This year’s Sundance Film Festival will easily go down in memory for having some of the most interesting, wildest, though provoking and wacky film since it began.
Part of this can be thanks to President Donald Trump as we entered the festival in quite a surreal mindset, and the films chosen fit perfectly with this. Even though the films and documentaries were completed before Trump won the election, it felt like many had been shot since then as they felt that relevant.
The festival went through over three feet of snow, a cyberattack, and a power outage, but that didn’t dampen anyone’s spirits, not even the filmmakers. They persevered and showed how we’ll get through a Donald Trump administration by simply not giving in.
Heck, this weekend, the world showed that with Trump’s latest ‘Executive Action.’ Remember when he was complaining that Barack Obama was using this which only shows us the hypocrite he’s always been and always will be. This festival has instilled me with even more political fight, and I think we’ll be bringing more of that to the site while still entertaining all you readers.
The one thing that Trump may do is bring us more together as a country, and Sundance definitely felt like more of a close-knit community than ever this year.
The full list of 2017 Sundance Film Festival winners is just below, and to see our moment by moment coverage, check it out here.
A crime thriller, a murder mystery, a documentary about Syria and one about an unconventional love story were among the top award winners of the 2017 Sundance Film Festival.
The Melanie Lynskey and Elijah Wood film, “I Don’t Feel at Home in This World Anymore,” won the U.S. Grand Jury Prize: Dramatic, presented Saturday night at a ceremony in Park City, Utah, as the annual film festival comes to a close.
Last year, Nate Parker’s “Birth of a Nation” picked up the same award.
“I Don’t Feel at Home in This World Anymore” is about a depressed woman who is robbed and tries to track down the thieves. It was acquired by Netflix for distribution prior to the film’s premiere.
The top award for a U.S. documentary went to “Dina,” a love story between a suburban woman and a Walmart greeter, while the world documentary prize was awarded to “Last Men in Aleppo.”
The world dramatic award went to “The Nile Hilton Incident,” about a singer murdered in Cairo weeks before the 2011 revolution.
Audience prizes went to “Crown Heights,” a fictionalized account of Colin Warner’s wrongful imprisonment, adapted from a This American Life episode, and the environmental documentary “Chasing Coral.”
“This has been one of the wildest, wackiest and most rewarding Festivals in recent memory,” John Cooper, director of the Sundance Film Festival, said in a statement.
“From a new government to the independently organized Women’s March on Main, to power outages, a cyberattack and snow at record levels, the work of our artists rose above it all and challenged and changed us these last 10 days,” he said.
2017 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to:
Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to:
I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves, alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals. Cast: Melanie Lynskey, Elijah Wood, David Yow, Jane Levy, Devon Graye.
The World Cinema Grand Jury Prize: Documentary was presented by Lynette Wallworth to:
Last Men in Aleppo / Denmark, Syria (Director: Feras Fayyad) — After five years of war in Syria, Aleppo’s remaining residents prepare themselves for a siege. Khalid, Subhi and Mahmoud, founding members of The White Helmets, have remained in the city to help their fellow citizens—and experience daily life, death, struggle and triumph in a city under fire.
The World Cinema Grand Jury Prize: Dramatic was presented by Sonia Braga to:
The Nile Hilton Incident / Sweden, Germany, Denmark (Director and screenwriter: Tarik Saleh) — In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle. Cast: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Barbara Kopple to:
Chasing Coral / U.S.A. (Director: Jeff Orlowski) — Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Taylor Sheridan to:
Crown Heights / U.S.A. (Director and screenwriter: Matt Ruskin) — When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom.
The Audience Award: World Cinema Documentary was presented by Barbara Kopple to:
Joshua: Teenager vs. Superpower / U.S.A. (Director: Joe Piscatella) — When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
The Audience Award: World Cinema Dramatic was presented by Taylor Sheridan to:
Sueño en otro idioma (I Dream in Another Language) / Mexico, Netherlands (Director: Ernesto Contreras, Screenwriter: Carlos Contreras) — The last two speakers of a millennia-old language haven’t spoken in 50 years, when a young linguist tries to bring them together. Yet hidden in the past, in the heart of the jungle, lies a secret concerning the fate of the Zikril language. Cast: Fernando Álvarez Rebeil, Eligio Meléndez, Manuel Poncelis, Fátima Molina, Juan Pablo de Santiago, Hoze Meléndez.
The Audience Award: NEXT, Presented by Adobe was presented by Bridget Everett to:
Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel, two Korean-American brothers who own a struggling women’s shoe store, have an unlikely friendship with 11-year-old Kamilla. On the first day of the 1992 L.A. riots, the trio must defend their store—and contemplate the meaning of family, their personal dreams and the future. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz.
