what happened and wanting to believe it was all coincidence.

Stella: You’re a Rawlins, so you’re family. Which means the nonsensical terrifying scenario? That is always going to be the default.

Walker Sadie talking to Stella about being a Rawlings 4.03.

Stella insists that it wasn’t a coincidence that brought Witt to their house – that Witt must have targeted them, and that the message on her window was targeted too.

Sadie wonders if Bel could be involved, but Stella says the common denominator is Sadie herself.  Stella tells Sadie about running into Uncle Mike at the grave. Hmmm.

The girls come back to the car to find it doused with gasoline, a pack of matches and Witt’s picture on the dash – how Witt died.

Ominous.

Sadie reconnects with a surprised Geri at the charity auction, both of the girls still anxious. Geri senses that something is wrong and tells them they can confide in her.

Sade reconnecting with Geri on Walker at a charity event.

To Be Continued…

On night duty at HQ, Cassie asks Trey and Walker what she missed in the summer, joking “a serial killer?”

When she sees their faces, she knows, and they tell her about The Jackal.

And that they’re trying to do it outside of regular channels. She offers some FBI connections to help, but asks who they’re keeping in the dark?

Cordell: Captain James.

Jared Padalecki WAlker saying I love you to Geri finally 4.03.

Meanwhile, Stella and Sadie come out of the charity sale at the end of the night and get in the car, only to hear the cock of a gun from the backseat. It’s… Witt!

Witt: Just. Drive.

I am intrigued to find out just what the hell is going on with this Witt guy. Is he a bad guy? A good guy? What’s the real story with him and Sadie??

Tune in for next week’s “Walker” to find out!

‘Walker’ 4.02 Maybe It’s Maybelline Deep Dive Review

Transitions

In its fourth season, “Walker” has gotten much better at integrating its story lines and its cast, so that none of the arcs or characters feel shoe-horned in anymore, and the transition from scene to scene is smoother. Geri and Cassie are the latest in the newly close relationships, and I’m here for it. They come back from a run together and Cassie tells Geri that she’s not going back to the FBI – in fact, it’s time for her to lay down some roots.

Also, Cassie has a cute nickname for Geri – Geri-rigged.

We eventually find out that Cassie is gonna be laying down those roots at Geri’s place –  they’re now roomies!

This episode continues the theme from last week, as Cordell struggles with both his kids growing up and soon moving out, and the fear that the quiet in their wake will be hard for him. Augie is definitely growing up WAY too fast, working out and doing an end run around his dad by asking his Gramps to sign a permission slip for a high school boot camp readiness program. Bonham, to his credit, keeps his boundaries where they should be and says he won’t sign – but he will talk to Cordell about it.

Walker Augie buffed up for Mitch Pilleggi birthday suit party.

Bonham goes to Trey’s to talk to him about it too, since Trey is the one teaching the boot camp. Trey is getting ready to host a hot date (played by his actual wife), opening the door to a knock with a rose and a “hello, gorgeous” only to find it’s Bonham. 

Bonham wants Trey to let August join his boot camp prep course; Trey too says Walker has to approve.

Finally, Bonham brings the permission slip to his son, who accuses him of interfering and asks him to stay out of it, August is his son. Which, valid – but Cordell is gonna have to deal with it instead of burying himself in the Jackal case to avoid it.

Bonham confesses to Abby that he’s been “meddling”, but he also says he knows a thing or two about raising boys, and that you can’t tell them not to do something or they’ll do just that.

Abeline: Please tell me more about raising two boys.

Walker Abby in flower shop.

Me: I love you, Abeline.

The Walker grandparents are thinking about retirement, so clearly this show is just going to bring all the emotions with all the developmental transitions all at once this season.

Why Can’t You Be True?

That’s another Maybelline reference, in case you were wondering.

The guest character of the episode is Maybelline (played to perfection by Debra Mooney), who Walker and Cassie and a bunch of other Rangers chase into the parking lot of HQ thinking she’s trying to steal a squad car – with a wrench. When he asks her to put it down, she demands to know who’s asking.

Cordell: Walker, Texas Ranger.

Maybelline: As you’ve said three times now. Congratulations, son. You are employed. I’ll alert the governor.

Cassie: I like her.

Me: Me too!

The Rangers have been charged with keeping Maybelline, a feisty grandma who’s a witness in an important money launderer case, safe. Which turns out to be easier said than done.

She manages to call Cordell Ranger Parker, then Ranger Walton, and then “Toothpicks” (which NGL made me laugh). She also makes it clear she’d rather be kept safe with Ranger Barnett (with a flirty smile).

Cassie checks out her bag and finds pink furry handcuffs, to which Maybelline casts Trey another glance and he gets even more uncomfortable.

Maybelline’s also got a bar cutter in her bag and is not too keen on all this being detained stuff. Clearly an independent woman! She is also possibly the only person in the universe who would look so put out at Jared Padalecki saying “you’re coming home with me.”

I’m not really a huge fan of making fun of older women’s sexuality so this is never my favorite bit – it was a pet peeve on “Supernatural” too, when Sam was often the one getting uncomfortable while Dean was far too delighted by that. 

Luckily, that’s a brief part of the character’s introduction. Maybelline turns out to be a lot more savvy (and wise) than it might seem at first glance. She sees a photo of Cordell and Emily and comments that his wife is out of his league – which caught me with unexpected emotion because that’s what Jared so often says about his real life wife Gen (who plays Emily).

Cordell Walker encounters Maybelline looking at pictures 4.02.

Maybelline also empathizes with him about being a single parent, saying that it’s tough.

Maybelline: Soak up every second, son. The days are long, but the years are short.

Damn this show, sneaking up on me and making me tear up when I least expect it.

In the middle of the night, Cordell finds Maybelline sitting in the kitchen (which, it’s a good thing she wasn’t trying to escape, just saying!). They end up sitting down together and having a bit of a heart to heart. Also, please please please, the powers that be at the CW and the Walker hair and makeup department, let Jared Padalecki’s hair be free from every bit of gel – and look like THIS!!

Maybelline: I raised five kids. I learned the art of stealing moments. Dead of night was the only down time I could get for myself.

(Pretty sure all of us with kids can relate.)

Cordell joins her for a late night chat, saying she’s courageous for how she’s facing the testimony the next day.

Maybelline: Well, you’re a single parent, you know courage is part of the job description.

I love that Cordi is getting credit now for how he came back and stepped up and has been trying so hard to be there for his kids, and at the same time that we get to see him struggle – because of course it will sometimes be a struggle!

Cordell tells her what’s on his mind when she asks.

Cordell: My baby boy, he wants to join the military, and I’m having a hard time with it.

Maybelline: Your baby boy is almost a man – and let me clue you in about children, they aren’t ours to keep.

Cordell confides that he’s anxious, thinking about the quiet again. (I do love a show with continuity).

Walker: They’re leaving me…

Maybelline says no, he’s got it backwards. That if you raise a child secure enough to leave, you’ve done a good job. And typically they often come back.

She’s right. It’s all about attachment – if that attachment relationship is secure, the child feels free to explore, knowing they can always come back to the safe haven the parent provides. Even when they’re almost grown, that sense of safety persists, so they can become their own person and be autonomous. It isn’t always easy for the parent to let go, but good parents know the relationship is strong enough to withstand temporary separations. Just like the toddler who has to go explore but then looks back over their shoulder to be sure the person they count on is still watching – just in case.

Maybelline says he seems like a nice man and calls him by his actual name – and then tries to take the liquor with her when she goes off to bed.

Jared Padalecki nice shots on Walker set.

Have I mentioned I like Maybelline? I think Cordell does too.

The next day when they arrive there’s a fight at the courthouse just as they enter – what a coincidence! Conveniently, someone who was dressed like a guard appears just in time and is put in charge of Maybelline while Cordell and Cassie come to the rescue, which of course was a ruse to get Maybelline out of there because of course it was. Too much of a coincidence, Rangers!

Cassie with Cordell Walker in station house.

Maybelline figures it out pretty quickly and manages to leave her bag as a clue while the bad guys force her into an SUV and try to drive out of the parking lot. But Walker and Cassie cut them off thanks to Cassie’s excellent driving.

(I kinda love that Jared always seems to play characters who are relegated to shotgun…)

Walker Cordell with Cassie in squad car.

The Rangers fight the kidnappers, giving everyone a chance to show off how fit they are…

Those long, long legs though…

Trey pops out of an elevator just in time to intercept the bad guys – using Maybelline’s giant bag as a weapon and then chivalrously returning it to her.

Maybelline is happy, it’s a job well done.

Jared Padalecki smiling weird on Walker set.

Maybelline to Trey: You saved me!

Walker: It was kind of a team effort…

Jared Padaleci with fancy earring on Walker set.

Don’t worry, Cordell, lots of viewers were appreciating your efforts.

Sometimes You Need Not-Family

Meanwhile, Stella’s having PTSD nightmares and Liam and Ben are worried. (I love this family, Ben and Liam hanging out while Stella naps on the couch, feeling a little safer I’m guessing with her uncle and Ben there, even if she doesn’t realize that’s why.)

Unfortunately, it’s not enough to keep the nightmares at bay.

Liam brings her a stuffed animal and a blanket and a lava lamp for her dorm room.  Liam means well, trying to relate to Stella by talking about his own PTSD, but she lashes out at him, saying it’s different for her, that it doesn’t work out for everyone.

She’s been researching the man she killed, finding out who he was, what his interests were, which is making the fact that she shot him even harder.

Stella: He was still just a college kid like me who had his whole life ahead of him, and now he doesn’t, and it’s my fault.

Liam wants her to find something, like equine therapy did for him, to “pull you out of it” but she’s not ready, asking him to leave. I feel for both of them, to be honest. It’s a fine line between being helpful and trying to paint a silver lining around someone else’s genuine pain.

Walker Stella crying to gay Liam.
Walker gay Liam talking deep to Stella about equine therapy.

Stella leaves flowers and a rugby ball on Witt’s grave, trying to do some kind of penance, shtarightening the plain wooden cross over his grave and saying she’s sorry.

She runs into Witt’s uncle Mike there and he’s very nice to her, which must be absolutely devastating for Stella.  Then Mike gets out his phone and tells someone “this is interesting.” Hmmmm.

Stella has been calling Sadie but getting no answer, and she’s increasingly freaked out by her difficulty with putting the tragedy behind her – which is totally understandable!

Later at the Side Step, she confides in someone who has a little distance because he’s not family (at least not yet) –  Ben, who normalizes her emotions by sharing with her that he still feels guilty about his ex-boyfriend Lucas and only now realizes how much of that is sadness. Ben gets a turn to be wise, saying it was an accident but he can understand how she’d feel bad about the outcome.

Ben: And I’m here to tell you, that’s called being normal.

And Sometimes You Need Family

Cordell and August have a heart-to-heart, on their family couch where so many heart-to-hearts have taken place for this little family that we’ve watched come back together again after the loss of their mom and Cordell’s beloved wife. I love hearing Cordell call his now-almost-as-tall-as-him son “kiddo”, it rings so real and says so much about how as parents we always – always – see our children as our babies, even as we cherish how they’ve grown up.

Cordell Walker having couch heart to hard talks with Augie son.

He’s understanding, but also sometimes regrets his own history of joining the military at such a young age, foregoing college and figuring himself out in other ways. This show sometimes has odd parallels to real life, since Padalecki also decided not to go to college to pursue acting, unlike most of the rest of his highly educated family.

Walker tells Augie how proud he is of him for being serious about his future, but also reminds him that he’ll always worry about him.

Cordell: You’re my son, you used to be my baby boy.

But Cordell is also doing the difficult work of letting his children grow up. He signs the permission, saying he promised to respect August’s decision and he meant it.

The two shake hands at first, then Augie hugs his dad and damn it is there something in my eye again??

Cordell turns as Augie goes upstairs, glances at the table, and remembers when Augie refinished it, when he had just come home and his kids had been without him. How he told Augie he never meant to make his kids grow up so fast.

We see his memories in flashback, marvel right along with Cordell how young Augie was even those three or four years ago. Again, this show gets the family stuff so right sometimes, and this scene really hit home.

It goes by too quickly, doesn’t it, Cordell?

Walker Cordell looking at pictures of his son Augie.
Walker Cordell with Augie in bedroom on set.
WAlker Jared Padalecki feeling up young boy on the set.

The gang ends the night at the Side Step playing darts (with Liam in a sweater that really shows off his biceps, and which fandom absolutely did not fail to notice) and everyone, including Stella, feeling better. Geri and Cassie are anticipating the fun of being roomies, and there to console Trey, who reports that Maybelline picked up a call from Trey’s recent date and sort of blew that out of the water.

Maybe we’re not getting Trey and Cassie platonic besties after all?

Walker gay Liam pumping up his boyfriend Ben.
Walker gay Liam and Ben touching each other up at Side Step bar.
Walker Trey and Cassie getting cozy at the Side Step bar.
Walker Jared Padalecki slaps hands with Maybeline beside gay brother Liam.

Stella wins at darts, everyone is happy, life is good.

So, of course, Stella comes back to her dorm room to find “This Isn’t Over” painted on her mirror.

Uh oh.

‘Walker’ Season 4 Finally Returns with The Quiet

There was a lot of anticipation for the season premiere of “Walker” last week – it’s the show’s fourth season, and it’s made a switch to Wednesday night, but fans were happy to follow it to its new day, posting their excitement online.

The cast and crew were equally excited – it was a long long break between seasons with the strike going on. They posted some bts photos and Jared Padalecki even took over the “Walker” Instagram for some fun videos.

The season premiere opens 5 months later – after a reminder of the reappearance of The Jackal, the reappearance of “Cordri” (the Geri and Cordell romance) to the elation of those who ‘ship it’, and the missing body after Stella and Sadie’s break in.  The episode is a treat for the Cordri shippers, opening with some Geri and Cordi making out – waiting all these seasons really created a lot of passion! I don’t ship it, but I don’t not ship it, so good for you, Cordell and Geri.

Also, Geri looks hot in his oversized shirt and a disheveled Cordell is a very good thing.

It’s Cordell’s birthday – Geri surprises him with a little cupcake before he reluctantly has to leave for work – more reluctant about leaving Geri than not eating the cupcake though.

Jared Padalecki gently blowing off a candle for Mitch Pilleggi on Walker set.

He’s saving room for a big steak eating competition at the Grand Lonestar. Augie isn’t thrilled about it, but Geri wants to surprise her man by the whole family being there too.  Also, I’m happy that Ben’s eating breakfast with the Walkers so I guess things are going well with him and Liam. Lots of happiness it seems….which I’m sure means something will go very wrong soon.

Walker with Liams boyfriend Ben by Audie.

Oh, and it does! Stella oversleeps for the meeting she and Liam have about the break-in case. She’s clearly despondent and is asking for space and maybe avoiding her family (and leaving a lot of telltale pizza boxes strewn around her dorm room).

Walker STella oversleeping.

Cut to Cordell having a bad day already too, as he and the other Rangers are tossed around a big truck as the bad guy bank robber driver takes a whole lot of sharp turns. He somehow stole a bunch of gold bars all on his own and didn’t notice a bunch of Rangers sneaking into his truck – or did he?

Cordi: Guys, I’m starting to think this may have been a bad idea…

Cordell Walker inside of a moving truck hijacked.

The truck finally comes to a screeching halt and the bad guy comes around with a gun at the ready.

Walker: I got this.

Walker Jared Padalecki waiting for a truck.

Everyone else: Oh boy…

Cordell slides to the end of the truck and kicks open the door, flying out and knocking the bad guy down just like that.

Cordell: Walker, Texas Ranger. You’re under arrest.

Okay, that was pretty sweet.  For Jared Padalecki, apparently it didn’t feel as smooth as it looked – he had injured a toe on a coffee table at home and even putting a boot on it was painful, let alone flying out the back of a truck. Ouch!

Jared: I had an “altercation” with my coffee table on New Year’s Eve and shot the sequence in the back of the truck with a fractured toe…. Not as fun as it sounds

Back at HQ, the gang tease Cordell about his steak eating contest and getting the “meat sweats” which sounds kinda disgusting, but Cordell has a plan and is confident he’ll get the commemorative tee shirt and that’s adorable. Cordell is kind of a fanboy and I’m here for it. I can totally see him rocking that tee shirt. Trey clearly appreciates that side of him too – or else he’s thinking about winning the contest himself…

The guys are wondering when Trey and the woman he’s dating are going to join Cordell and James on their double dates, with the implication that nothing serious has been going on with anyone Trey’s been dating. And then, right on cue, Cassie comes back for a visit.

Apparently, none of them have heard from her for months. Now I know some people were hoping she and Trey would be a thing, but as I said last season I love their relationship as platonic and hope it stays that way. We’ll see…

Walker Cassie hugging Jared Padalecki tight Quiet.
Walker Trey walks in on Cassie hugging Jared Padalecki Cordell.

The FBI needs their help.

Cassie: What do ya say we get the band back together?

Trey isn’t too happy that she totally disappeared, but Cassie seems to be really enjoying her work with the FBI and Tessa Graves – who’s in the hospital with a gunshot wound.  Cassie’s chasing the Delmonico brothers and the fentanyl ring they’re bringing to Austin. That puts a crimp in Cordell’s steak plans and Geri’s birthday party plans, but of course they’re in to back Cassie up.

Meanwhile, Det. Luna has a lead on The Jackal, which Trey and Cordell are trying to keep from the Captain. Trey sneaks out to run down that lead while Walker covers for him. The two are trying to protect James since his life was upended by the Jackal before, but of course that sort of subterfuge never ends up going well, does it?

Poor Geri is disappointed, especially since Cordi went all out for her birthday, taking her to all the places that she mentioned loving as a kid. Awwww, he’s so sentimental.

Abeline: I knew I raised that boy right.

Bonham: He gets that from his daddy.

Walker Mitch Pilleggi in Kitchen with Maddie.

Bonham also gets to the say the memorable line “Hells bells cockleshells” which was apparently a Mitch Pileggi ad lib that everyone liked so much they left it in. It sounds very Bonham.

Augie: What if we just got a big ass staek and had him eat it here?

Stella and Liam meet with the detective investigating the break-in case, which the county wants to close.  He asks Stella to read over her statement to be sure she didn’t leave anything out. Stella has a hard time with the memories brought up by reading the case summary – of the intruder, Witt McCarthy, being shot (and then found dead in his smoldering car, of that gunshot).

Walker LIam sitting with Stella to read over her statement about killing.

It’s considered self-defense, and Stella doesn’t correct that Witt was a stranger, saying she’d never met him. Which we know is not the truth, since they met him at that party where Bel was also. Hmmm. I feel like signing something that’s not true could be a problem down the line, Stella…

Cassie didn’t forget Cordell’s birthday, gifting him with some cowboy boots, which he pronounces awesome and puts right on.  I love his boyishness as he sticks his feet out and grins at his new boots like a little kid. We don’t get to see that side of him very often, but Padalecki can really pull off that kind of little boy energy.

Cordell isn’t so happy about Cassie considering re-upping with the FBI, but he also wants what’s best for her. And he’s lived long enough, and had enough loss and change, to understand that it’s a fact of life.

Walker: I think it’s an incredible opportunity that doesn’t come around too often. Everyone leaves eventually, so do me a favor. Don’t be a stranger again.

Cassie invites him to lunch at the ranch which is a ruse for the surprise birthday party.

On the way, they catch up about the show-within-a-show ‘Hawk’s Shadow.’ Cassie’s love of Hawk’s Shadow is one of my favorite things about this show, so I was thrilled that she told Walker that they’re doing a reboot, which I choose to view as a “Supernatural” Easter egg since Jared and Jensen Ackles are constantly talking about doing a reboot of that show.  The reboot is ‘more grounded, more about his family’ lol.  Walker’s been watching it too – more fanboy Walker, yay!

They walk into the house, and everyone shouts surprise!!

Walker enters for surprise birthday party which was really for Mitch Pilleggi.

Jared Padalecki is always so good at adding those little physical touches that tell you who his character is and what he’s been through – he startles a lot at the surprise, as anyone would who’s had some PTSD after the violence he’s experienced.

Walker Jared Padalecki prances on set of show.

Augie asks his dad if he can leave early for a high school party, and poor Cordell struggles with the answer. His son reminds him that Walker told him to enjoy his high school years (and not drop out early to join the armed forces), and Cordell really does want him to do that. But he also wishes his son would stay for his party – it’s so hard to let your kids grow up, ouch.

Also, when did Kale Culley grow up so much??

Meanwhile, Stella’s keeping to herself, sitting alone at the piano while the rest of the family is celebrating. Liam comes to sit with her, realizing she’s struggling – and remembering his own struggles.

Walker Stella confides with Uncle Liam.

Stella confides in him. She can’t sleep, is behind in class and her hair has been falling out.

Stella: I can’t keep the dorm room window open because of the noise.

She says she keeps hoping to wake up and have things be different, which I think is a feeling anyone who has been challenged by physical or mental stressors has experienced.

Stella: But I still feel like…like this.

Liam confides that he felt similarly after the shooting and talking with his big brother helped.

Liam: Your dad told me that I needed to forgive myself. I didn’t know what that meant, to forgive myself for killing a psychopath…but it takes time. Slowly it gets better.

He’s right.

Trey and Walker try to figure out the lead about the Jackal away from Captain James, but Kelly finds them and figures it out. They all know that the multiple jackal teeth that were found means he’s gearing up. She asks them to do what James did when Emily passed – protect Cordi as long as he could.

Kelly: Because he cared for you. I’m asking you to do the same thing now.

Walker Season 4 Quiet set shots.

Then it’s time for the steak eating contest, which is a playful interlude to the rest of the episode that everyone in the cast seemed to thoroughly enjoy.

Jared shared a little bts tidbit:

Keegan and I were both in there still eating when they said cut, and Jeff Pierre was as well.  I probably went through a couple pounds over the course of six or eight hours.

Ah, the joys of filming.

No sooner does the steak eating contest end than the Delmonico brothers come to town and everyone goes to intercept them.

Cut to a montage with music, flashlights in a dark warehouse – it’s actually a really beautiful scene, and the music works with the lyrics “gonna get my vengeance”. I enjoy seeing Cassie run things and be in charge, and everyone follow her lead seamlessly.

They’re suddenly under gunfire, ducking for cover.

Walker and Trey do a ‘fake sweep’ where Trey baits the shooter out and Walker manages to sneak up behind one guy and capture him.

Cassie finds the brothers, but they have Captain James at gunpoint so she has to put the gun down.  They offer to exchange the Captain for her letting him leave, but Cassie has another idea – she ignores that and starts sharing some of the “intel” they’ve gotten. Cassie gives the brothers the bad news that one of the brothers is sleeping with the other’s girlfriend and that gives them the distraction to turn the tables and take them down.

It’s so hard to be in business with your family. Unless you’re the Winchesters, that is.

