The God of Thunder isn’t ready to relinquish his box office throne yet.
Studios estimated Sunday that “Thor: Ragnarok” added $56.6 million from North American theaters in its second weekend, bringing its domestic total to $211.6 million.
It easily beat out the comedy sequel “Daddy’s Home 2” and the lavish Agatha Christie adaptation “Murder on the Orient Express,” even as both posted solid openings.
Paramount scored again with “Daddy’s Home 2,” which adds John Lithgow and Mel Gibson to the Will Ferrell and Mark Wahlberg formula. The film, which cost a reported $69 million to produce, took second place at the box office with $30 million. The first film from 2015 grossed $242.8 million worldwide on a similar budget.
Critics were not won over by the comedy, but audiences seemed pleased, giving the film an A- CinemaScore.
The star-studded “Murder on the Orient Express,” meanwhile, screeched into third place with an estimated $28.2 million against a $55 million budget. Kenneth Branagh directs himself in the film, which also stars Michelle Pfeiffer, Johnny Depp, Daisy Ridley and Judi Dench. Branagh’s movie collected an additional $45.8 million overseas.
Audiences were mostly female (56 percent), and Caucasian (65 percent), but somewhat evenly split in terms of age (51 percent were over 35).
“It gives me an incredible injection of optimism for the future of our business. This is sumptuous, throwback Hollywood filmmaking and audiences responded to it,” said Chris Aronson, president of domestic distribution for Twentieth Century Fox.
Even so, it will take much more than one box office win to stabilize Paramount, which has suffered a string of misfires, including “Suburbicon,” “Mother!,” “Monster Trucks” and “Baywatch.” Last week, the studio, which ranks last among Hollywood’s major studios in domestic market share, parted ways with its marketing and distribution chief.
The studio expects the film to play well through the Thanksgiving holiday, appealing to audiences who are not rushing out to see the latest comic book adventure. Next week, DC and Warner Bros.′ superhero ensemble pic “Justice League” opens.
“I don’t think our audiences will overlap a lot,” Aronson added.
“A Bad Moms Christmas” took fourth with $11.5 million in its second weekend and “Jigsaw” rounded out the top five with $3.4 million.
In smaller releases, Greta Gerwig’s buzzy coming-of-age film “Lady Bird,” from distributor A24, also broke into the top 10 in its expansion to 37 theaters, earning $1.2 million. Another awards contender, “Three Billboards Outside Ebbing, Missouri,” starring Frances McDormand, opened to a strong limited release with $320,000 from just four theaters.
Still, the overall box office continues to lag, down 5 percent for the year.
“We’re still down from the same weekend a year ago about 7 percent. Despite ‘Thor’ and these newcomers a lot of these films aren’t creating a lot of excitement,” said comScore senior media analyst Paul Dergarabedian. “It’s going to take this combination of ‘Justice League’ and ‘The Last Jedi’ and everything in between to try to dig us out of this deficit.”
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Final domestic figures will be released Monday.
1. “Thor: Ragnarok,” $56.6 million.
2. “Daddy’s Home 2,” $30 million.
3. “Murder on the Orient Express,” $28.2 million.
4. “A Bad Moms Christmas,” $11.5 million.
5. “Jigsaw,” $3.4 million.
6. “Tyler Perry’s Boo 2! A Madea Halloween,” $2.1 million.
7. “Geostorm,” $1.5 million.
8. “Blade Runner 2049,” $1.4 million.
9. “Happy Death Day,” $1.3 million.
10. “Lady Bird,” $1.2 million.
Also of note: Greta Gerwig’s “Lady Bird” (A24), which has received rave reviews, making it a strong candidate for Oscar attention, collected $1.2 million in just 37 theaters, for a two-week total of $1.8 million — outperforming early results for awards-season hits like “Spotlight” in 2015 and “Birdman” in 2014. “Lady Bird” will arrive in more theaters next weekend.
Playing on four screens, “Three Billboards Outside Ebbing, Missouri” (Fox Searchlight), another Oscar candidate, took in a stout $320,000.