The Directing Award: U.S. Documentary was presented by Susan Lacy to:
Peter Nicks for his film The Force / U.S.A. (Director: Peter Nicks) — This cinema verité look at the long-troubled Oakland Police Department goes deep inside their struggles to confront federal demands for reform, a popular uprising following events in Ferguson and an explosive scandal.
The Directing Award: U.S. Dramatic was presented by Jody Hill to:
Eliza Hittman for her film Beach Rats / U.S.A. (Director and screenwriter: Eliza Hittman) — An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online. Cast: Harris Dickinson, Madeline Weinstein, Kate Hodge.
The Directing Award: World Cinema Documentary was presented by Marina Stavenhagen to:
Pascale Lamche, for her film WINNIE / France (Director: Pascale Lamche) — While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner.
The Directing Award: World Cinema Dramatic was presented by Athina Tsangari to:
Francis Lee, for his film God’s Own Country / United Kingdom (Director and screenwriter: Francis Lee) — Springtime in Yorkshire: isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path. Cast: Josh O’Connor, Alec Secareanu, Ian Hart, Gemma Jones.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Gael Garcia Bernal to:
Matt Spicer and David Branson Smith, for their film Ingrid Goes West / U.S.A. (Director: Matt Spicer, Screenwriters: Matt Spicer, David Branson Smith) — A young woman becomes obsessed with an Instagram “influencer” and moves to Los Angeles to try and befriend her in real life. Cast: Aubrey Plaza, Elizabeth Olsen, O’Shea Jackson Jr., Wyatt Russell, Billy Magnussen.
A U.S. Documentary Special Jury Award for Inspirational Filmmaking was presented by Julie Goldman to:
STEP / U.S.A. (Director: Amanda Lipitz) — With dreams of becoming the first in their families to attend college, a group of seniors from an inner-city Baltimore girls high school strives to make their step dance team a success against a backdrop of social unrest in a troubled city.
A U.S. Documentary Special Jury Award for Storytelling was presented by Robert Greene to:
Strong Island / U.S.A., Denmark (Director: Yance Ford) — Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.
A U.S. Documentary Special Jury Award for Editing was presented by Diego Buñuel to:
Editors Kim Roberts and Emiliano Battista for Unrest / U.S.A. (Director: Jennifer Brea) — When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she sets out on a virtual journey to document her story—and four other families’ stories—fighting a disease medicine forgot.
A U.S. Documentary Special Jury Award: The Orwell Award was presented by Diego Buñuel to:
ICARUS / U.S.A. (Director: Bryan Fogel) — When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death and Olympic Gold—exposing the biggest scandal in sports history.
A U.S. Dramatic Special Jury Award for Best Cinematography was presented by Gael Garcia Bernal to:
Director of Photography Daniel Landin for The Yellow Birds / U.S.A. (Director: Alexandre Moors, Screenwriters: David Lowery, R.F.I. Porto) — Two young men enlist in the army and are deployed to fight in the Iraq War. After an unthinkable tragedy, the returning soldier struggles to balance his promise of silence with the truth and a mourning mother’s search for peace. Cast: Tye Sheridan, Jack Huston, Alden Ehrenreich, Jason Patric, Toni Collette, Jennifer Aniston.
A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Jacqueline Lyanga to:
Chanté Adams, in Roxanne Roxanne / U.S.A. (Director and screenwriter: Michael Larnell) — The most feared battle MC in early-’80s NYC was a fierce teenager from the Queensbridge projects with the weight of the world on her shoulders. At age 14, hustling the streets to provide for her family, Roxanne Shanté was well on her way to becoming a hip-hop legend. Cast: Chanté Adams, Mahershala Ali, Nia Long, Elvis Nolasco, Kevin Phillips, Shenell Edmonds.
A U.S. Dramatic Special Jury Award for Breakthrough Director was presented by Jeannine Oppewall to:
Maggie Betts, for her film Novitiate/ U.S.A. (Director and screenwriter: Maggie Betts) — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church. Cast: Margaret Qualley, Melissa Leo, Julianne Nicholson, Dianna Agron, Morgan Saylor.
A World Cinema Documentary Special Jury Award for Excellence in Cinematography was presented by Marina Stavenhagen to:
Cinematographer Rodrigo Trejo Villanueva for Machines / India, Germany, Finland (Director: Rahul Jain) — This intimate, observant portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
A World Cinema Documentary Special Jury Award for Commanding Vision was presented by Carl Spence to:
Motherland / U.S.A., Philippines (Director: Ramona S. Diaz) — Taking us into the heart of the planet’s busiest maternity hospital, the viewer is dropped like an unseen outsider into the hospital’s stream of activity. At first, the people are strangers. As the film continues, it’s absorbingly intimate, rendering the women at the heart of the story increasingly familiar.
