While many were wondering if the “Fast and Furious” franchise would spin out with the spinoff “Hobbs and Shaw,” Dwayne Johnson and Jason Statham proved there is plenty of life left in the nearly two-decade-old series. Opening during the period of summer when it wouldn’t have much competition didn’t hurt.
Fans also were quick to point out an interesting plot hole in the film with Jason Statham and Vanessa Kirbys characters Deckard and Hattie Shaw. In a cameo by Helen Mirren, it is suggested that the two were children at the same time, but with Statham being 52 and Kirby being 31, it is quite a stretch.
The first spinoff of the 18-year-old “Fast & Furious” franchise, “Hobbs & Shaw,” sped away with $180.8 million in its worldwide debut, including $60.8 million domestically — a strong opening that dethroned “The Lion King” after a two-week reign at No. 1 but couldn’t match the box-office pace of recent “Fast & Furious” films.
“Fast & Furious Presents: Hobbs & Shaw” was crafted as a buddy-movie left turn for the car-mad franchise. It teams two franchise regulars, Dwayne Johnson’s federal agent Luke Hobbs and mercenary Deckard Shaw (Jason Statham), for an adventure outside the previous eight films. Those will resume in May with “Fast & Furious 9.”
The deviation came with a slight risk for Universal Pictures. The “Fast & Furious” films have developed into one of the most bankable series in Hollywood. The last two entries each grossed more than $1 billion. “The Fate of the Furious” took in $1.2 billion in 2017. “Furious 7” made $1.5 billion in 2015.
The opening for “Hobbs & Shaw,” while right on expectations, is the smallest domestic debut for a “Fast & Furious” film since 2006′s “The Fast and the Furious: Tokyo Drift.” But the $200 million release is aiming to do its largest damage abroad; it grossed $120 million internationally over the weekend. That’s without China, where “Fast & Furious” films have excelled. It opens there August 23.
Jim Orr, distribution chief for Universal, pointed to strong audience response, across demographics, to “Hobbs & Shaw” as evidence of its widespread support and playability as a crowd-pleaser through the doldrums of August. While the film scored a 67% fresh rating on Rotten Tomatoes, audiences gave it a 90%. The CinemaScore was A-minus.
“It’s super encouraging and really tells about how broad this franchise plays,” said Orr. “We are obviously all extraordinarily excited to see this homegrown ‘Fast & Furious’ franchise break out down another avenue.”
That’s a solid opening with plenty of room for growth. “The Fate of the Furious,” which is the most recent movie in the main series, opened to about $100 million domestically in 2017. Those figures didn’t make for great news at the time — that release was the first time in years that a movie in the franchise had opened to slower domestic ticket sales than its predecessor.But “Hobbs & Shaw” is different in that spinoffs aren’t expected to do as well as their main series counterparts. (See “Rogue One: A Star Wars Story,” which was considered a success when it opened to tens of millions of dollars less than “Star Wars: The Force Awakens” in 2016.)
And without any obvious box office rivals in sight in the coming weeks, Universal has every reason to believe that “Hobbs & Shaw” will continue making good money. With luck, they might see something resembling the success of another popcorn movie, “Mission: Impossible — Fallout,” which opened to about $61.5 million domestically this time last summer and had racked up about $220.2 million domestically by the time it left theaters.
“The Lion King” slid to second in its third weekend with $38.2 million. The Disney remake earlier this week crossed $1 billion worldwide, becoming the fourth Disney movie this year to do so. It joins “Avengers: Endgame,” ″Aladdin” and “Captain Marvel” in that club, with “Toy Story 4″ ($959.3 million) poised to soon join them. Not accounting for inflation, this “Lion King” ($1.195 billion) has now out-grossed the 1994 original ($968.5 million).
In its second weekend of release, Quentin Tarantino’s 1969 fable “Once Upon a Time … in Hollywood” held strong with $20 million. The Sony Pictures release, which cost $90 million to make, has a way to go before it’s profitable. But the film’s glowing reviews and early Oscar buzz should lead to a long run.
The weekend’s other notables were smaller releases.
Lulu Wang’s acclaimed family drama “The Farewell” expanded to 409 theaters and grossed a hefty $2.4 million, firmly establishing the A24 release, starring Awkwafina, as one of the year’s indie breakouts.
In limited openings, Neon’s “Luce” (a per-theater average of $26,583 in five locations) and IFC’s “The Nightingale” ($40,000 at two theaters) both started out well.
While there are significant releases to come, “Hobbs & Shaw” marks the last major tentpole of the summer. After some ups and downs, the season is running only 1.1% behind last year, according to data firm Comscore, a deficit that has been shrunk in large part by Disney’s juggernauts.
“While the summer has kind of taking a drubbing, critically and analytically, it has made a huge comeback,” said Paul Dergarabedian, senior media analyst for Comscore. “We need to get it in perspective. But it ain’t over ’til it’s over.”
In China, the locally produced big-budget animated film “Ne Zha” continued to pack theaters. With $122.8 million in ticket sales in its second week, it has quickly become the biggest animated box-office success in China, overtaking Disney’s “Zootopia.”
North America Box Office
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included.
1. “Hobbs & Shaw,” $60.8 million ($120 million international).
2. “The Lion King,” $38.2 million ($72 million international).
3. “Once Upon a Time … in Hollywood,” $20 million.
4. “Spider-Man: Far From Home,” $7.8 million ($9.5 million international).
5. “Toy Story 4,” $7.2 million ($10.2 million international).
6. “Yesterday,” $2.4 million ($2.3 million international).
7. “The Farewell,” $2.4 million.
8. “Crawl,” $2.2 million ($1.5 million international).
9. “Aladdin,” $2 million ($4 million international).
10. “Annabelle Comes Home,” $875,000.
Worldwide Box Office
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Comscore.
1. “Ne Zha,” $122.8 million
2. “Hobbs & Shaw,” $120 million.
3. “The Lion King,” $72 million.
4. “The Bravest,” $53.3 million.
5. “Exit,” $17.5 million.
6. “The Secret Life of Pets,” $12.9 million.
7. “Toy Story 4,” $10.2 million.
8. “Spider-Man: Far From Home,” $9.5 million.
9. “Coward Hero,” $8.3 million.
10. “The Divine Fury,” $5.6 million.