Cassie: Perez, Texas Ranger. You’re under arrest.

Walker Cassie Perez smiling at Trey.

Well played, Cassie.

Trey and Cassie finally have a conversation, and it seems to put them back on the platonic track, though I guess we’ll see.

Cassie: The best part of today was just having my friend back.

Trey smiling at Cassie on Walker.

Captain James asks her which way she’s leaning, but she says she doesn’t know.  James says she can make as big a difference there as with the FBI and asks her to think about it, and to trust him.

At the end of the long day, Cordi is struggling with all the change happening, Augie almost done high school, Stella at college, Cassie going back to Quantico.

Cordell: It all hit me.

Geri: What’s so bad about an empty nest?

Cordell: The quiet.

That was a great line, and such a meaningful one. Jared Padalecki delivered it with impact.

Cordell: When you can’t keep the darker thoughts from work at bay, it can eat you alive. Gonna be a lot of quiet in this house real soon.

Cordell Walker looking sad at fireplace.

Geri is there for him, listening and accepting. He adds that it helps to say it out loud.

He’s right.

Cordell turns to Geri, a serious expression on his face. He’s emotional, eyes glistening a little.

Cordell: I hope you know…

Cordell Walker looking intense at Geri.

Trey knocks on the door, interrupting their conversation.

But before Geri leaves them to talk, she leans down and touches his face, says gently “Cordi – I know.”

Walker Geri stroking Jared Padaleckis face.
Walker Geri looking and smiling down at Jared Padalecki.
WAlker close up shot of intent looking Jared Padalecki.

That was a beautiful little moment, a lot of vulnerability from Padalecki and a lot of empathy from Odette Annable. It felt very real, just a quiet little moment. Apropos of the title of the episode, those can be the most powerful.

The two Rangers go down the hall, to the room where an entire wall is devoted to The Jackal. Shades of the Winchesters!

Jared tweet:

Is that a…. hunter wall??

It definitely is. A little “Supernatural” Easter egg perhaps.

WAlker Jared Padalecki looking at a hunter wall.

Trey asks just how bad things got before with James, and we get a flashback of that time. James holed up for days and nights on end, drinking too much. Cordell brings Kelly to try to talk him into going home and drying out but he refuses, insisting he’s fine and throwing Cordell up against a wall, slamming him against it.

Shades of the Winchesters again!

Walker Kelly drinking Scotch while looking at evidence Season 4
Walker Kelly lifting Jared Padalecki up by his shirt.
Walker Kelly close up shots.

James (anguished): Why did you bring her here?? I can’t come home, just tell DJ…. I’m so close…

The perfect music cue plays, melancholy, in the background as Walker remembers. (‘Night’ by Daniel Spaleniak, a beautiful, mournful kind of song, very evocative).

Cordell: It all just kinda ate away at him I guess.

Trey: The depravity?

Walker Trey talking tough depravity with Jared Padalecki.

Cordell hesitates, then answers softly.

Cordell: The quiet.

Walker Season 4 Quiet with Jared Padalecki.

Nice wrap around to the theme of the episode and how when we don’t let anyone in, the quiet really can eat away at us. And a better understanding of why Captain James doesn’t drink and why Kelly is so determined that this case not get under her husband’s skin again.

Anyone who has ever witnessed a loved one losing themselves to something they can’t give up, no matter what it takes from them, probably cringed at that flashback scene. I know I did. I felt for Walker, trying to be so gentle with his friend, not expecting the lashing out and the rage directed at him, and for Kelly, helplessly witnessing it and wanting to protect their son from that out of control anger. So sad, so scary.

The two Rangers share a look, knowing they have to try to prevent that from happening to their friend again.

Jared Padalecki close up from Walker season 4.

This was a coherent episode, with some nice action sequences mixed in with family moments and some deeper themes. I think I’m really gonna relate to Cordell’s empty nest stress. It’s a huge transition, even if your kids are doing great things, not to have them be little kids anymore. It’s hard to know how to let go, when to still step in, when to not.

If you’re lucky, you have a bunch of people around you who care enough to ask questions, and to listen to your answers – and you’ve got the courage to share with them. I’m glad Cordell has Geri, and Stella has her Uncle Liam, and the whole family tries to have each other’s backs even if it doesn’t always go smoothly.

My favorite things are always the psychological and emotional touches that this show often gets right.

Walker’s lingering hypervigilance as he startles at the surprise party.

Stella confides all the ways that the trauma of shooting Witt has affected her – they even included her hair falling out, which is something that absolutely does happen but is rarely portrayed on TV. (We didn’t get to see it, but that’s understandable and I’m sure Violet Brinson is grateful for that!) 

Her emotional struggles aren’t something we just hear about either – we see them, from the pizza boxes strewn around her apartment to how set apart from the rest of the family she is at the party.

Walker Stella deals with her emotions from Witt's killing.

Walker’s wistful sadness as he anticipates the quiet that will come with his kids growing up (and leaving home). It’s a quiet that anyone who has experienced their children getting older will immediately understand – I did. His comment to Cassie about how everyone leaves is both evidence of the way his losses have shaped his perspective and also of some of the healing he’s done recently – it’s wistful but it’s also accepting, an acknowledgment that loss is a part of life even if we don’t like it. It’s clear that he’s not alone anymore, that his relationship with Geri is much closer and there’s a solidity to it that he can pull from when he’s struggling.

Walker Jared Padalecki spending a fire chat.
Screencaps courtesy of spndeangirl

And speaking of emotions… Jared also tweeted asking if we all wanted to guess Cordell’s birthday. The break-in was June 16 and it’s five months later, which brings it awfully close to November 19, the day that Sam Winchester went to Heaven on that other little Show that Jared was on. Too big an Easter egg? Hmmm.

Looking forward to next week’s episode with Maybe It’s Maybelline!!

How Rod Serling Used ‘The Twilight Zone’ For His Own Mental Health

SyFy’s annual “The Twilight Zone” marathon brings us back to the late 1940s and early 1950s, an era dominated by TV shows depicting ideal families and neighborhoods, like “Leave it to Beaver.” However, Rod Serling’s “The Twilight Zone” revolutionized TV by exploring paranormal themes and addressing real societal issues.

Unlike its predecessors, “The Twilight Zone” delved into the realms of the strange and unusual. It was a show that dared to explore the paranormal, weaving tales of time travel, telepathy, and even pacts with the devil. At first glance, it might seem like Serling’s creation was a leap further away from reality compared to the idealistic world of “Leave it to Beaver.” However, upon closer inspection, it becomes clear that “The Twilight Zone” was more than just a series about the supernatural; it was a platform for addressing very real and pressing issues.

Serling’s Idyllic Childhood

Rod Serling had that perfect idyllic childhood presented by many of the shows of that day. But like many of us, he entered the read world to discover the harsh cold reality of life.

Rodman Edward Serling was a Christmas baby born in Syracuse, New York, on December 25, 1924. He was the unexpected joy in the lives of his parents, Sam and Esther Serling, a grocer and a homemaker. Rod quickly became the apple of their eye, especially since his arrival was a bit of a miracle after doctors had told his mom she couldn’t have more kids.

Rod, the younger of two boys, was the life of the party in the family, always full of energy and laughter. This was quite the opposite of his older brother Robert, who was more on the reserved side.

In 1926, the Serling family packed up and moved to Binghamton, New York, a place that Rod would later fondly remember as the backdrop of his childhood. He often said, “Everybody has a hometown,” and for him, Binghamton was that special place, a safe haven he would revisit in his thoughts and in his writings. You can see this nostalgia in some of his famous Twilight Zone episodes like “Walking Distance” and “A Stop at Willoughby.”

Rod was a bundle of energy and competitiveness, especially when it came to sports. During his time at Binghamton Central High School, he had his heart set on being the quarterback for the football team. But fate had other plans – he was just a bit too light to make the cut. Rod, with his ever-present humor, would later joke about being lighter than the team mascot!

Not one to be easily discouraged, Rod threw himself into other sports like intramural football and tennis, where he played with a fiery spirit. His high school buddy, Sybil Goldenberg, said his determination was twice as strong because he was on the shorter side. And speaking of height, Rod was always a bit self-conscious about being 5 feet 4 and a half inches tall, even wearing lifts and preferring not to be filmed in full frame for his Twilight Zone intros.

But where Rod really stood tall was in the world of words. He was a star on his high school debate team, known for his quick wit and clever comebacks. He dived into school politics too, eventually becoming the president of the General Organization and the editor of the school newspaper. His fiery editorials in the paper were just a hint of the passionate advocate for social justice he would become.

Fighting CBS and 1950s Censorship

What was most interesting was that Serling was able to use science fiction as a way to skirt all the issues of censorship that began surfacing in the late 1950s…much like today’s world. He had to fight hard with the CBS network when the executives insisted on editing his (what they consider to be) very controversial scripts.

CBS often won the censorship war with Serling such as his piece about lynching which was called “A Town Has Turned to Dust” along with “The Rank and File” about labor union corruption. Rather than continue the losing fight, he switched over to the sci-fi fantasy genre in 1959 and found himself able to write freely. The network didn’t pay as much attention to his scripts for “The Twilight Zone,” giving Serling more creative freedom than he had ever had there. He wound up writing 92 episodes of the 156-episode series.

Rod Serling’s journey to creating this iconic show was as intriguing as the show itself. Born in Binghamton, New York, a city that remarkably skirted the harsh impacts of the Great Depression, Serling grew up in a relatively comfortable environment. His father owned a successful grocery store, allowing the family to live a life that closely resembled the blissful images portrayed in early television shows. However, Serling’s brush with the harsh realities of life came at the tender age of 18.

Serling’s War

Like many young men of his generation, Serling was compelled to enlist in the army following the attack on Pearl Harbor. As a Jewish man, he felt a strong urge to fight against the Nazis during World War II, but fate had other plans, and he found himself in the Pacific War, battling against Japan. It was during the Battle of Leyte in 1944 that Serling’s life changed forever. He sustained injuries to his wrist and knee from bomb shrapnel, earning him a Purple Heart and a Bronze Star. But the scars of war ran deeper than his physical wounds.

Upon his return from the war, Serling found himself relentlessly pursued by the specters of his past, his mind a battleground scarred by nightmares and flashbacks. Among these haunting memories, one harrowing incident during World War II stood out, a moment that would forever alter the course of his life and the essence of his creative work. It was amidst the chaos of the Battle of Leyte Gulf in the Pacific, a brief respite twisted into a scene of horror.

As Serling and a comrade shared a moment, capturing it in a photograph, fate struck a cruel blow. From the skies, an Air Force plane unwittingly unleashed a deadly cargo – a box of extra ammunition. It plummeted to the earth with tragic precision, striking Serling’s friend, crushing him under its brutal weight. This gruesome and fateful moment would not only scar Serling’s memory but also ignite a dark spark of inspiration, weaving its way through the tapestry of his scripts and stories, forever etched in his haunted narrative.

His daughter, Anne Serling, recalls her father being tormented by nightmares of the war, a clear indication of the post-traumatic stress he suffered. This is a plight all too common among veterans, with a staggering 47% not receiving the necessary support for their PTSD. Fortunately for Serling, he found solace and a means to process his trauma through his writing.

Before The Twilight Zone

Before creating “The Twilight Zone,” Serling worked on various TV shows, including “Lux Video Theatre” and “Studio One.” These early works sometimes touched upon themes of war and the paranormal, setting the stage for what was to come. In 1959, “The Twilight Zone” was born, a series that is often remembered for its exploration of the bizarre and eerie. However, Serling’s primary goal wasn’t just to thrill and chill his audience; he used the paranormal as a lens to discuss broader societal issues such as prejudice, brutality, and the horrors of warfare.

Episodes like “He’s Alive,” where the ghost of Hitler inspires an American neo-Nazi, and “I Am the Night—Color Me Black,” which explores the consequences of hatred and injustice, are prime examples of how Serling used the show to comment on the persistent issues of bigotry and moral decay. A significant portion of “The Twilight Zone” episodes also focused on war, reflecting Serling’s own traumatic experiences. “A Quality of Mercy,” for instance, is a poignant story about an American GI and a Japanese soldier swapping bodies, offering a powerful critique of the senselessness and cruelty of war.

In essence, “The Twilight Zone,” while famous for its foray into the fantastical, was Rod Serling’s way of grappling with his own demons and shedding light on the darker aspects of reality that often go unspoken. Through his genius storytelling, Serling not only entertained but also enlightened his audience, leaving a legacy that continues to resonate with viewers to this day. Top of Form

twilight zone favorite episodes of rod serling

Rod Serling’s Favorite Twilight Zone Episodes

Have you ever wondered which “Twilight Zone” episodes Rod Serling himself loved the most? I certainly did and it turns out, he had two favorites. The first one? “Time Enough at Last.” It’s the eighth episode and an absolute classic. It’s like the show hit its peak super early. But, you know, while “Time Enough at Last” is a standout, it paved the way for more amazing episodes.

The episode stars Burgess Meredith, you know, the guy from “Rocky” and “Of Mice and Men.” He plays Henry Bemis, this super mild-mannered bank teller who’s just not getting any love from his boss or, even worse, his wife. Poor Bemis isn’t a bad guy; he’s just super into his books, and that’s his happy place. But everyone around him just doesn’t get it and gives him a hard time for it.

Serling’s take on Lynn Venable’s short story hones in on Bemis’s tough situation. Watching Meredith, with his thick glasses and his kind of awkward way of speaking, you can’t help but feel for the guy. He’s a dreamer surrounded by nightmares, judged way too harshly. They’re always on his case, messing with his books. All we want is for Bemis to have his moment with his books. He totally deserves it.

Then, boom, the apocalypse hits, and suddenly, Bemis is the last man on Earth. Lucky for him, he was in the bank vault when it all went down. Now, with no one to bug him and a mostly intact library, he’s got all the time in the world to read. Perfect, right?

But then, tragedy strikes. His glasses break. All those books, and he can’t read a single one. Bemis is devastated, and we’re left with one of the most memorable moments in TV history.

Twilight Zone’s Iconic Twists

A lot of “Twilight Zone” episodes have this ironic, tragic twist, but usually, the characters kind of had it coming. Like the astronaut in “I Shot An Arrow Into the Sky” or the conspiracy theorist in “Four O’Clock.” But Bemis? He did nothing to deserve such a sad ending. Life was tough on him, and then, when he finally got a break, fate (or the Twilight Zone) had other plans.

In a 1970 chat with sci-fi writer James Gunn (not the “Guardians of the Galaxy” guy), Serling shared that “Time Enough at Last” was one of his top picks. He loved the irony of it all and was pretty proud of how they pulled it off with a TV budget, using an MGM backlot to make it look like a movie.

rod serling favorite twilight zone episodes invaders with agnes moorehead

His other favorite, “The Invaders,” with Agnes Moorehead fighting tiny aliens, didn’t fare as well in the special effects department. Serling wished they could’ve done more, but hey, it was the ’60s, and TV had its limits. They had to work with what they had, even if it meant using not-so-convincing rubber aliens.

So, yeah, for Serling, “Time Enough at Last” was a big win, even if it wasn’t such a happy ending for Mr. Bemis.

The Twilight Zone Helps Shape Mental Illness Perceptions

The original “Twilight Zone” series, a seminal television program from the late 1950s and early 1960s, utilized themes of mental distress as a critical lens to examine American cultural norms of the era, particularly the emphasis on unwavering rationality, social conformity, and the prioritization of work in daily life. This exploration was not merely metaphorical; it also challenged the prevailing notion of mental soundness as a mandatory standard, highlighting its potential perils for both individuals and society at large.

Episodes such as “Mirror Image,” “Nightmare at 20,000 Feet,” and “The Arrival” feature protagonists who confront inexplicable phenomena, compelling them to reassess their conventional, rational perspectives to make sense of their experiences. This narrative device underscores the idea that perceptions of madness are socially constructed. Furthermore, the scrutiny these characters face for deviating from middle-class American behavioral norms underscores the enforced expectation of mental soundness.

During the era of “The Twilight Zone,” American perspectives on mental health were evolving significantly. The deinstitutionalization movement was reintegrating mental health patients into society, while psychoanalytic theories intersected with emerging preventative medical practices. This convergence fostered a belief in an inherent, latent madness within all individuals, which responsible citizens were expected to control. The series frequently depicted asylums, with several episodes concluding with the protagonists being involuntarily committed for failing to adhere to societal expectations of mental stability in the face of unexplainable events.

Through its portrayal of mental distress, “The Twilight Zone” was able to shed light on the inhumane treatment of mental health patients in mid-20th century America. It encouraged viewers to consider unconventional, non-normative, or even ‘mad’ approaches as viable alternatives to the prevailing social norms.

Art As Therapy

Rod Serling masterfully demonstrated the power of art as a tool for navigating life’s challenges. His iconic work in “The Twilight Zone” resonates with audiences even today, addressing timeless issues that continue to be relevant. Serling skillfully channeled his experiences with PTSD into his art, bringing attention to a subject that was scarcely discussed at the time, while also confronting his personal traumas from the war. This exemplifies how art can be a therapeutic medium for many. Regrettably, the decline of art programs in schools has limited this vital outlet for those who might benefit from it most.

‘Gen V’ Finale Ends With a Shocker

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Gen V’s ‘The Guardians of Godolkin’ doesn’t refer to who you think it does. And that’s not the only twist and turn in the season finale of Gen V. Alliances break and are formed, the ever-present question of who’s the good guy and who’s the bad guy and is there anything that is NOT a shade of gray at this point still not solved. Am I complaining? Hell no.

MAJOR SPOILERS FOR SEASON 1 OF GEN V AHEAD

The Question of Right and Wrong

We pick up where we left off on Gen V. Everyone is shocked that Cate killed Shetty, but she insists she did it for all of them, that she’s being a hero. Surprisingly, Sam agrees, saying Shetty sucked, that he’s not an experiment – that he wants to be a hero too.

He tells himself that he’s doing it for Emma, echoing Hughie in The Boys – after Emma saved him, he thinks maybe it’s time for him to save her. He tells himself it’s for the right reasons, partly to keep Emma and the others from being tortured the way he was if they’re found out.

It’s the question that the entire The Boys universe poses again and again. Is doing something terrible okay if you’re doing it for the “right” reasons? If that isn’t a relevant question right now in the real world, I don’t know what is!

I think Sam does want to do the right thing. But Sam is angry too – and free for the first time to make his own decisions. This show is all about the choices we make, especially when we’re young and able to direct our own lives for the first time. Most of us don’t get through all that without some regrets.

Jordan, on the other hand, isn’t so sure that freeing the kids trapped in the Woods is a good idea, wanting to call campus Security instead (which, unfortunately, is not a good idea either). There’s always that temptation, when everything is falling down around you, to fall back on what has always been the status quo, trust whoever you thought you were able to. Marie knows that’s a mistake, though.

The Price of Power

Meanwhile, Andre watches over his father, ignoring Marie’s phone calls.  He gets the bad news from the doc that every time his dad uses his powers, a micro tear occurs in the neural pathways, damaging his brain. (Asking if Andre himself has had any symptoms lets us know it’s not only his dad who’s being destroyed by using his powers). What can they do?

Unfortunately, he just recommends physical therapy, which sounds like what everyone with a chronic condition hears over and over again. How does this show always get it so right?

Doc: And no more using powers.

They always come with a price on this show, in this universe.

When Polaris wakes up, he apologizes to his son for knowing about the Woods and staying quiet but claims he did it to protect his son. Andre tries to tell him that their powers are (literally) killing them, but his father keeps interrupting, insisting that Andre take on being Polarity, do whatever they tell him to do.

Polarity: No one gets through life without regrets, but goddamn I don’t regret being able to take care of my family and I know you’ll do the same. This family is counting on you.

It’s just another form of manipulation, and another one that works. Andre wipes away a tear.

Of course, it’s always Vought who has the real power in this universe. Ashley Barrett from The Boys joins the fun in this episode. She calls a board meeting because they need a distraction from the shit show that Godolkin has become – so why not send someone straight to the Seven? They review the candidates, a board member worrying that though Andre is surprisingly smart, his skin tone “reads dark”.

Ashley: We’ll get Annie fucking Leibovitz to shoot him you racist piece of shit!

Sometimes I kinda love Ashley, I can’t help it.

Into The Woods

Cate and Sam go to The Woods, where a guard “not Greg, I’m Bob” is at first happy to see her, accustomed to the pliant and easily manipulated Cate, but that version is GONE. He’s then momentarily terrified before Sam puts a fist right through his helmet. And his face.

Cate compels the guards to unlock the cells. Sam wanders into his old cell and hallucinates Luke, who accuses him of helping Supes and hurting humans, and tries to talk him out of it. In other words, Sam’s having an argument with himself, trying to figure out right and wrong.

Luke: I killed one human once, and I killed myself from guilt. And what about your tiny friend Emma?

Sam: He’s not here and neither are you – You killed yourself, leaving me in this cell!

Sam slams the door on the hallucination and follows the other freed Supes out, realizing the engineered virus was intended to kill them all. Cate moves seamlessly into the role of leader, seemingly without remorse, rallying the troops.

Cate: This school said they could torture you – why? Because they said you were crazy, inferior. You’re not inferior! You are superior to them and it’s time we showed it.

She turns to one of the guards.

Cate: Eat your own fucking hand, you monster.

The freed supes aren’t exactly discriminating, infuriated by their captivity and torture and planned extermination. Which is, you know, enough to make anyone pissed. But it’s now an us versus them war, with Supes vs. humans. One guy walks around asking everyone he sees on campus “are you a Supe?”  Rufus, always in the wrong place at the wrong time and always being a dick, says no shit and goes on his way.

Gen V Rufus showing up at wrong time again

The next person asked says no, she’s an adjunct professor, and oops, he incinerates her face. It’s hard enough being an adjunct professor (I still remember), this is just insult to injury!

Marie, Jordan and Emma get to the Woods too late, so they try to clear the campus and save some human lives. For a little while it seems like Jeff the marketing guy might be the unlikely hero to save the school with his handy dandy Supe deafener.  When a freed supe kid confronts him, he sneers “you were safer inside, dummy” and blows her up. Chaos breaks out across campus as the freed ‘experiments’ wreak havoc.

Campus Chaos

Ashley and company are oblivious, focused on finding the next member of the Seven and considering Translucent’s son, Maverick, the invisible kid we’ve seen (well actually we’ve only seen his cap mostly and his llama).  Meanwhile, the intern in the corner is on the phone freaking the fuck out. (It’s always the intern who knows what the fuck is going on!)

Outside the window, Cate makes Jeff eat the exploder device – and then detonates it.

Ashley: Where the fuck is Shetty???

In another part of campus, director PJ Byrne is holding auditions, being his narcissistic asshole self, when Sam comes in. He grabs him by the throat just as he’s bragging about being close personal friends with Josh Hartnett. Lucky for him, Emma comes in and asks Sam to stop.

It’s a painful moment for Sam and Emma shippers. Sam’s angry that she saved him when he didn’t ask for it (again, shades of Hughie and Annie), angry that people hurt him and wanting to hurt back, insistent that he’s “normal” because he’s always been told the opposite.

Sam: This is what normal looks like when you’ve had my fucking life!

Which, damn, that’s a great line. It’s essentially what I teach my students to understand as they’re studying to become therapists – it’s how to tap into empathy even when it’s initially hard to understand how someone got to where they are (and who they are).

Emma: I risked everything for you.

Sam: Emma, you would do anything for everyone to like you. You’re not a hero.

OUCH.

Nooooooooooooooo Sam! He walks out on her. Emma stands on the dark stage alone, sobbing. And then she’s tiny, like the metaphor for her being silenced and alone and confused once again just couldn’t resist enacting that feeling.

Emma: WTF?

Me: Yeah, WTF??

The Final Showdown

Cate calls Andre to tell him that she freed the kids in the Woods, trying to pull him back in by saying that they can be together.

Sam struggles with hallucinations of Luke, encourages Sam not to go along with Cate killing people. Sam wavers, asking Cate if “this is right”?

She insists they’re holding humans accountable, but Luke (another side of Sam) disagrees.

Gen V Luke and Cate at school

Luke: Killing innocent people? This is your fucking moment. You are not defined by what’s happened to you. You are what you do. Be a hero, right now. Stop Cate. I love you.

You’re not defined by what’s happened to you – it doesn’t matter who you ARE, it matters what you DO. That’s a core message of that other Kripke show I love so much too (Supernatural). And, like that other great line above, it’s also very very true.

Unfortunately, Sam is too messed up to do listen. He knows this is his hallucination, and he hates himself, so how can he trust it? He asks Cate to help him feel nothing, and tragically she does.

Sam: I feel so empty. It feels good.

She essentially turned him into a psychopath. It’s heartbreaking because when people are in that much pain, it IS tempting to want to be numb and feel nothing at all. It’s so understandable that Sam asked for that, but there was so much vulnerability and tenderness and empathy in him and it’s so sad to see it erased. Unfortunately, even in real life, you can’t take away one feeling without taking away the others.

Marie hits the panic button in Shetty’s office, which sets off an ear splitting noise that temporarily incapacitates the supe kids.

Influencer girl: OMG I have no signal!! Who’s gonna know if we die??

But not for long. They manage to take it out, and Ashley swings into action and shows why she actually is pretty damn capable of being the boss.

Ashley: Whoever stops these rogue kids gets in the Seven!

She calls Marie, cool as ice, offering her a spot in the Seven if she ‘cancels’ the rogue students. When Marie hesitates, she promises to get her a meeting with her sister.

A rescue helicopter arrives but Cate takes it down – until Andre uses his powers at the last minute to help it land. He and Marie proclaim themselves Guardians of Godolkin, but Cate and Maverick go up against them in a brutal fight.  Marie thinks about cutting herself to blood fight Maverick, but remembers Shetty and doesn’t. She closes her eyes and can see his blood instead, managing to stop him. He becomes not invisible – and naked lol.

Andre takes down Sam with an electrified baton. Ouch. Jordan tries to protect the board members, siding with the humans and herding them all into the helicopter.

Andre tries to convince Cate that they’re better together, they can figure it out. She considers, says okay, holds out her bare hand. But he doesn’t take it, doesn’t trust her.

Marie confronts Cate, saying she just wants to be a good person, but Cate is convinced that SHE, not Marie, is doing the right thing. The heartbreaking thing is that none of these kids wants to fight the other, they all wish they were still on the same side.

Cate: You are not a person, you are a product to them, a freak! I’m trying to save you!

But Marie can’t stand by.

Gen V finale Marie shocked by bloodbath

In desperation, she pulls all the blood on the ground to her, remembering all the violence, and stops the Supes going after the helicopter.

PJ: Fucking Christ, I’m putting that in my next movie.

In the most shocking moment of the episode so far, Cate goes to touch Jordan to stop them from helping the humans escape and Marie loses it, exploding her arm right off, blood spurting everywhere, holy hell!

Gen V finale Cate and Jordan shocker
Gen V finale marie ends with blood bath
gen v finale season 1 recap movie tv tech geeks

Suddenly out of nowhere, Homelander appears. Antony Starr, I’ve missed you!

Marie: Sir, hi…

The Boys Antony Starr Homelander crosses over to Gen V finale

Homelander waves his finger at her in reproach.

Homelander: What kind of animal are you? Do you like attacking your own kind?

His eyes glow and he turns them on Marie WTF?!

Where Do We Go From Here?

Cut to Cameron Coleman: Tragedy has happened again on campus. Four Godolkin students went on a brutal murder spree (we see Emma, Marie, Andre and Jordan’s photos).

Gen V Cameron Coleman news reporter like FOX News

Coleman: Many more would have been killed if it hadn’t been for the Guardians of Godolkin – the new Guardians of Godolkin.

We see Sam and Cate’s photos.

Coleman assures everyone that “all of us are safer with heroes like Cate and Sam protecting us, our values and our way of life.”

Homelander watches, looking satisfied.

Marie (still alive after having taken Homelander’s blast “like a fucking champ”), Emma, Jordan and Andre wake up in hospital gowns in a hospital room – with no doors.

Marie: Where are we?

That would have been a great ending, but we got something even better.

In the dark hallways of the The Woods, in walks a shadowy figure, who we recognize immediately from his flowing coat and his boots and his swagger. 

Billy Butcher: Weren’t they a bunch of cunts.

The Boys Karl Urban Billy Butcher crosses over to Gen V finale

Me: OMG I CANNOT WAIT FOR SEASON 4 OF THE BOYS!!!!!!!!!!!!!

And Season 2 of Gen V!

“We’re the kids in America” plays over the credits.

What a wild ride this show turned out to be – let me know what you thought of it!

And if you’re fascinated with the world of The Boys, pre-order the new book Supes Ain’t Always Heroes – with chapters that take a deep dive into what makes the characters tick and exclusive in-depth interviews with some of the show’s actors and co-creator Darick Robertson. The book’s release date is December 5th.

When you preorder, you get free bonus original artwork of Soldier Boy and Kimiko too! Link to preorder: https://smartpopbooks.com/theboys/

You can check out all episodes of Gen V here on Amazon Prime.

‘Gen V:’ Soldier Boy Returns (Sort of) in And Jensen Ackles Inspires A Million Priceless Gifs

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With two more episodes to go in its first season, Episode 6 of “Gen V” is a standout for more reasons than one.

SPOILERS AHEAD FOR EPISODES ONE THROUGH SIX OF GEN V!

We pick up in the sixth episode (“Jumanji”) with a repentant Cate restoring all her friends’ memories. They’re shocked, pissed, betrayed, everything you’d expect. Emma immediately heads out to find Sam, but not without a parting shot.

Emma: Also? You’re a cunt.

Cate insists she thought she was doing the right thing. Andre is especially furious, wondering if Cate’s manipulations were what made Luke kill himself and afraid to even consider that what she did was okay because then he’d just forgive her. His feelings for her make her betrayal a personal one.

Gen V Andrew and Cate holding hands 2024

They all feel (understandably) mind-raped. Marie is the voice of reason though, saying it’s God U who is fucking them over, not Cate – that Cate was fucked over just like the rest of them.

The strain on Cate from restoring their memories and the trauma of realizing how she’s betrayed them makes her collapse, her heart rate slowing dangerously. Marie manages to save her (since apparently none of the others learned CPR at superhero school).  Marie slowly learning to use her formerly horrifically destructive powers for good is a nice little story arc running beneath the surface, though it will certainly not go smoothly. This is “The Boys” universe, after all.

At times this show reminds me of Buffy (which I loved) as it uses metaphor to tell stories about real life issues, in this case one of the challenges of growing up. We all have to learn how to harness our destructive impulses, how to recognize our own power but not mis-use it. We all have missteps we feel guilty about along the way, that can keep us afraid of speaking up or calling out injustice when we see it. That’s been part of Marie’s journey all along.

She does manage to save Cate, who wakes up and then abruptly bursts through the wall of the house they’re hiding at. They follow, but when they all go through the break in the wall, what’s outside is…the woods. Well, not THE woods, but actual woods. Suddenly, everything has gone surreal, and I love it, not knowing what’s actually happening and what isn’t.

They see a woman, sobbing and calling for Caleb and realize that’s Cate’s little brother who disappeared – we see young Cate distraught, telling her mother she didn’t mean it, not understanding what’s happening. Her mother looks at Cate not with love or concern but with terror, telling the cop she doesn’t feel safe with her daughter.  Bits and pieces of the landscape start to come apart in some truly eerie special effects…

Gen V Caleb realizes they are in Cates had now

They’re in Cate’s head, they realize.

“The Boys” universe excels at finding ways to get into its characters’ heads (often literally) so we can truly understand their back stories in a way that makes them very real and very compelling. We often don’t just hear about it, we see it. It makes all the characters a lot more sympathetic, as the scenes of Cate’s past do in this episode.

Here Comes Soldier Boy

And then I admit to gasping out loud, because even though I knew it was coming, seeing Soldier Boy striding out of the woods took my breath away.

Gen V cast shocked to see Soldier Boy Jensen Ackles in woods

I know it’s wrong, but I’ve missed him! Welcome back to my screen, Jensen Ackles!!

And then begins a scene that will go down in history for both “The Boys” and “Gen V” fans – and Jensen Ackles and “Supernatural” fans too. Holy shit, what a scene!

Soldier Boy: What are you greasy sack of fucknuts doing in here?

Yep, that’s our disgusting uncensored murder grampa kitten, being just as gross as ever. Ahhhhh, I’ve missed him!

Gen V Soldier Boy brings out Kates head life

Marie, Andre, Jordan and Dusty: What are YOU doing in here?

Seemingly innocuous question, but the answer will go down in media history.

Soldier Boy: I’m Cate’s imaginary friend from when she was a kid. Boyfriend, really.

That’s striking enough, but Soldier Boy does not stop there. And Ackles is on a roll!

Taught her how to jerk off. Diddle that skittle, click the bean, gotta find that man in the canoe.

The others are staring at him, open-mouthed. (Most fans are also staring at their screens with a similar expression, though perhaps a wee bit more appreciative…)

Soldier Boy: She came like a faucet. She’d crank up the Jonas Brothers, she’d hump a Soldier Boy pillow, she’d rawdog that pillow til she saw God.

Marie: Gross.

Soldier Boy: (smirking) It was pretty romantic.

Dusty: Aw yeah brother.

Soldier Boy: Shut the fuck up.

Andre: She didn’t like the Jonas Brothers…

Me: OMG this is all priceless.

It’s like Kripke and Ackles took all those years that “Supernatural” was on the CW and subject to Standards and Practices and said haha now we can be as filthy as we want!

Soldier Boy cocks an eyebrow, looking at Andre.

Soldier Boy: Hey I know you, you’re Cate’s new fuck boy.

And this is the shot we get, which likely turned just about everyone to mush. If you weren’t already there.

Jensen Ackles Soldier Boy slams Andre on Gen V

Soldier Boy: She really loves you, but whatever. Boys, they come and go. She always come back to a little pillow talk.

Since this is really a manifestation in Cate’s head, I guess she really does love Andre.

Andre and Jordan get pulled into arguing with Soldier Boy, insisting he was radicalized by the Russians, which makes Soldier Boy even grumpier than usual.

Soldier Boy: Fuck you, I’m no godless dickless Commie. I’m red blooded…but not Commie red…red white and blue red. I fart the Star Spangled Banner.

Gen V Andre reacts to Solider Boy return in woods

Andre: You’re pretty fuckin’ weird, man.

Soldier Boy: Yeah? Knock knock who’s there go fuck your face!

Marie tries to get him to tell them what’s going on, but he says he doesn’t know, that Cate wants them in there for some reason and they better figure it out before they get stuck there. A violent flash splits the sky, and Soldier Boy warns them that wasn’t lightning, but a burst blood vessel.  Cate’s head is unraveling in real time, and if she becomes a vegetable, so do they.

Soldier Boy:  If you wanna live, listen to me – the single most important thing I can tell you is…

Me: Uh oh.

Jensen Ackles Soldier Boys returns Gen V to woods

Flash! He’s struck by ‘lightning’ and fries, a bloody pile on the ground. Okay, okay, I know he was an imaginary Soldier Boy, but I still didn’t wanna see him incinerated.

Andre: That guy was a dick, right?

Everyone: I mean, yeah? But HEY KRIPKE WHEN CAN WE HAVE A SOLDIER BOY SPINOFF????

As I predicted, there are now about a million gifs out there of every single filthy word that Soldier Boy said in that scene, a few of which I’ve included here. Fandom never lets me down!

There are also a bunch of articles with Kripke confiding that they at first had considered Twilight’s Taylor Lautner for Cate’s imaginary boyfriend, but I am SO glad they went with Soldier Boy. When he called Ackles and asked if he could suit up, Jensen managed to take a few days from filming Big Sky and film the scene with Kripke there too. The two have always worked incredibly well together, so it’s no surprise that this scene came out as hilarious (and as dirty) as it did. Kripke said he counted on Ackles’ sense of humor – with excellent results!

Of course, those of us in the “Supernatural” fandom already knew that scene was going to be priceless. Months ago, Ackles told us at a convention about filming the cameo.

Jensen: My little bit there was heavily improv. I had Kripke on set that day and he and I were spitballing ideas and workshopping it literally between takes and coming up with a whole variety of takes. It’s a lot of fun working at that level with that kind of mind who can just throw something out and I’m like oh yeah I’m gonna do that one!

I can only imagine the fun those two had – and what other takes might make it to a gag reel!

Meanwhile, Emma finds Sam.

Sam: You came back!

Emma: That’s what heroes do, right?

Gen V a.06 Sam Emma sharing secrets

They hug as he realizes that she remembers, and he says he missed her and there’s a poignant moment, and then they kiss. It turns out Sam is a virgin (“Well, except my hand…he’s competent, but…”). Emma assures him no pressure, they don’t have to have sex, but he says he wants to.

Sam: Show me how.

Me: Awwwww.

They make love and it’s really kinda sweet, though Sam has a few alarming flashes of Emma turned into a puppet in the middle of a passionate moment. Afterwards, in spite of how good it was, Sam says he’s messed up, Emma should be with someone who isn’t. She counters that she wants to be with him, that she’s messed up too.

Sam: I wish we could stay here forever. Let’s run away together.

Emma: No. No more running, Sam. We have people looking out for us, trust me.

I’m still team Sam and Emma. Samma?

Marie, Andre, Jordan and Dusty make their way through the woods, and into another memory – young Cate nine years later, in the cell decorated like a bedroom her parents have kept her in, wearing gloves at all times. Her mother is chillingly scary as she lets in a visitor, warning “don’t let her touch you”. It’s Indira Shetty, who immediately starts manipulating a guilt-stricken and lonely Cate, telling her everything that she desperately needs to hear — that she can take off the gloves, she’s not afraid of her. That what happened to her brother was an accident, not her fault.  

I imagine no one has dared to touch Cate in years and years, and she must be longing for it terribly. Shetty holds Cate’s hand, gives her the touch she’s so desperate for – and offers her hope, that they can make the voices stop so she can control her urges to do something and get out of that cell. Cate takes the pills she gives her, grateful.

Shetty: Would you like a hug?

No wonder Cate has been so loyal to Dean Shetty! Her parents blamed her, imprisoned her, abandoned her. How hungry she was for a mother’s touch, a hug, some affection. And what an evil evil person Shetty is! (An evil psychologist, boo. My profession takes a hit…)

Suddenly the group is back at God U, watching Luke and Cate’s first meeting. Andre goes to leave and Luke calls after him, saying he misses him. Andre says the same, but Luke confronts him ominously, saying he doesn’t believe him.

Luke: You thought I didn’t know.

The room goes dark, and on screen are Cate and Andre gettin’ it on. Jordan and Marie stare, shocked.

Luke accuses Andre of doing it behind his back, says he thought Andre was his best friend. Then he goes after him, incinerating Dusty instead. Their powers don’t work, so they run, Andre insisting he feels like a piece of shit for what he did, but that he loved Cate.

Then it’s Jordan’s turn to be found out.

We see them (in female form) subduing Luke when he attacked the Professor, and the Professor offering Jordan a TA ship in exchange for a promise of silence and protection. Jordan agrees.

Marie: So you knew!

Jordan in the here and now, in male form, realizes they could have stopped everything, but instead saved their own ass.

Gen V 1.06 jordan facing her past

Present Jordan: I wanted to believe the Professor was good.

Past Jordan: He was nice, and that’s all it took.

That’s a theme of this episode – when you’ve gotten precious little kindness and affection all your life, someone who knows how to pretend to give you a little of that can manipulate you as much as they want. One of the best things about “The Boys” universe is how, while on the surface it’s not at all realistic, underneath it often has something very real to say about how we all are impacted by the trauma and loss and violence all around us.

Jordan: I want to make it right, for Luke.

And then they’re in The Woods – the lab – watching Sam and Luke, restrained on operating tables. Luke wakes up, yelling for Sam to wake up, nearly breaking out.  Cate comes in and holds Luke’s head, saying your brother is dead, forget about the Woods. Forget forget forget. Many times, many memories.

It is truly horrifying.

Jordan: Think that’s what broke him?

Andre: I think it broke both of them.

They see Shetty and the Professor just recently insist Cate is doing a wonderful job – and then in the present they order Cate to make them forget. The three run across campus, confronted by a door that Marie recognizes – and now it’s her turn for the awful memory she’ll find inside. She opens the door and it’s the scene of bloody carnage, her parents dead in a pool of red, Marie’s sister sobbing in the corner.

Marie tries to apologize, but Annabeth insists that she killed them, that no matter how hard she tries to be a hero, she’ll always be a murderer.

Marie realizes the lesson now, though – that it wasn’t her fault. She addresses Cate, pleading with her to wake up, saying that it wasn’t her fault either.

Marie: None of this is our fault!

She’s realizing it for herself, finally.

Marie: The one thing that’s really apparent now is we’re all fucked up.

Cate balks, saying she doesn’t want to wake up, but Andre confronts her, saying that no matter how much she wants to just forget her problems and not wake up, she needs to. That he knows her parents and Shetty hurt her, that he loves her and doesn’t want to because he’ll never trust her again.

Andre: But now you finally have a choice, so wake the fuck up. I need you to remember. Please. Wake up!

It’s the other theme of this episode – choice. What we can do to get it, and what we’ll do with it once we have it. Once again, it hits home as much more realistic than you might expect.

Cate reluctantly wakes up, her eyes red, bleeding.  The others wake up too, Jordan able to shift again. And then, Emma and Sam show up.

Jordan: You have sex hair.

Unfortunately, Sam remembers Cate from the Woods and attacks her, throwing all of them around the room, but Emma is able to talk him down, saying that even though he was hurt, he doesn’t have to hurt her back. He finally lets Cate go, still angry.

Cate knows she’ll have to earn back their trust, so she tells them everything. She says they were using Sam in the woods to augment Luke’s powers, and doing other things to, to him and other kids.  That Shetty was directing it all.

And now they know who to go after.

Meanwhile, back at the Woods, a chained girl named Betsy coughs violently, her hands sparking. In a scenario that hits a little too close to reality, she’s been infected with a virus that only affects Supes because of the Compound V in their blood. Dean Shetty observes, then turns to Dr. Cardoza, her voice ice cold.

Shetty: Concentrate the dose, let’s see how sick we can make her.

At the end of the episode we see Dr. Cardoza again, distraught, saying he was just following Shetty’s orders. Betsy lies dead on the floor of her cell.

Cardoza: We killed a Supe!

Shetty (ice cold as ever OMG): So the virus worked? Now can we make it contagious?

If they make it airborne, I’m gonna have to look away, I swear.

Every episode, much like “The Boys,” ends with some great music, this time The Bangles version of Hazy Shade of Winter.

Time time time, see what’s become of me…look around, leaves are brown and the sky is a hazy shade of winter… Hang onto your hopes, my friend, that’s an easy thing to say but if your hopes should pass away, simply pretend that you can build them again…

Two episodes left of Season 1 – and congrats to “Gen V” for its renewal for Season 2!

If you love the world of “The Boys,” check out the new book ‘Supes Ain’t Always Heroes: Inside the Complex Characters and Twisted Psychology of The Boys’.

It’s got chapters that are a deep dive into Soldier Boy, Butcher, Starlight, Homelander and all your other favorites as well as exclusive interviews with some of the cast including Jensen Ackles. You can preorder now and get free original art of Soldier Boy and Kimiko at https://smartpopbooks.com/theboys/

Check Out “Gen V” on Amazon Prime Fridays.

‘Gen V’ Episode 5 – Welcome To The Monster Club Deep Dive Review

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A new episode of “The Boys” spinoff “Gen V” streams Friday – well, usually Thursday at midnight. If you’re like me, you can’t wait to find out what happens next!

Here’s our recap of last week’s Episode 5 to get everyone ready for this week’s Episode 6…

SPOILERS FOR EPISODES ONE THROUGH FIVE OF ‘GEN V’ AHEAD!

Everyone ended the fourth episode of Gen V wondering if their streaming service had glitched, so it’s merciful that in Episode 5 the show doesn’t make us wait to find out that no, that’s not what happened. Instead, it’s Andre, Cate, Emma, Jordan and Marie whose memories glitched, as in none of them can remember the past few days.

They wake up at a Supe named Dusty’s house (clearly his house because his pet llama is wandering around the premises), Andre and Cate in bed and Jordan and Marie in bed – and Emma (still gigantic) naked and floating in the swimming pool. Luckily it had a tarp on it which is covering her.

As a result of her saving the day, Emma finally starts trending on social media, and realizes that her mother’s stern warning about not “getting big” was bullshit – more of her evolution into finding her voice and being willing to take up space. Lots of it.

Know who realizes that? Sam. He shows up concerned about Emma, who doesn’t remember him at all.

Sam promises he’ll fix it, make her remember.

Emma: Remember what?

Sam: That you’re a hero. A real one.

Me, a passionate Emma fan: Damn right!

Vought is still after Sam, sending a whole team of armed operatives to capture him. In a truly disturbing sequence, Sam’s psychosis manifests so that he sees them all as puppets – and proceeds to rip them apart, puppet entrails flying everywhere and heads rolling, rock music playing to make the whole scene surreal.

Sam comes back to reality standing in a sea of bloody body parts.

Dr. Cardoza is freaked out after Sam’s little visit, but the Dean reminds him he can’t really walk out as he doesn’t have anywhere else to go, putting it in her own special way.

Dean Shetty: Cutting up Supes and seeing how they tick is a skill that won’t quite shine on your LinkedIn profile…

Back to trying to perfect a virus to control the “psychopaths” then, Dr. Cardoza.

Marie finds a tracker implanted in her chest and realizes the Dean is probably part of that. She manages to pull it out of herself (ewww). This episode begins to paint a chilling portrait of just how sinister the people running God U actually are – and sets us up for some big reveals about who they’ve drawn into their web of manipulation.

Gen V Marie finds a tracker in her chest ep 5

Marie runs to Cate to tell her about the trackers and…that was a mistake.  The episode veers back and forth with Marie and company discovering some of what’s going on and then being made to forget, which is depicted in a way that makes the viewer feel almost as unsettled and ‘off’ as Marie and friends.

For a while they’re sure it’s Rufus who’s messing with their heads, and poor Alexander Calvert almost gets taken out for good because of it, even as he protests his innocence.

But Sam knows the truth – and by the end of the episode, they all know who is really responsible for repeatedly wiping their memories. It’s Cate. Surprisingly empathic, relatable Cate. (Of course, that’s never the answer of who the real villain is in this universe…)

Cate says she’s sorry, that she only ever wanted to help and make things better. Do we believe her??

In other news, Jordan and Marie spend much of the episode dancing around each other and trying not to admit to the other that being together maybe wasn’t a mistake after all.  Jordan’s invisible Supe friend reminds them that maybe Marie is “cool with hiding the sausage and bumping donuts” and so maybe they can be either in female or male form and still be with her. I’m rooting for them!

Gen V The Boys Jensen Ackles working Soldier Boy

I’m rooting for Sam and Emma too. She doesn’t remember who he is, but she goes to him anyway.

But how long can he keep hiding from Vought??

A new episode streams this Friday (Thursday at midnight) on Prime Video and let’s just say the level of excitement around Soldier Boy (Jensen Ackles) perhaps making an appearance is off the charts. I won’t say for sure that it’s in this week’s episode, but let me tell you, when you do see him again, the entire scene is PRICELESS! The gifs that fandom will make alone…. OMG.

Catch up on Gen V now so you’re ready for all the chaos. And to catch up on the whole fascinating world of “The Boys,” you can preorder the new book ‘Supes Ain’t Always Heroes: Inside the Complex Characters and Twisted Psychology of The Boys’ NOW at https://smartpopbooks.com/theboys/

There is, of course, a chapter all about Soldier Boy and what makes him tick, and an exclusive interview with Jensen Ackles too – plus a lot more about all your favorite characters.

Don’t miss this week’s episode of Gen V!!

‘Absolutely Essential’ Gift Guide to What Men Really Want

Alright, alright, alright. So, you want to find the ideal gift for the man in your life, huh? You know, that guy who can never decide where to eat but you expect him to cherish the “perfect” gift? Good luck. Whether you’re fishing for a gift for your spouse, old man, sibling, or that dude you’ve friend-zoned, your mission is clear: find something that says, “I had to think for a minute” instead of “last-minute Amazon rush.”

Isn’t the joy of gift-giving just trying to watch their face pretend they like what you got? It’s hilarious. And honestly, what’s cool is men have interests that span from “barely useful” to “utterly unnecessary.” But hey, that just means there’s more for you to guess wrong about!

Let’s ride the wild roller coaster of “things that will probably end up in a drawer by January.”

“Techie Toys for the Reluctant Grown-Up”

Entering the tech world for gift ideas is like diving into a maze with no cheese at the end. But don’t sweat it. Whether he’s a Silicon Valley wannabe or just learned how to turn off his computer, there’s a shiny object out there with his name on it.

Smart Home Gadgets: A lazy man’s dream! How about a light that turns off when he yells at it because he’s too buried under blankets to move?

Portable Bluetooth Speaker: It’s like a boombox for the digital age. Perfect for annoying neighbors at the beach or serenading the squirrels in the backyard.

Noise-Cancelling Headphones: Give him the gift of ignoring you in high-definition sound.

2023 hottest mens tech smartwatch gift guide

Fancy Wrist Computers (AKA Smartwatches): Remember when watches just told time? Yeah, those were simpler times. Now, they’ll track his steps, calories, AND make him late for things!

2023 hottest gaming chairs

Gamer Gadgets: Because nothing says adulthood like virtual dragon slaying. (By the way, gaming chairs are basically thrones for people who conquer virtual lands. So…essential.)

Streaming Devices: It’s like giving him a key to Narnia, but instead of lions and witches, he gets sitcoms and documentaries. Throw in a streaming service subscription, and you’re basically gifting him hibernation.

Remember, when you’re out there in the wilds of tech shopping, just wing it. After all, it’s the thought (or lack of it) that counts. And if all else fails, there’s always the gift receipt. 😉

For the Garage-bound Hero:

So, he thinks he’s Bob the Builder? Great! Give him power tools because – let’s be real – who doesn’t want to turn a simple DIY into a symphony of noise and sawdust? Get him a drill; maybe he’ll finally put together that IKEA chair that’s been sitting in the corner. Cordless? Even better. No more dragging a ridiculously long extension cord like he’s vacuuming the driveway. Don’t forget the fancy-schmancy jigsaw for his … ahem… “art projects.” And a toolbox? Well, let’s not have his tools thrown everywhere. One day he might just thank you when he realizes the drill isn’t in the fridge.

Metro-man’s Beauty Boutique:

Shopping for a dude’s skincare is like hunting for a needle in a haystack, but shinier. Start with an electric razor. It’s 2023; no man has time to stand and manually scrape his face. But skincare? Yeah, because we know they’ve secretly been using our fancy lotions. Get him his own. Maybe an anti-aging serum so he stops worrying about that “huge wrinkle” you can’t even see. And remember cologne? It’s not just to mask the gym stench; it’s an aromatic hug around your man.

Sporty Spice’s Must-haves:

For Mr. I-Can-Outrun-Usain-Bolt, a good pair of shoes is as essential as his morning protein shake. Maybe some techy clothing with built-in “features” he’ll pretend to understand. And if he’s a sport-specific guy – you know, the ones who claim they can “almost” go pro? Get him a golf club, basketball, or cycling gloves. They’ll surely end up in the garage with the power tools.

Sexy bearded man posing in tight shorts for girl

Fashionista Fred’s Bling Box:

Watch? Sure. But not just any watch. One that screams, “Yes, I can tell time without my phone, thank you very much.” Belts? They’re not just for holding up pants but also for holding up his style points. Lux sunglasses? So he can pretend he’s in The Matrix. And socks? Oh, those sneaky feet gloves that show he’s a rebel when he takes off his shoes. Fashion is about statements, so make his loud and clear.

2023 hottest tech toy gifts

And there you have it! A totally definitive guide on how to make the man in your life question your gift choices (and have a laugh while they’re at it). If all else fails, just get them a gift card. They probably won’t mind.

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‘Gen V’ Brings The Ewww with Ep 4, ‘The Whole Truth’

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A new episode of “Gen V” will stream on Friday (or midnight Thursday), and who knows what insanity will play out then. Last week’s fourth episode of this first season lived up to its legacy of being part of “The Boys” universe, in more ways than one. Let’s revisit some of what happened in that episode to tee up the new one that’s about to drop…

The episode was written by Jessica Chou and directed by “Supernatural” directing alum Steve Boyum, so you’ve got the writer of “The Boys” Herogasm episode and the director of the one where Lucy the whale was killed in a way I haven’t gotten over yet. Clearly, this was going to be an episode that leaves an impression – and it did!

SPOILERS AHEAD FOR GEN V THROUGH EPISODE 4

I’ve Got a Weak Spot for Brothers Named Sam

The saga of little brother Sammy… sorry, Sam….continues in this episode. I’m here for the bonding that goes on between Sam (Asa Germann) and Emma (Lizze Broadway), both of them feeling like outcasts and on their own, especially after she tells Sam the truth that his big brother Luke is dead by his own hand.

You can’t really fault him for reacting emotionally to that news, and neither does Emma, who is remarkably calm in the face of Sam wrecking their hiding place and then confessing that he’s hearing voices. Emma seems able to do the “take me as I am” thing with Sam, and you get the feeling she may be the only one other than Luke who’s ever done that.

Sam’s terrified he’ll fuck it up though.

Sam: Everybody always leaves me.

Emma: I promise, I’m like you.

How terrifying and isolating must it be to have all this unwanted, sometimes uncontrollable power, and also know that your mind is constantly playing tricks on you? I empathize with Sam and I also find him scary as hell, and Asa Germann pulls off that combination flawlessly.

ep 4 Gen V With Sam and Asa Germann

Amusingly, the voice he hears (and the hallucinations he sees) are of “Television’s Jason Ritter” and a The Deep puppet with talking gills on the “Avenue V” show, a Sesame Street/Mr. Rogers crossover that was so out of left field it made me laugh out loud. “Gen V” has a lot of mental health parallels, which means my psychologist self is always fascinated, including Sam’s psychosis. He hears what are called command hallucinations as Jason Ritter calmly insists that Sam just kill Dr. Cardosa from the lab.

Secrets and Lies with Tek Knight

Another storyline of this episode is celebrated God U alum Tek Knight (Derek Wilson) returning to the school to film an episode of his show exploring strange mysteries – in this case what happened to Golden Boy? He locks horns with the Dean (Shelley Conn) immediately, using his heightened senses to figure out when he’s gotten to her.

Tek: You’re sweating, adrenaline is seeping from your pores. Oh, and you’re ovulating.

Dean: You must be fun at parties.

Of course, Knight isn’t there to find out the truth, he’s there to cover it up – through “the usual – misdirection, obfuscation, find at patsy, destroy their life.” The Dean warns him to stay away from the school’s Top 5, but Knight interrogates all of them, making a show of breaking Marie (Jaz Sinclair) eventually. She admits that it was Jordan who took down Golden Boy, not her. 

Knight has to admit that he can’t pin Golden Boy’s death on any of the kids, though. So, he threatens the Dean that he’ll pin it on her instead. Never underestimate some of the characters in this universe – Dean Shetty asks to meet him in an isolated actual woods and tells him she knows about the brain tumor he has, and that it’s the cause of his “unusual proclivity”. Which turns out to be him fucking anything with a hole – a car, a log, a vacuum cleaner, a traffic cone, a skull…

And yes, of course she has video. Flip that power dynamic, at least for now.

Oh No, Not AlCal!

Supernatural” fans love Alexander Calvert, who played Jack aka God on that show for its last few seasons. Having had the pleasure of chatting with him several times, he’s also just plain nice. Not so much his character Rufus! We saw how that went for him in previous episodes, but this episode finds him over the whole ‘Jumanji’ thing and back to being a jerk.

Marie asks him for help finding her sister and he uses that to manipulate her – she comes out of a trance in his room, Jordan (Derek Luh and London Thor)  pounding on the door and Rufus wearing just a robe and clearly intending to assault her in some way. (Poor Alex, his character’s introduction on “Supernatural” also featured him naked… but hey, this is a “The Boys” tradition, just ask Jensen Ackles about his Soldier Boy intro).

Gen V ep 4 alex calvert plays mean boy

Jordan’s knocking interrupts Rufus enough that Marie realizes what’s going on, and in a panic, she starts pulling the blood from his exposed penis. In a scene typical only of “The Boys” universe, it swells and then explodes, the head blowing off, blood splattering all over a shocked Marie. A cocksplosion, if you will.  I don’t even have a penis, but OUCH!

Gen V over the top ep 4 splosion

Marie and Jordan connect after in an adrenaline-fueled makeout session until they’re interrupted by Emma – who tells them Sam has gone after Dr. Cardoza.  The gang (Scooby gang, should we call them that?) shows up in time to prevent Sam from killing the doctor or his terrified daughter, trying to calm Sam down by reassuring him that they loved Luke and tried to help.

The BIG Finish

My favorite part of the episode is the surprise we get next – Emma shovels a whole meal into her mouth in desperation and then walks out very very large (and very naked) and holds Sam down, telling him it’s all right, they’re in this together.

And then the screen glitches black – and when it returns, Marie wakes up beside Jordan. She looks as confused as I did, and I confess I spent a minute trying to figure out if the episode was glitching or if that was intentional. What happened? Was there a time jump or rewind? Did Rufus still manage to do something to Marie’s consciousness? Did someone else intervene?

Hopefully, we find out in the next episode. I only had time to scratch my head for a minute before the last scenes played as Tek Knight wraps up his investigation and then attempts to screw the hand dryer in a restroom. You can’t make this up. I admit I laughed out loud.

All In for Emma

It’s obvious that I’m an Emma fan, and I’m still chuffed about her becoming supersized instead of tiny. Now that’s a super power! It’s also right in line with the parallel the show drew, with Emma’s need to purge and make herself small and nearly invisible, to real life eating disorders. This is Emma daring to make herself large and in charge and very visible indeed, and I kinda love it.

Episode 4 fits right in with “The Boys” universe – it’s got sex (Andre and Cate are a thing now too, along with brand new Marie and Jordan), it’s got violence and blood and gore, it’s got sex and violence and blood and gore all mixed together in the most disturbing ways possible. It’s got humor (still laughing about all the holes Tek Knight finds and can’t resist). And, as Eric Kripke likes to point out, it’s got heart. The surprisingly tender new bond between Emma and Sam is currently my favorite illustration of how true that is.

And to add to my instant affection for a little brother character named Sam with floppy hair; a teaser tweet this week with Asa Germann lets us know that he’s a Soldier Boy fan. I knew I liked you, Sam!

Can’t wait for this week’s new episode – catch it streaming on Friday morning on Prime Video.

Ready for More ‘Gen V’? Catch up before this week’s episode

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A new episode of “Gen V” drops this Friday (or, as Eric Kripke admitted, let’s be real, probably late Thursday night) and I can’t wait!  If you haven’t been able to watch the first three episodes which were released last week, here’s a little recap of what happened in those episodes – and why I’m so excited about the next ones!

WARNING: SPOILERS FOR EPISODES ONE THROUGH THREE AHEAD

The show takes place at Godolkin University (God U, get it?), where the first generation of superheroes who actually know how they got that way (ie, their parents shot them up with Compound V) is arriving for the start of classes. We’re introduced to the main characters, including Marie Moreau (Jaz Sinclair), whose perspective largely frames these episodes.

There’s also Luke, aka Golden Boy (Patrick Schwarzenegger), top ranked and stereotypically attractive, and his girlfriend Cate (Maddie Phillips), who has to wear gloves most of the time because if she touches you she can mind control you.

Andre (Chance Perdomo) is the son of a Supe and in line to be one of the Seven himself if his dad has anything to say about it, Jordan (London Thor and Derek Luh) is the bi-gender child of two highly driven parents, and Emma (Lizze Broadway) is Marie’s roommate, whose superpower is that she can make herself tiny.

“Gen V” takes the same cynical look at where we are as a society in terms of what we value and how we relate to each other. Social media, crafting an image, and cultivating followers and popularity is a legitimate major at God U, and the vast majority of students are all in.

As soon as one of them gains some recognition, they can’t walk across campus without repeated requests for selfies, and most fellow students can’t be trusted with any personal information. Emma learns this the hard way when she’s manipulated by a classmate into talking candidly about herself, only to have that used as fodder for the girl’s viral TikTok.

Gen V Emma learns tough side of Tik Tok 10-04 143451

The adults are corporate power-hungry manipulators too, as we’ve come to expect from Vought. The first episode introduces us to the aptly named Professor Brink Brinkerhoff (Clancy Brown), who’s about as much of a stereotype of a narcissistic full professor as you can get – I admit, as a professor myself, I thoroughly enjoyed the caricature.

He’s got the power to decide who gets to be part of the Crimefighting School – similar to the coveted admission to the Business School in a few real life universities – and he’s got his favorites. He summarily rejects Marie before Golden Boy turns on his mentor and takes him out of the picture, opening up an opportunity for her to get in.  Dean Indira Shetty (Shelley Conn) is an enigmatic woman who can seem incredibly warm and nurturing, and then you get a glimpse of her face when the target of her warmth can’t see it and realize she’s as cold as ice.  Andre’s dad, who was the Supe Polaris, is just as icy in his determination to see his son become number one – and maybe one of the Seven.

One of the narratives that “The Boys” universe has explored in all its versions is parenting, for better or worse (usually for worse…). In the original show we eventually learned what Annie’s mother and other parents had done to their children with Compound V for mostly selfish reasons, and in the animated Diabolical, we saw the costs of that selfishness in brutal detail for the kids.

“Gen V” continues that exploration, and not just with Andre’s father. Emma’s mom is similarly invested in her child’s “success”, essentially telling her to suck it up and do whatever it takes to find some popularity no matter what the personal cost. Jordan’s mom and dad are the “driven Asian parents” who refuse to see their child for who they are and instead want to have a successful son – whether or not they identify as a son or not.

True to every Eric Kripke show ever, that’s not all the show has to say about family though. Like “Supernatural” and “The Boys” and every other show he’s put his creative touch on, “Gen V” is also about the importance of family bonds – especially sibling bonds – and what that inspires. Of course, the sibling bonds on this show are fraught and sculpted by trauma, because this is the universe of “The Boys after all.”

Marie is desperate to find her little sister, who was separated from her after she got her first period and her powers manifested as the ability to control blood – which she hadn’t harnessed at all and thus it became a weapon that accidentally killed both her parents and traumatized her younger sister. Luke is desperate to find his little brother (who’s named Sam and has floppy hair so that every “Supernatural” fan was instantly a million percent invested in that relationship).

Gen V Luke desperate to find little brother Sammy-10-04 143326

We don’t find out what happened to Sam (Asa Germann) until the third episode, but let’s just say I’m already feeling very protective of him!  Cate also has a missing sibling – when her powers manifested, she didn’t know she had them, so when she told her little sister to “go away and never come back” on a family camping trip, that’s exactly what happened.

Nothing more compelling than a big brother or sister looking for their little brother or sister, frankly. You’ve got me, “Gen V.”

The other compelling narrative that runs through “Gen V” is one that we explore deeply in our new book on “The Boys” coming out in December (Supes Ain’t Always Heroes) – the impact of trauma. Every single human who becomes a Supe is traumatized in some way. They’ve been manipulated and used, first by their parents who gave them Compound V without their permission or understanding, and subsequently by a string of power-hungry adults who want to use them too.

The fact that the parents shot their kids up with a substance that they had no idea how it would impact their child is just plain chilling – and, it turns out, just plain dangerous.  We don’t know a lot about Andre’s backstory yet, except that he has a Supe for a dad and that never turns out well, but the other main characters have all experienced significant trauma as a result of being dosed with V and having parents willing to do that.

“Gen V” does something interesting with some of its Supe powers that I haven’t entirely figured out yet.  All the shows in “The Boys” universe love to comment on reality and current society using the lens of fiction (another thing I love about them) and “Gen V” does too.

Parallels are always there just under the surface, or sometimes right there on top of it. Marie’s power manifests for the first time as she reaches menarche, and instantly becomes destructive, which I’m tempted to say is some kind of commentary on either how dangerous it is to be a woman in this society or how much men perceive women as dangerous and therefore need to keep them down in some way.  She wields it intentionally through cutting, but again, this isn’t portrayed as serving the same function that self-harm does in reality.

Gen V Marie manifesting her power-10-04 143623

Emma’s power only manifests when she purges repeatedly, becoming smaller each time. It sounds like a metaphor for an eating disorder or for the kind of depression that makes someone want to just fade away and not exist anymore. (Interestingly, it’s not portrayed as an eating disorder, and Emma protests everyone trying to put her in that box and use it for social media drama).

Jordan being bi-gender is tempting to see as a parallel for being trans, though Jordan can choose which gender to be and make it happen instantly and also has the freedom to switch back and forth, a choice that doesn’t exist in reality. Nevertheless, the stigma is portrayed realistically, with Ashley refusing to move Jordan too far up the ranks because “a bi-gender Asian with pronoun fuckery, try selling that to Dallas or Fort Lauderdale!”

Yes, there’s racism and homophobia and corporate greed and all the other issues that “The Boys” universe tackles so well in “Gen V” too. There’s also, as Kripke points out, a lot of heart.

It’s the characters that I find most compelling in both its parent show and in this one. There’s also plenty of mystery going on – what happened to Luke’s little brother? What is “the woods” and why is everyone keeping it a secret?

Gen V Lukes brother the woods scene-10-04 143853

As with all secrets, there’s plenty of violence doled out to keep it that way, and because this is “The Boys” universe, that comes with plenty of explicit blood and gore. The show knows how to create shock value, whether it’s bits and pieces of a human being blown to bits forty yards overhead and raining down on the guy’s friends (goodbye, Golden Boy…) or a tiny human taking out a sadistic guard by crawling in one ear and out the other, decimating his brain along the way. 

And of course, there’s plenty of sex too – and it’s always creative. Kripke and company are never afraid to poke fun at masculine insecurity, so the guy who only wants to be with Emma when she’s tiny so she can climb on his dick (literally) and have it look gigantic is both hilarious and pointed. (I might have cheered when she slapped him on the balls though). “Supernatural’s” Alex Calvert makes an appearance as a jerk too, who Cate mind controls into repeatedly hitting himself in the balls with a bat and yelling ‘Jumanji’. You can’t make this up!

I won’t go through everything that happens, but we leave our main characters in a tough spot at the end of Episode 3. Marie has been drawn into taking some much-needed maternal solace from the Dean, only to find she was just being used to get donors to open up their pocketbooks and approved of only when she stays on script – literally.

Andre, who truly loved his bff Luke, has tried to be a hero for real and gotten in return only his father’s censure and warning to cut it the hell out. Jordan saved the day when Luke tried to kill Marie and others, only to get no credit for it and be faced with parental disappointment at who they really are once again. Cate joins Andre for some actual heroics and depletes herself physically in a frightening way as a result.

Gen V Cate with Andre-10-04 143515

And Emma is perhaps the most heroic of all, proving that strength and wits and heroism can indeed come in (very) small packages and size isn’t what matters – but she also ends up in a very sticky situation.

Will she escape? Can anyone help little bro Sam? Will they solve the mystery of The Woods or will the powers that be force them back into the manufactured Supe slots they’re supposed to dutifully stay in? Will Ashley be able to figure out what to do with all that Golden Boy merch??

Watch the new episode this week to find out!

Michele Fazekas and Tara Butters serve as showrunners and executive producers for “Gen V.” Eric Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Ori Marmur, Pavun Shetty, Ken Levin, Jason Netter, Garth Ennis, Darick Robertson, Craig Rosenberg, Nelson Cragg, Zak Schwartz, Erica Rosbe, and Michaela Starr also serve as executive producers on the spinoff series. Serving as co-executive producers are Brant Englestein, Sarah Carbiener, Lisa Kussner, Gabriel Garcia, Aisha Porter-Christie, Judalina Neira, and Loreli Alanís. The series is produced by Sony Pictures Television and Amazon Studios, in association with Kripke Enterprises, Point Grey Pictures, and Original Film.