A World Cinema Documentary Special Jury Award for Masterful Storytelling was presented by Lynette Wallworth to:
RUMBLE: The Indians Who Rocked The World / Canada (Directors: Catherine Bainbridge, Alfonso Maiorana) — This powerful documentary about the role of Native Americans in contemporary music history—featuring some of the greatest music stars of our time—exposes a critical missing chapter, revealing how indigenous musicians helped shape the soundtracks of our lives and, through their contributions, influenced popular culture. Cast: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Tony Bennett, Steven Tyler, Iggy Pop.
A World Cinema Dramatic Special Jury Award for Cinematography was presented by Athina Tsangari to:
Cinematographer Manu Dacosse for Axolotl Overkill / Germany (Director and screenwriter: Helene Hegemann) — Mifti, age 16, lives in Berlin with a cast of characters including her half-siblings; their rich, self-involved father; and her junkie friend Ophelia. As she mourns her recently deceased mother, she begins to develop an obsession with Alice, an enigmatic, and much older, white-collar criminal. Cast: Jasna Fritzi Bauer, Arly Jover, Mavie Hörbiger, Laura Tonke, Hans Löw, Bernhard Schütz.
A World Cinema Dramatic Special Jury Award for Cinematic Vision was presented by Sonia Braga to:
Free and Easy / Hong Kong (Director: Jun Geng, Screenwriters: Jun Geng, Yuhua Feng, Bing Liu) — When a traveling soap salesman arrives in a desolate Chinese town, a crime occurs, and sets the strange residents against each other with tragicomic results. Cast: Xu Gang, Zhang Zhiyong, Xue Baohe, Gu Benbin, Zhang Xun, Yuan Liguo.
A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Nai An to:
Screenwriter Kirsten Tan for Pop Aye / Singapore, Thailand (Director and screenwriter: Kirsten Tan) — On a chance encounter, a disenchanted architect bumps into his long-lost elephant on the streets of Bangkok. Excited, he takes his elephant on a journey across Thailand in search of the farm where they grew up together. Cast: Thaneth Warakulnukroh, Penpak Sirikul, Bong.
The following awards were presented at separate ceremonies at the Festival:
SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 24. The Short Film Grand Jury Prize was awarded to: And so we put goldfish in the pool./ Japan (Director and screenwriter: Makoto Nagahisa). The Short Film Jury Award: U.S. Fiction was presented to: Lucia, Before and After / U.S.A. (Director and screenwriter: Anu Valia). The Short Film Jury Award: International Fiction was presented to: And The Whole Sky Fit In The Dead Cow’s Eye / Chile, U.S.A. (Director and screenwriter: Francisca Alegría). The Short Film Jury Award: Nonfiction was presented to: Alone / U.S.A. (Director: Garrett Bradley). The Short Film Jury Award: Animation was presented to: Broken – The Women’s Prison at Hoheneck/ Germany (Directors: Volker Schlecht, Alexander Lahl, Screenwriters: Alexander Lahl, Max Mönch). A Short Film Special Jury Award for Cinematography was presented to: Dadyaa — The Woodpeckers of Rotha / Nepal, France (Directors and screenwriters: Pooja Gurung, Bibhusan Basnet, Cinematographer: Chintan Rajbhandari), and a Short Film Special Jury Award for Editing was presented to: Laps / U.S.A. (Director and screenwriter: Charlotte Wells, editor Blair McClendon).
The Short Film jurors were costume designer and wardrobe stylist Shirley Kurata, comedian, actor and writer Patton Oswalt and filmmaker David Lowery. The Short Film program is presented by YouTube.
GLOBAL FILMMAKING AWARDS:
The winning directors and projects of the 2017 Sundance Institute Global Filmmaking Awards, in recognition and support of emerging independent filmmakers from around the world on the basis of their next screenplay, are:
Yalda (Iran) / Massoud Bakhshi
Mignonnes (France) / Maimouna Doucoure
The Hanged (Brazil) / Fernando Coimbra
Untitled Rock Opera (Poland) / Agnieszka Smoczynska
The Sundance Institute / NHK Award was presented to: I Came By (United Kingdom) / Babak Anvari
SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE
The 2017 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Marjorie Prime, written and directed by Michael Almereyda. The filmmaker received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation.
SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS
Anish Savjani and Neil Kopp (producers, I don’t feel at home in this world anymore.) and Joslyn Barnes (producer, Strong Island) received the 2017 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival.