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Jared Padalecki’s ‘Walker’ 2.11 explores Boundaries

Last week’s episode of “Walker” was unusual in some ways, taking us into new territory and exploring all sorts of ‘boundaries’. The episode opens on the morning after, Cordell and Geri waking up together and awkwardly trying to figure out what the boundaries are on their new physical and romantic relationship. There’s a deliberate shot of Cordell’s wedding ring on the bedside table, reminding us that he’s still got some ambivalence about moving on from Emily – perhaps especially with her best friend.

Opening shot of Walker showing Jared Padalecki in bed with wedding ring on table 2.11.
Walker Jared Padalecki waking up shirtless in bed after his night with Geri 2.11
WAlker Geri smiling in teeshirt 2.11.

Odette Annable and Jared Padalecki were both believable in the characters’ clear affection but also the anxiety of not knowing exactly where you stand in a new relationship, especially one that’s long-standing but as friends, not lovers. Especially when the shift happened as abruptly as it did, after a season and a half of slowest burn ever. There’s a reason the ‘friends to lovers’ trope is so popular because it’s all kinds of adorable to watch these two negotiate where they go from here, even coming up with a safe word to let each other know if one goes too far too fast. It’s ‘Dolly,’ not as in Parton but as in that cloned sheep – something that was happening in the news when Geri came to town and reminds them both of their shared past. Geri and Cordi bonded over mutual geeking out, and who doesn’t love that?

It also seemed to be a deliberate reminder that Geri did indeed “come to town” at one point – which everyone is guessing might mean that Geri is the long-lost presumed dead Davidson baby who we find out about at the end. Now, won’t that be awkward!

I love that Walker a) knows its audience and b) goes out of its way to be respectful of all its women characters, because Padalecki is the one who’s not dressed while Geri is in a tee shirt.

Geri in Vintage Vini tee shirt with Cordell in bed on Walker.
Walker Jared Padalecki looking down at his shirtless self in bed impressed with how big he gets when Jensen Ackles is on set.
Jared Padalecki showing off his shirtless hairy chest while sucking off Geris fingers Walker.

The fandom was mostly happy about that, and Geri’s reluctance to make anything ‘official’ after getting carried away with passion the night before made sense to me. She’s a little hesitant, feeling vulnerable, and needing to cover up both physically and emotionally. Cordell was much less ambivalent, but isn’t that often the way it goes? A mismatch (even temporarily) is painful but common.

Both Geri and Cordi struggle a bit throughout the episode with figuring out where their boundaries should be, especially when it comes to their friends and Cordell’s kids knowing about their new relationship status. Cordell very awkwardly comes back home in the morning, his dad and brother immediately teasing him for his ‘walk of shame’ and Stella just glaring.

WAlker Cordell doing the morning after shame walk home 2.11.
Walker STella asking gay Liam if he can take an apple up his stuff.
Walker Bonham nervous the way gay son Liam is sucking so hard on his straw.
Bonham family with gay Liam checking out Colton's bulge with Stella on Walker.

Liam brings up the equally awkward subject of the property lines not matching up and the possibility that the Walkers are living on the Davidsons’ land. Abeline is all for fixing it, recalling her conversation with Gale of last episode – in which Gale tearfully told Abby that after she and Marv lost a baby, they were never the same and he pulled away from her. Ah, the lost baby again….yep, definitely winding up for a reveal on that one. Abeline is empathic but insists that those are not her secrets to tell; Gale is less than grateful for that.

Denise with Abilene in her kitchen talking about Marv and Bonham farm deal on Walker.

It turns out that Bonham does not actually have a legal deed to the land that precedes the maps’ discrepancies. He’s less than happy that Liam has brought all this up, Cordell stuck in the middle.  We get a flashback of a younger Bonham in 1995 meeting with Marv, who knew that the Walkers were living on borrowed land since 1873. The two men eventually agreed to a horse race to decide who gets to keep living on the land. Apparently, Marv was needing money at the time, but he doesn’t let on to Bonham exactly why.

Walker flashback of young Bonham making deal with Marv for the farm.

Cordell and Cassie have some bonding time climbing and spotting each other on a rock wall, where she demonstrates that she trusts her instincts (and can do a mean rock wall climb).  They also discuss ‘tasergate’ a bit, working through their unconventional meeting. Cordell insists that she can trust Denise as DA. Cassie also correctly picks up that Geri and Cordi have made some progress since he’s got a ‘spring in his step’. Awww.

WAlker Cassie looking down from her rock climbing wall.
Cordell and Cassie do bonding at a rock climbing wall to show off Jared Padalecki's butt side.

Stella runs into Colton out jogging and is absolutely clueless about how he feels about her, managing to hurt his feelings even further. He asks why she doesn’t just talk to Todd instead, and also lets Stella know that August also thinks her feelings for Todd are a fling. Stella’s mad; Colton is possibly even madder now.

Stella forcing Colton to walk alongside her car because he is beneath her socially sadly on Walker.
Walker STella looking at Colton like he should be cutting her grass not being social and liking her 2.11.
Walker Colton really made at Stella.

Meanwhile, things go even more south with Denise and Dan, and she ends up kicking him out after again watching the footage of Abeline comforting Cordell when he felt guilty about the barn fire. Gale just fans the flames. Denise isn’t dumb, she’s suspicious of Dan and why he shot that guy dead – was it to keep him from talking?

Walker Denise getting rough on Dan for safe word Dolly.

Colton overhears the part about Cordell leaving a lantern in the barn, which just fans the flames for him too. Colton tells Gale that Augie has the lantern from the barn, which… uh oh.

Gale: Good to know you’re on my side.

Like I said, Uh oh. Also? Pretty horse just hanging out.

Colton hungrily looking at Denise's white stallion on Walker.
Walker Colton pushing his bulge down in his jeans looking at Denises white hrose.
Walker Denise with Colton showing him how hung he should be next to the white horses on her ranch 2.11.

Cordi and Geri have another adorable awkward interaction in the truck, him wanting to tell the family about “us” and her reluctance to make it so serious. In fact, in keeping with the episode theme, she ‘safe words’ him with a “Dolly.” Trey walks by and sees them about to kiss and Geri pulls away, even though Trey seems like the biggest Cordri shipper ever. (And yes, he gets the ship name correct because this show is very fandom savvy).

Jared Padalecki looking cross eyes with Gerin in truck on Walker.
Geri and Cordell have some police truck time on Walker.
Walker Trey popping up to get some screen time 2.11.

Denise confronts Dan with what she knows, he insists he was trying to protect her career with the surveillance and that it hurt him to see her practically “sitting in his lap” about Cordell. She retorts that he needs this family. She tells him to get out and he reluctantly goes, which is going to hurt Colton even more btw.

Denise confronts Dan about his using safe words with Colton who keeps getting hurt by them on Walker 2.11.
WAlker Dan dealing with Denise confronting him.

Bonham finds the lantern in Augie’s room and confronts him about it. (Not gonna lie, as I said before, I’m still mystified at how that lantern was just sitting around in the burnt down barn for all this time, never found in any investigation, apparently). Anyway, Stella tells their granddad exactly how and where August found it to get back at him for what he said about Todd. Bonham is pissed that Cordell knew and says he should’ve dealt with that a long time ago, and also says they need to hide this from the Davidsons. Too late, Bonham!

WAlker Daddy bear Mitch Pileggi showing off chest hair and bulges to Augie in his bedroom.
Gay Walker Augie looks seductively at daddy Mitch Pileggi with a lantern in his bedroom.
The haunted barn burner lantern on Walker 2.11 Boundaries.

The siblings argue it out as their dad comes home, Augie blaming Stella for him losing friends, Stella angry that her brother butted in about her relationship with Todd. They’re a pretty realistic sibling pair, and they do manage to work it out, but it’s a tough one. Cordell talks to Stella, who is mature enough to say that even though his walk of shame was awkward for her, it’s good he’s getting back out there. She’s struggling too with knowing when she should open up again, and her dad admits he’s still trying to figure it all out himself, glancing at the framed family photo with the kids and Emily.

Stella trying to have adult conversation with Cordell Walker.
Close up shot of Cordell Walker and family with kids and dead wife.
Jared Padalecki giving Geri puppy dog eyes and lots of frown wrinkles on Walker.

Geri comes for dinner, and they are undeniably cute in their continuing awkwardness, even for fans like me who didn’t even ship them.

Walker Geri waving and smiling at Cordell at his front door.
Walker Geri comes to Cordell's place for dinner and some eating out 2.11.

Meanwhile, Cassie discreetly brings a drunk and passed out on his pickup truck Dan back home, Ashley’s gift for comedy once again on point and Dan Annable showing off his gift for physical comedy too. Those two are priceless together, right down to Dan trying to climb in the window of her SUV and Cassie’s frustrated head shake. Denise asks Cassie for discretion and pledges her support for Cassie’s search for Miles in return, as Cassie stays determined to be “Switzerland” in all this family feud business.

Cassie finds Dans drunk and passed out on his truck on Walker 2.11 Boundaries.
Walker Cassie helps Denise search for Miles return 2.11.

Geri finally agrees to get over her fear and make an announcement to the family, but instead, the Walker family dissolves into an argument about the deed and the land boundaries, Cordell once again trying to play peacemaker.

Poor Liam, his dad is really coming down hard on him for just trying to figure out the right thing to do, inadvertently uncovering all kinds of family secrets and eventually making things worse.

Walker daddy Mitch Pileggi Bonham giving it hard to gay son Liam for opening up too easily.
Walker gay Liam getting pounded rough and ready by daddy Mitch Pileggi

The Davidsons call in the middle of it and request a meeting on neutral ground so things go from bad to worse. The meeting at the Side Step goes about as well as we all expected – as in it’s not the peace summit that Cordell was hoping for.

WAlker clan going to meeting at Side Step with Denise about land.

Denise found out that Liam was looking into the land boundaries, and while Cordell keeps insisting they can talk it through, Denise insists that squatter’s rights should have been in writing if the Walkers wanted to claim the land. The old agreement was for ‘give and take’, since disputes used to be settled with horseracing.

Cordell: Progressive, great…

Walker Denise talks squatters rights with Cordell and gay Liam.
Walker with gay brother LIam chatting with Denise.

Bonham produces a contract between him and Marv that Abeline didn’t know about, that they actually did agree to settle it with a horse race.

Liam: A horse race, are you joking?

Nope.

If the Davidsons win, the land reverts back to them. Marv died in the fire before they were able to race, and Bonham told no one. Gale and Bonham throw down, and Gale proposes that they have the race after all, for all the land in perpetuity. Cordell and Liam think it’s crazy, but Denise goes along and then suddenly Bonham announces, “challenge accepted” and shakes on it with Gale.

Walker Bonham shakes hands with Gale on a horse race from years ago for land 2.11.

Uh oh.

Liam agrees to type up the agreement, shakes on it with Denise – but the two are far from on good terms. She tells him they’re also re-opening her father’s wrongful death investigation. He reminds her she should recuse herself, but she insists it’s all about exposing the truth.

Have I said uh oh enough?

Gale has all the Davidsons on her side now – and she knows it.

Gay Walker Liam shakes on deal with Denise.
WAlker Gale realizing she has all of the Davidsons on her side now against Bonham.

Bonham and Abeline have a heart to heart about the secrets they’ve been keeping from each other. She understands why he’d keep a secret like that to himself, and admits she’s kept a secret too – that Marv came to her a few days before the fire and told her that the baby he and Gale had, that everyone thought had died, had survived. The baby had a medical condition Marv was afraid he couldn’t afford financially or emotionally after Denise’s heart problems, so he gave the baby away and did not manage to let Gale know before he died. Abeline said she wanted to tell Gale, that she’d want to know if it was her child (like OBVIOUSLY) – and that she’s telling Bonham now because she got tired of carrying it alone. She invites him to yell at her, but he doesn’t, wondering if that’s why Marv suddenly needed money and honestly now it all seems even more tragic than it did before.

Walker Abilene tells Bonham her deep dark secrets in Boundaries.

Bonham: Oh Abby, I wish you would have told me.

Seems like a hell of a secret to keep and I have absolutely no clue how Marv could have pulled that off without Gale knowing her baby survived. Wouldn’t she have had to sign off on adoption papers? How could Marv have thought that believing her baby died would have been LESS emotionally taxing on Gale? A mystery.

The ending starts with Geri and Cordi, like we began. Stargazing at the night sky and trying to process the surprising events of the day. She reminds him of all the years they’ve had together – as friends – and that she’s always in his corner.

Walker Cordell holding Geri in his arms under the moonlight stars.

Stella and Augie clear the air too, and she tells him that she and Todd might be getting pretty serious too  (which is weird for us as viewers because we’ve barely seen them together other than one kiss and I, for one, was more invested in Colton and Stella than Todd and Stella but oh well).

Geri runs into Bonham in the dark barn after Cordell goes out to practice riding, and he says he’s sorry they spent the time digging up the past instead of celebrating the future. Geri reiterates the ‘family first’ that Bonham goes by, that reminds her of her dad – but that whole ‘anything to protect the family’ mantra can be toxic too.

As she walks away, Geri turns around to see Bonham leaving the barn, silhouetted in the dark, dragging a shovel and carrying the infamous lantern.

Walker Geri watched Bonham carrying the lantern from the barn with a shovel 2.11.
Walker Bonham trying to bury the past with a lantern from the barn fire.
Caps courtesy of spndeangirl

What a powerful last shot, as Bonham goes out to try to bury a past that it’s obviously too late to cover up.

That was a great ending, and left us all going into a three-week mini hiatus with a lot of questions about where we go from here. Some of the dizzying reveals in this episode came about so abruptly they were hard to believe – everyone is willing to settle all this on a horse race?? Marv gave a baby away secretly somehow?? Colton is not 100% on Gale’s side because he feels jilted by Stella when she didn’t even know he was carrying a torch for her?  I guess we’ll see. One place we’re all looking forward to going is Jared Padalecki in a horse race, that’s for sure!

“Walker” returns on March 31 with 2.12 Common Ground.

SXSW: ‘The Boys’ Season 3 Jensen Ackles, Eric Kripke and cast get deep about what’s to come

It felt a little like San Diego Comic Con at SXSW on Saturday morning, when “The Boys” panel took the stage. It wasn’t as large as Hall H, but Ballroom D is plenty big, and it was crowded with fans eagerly anticipating seeing the trailer for Season 3 and hearing from Eric Kripke and the cast. And they did not disappoint – they showed the trailer on the big screens and there were audible gasps from the audience.

The Boys Season 3 hot Redband trailer

For days, the fandom has been guessing that Imagine Dragons has joined “The Boys” family thanks to some twitter bantering, and the trailer confirmed that – perfect song for an amazing sequence of glimpses of what’s to come. From the unlikely musical sequence to Homelander’s disturbing fascination with milking a cow to the requisite blood and gore and humor mixed in, the trailer leaves little doubt that the new season is going to up the ante even over the last. Butcher’s laser eyes and Soldier Boy’s smirk are indelible images that make June 3 damn hard to wait for. And that last glimpse of an unkempt Soldier Boy breaking his bonds, just that look on his face….omg, bring it!

Cast of The Boys SXSW Jensen Ackles Eric Kripe MTTG
Karen Fukuhara, Chace Crawford, Jesse T. Usher and Jensen Ackles at SXSW for The Boys

For “Supernatural” fans like me, having Eric Kripke and Jensen Ackles working together again is a dream come true. There was even a little “Supernatural” Easter egg in the trailer, with a ‘We’ve got work to do’ from-the-trunk closing shot that I loved. I am a die-hard “Supernatural” fan forever, but I fell in love with “The Boys” from the pilot episode and just keep being more and more fascinated and entertained by it.

https://movietvtechgeeks.com/the-boys-presents-diabolical-premieres-and-it-is-really-messed-up/The panel was moderated by Christian Slater, fittingly enough ‘the narrator’ in the animated series The Boys Presents: Diabolical. Eric Kripke was joined by Karl Urban, Laz Alonso, Karen Fukuhara, Chace Crawford, Jessie T. Usher and Jensen Ackles.

Ackles, the “new kid” on the show who joins in Season 3 as Soldier Boy, said he was nervous about joining a show that he already was a fan of, and that he “geeked out” over his talented castmates.

Jensen Ackles headlining at SXSW for The Boys show Season 3 Soldier Boy

Jensen: it was a thrilling ride to be on and I can’t wait for you guys to see it!

He definitely got maybe even more than he bargained for, which makes June 3 even harder to wait for.

Jensen: I thought we’re gonna level up here, gloves are coming off, it’s gonna be all the things I couldn’t do with standards and practices. And then I read the script and I’m like, I can’t do that!

He said he didn’t really know where his line was (of things he wouldn’t do for a role) – but Kripke found it for him.

Kripke: And then you did it…

And yes, now that he has, he admitted he might do it again. Whatever IT is!

Jensen Ackles laughing on SXSW stage The Boys panel

Jensen also teased a little about the Herogasm episode that the fandom is eagerly anticipating, exclaiming “holy shit” – which I’m pretty sure is what all of us are going to say when we see it. Jensen didn’t say whether or not he was IN that scene, but he was on set that day. He asked the camera guy how he was doing, since he seemed a little troubled. Jensen asked him how he was, how it was going in there, and the guy just shook his head and said “man, I’ve seen some shit today…”

Jensen: and I just shook my head and said OH NO… so, good times…

I’d love to say that is in any way discouraging to me, but nope – cannot wait for that either!

Jensen talked about the very first scene that he filmed on this show.

Jensen: Like, welcome to The Boys, this is what you get to do. And it’s something that I’d never done before.

Jessie: is it something that you’ll do again?

Jensen: (lamenting) Well the ice is broken now, so probably.

Me: Ah, that bodes well for the future….

Karen Fukuhara said that one of the things she enjoyed in Season 3 was getting to show some humor – and apparently show off Kimiko’s fighting skills with a sex toy as a weapon. As you do.

There were some more serious moments in the panel too. Eric Kripke talked about how he writes for the very talented cast. I’m a forever fan of Kripke’s characters and shows, because he always prioritizes characterization and that’s frankly why I watch TV.

eric kripke talking sxsw the boys panel 2022 mttg

Eric: You write the character moments, first and foremost, because you know that they can do it, and we just give them space. I think it’s really uniquely actor forward for a superhero show because these guys are all so good. Outside of all the craziness, the primary goal is getting the best, most complicated performance out of everybody. They give them the takes that they want, the space that they need, because when you have such amazing talent you’d be crazy not to use it as much as you can.

Karl Urban agreed that it’s an extraordinary cast, and said that they all got very close quarantining and then filming in Toronto in the midst of a pandemic.

Karl: Every day I get to work with these guys, we have a lot of fun. In between takes, we’re all hanging out on the side of the set playing board games. We’re pretty tight. Every day is really fun.

The game they were playing? Backgammon. And apparently, Jensen Ackles started off pretending he didn’t know how to play.

Laz Alonzo talking The Boys season 3 with Eric Kripke SXSW

Laz: Day one he showed up and he was losing, and I pulled Karl to the side and was like, I think he’s bullshitting us, man. I don’t believe this dude, I don’t believe him at all, look at him, he’s totally playing possum. And sure enough, one by one he started pickin’ us off. And now we had to send Karl in, like  beat that motherfucker, he’s good, he destroyed me! He’s a hustler!

Jensen just sat there and shrugged. And possibly smirked a little.

Kripke also said Season 3 is going to tackle the idea of toxic masculinity further, which I’m looking forward to.

Kripke: There’s this whole idea of being manly that’s poisoning the world.

See why I love this show?

Of course, there was some talk of blood and gore, because this is The Boys

Kripke said that having to clean up all the blood in between takes really factors into the shooting time. So more than half of what they do is CG now because of that.

Karl chimed in with some details about just how bloody things got at times.

Karl: When we shot that whale scene, you’d shoot your day, covered in blood from head to toe, then you’d go home and you’re ready to go to bed and you take your pants off, your Calvins are covered in blood! I destroyed like 5 pairs, so I’m sending you the bill for that.

Chace also wasn’t all that enthused about The Deep’s scenes where his gills feature prominently – which I don’t think surprises anyone!

Season 3 isn’t all blood and gore, though – the trailer teases some musical interludes, which Kripke is totally excited about (me too, especially if gifted composer Christopher Lennertz is involved).

Eric: I’m a huge fan of classic Hollywood musicals. To me Singing in the Rain is so good and I’ve always wanted to do a huge blow the doors off musical number.

They used Karen and Tomer’s story this season to do it, and the actors were psyched and rehearsed for a long time.

Eric: It’s so elaborate and there are so many dancers and the director Nelson is brilliant.  In the middle of this show to have a candy colored musical number, it’s one of my favorite moments of Season 3. The show is so cynical and to have a moment that’s so joyful, you have the biggest smile on your face when you watch it, it’s delightful.

Karl Urban Karen from the boys at SXSW mttg interview

Karen: I felt like I was on a totally different show!

Jessie shared his experience doing that memorable rap as A Train in Season 2, surprised by the production that it was – and it so worked!

Everyone said if they had to be another supe, they’d be Black Noir – because you could essentially fall asleep while being him. But then Kripke revealed that Noir is revealed this season! I’m excited about seeing another Supernatural alum onscreen – Nathan Mitchell’s been on the show all along, but this time actually SEEING him!

As the panel neared its end, there were questions from the audience. Someone asked each of them to describe Season 3 in a few words.

Karen: Lots of dick!

Chace: What the shit?

Jessie: We’re going deeper.

Jensen: Hold on tight!

Another fan wanted to know, does this season top the whale scene?

Eric: the first 10 minutes of the premiere totally tops the whale. It’s not just the craziest thing we’ve done, I think it might be the craziest thing anyone’s done.

Why do I not doubt that for a minute?

As the panel ended, new addition Jensen Ackles had a message for his colleagues.

Jensen: I just wanted to thank this cast and writing team and Eric specifically. This is just such a fun fun show to be a part of and you guys couldn’t have been more welcoming as a cast and as a family truly. It was lockdown up there, nothing to do but be with each other and I was thrilled, coming out of that, how much fun I had, so thank you all.

The Boys Season 3 full cast SXSW panel jensen ackles karl urban

“The Boys” Season 3 premieres June 3 on Prime Video!

Jared Padalecki’s ‘Walker’ gets a Nudge into a new partnership

“Walker’s” tenth episode of Season 2, ‘Nudge’, starts out with something we haven’t seen before – Cordell, Liam, and Trey out to lunch together. Cordell suggests Liam and Trey move in together since both are a bit at loose ends right now, giving them a ‘nudge’ so to speak. Though I didn’t think Liam was considered single necessarily – isn’t Bret coming back? Come back, Bret!

Liam and Trey call Cordell out on saying that unlike them, he’s not alone – he’s never alone in a house full of teenagers – but they point out that alone isn’t the same as lonely. He admits it’s been quiet (lonely?) working alone without a partner.

Walker gay Liam and Trey rooming together now 2.10 Nudge.

As Walker has to go to work, he leaves Trey and Liam to ponder their future living arrangements.

Cordell: Sorry to ruin your date, but it’s on the house!

Trey: He needs to get a partner…now.

Liam confides in Trey that he’s been looking at land surveys of the Davidsons and Walkers’ land, and Trey offers to help him out.

Liam: Maybe my brother’s not the only one who needs a partner.

Awwww. Liam and Trey is the partnership nobody knew we needed, but perhaps we did. Maybe they should be roomies!

Walker kills time outside James’ office, picking up some imaginary thing on the floor (and in the process making the fandom quite happy) and then awkwardly pretending he wasn’t.

Coby Bell not seeing Jared Padalecki bend over showing his butt to the audience.

Jared Padalecki is so good at creating a believable and unique individual with Cordell, and I am constantly amazed that there is not a trace of Sam Winchester in him most of the time. I’m not an actor, so that seems mysterious to me – and sometimes a bit impossible. But here we are!

James updates him on the search for a new ranger/partner, which isn’t going very well at all. In the meantime, Cordell has a solo assignment searching for a person impersonating a missing Ranger named Miles who’s doing a bunch of carjackings.

Elsewhere in town, Abeline puts the word out that they need ranch hands and then (literally) bumps into Gale at the market. The two of them are so strained with each other, polite and pleasant on the surface and simmering anger still underneath.

Walker Abeline runs into Gale at the market 2.10.

Abeline says she taught Colton the song that Marv used to sing and Gale goes off that she always oversteps, talking about her dead husband like they had nothing to do with it…

And then we realize we’re hearing her internal monologue instead of what she says to Abeline, which is overtly polite instead.

On his solo assignment, Walker finds a suspicious-looking car and stops to investigate, asking local PD to come back him up.

Cordell Walker pointing gun at suspicious looking car with Cassie in it 2.10.

He’s no sooner climbed into the car (carefully pushing the trunk opener with his knuckle so he doesn’t leave fingerprints because smart Cordell) than someone else with a gun shows up just as he’s climbing OUT and orders a hands up and gun down. He thinks she’s the buyer, trying to explain that he’s a Texas Ranger, but she doesn’t believe him since he just stepped out of a stolen car. She orders him to pop the trunk and he does, but when he turns around she tases him and stuffs all 6-foot-whatever of Jared Padalecki in the trunk!

(New cast member Ashley Reyes did an interview about this episode and confided that Padalecki was all too eager to fold himself into the trunk, to her surprise and amusement)

Walker Ashley Reyes holding stun taser gun on Jared Padalecki on set.
Jared Padalecki attempt at looking scruffy butch on Walker Texas Ranger 2.10.
Walker grimacing after being locked in patrol car trunk Nudge.

The two go back and forth as she drives recklessly, intentionally tossing him around violently in the trunk as an innovative interrogation technique, while Walker tries to convince her she’s making a mistake – from the trunk – until he finally pulls the emergency brake from there and the car skids to a stop.

Cordell: There is a Texas Ranger in your trunk!

Me: lol

She’s convinced he’s an imposter who’s impersonating her former partner. He’s convinced she’s a psychopath.

When he tells her his name, she is even more skeptical.

Cassie: The one Ranger that’s always in the news??

He finally convinces her to call Captain James.

Cassie: Is he the type who would blindly pull a car’s E brake from inside the trunk knowing it would send it into an uncontrolled skid?

James: Yep, that sounds like Ranger Walker.

When Cassie finally opens the trunk, Cordell is pissed but he also looks adorable curled up in that trunk.

Jared Padalecki Walker legs spread open in trunk for Jensen Ackles.
Cassie laughing at Jared Padalecki coming out of trunk closet Walker 2.10.

The annoying banter between Walker and Ranger Perez was priceless. Ashley Reyes and Jared Padalecki have an entirely different energy than he had with Lindsey Morgan’s Micki and so far I’m really enjoying it. While Micki was more often talking Walker off the ledge of using too much force and being too emotional, here it’s Cordell being the less impulsive and emotional one. (And we soon find out that Cassie has a similar reason for all that emotionality).

He accuses her of tasing him and throwing him in the trunk; she retorts that it was only a nudge.

She accuses him of being dressed like the perp; he retorts that he’s dressed like a Texas Ranger because he is one – and that the perp is dressed like HIM!

Walker Cassie pointing fingers at Jared Padalecki.
'Walker angry when Cassie says he dresses like a perp 2.10.

The local cops arrive just as Cassie is insisting that any reasonable person would have come to the same conclusion she did – and the officer orders them both on their knees.

Walker: No no, I’m a Ranger – Cordell Walker.

Officer: This guy thinks he’s the Ranger that’s always on the news!

Cassie: Told you.

Cordell is so pissed, and it’s absolutely priceless.

Walker Cordell and Cassie on hands with arms up 2.10.

Walker and Cassie continue to spar as they meet with James and we get a little exposition, i.e. a rundown on her bio. Cassie gives credit to James for changing the landscape by hiring Ranger Ramirez but also says that her former Captain never really had her back. Her partner was abducted in the line of duty and she went on leave, convinced that Miles is still alive and determined to look for him, saying there’s too much that doesn’t add up.

Cordell Walker reacting to being teased about being put in trunk by Cassie 2.10.

Walker looks over at that, and we all think of how he felt when he was convinced that there was more to how Emily disappeared.

He refuses to explain himself to her or why he’s a good partner, and she doesn’t accept ‘because I’m a Texas Ranger’ and says she can’t trust him. James snickers.

Walker Coby Bell smirking with Cassie about Cordell being put in trunk moose Nudge.

As Cordell and James leave, James admires the stolen car, saying he always wanted one like that, but his wife said it didn’t have enough trunk space.

James to Cordell: Based on your ‘research’, what do you think?

I laughed out loud. The humor in this episode is A+.

James is all for a Walker-Cassie team up, reminding Cordell that they have Rule No. 42 from when the two of them were partners because they needed those rules to not fight all the time in the beginning. Cordell isn’t sure she’s got what it takes.

James: Well, she had what it takes to force a moose like you into the trunk of a car!

Walker Coby Bell teasing Cordell about being forced into trunk by Cassie.

Me: “Supernatural” Easter egg!

Coby Bell and Padalecki are also priceless together. The cast in this show has really gelled and their comedic beats are down pat at this point.

Cassie surreptitiously tries to find out more about Cordell by going to the ranch and pretending to apply for the ranch hand position, which Abeline figures out quickly enough. Have I mentioned lately how much I love Abeline and Molly Hagan? So much. Smart and sassy.   Abeline gives Cassie the information she isn’t asking for overtly, saying that Walker had Micki’s back and she had his, and that gave her the strength to make the decision she needed to – but that she’ll always have a place at their table.

Cassie makes a good impression anyway even as Abeline figures out what she’s really doing there (and Liam looks on, having figured it out too).

Gay Liam looking very homo with Abeline on Walker 2.10.
Walker giving usual Abeline smirk look 2.10.

Cordell goes to talk to someone he trusts, Geri. He confides in Geri but she takes Cassie’s side (though she’s clearly on his side too). She reminds him that just because his last partnership didn’t work out, it’s not that this one won’t. Walker and Geri come back to the ranch for dinner, arguing like the long-time friends they are.

Padalecki and Odette Annable have established so much warmth and connection between Geri and Cordell that their relationship is now a lot more believable, so for me at least, establishing them as friends first worked. They are comfortably physical with each other, constant little touches that they use to convey reassurance and support. It’s similar to what Padalecki and Jensen Ackles brought to the Winchester brothers, whose closeness was so believable largely because of those non-verbal signals (since they rarely spoke their brotherly love out loud).

Walker Jared Padalecki with Odette Annable on 2.10 Nudge

I don’t ship it, but I believe it when it happens because of the way I totally believe their friendship and love for each other as friends who know each other from literally growing up together. They find Cassie already at the Walker ranch and invited for dinner, much to Walker’s surprise and annoyance.

Cassie and Geri greet each other warmly, while Walker bristles. Geri reminds him to give her a chance.

Walker Cordell putting hands on Geris shoulders 2.10.
Cassie looking and smirking at walker.

As they continue to bicker, they get a call and figure out that the perp is using the tracker in the car to find the warehouse of stolen stuff – just like, as Walker says, Paititi.

Cassie: Like the Lost City of Gold? Apt analogy but I didn’t think you’d know…

Walker: Don’t be so surprised, I’m well read…

Off they go, partners whether they like it or not.

Cassie: Do you wanna ride shotgun, or are you partial to the trunk?

Cassie reacts to Walker being funny about riding shotgun or in the trunk.

I laughed out loud again.

Cassie and Walker find the warehouse with the stolen cars, working together seamlessly with unspoken hand signals ala Sam and Dean. Cassie has a weapon that’s not a gun but it works really damn well and they eventually take out the bad guy – who is not her lost partner but just taking advantage of an opportunity.

Walker Cordell warning off Cassie during walk in old warehouse 2.10.

He very nearly takes out both of them before crashing his truck right through the warehouse door. Walker and Cassie have each other’s backs before she takes the bad guy out with her baton and nearly kills him, demanding to know what happened to Miles.

Walker talks her down from doing something she’ll regret, saying this isn’t what Miles would want, and she eventually listens to him, stepping away from too much violence like he had to learn to do in the early episodes.

Walker Cordell trying to talk Cassie out of getting crazy.
Walker Cassie looking crazy 2.10.

She tells him she doesn’t carry – on her last case with Miles she was jumped and they took her weapon. They found bullet casings where Miles was last seen, and the thought that he might have died from her weapon haunts her.

Cassie: I’m not crazy.

Walker: You are crazy enough to hold your own. I know what that’s like, chasing ghosts. I also know it’s best not to do that alone.

Walker Cordell telling Cassie she's crazy enough to hold her own as Texas Ranger.

And so, a new partnership is formed. James offers her a Rangers badge and an understanding that she’s not going to stop looking for Miles. He likes the way she colors outside the lines, saying he didn’t know what he was looking for in a Ranger until he saw it in her – that she reminds him of his old partner, the best Ranger he’s got. She doesn’t know he’s talking about Walker, but we do.

Cassie comes out and shows Walker her new badge (he’s texting with Geri and they’re both clearly wanting to say more than they are).

Cassie: I think mine’s shinier.

Cordell: Worn and weathered means experience…

Walker Jared Padalecki giving puppy eyes to Cassie on 2.10.
Cordell and Cassie jabbing over worn and weathered on Walker.

They argue about being Yoda and Luke or Crockett and Tubbs, or Hawk Shadow, an early 90s TV show (which never existed apparently but I like the idea, Cassie), and it’s a bit of a “Supernatural” shout out to Eric Kripke thinking of Sam and Dean as Han and Luke.

Cassie also gives Cordell some advice, saying the last time she saw Miles they argued about something stupid – that you need to take the time to tell people things.

Cordell: So, you want to tell me…

Cassie: No, you and Geri, dummy! I saw you two together. It’s always complicated, and waiting will do what exactly? Jump!

They agree on brutal honesty between them.

Walker: We’ll call that Rule No. 43 (picking up where he and James left off)

Cassie: What are the other 42?

Walker tips his hat without answering and Cassie tips hers back.

Walker Jared Padalecki tippin his Ralph Lauren cowboy hat to Cassie 2.10.
Walker Cassie tipping her Ralph Lauren cowboy hat to Cordell 2.10.

Meanwhile, the kids hang out and lament that the band they want to see is sold out until Todd says that he can get tickets. Colton doesn’t want to fifth wheel it even for one of his favorite bands, but Stella talks him into coming along. When Todd doesn’t show up, Colton thinks it’s because he was just trying to score points, but Stella is concerned there’s something wrong. As much as Colton is pissed (and competitive with) Todd, he agrees to take Stella to check on him – though Augie advises him to play it cool and let the Todd thing run its course.

Walker Augie realizes he loves Colton who loves Stella Nudge.
Walker Colton realizes that Augie has the hots for him but he wants Stella instead 2.10.

Stella finds Todd stuck at home because his brother needed help with a big test and their mom had to work late. Stella offers to help, saying she wants to be with him. Stella gives Colton the concert tickets but stays behind to help and I feel so bad for Colton once again. 

Stella and Todd bond, she says she sees him differently than before – but in a good way. They kiss, smiling in between.

Walker stella thinking Todd wants her but is just a closet gay boy 2.10.
Gay looking Todd acting like he's into STella but actually watching Augie from behind on Walker 2.10.

Geri meets with her grief group, saying she feels like she’s turned a new leaf, that she still thinks about Hoyt but she’s not going to let her past define her future, that it’s time to move on – clearing a path for her to take her relationship with Cordell to another level. Gale comes by to drop off chili spices and overhears a bit, saying she’s sorry for what Geri’s been through, that she knows a thing or two about loss and hasn’t found much peace in 20 years. I don’t normally feel too bad for Gale, but I did here.

Geri listening to Gale at grief group on Walker.
Gale talking at grief group with Geri on Walker 2.10

She goes to the Walker ranch and knocks on the door and Abeline answers.

Gale: Abby, it takes a lot for me to come here.

Abeline: Well it takes a lot for me to invite you in, but here we are.

Gale at Abilene front door on Walker nudge.
Abilene looking sad at Gale on Walker 2.10.

Me: No. 1 Abeline stan, right here…

Gale says she’s been thinking a lot about the past, about Marv. She knows Marv came to see Gale that night and asks what they talked about. Abeline once again invites her in, and this time Gale agrees.

Meanwhile, Trey charms his way into getting the records that Liam needs, the clerk so distracted by “those big…biceps…” that she gives him what he’s asking for without too many questions and calls him “sugar.”

Walker Trey trying to flirt with faghag clerk watching gay Liam.
Walker faghag clerk giving gay Liam a confidence booster.
Walker Liam giving very gay look to clerk.

Liam and Trey ride out to the boundaries of the ranch, looking extremely attractive on their horses frankly. They’re looking for the real border between the Walker land and the Davidson land. Liam’s original map doesn’t mesh with the county map – the original running right through the Walker ranch.

Liam: We might be living on their land…

Gay Liam and Trey on horseback looking at ranch on Walker.
Walker Gay Liam and Trey riding bareback together on Nudge 2.10.

Ominous drone shot of the land and that possible boundary!

We end with Geri and Cordell. Cordell listens to his new partner and goes to see Geri, awkward as he always is, fighting with a screen door that won’t stay open in what was possibly an ad-lib but works perfectly. He has a hard time even speaking to her, saying “there’s something here with me…you…us…this…”

He’s so nervous he’s stammering, and she reaches out instinctively to hold his hand, ground him.

Walker looking intently at Geri on front door
Walker Geri laughing at Cordell's nervousness outside her front door.
Cordell Walker nervously looking at Geri's hand on his.

Cordell: I kept thinking about…you…and how you stuck around…how that made me feel.

Geri: Well, how do you feel?

Cordell: I feel…um…I feel tired. Tired of waiting, wondering…

She gets it then, cups his face in both hands and kisses him.

Walker nervously at Geri's front door Nudge.
Walker Geri gently stroking off Jared Padalecki's stubble face 2.10.

I don’t even ship Cordri but Odette Annable and Jared Padalecki make that kiss damn hot.  I know a lot of fans who DO ship it were very happy indeed with that ending – even those of us who don’t, I think, felt like it definitely made sense at this point. I like the way Geri is with Cordell, how she really knows him and sees him for who he is, and values him for who he is. I like that they were friends first, that they’ve known each other forever. She’s good for him, I think, and I’ve come to feel enough affection for the character to want that for him.

Walker Geri grabbing Jared Padalecki's face to get more camera time with kiss.
Walker Jared Padalecki kissing Geri very deep for Nudge 2.10.
Caps courtesy of spndeangirl

I realize I was reminded of “Supernatural” quite a few times during this episode – Cassie and Cordell remind me a lot more of Sam and Dean’s partnership than Cordell and Micki did. They have that sibling-esque dynamic, constant bickering, lots of competition, but underneath it professionalism and caring about doing the right thing and having each other’s backs. Cassie is impulsive, emotional, very willing to ‘color outside the lines’ as James notes. She’s also fiercely loyal to her partners, a trait she also has in common with one Dean Winchesters. Walker rolls his eyes at some of that and tries to ground her, but he also is coming to respect her. I’m excited to see more of these two and how they gel as partners.

Where do we go from here after all these ‘nudges’ in new directions, that’s the question! We’ll see that on “Walker’s” next episode 211 Boundaries.

‘The Boys Presents: Diabolical’ Premieres and it is really messed up

“The Boys” kicks off its newest incarnation on March 4 with “The Boys Presents: Diabolical,” an 8 episode animated anthology series that takes place within the same universe as the original series, which in turn was based on the comic by Garth Ennis and Darick Robertson. Plenty of other well-known names are also contributors, including Awkwafina, Garth Ennis, Eliot Glazer, Ilana Glazer, Evan Goldberg and Seth Rogen, Simon Racioppa, Justin Roiland and Ben Bayouth, Andy Samberg, and Aisha Tyler.

Diabolical was described as a series that “plunges elbow-deep into the unseen crevices of superhero violence audiences have devoured—and emerges with a fistful of insanity.”  That part turned out to be true, but surprisingly so did another teaser in the press release: “Diabolical has something for everyone—everyone who enjoys blood-drenched but also shockingly emotional television. It’s cartoons with the safeties off!”

Of course, that’s an advantage of animation versus live action – the show really can portray anything it can get away with. And it does. I’m not nearly as much of a fan of the blood-drenched aspect as many of “The Boys” fans, but I’ve been fascinated by the psychological and sociological messages of the original show. To my pleasant surprise, ‘Diabolical’ picks up those themes too (along with a lot of blood and guts). I’m a big fan of watching shows an episode at a time, maybe because I didn’t grow up binge-watching, but Diabolical lends itself to that since each episode tackles a different theme and focuses on a different character, usually one we don’t yet know. So, as a means of whetting your appetite for all of Diabolical on Friday, here are some thoughts on Episode One, which pays homage to classic American cartoons.

The first episode is titled ‘Laser Baby’s Day Out,’ and introduces Simon, a Vought researcher assigned to one particular laser-eyed baby. In keeping with what we know about how Vought treats its subjects, from Homelander’s tragic childhood to its lab full of often failed human experiments, the babies are there to make themselves useful by getting control of their lethal powers – or else. There’s an intimidating security guy there to see to it that Simon makes sure Laser Baby fulfills her super potential.

Simon, on the other hand, is a very human everyman just doing his job, but as the time limit for Laser Baby to prove herself draws near, increasingly a father figure whose parental instincts are firing thanks to the baby’s growing attachment to him. From my perspective as a psychologist, that makes sense. We’re all wired to respond to certain ‘demand characteristics’ that infants possess – their oversized eyes and heads, the way they cling, the sound of their crying. Simon is not immune, as much as he tries to be (and neither are we, watching). He begins to fantasize about taking Laser Baby home and being a dad to her, never mind that she could slice him into ribbons with her eyes. In spite of how ridiculous that sounds, as a parent myself, it was impossible for me not to start rooting for Laser Baby and the bumbling but well-intentioned Simon.

the boys diabolical laser baby 2022

One of the fascinating things about ‘The Boys’ in all its incarnations is how much it leads all its characters (and us as viewers too) down the slippery slope of where good intentions often lead. We clearly see evidence that the babies are dangerous from the start, but when Laser Baby can only laser accidentally when she sneezes and is put on the termination list, we’re somehow on her side anyway. Simon goes all out to save ‘his’ baby when she escapes, pursuing her in a hilarious chase across the city with first the intimidating guard and then the whole Vought security team after them. In typical cartoon fashion, both the unlikely escapes and the graphic violence are over the top – there is SO much blood and gore that you can’t help but laugh as the baby cluelessly crawls through the resulting mess of blood and guts she’s created and gets away each time, leaving red knee and handprints as she goes. The ridiculousness of the scene is part of both its humor and its chillingness because she looks like an adorable little crawling baby and there are giant men with huge guns confronting her.  The chase scene is sprinkled with pop culture references from The Boys universe and in general, from King Kong to a poster in the local zoo of The Deep proclaiming that “Piranhas Need Love Too”. You can imagine what happened at that point in the episode. No, of course, I wouldn’t cheer if a Vought sharpshooter almost caught up to the baby and a piranha ate his face.

I won’t give away the ending, but Simon and the baby end up on top of a skyscraper as he wraps the baby up in his coat and she calls him ‘Dada’.  You need to watch the episode on Prime Video to find out whether they escape the Vought security team ready to swoop in.

I was hooked on Diabolical from this first episode. I love the way this universe is constantly pulling me in multiple directions, including directions that I absolutely know I should not be going in. I love the way it manipulates and stretches and questions a sense of right and wrong and that it’s dark as hell yet has moments of optimism and hope anyway in the resilience of its characters fighting against impossible odds. 

This episode, like many in the original series, challenged my original perspective.  It’s easy to see the threat of a human with lethal super powers and assess that as a 100% bad thing when you’re watching an adult onscreen – it’s a lot harder to root against that same human when you’re watching an adorable baby. Like Simon, we all feel like we’re bumbling through life sometimes, almost missing the elevator and then getting your coat caught when the doors close, being intimidated by the office bully, and just trying to do our jobs. We all want to make a difference somehow and most of us care – about someone. When that someone is threatened, how far would we go to save them? As a long-time fan of executive producer Eric Kripke’s series ‘Supernatural’, that’s a familiar question – and I love that he’s still asking it.

the boys diabolical poster art movie tv tech geeks

You can watch ‘Diabolical’ starting March 4 on Prime Video. ‘The Boys Presents: Diabolical’ is executive produced by Simon Racioppa, Eric Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Ken F. Levin, Jason Netter, Garth Ennis, Darick Robertson, Michaela Starr, Loreli Alanís, Chris Prynoski, Shannon Prynoski, and Ben Kalina. The Boys Presents: Diabolical is produced by Amazon Studios and Sony Pictures Television Studios, with Titmouse, Kripke Enterprises, Original Film, and Point Grey Pictures.

Stay tuned for more Diabolical – there are seven more episodes in Season 1!

Tom Holland Proves Box Office Mettle as Dave Grohl’s ‘Studio 666’ flops

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Hollywood put the test to Tom Holland, and the “Spider-Man” actor has proven his mettle with two number movies at the box office for the eighth time in just two and a half months. “Uncharted” remained atop the box office charts for another week for a quiet week with uncertainty in the world thanks to Vladimir Putin.

The 25-year-old Holland is literally singlehandedly pushing ticket sales at North American movie theaters.

The Sony Pictures videogame adaptation “Uncharted,” starring Holland and Mark Wahlberg, led ticket sales for its second weekend of release with $23.3 million, according to studio estimates Sunday.

“Uncharted” held well, too, dropping a modest 46% from its $44 million debut. In two weeks, it’s made $83.4 million in U.S. and Canadian theaters.

The long-in-development adventure film about lost treasure that cost $120 million to make, is packing theaters overseas, too. With a mid-March China release date still looming, “Uncharted” added $35 million overseas, bringing its worldwide gross to $226.4 million so far.

The film’s robust international sales includes box office from Russia, where studios have thus far elected to keep movies in release after the country invaded Ukraine earlier in the week. The Ukrainian Film Academy on Saturday called for a boycott of the Russian film industry following the invasion.

Tom Holland Passes Hollywood Test

On the heels of the blockbuster business for “Spider-Man: No Way Home,” the success of “Uncharted” has minted the expanding star power of the 25-year-old Holland. “No Way Home,” which led the box office six times over December and January, is still one of the top draws in theaters. This weekend, it landed in third place with $5.8 million, edging it closer to $800 million in domestic ticket sales.

While both “Uncharted” and “Spider-Man: No Way Home” have benefitted from brand recognition, rarely has one movie star reigned so much over a 12-week span in theaters.

For big-budget tentpoles, which tend to be front-loaded in terms of box office grosses, a 50% drop is standard. But making the hold for “Uncharted” a little more impressive, the film did not enjoy the rapturous reviews that greeted “Spider-Man: No Way Home,” meaning Holland’s star-power likely had a hand in selling movie stubs. It helps that “Uncharted” is based on an extremely popular video game series and caters to younger males, a demographic that has been reliably going to multiplexes during COVID-19. Directed by Ruben Fleischer, “Uncharted” carries a $120 million price tag, so international ticket sales are key to getting out of the red. It’s already been a big draw overseas, delivering another $35 million from 64 foreign territories over the weekend. So far, “Uncharted” has generated $143 million at the international box office and $226.4 million globally — and that’s before it opens on March 14 in China, the biggest moviegoing market.

Channing Tatum’s Dog Held On

Star power, too, has kept the Channing Tatum-led “Dog” at the number two spot. The MGM release, which Tatum co-directed with Reid Carolin, declined just 32% with $10.1 million in its second weekend of release. So far, the film — in which Tatum plays an Army Ranger paired with an Army dog on a road trip — has made $30.9 million against a $15 million budget.

Inspired by 2017’s HBO documentary “War Dog: A Soldier’s Best Friend,” the film follows Jackson Briggs, an Army Ranger desperate to see action again after getting sidelined by a brain injury that induces seizures. To get back into his commanding officer’s good graces, he accepts an assignment to drive Lulu, an Army dog who served in Afghanistan, some 1,500 miles in his lovingly restored ’84 Bronco so the canine, herself traumatized by her wartime experiences, can attend the funeral of her late handler.

With the release of Warner Bros.′ “The Batman” coming on Friday, few new wide releases opened in theaters — and the ones that did struggled to make an impression.

Foo Fighters Flop

The Foo Fighters’ horror-comedy “Studio 666,” released by Open Road and Briarcliff Entertainment, went the widest, opening in 2,306 theaters. The movie, starring Dave Grohl and company as themselves while making their 10th record in a haunted house, debuted with $1.5 million.

The R-rated film got mixed reviews, though several film critics admitted: “Studio 666” is at least fun to watch. Some film critics likened the film to “a decent SNL sketch stretched to nearly two hours” and the New York Times critic at large Wesley Morris aptly described the movie as exuding “real ‘Scooby-Doo’-meets-‘The Shining’ vibes.”

David A. Gross, who runs the movie consulting firm Franchise Entertainment Research, called “Studio 666” an “original oddity,” one that was built around Dave Grohl’s and the Foo Fighters band’s popularity. “This is a weak opening, he said, noting “there aren’t many horror comedies in general” at the box office. Open Road Films and Briarcliff Entertainment released “Studio 666.”

Cyrano: Critics Loves It, Audiences Stayed Away

The repeated delayed “Cyrano,” starring Peter Dinklage, launched in 797 theaters and totaled $1.4 million for MGM. The musical, directed by Joe Wright, has been warmly received by critics, might have benefitted from a boost in Oscar nominations, but after several major Golden Globe nominations, it landed only a nod for costume design.

The new release that performed best is five decades old. Paramount’s 50th anniversary, remastered release of Francis Ford Coppola’s “The Godfather” debuted with $900,000 in 156 theaters.

Holdovers “Death on the Nile” and “Jackass Forever” took spots four and five on domestic box office rankings.

Death Keeps Drifting Along

Disney and 20th Century’s murder mystery “Death on the Nile” grossed $4.5 million from 3,420 screens. After three weekends in theaters, the movie has earned a so-so $32.8 million in North America. On a better note, “Death on the Nile” has been more popular among overseas audiences. It has generated $68 million at the international box office, taking its worldwide haul to $101 million. Directed by Kenneth Branagh, who stars in the movie alongside Armie Hammer, Gal Gadot, and Letitia Wright, “Death on the Nile” cost a hefty $90 million to produce.

“Jackass Forever,” from Paramount Pictures, pulled in $3.1 million from 2,913 locations in its fourth weekend of release. The $10 million-budgeted slapstick comedy has been a surprise winner at the box office, grossing $52 million to date.

Robert Pattinson’s “The Batman” from Matt Reeves is looking to crank up the box office next week as the superhero film rolls out internationally. As with most big tentpoles, it will hit theaters worldwide in the middle of the week before opening in North America on Friday.

North American Box Office Sales

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Uncharted,” $23.3 million.

2. “Dog,” $10.1 million.

3. “Spider-Man: No Way Home,” $5.8 million.

4. “Death on the Nile,” $4.5 million.

5. “Jackass Forever,” $3.2 million.

6. “Sing 2,” $2.1 million.

7. “Marry Me,” $1.9 million.

8. “Studio 666,” $1.6 million.

9. “Cyrano,” $1.4 million.

10. “Scream,” $1.3 million.

Tom Holland’s ‘Uncharted’ with Channing Tatum’s ‘Dog’ brought a healthy box office

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It took Sony many many years to bring the video game adaptation of “Uncharted” to the big screen, but it was able to perform better than expected. Enough to top the domestic box office which is looking to get itself on more sure footing in 2022.

Tom Holland had his bankability tested with this big-budget action-adventure outside of the Marvel universe. While the film has received mixed reviews putting it at a rotten 40 percent. Audiences gave it a score of 90 which is what the studios focus on the most, especially if they are coming out to buy a ticket. Another help with “Uncharted” was its PG-13 rating along with being based on a very popular video game franchise.

BOX OFFICE OVERVIEW

While Holland might be without his Spider-Man suit in “Uncharted,” but his latest action-adventure is still doing good business at the North American box office. The video game adaptation starring Holland and Mark Wahlberg is on its way to earning $52 million over the long Presidents Day weekend, according to studio estimates Sunday. Sony Pictures estimated its Friday through Sunday grosses will be $51.3 million, putting it at No. 1.

Though not a superhero payday, it’s enough for the industry to breathe a sigh of relief as it’s the biggest opening weekend since “Spider-Man: No Way Home.” The weekend’s other new opener, “Dog” found a modest audience too and landed in second place.

The unpredictability of pandemic-era audiences made “Uncharted” a bit of a wild card, and the poor reviews from critics had some going into the weekend with cautious optimism. Directed by Ruben Fleischer, who previously returned for a “Zombieland” sequel after leading Tom Hardy’s “Venom” to box office glory, “Uncharted”, based on the PlayStation game, opened on 4,275 screens.

“This result is yet another extraordinary testament to the appetite for the theatrical experience that Sony Pictures bet on,” said Josh Greenstein, the president of Sony Pictures Motion Picture Group, in a statement.

Sony also released the megahit “Spider-Man: No Way Home” exclusively in theaters late last year. That Holland-led enterprise has now earned over $770.1 million in North America and is the No. 3 domestic release of all time.

TOM HOLLAND TEST

“Tom Holland is a megastar regardless of whether he’s Peter Parker or Nathan Drake,” said Paul Dergarabedian, the senior media analyst for Comscore. “For many of the actors who have portrayed superheroes, breaking out of that role and having big box office success outside of that is a tough go.”

“Uncharted” does have a distance to go to make up its $120 million production budget, which will likely be heavily offset by overseas earnings. Its global total has already surpassed $100 million and, unlike “Spider-Man,” “Uncharted” landed the big benefit of a release in China, beginning March 14. Visual effects and heavy action adventures tend to do well in China. The country’s censors have been a bit more choosy with Hollywood movies screening in their theaters, but the government does have a hand in approving films. This has caused a mixed bag of results at the box office so the film’s success isn’t guaranteed. With the film not opening until the middle of May, piracy is a huge concern.

“This is an excellent opening,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “Action adventures based on video games are big movies and this weekend’s figure is nearly double the average for the genre… Budgets run high, so ‘Uncharted’ needs to connect in every market. So far, it is doing that.”

As Gross notes, “Uncharted” has been a favorite among overseas audiences. Over the weekend, the movie has earned $55.4 million from 62 territories at the international box office and has crossed $100 million globally. Since opening in select international territories last weekend, “Uncharted has generated $139 million worldwide to date.

UNCHARTED

“Uncharted” follows the globe-trotting treasure hunter Nathan Drake and his wisecracking partner Sully (Mark Wahlberg, who was once attached to play Nathan Drake and has since aged out of the role) as they embark on a death-defying quest to uncover the greatest treasure never found. Complicating matters, the fearless explorers are racing against two baddies (played by Antonio Banderas and Tati Gabrielle) to locate the fabled fortunes. Audiences have awarded the film a “B+” CinemaScore. More than 60% of opening weekend crowds were male and roughly 70% were 35 or younger.

Executives at Sony say “Uncharted” welcomed a stronger-than-expected opening weekend turnout because the film is playing only in theaters. Unlike other pandemic releases, such as “The Matrix Resurrections,” “Jungle Cruise” and “Black Widow,” people can’t immediately watch “Uncharted” at home.

“This result is yet another extraordinary testament to the appetite for the theatrical experience that Sony Pictures bet on,” Sony Pictures Motion Picture Group president Josh Greenstein said in a statement. “Tom Holland and Mark Wahlberg are brilliant together.”

DOG

Channing Tatum’s “Dog,” which he co-directed (with his longtime producing partner Reid Carolin) and stars in, also opened on 3,677 screens this weekend. United Artists estimates that it’ll earn $15.1 million for the weekend and $18.1 million including Monday. Tatum plays an Army ranger tasked with driving a traumatized military dog from Oregon to Arizona for her handler’s funeral in the film, which was received well by critics and audiences. Plus, it only cost around $15 million to make. Simply put, this is nearly blockbuster status for a film not based on comic book characters or another chapter in an existing film franchise. With its $15 production budget, “Dog” is already a winner for Tatum, who directed the movie with Reid Carolin, as well as MGM, who produced the movie along with FilmNation Entertainment.

The feel-good film —  it was marketed with the tagline “Don’t worry, the dog doesn’t die” — played the strongest in America’s heartland, where “Dog” generated more than 75% of its business, according to MGM. It has an “A-” CinemaScore, which indicates the movie should benefit from positive word-of-mouth. Among inaugural ticket buyers, 54% were female, 73% were over the age of 25 and 37% were 45 or older.

“To have two movies do really solid business makes it feel like 2019 all over again,” Dergarabedian said.

DEATH

In its second weekend Kenneth Branagh’s “Death on the Nile” landed in fourth place with $6.3 million on 3,280 theaters, behind “Spider-Man,” while “Jackass Forever” took fifth place with $5.2 million at 3,071 locations.

According to Dergarabedian, the momentum from this weekend should be the “perfect leadup” to the already highly anticipated release of Warner Bros. “The Batman” on March 4.

“Think about all the people in the movie theater this weekend being exposed to trailers,” Dergarabedian said. “This is great news for ‘The Batman.’”

Jennifer Lopez’s romantic comedy “Marry Me” hasn’t yet found its happily ever after. Notching sixth place, the Universal Pictures film amassed $3.6 million over the weekend, marking a 61% dip from its opening. The movie is expected to finish with $4.2 million on Monday, which would take its domestic total to $17.4 million. “Marry Me,” which co-stars Owen Wilson and Maluma, is available simultaneously on NBCUniversal’s streaming service Peacock.

NORTH AMERICAN BOX OFFICE SALES

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Uncharted,” $55.3 million.

2. “Dog,” $17.4 million.

3. “Spider-Man: No Way Home,” $7.2 million.

4. “Death on the Nile,” $6.3 million.

5. “Jackass Forever,” $5.2 million.

6. “Marry Me,” $3.7 million.

7. “Sing 2,” $2.8 million.

8. “Scream,” $2 million.

9. “Blacklight,” $1.8 million.

10. “The Cursed,” $1.7 million.

Super Bowl slows box office but ‘Death on the Nile’ pushes ‘Jacksass Forever’ into 2nd

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Super Bowl Sunday almost always slows things down at the box office, but with three pretty big star-driven movie debuts hitting theaters, studios were more optimistic. Sadly, this was not to be as the Super Bowl Homecoming Concerts stole the spotlight.

Two of the big films, Jennifer Lopez and Owen Wilson’s “Marry Me,” along with Liam Neeson’s new action-thriller “Blacklight” fell short with third and fifth-place finishes. Even the Academy Award-nominated films only received small bumps at the box office.

Hollywood’s Super Bowl weekend largely fizzled with the muted debut of Kenneth Branagh’s long-delayed Agatha Christie whodunit, “Death on the Nile,” was able to push last week’s top spot “Jackass Forever” into second place.

“Death on the Nile,” Branagh’s follow-up to the 2017 hit “Murder on the Orient Express,” led all films with $12.8 million in ticket sales, according to studio estimates Sunday. Produced under 20th Century Fox before its acquisition by the Walt Disney Co., “Death on the Nile” had been delayed by the pandemic and by a major scandal that engulfed one of its stars, Armie Hammer.

Last March, Hammer was put under investigation by Los Angeles police in a sexual assault. Hammer has denied the allegation.

Trying to figure out how to retrench the big-budget film, reportedly including reshooting parts of the film without Hammer, Disney opted to release “Death on the Nile” as it was — albeit with less fanfare on a weekend the film industry often yields to football. The $90 million film, which also stars Gal Gadot, Emma McKay, and Branagh, reprising his role as detective Hercule Poirot, had once seemed a reliable money-maker. “Murder on the Orient Express” launched with $28.7 million in 2017 and ended up grossing $352.8 million worldwide against a $55 million budget. “Death on the Nile” added $20.7 million in international receipts.

“Super Bowl weekend is consistently down in overall business compared with other weekends, and we’re still coming off an enormous Omicron surge that peaked in mid-January,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. He adds, “At a cost of $90 million, the movie will need strong overseas business.”

Hollywood’s biggest pitch to moviegoers over the weekend wasn’t in theaters but in television ads. After two years of the pandemic, a heavy-hitting lineup of blockbusters was set to roll out trailers during the Super Bowl broadcast and try to lure still-reluctant moviegoers back to theaters. Last year, when many theaters were still shuttered and few films were being released, Hollywood largely sat out the game. Jordan Peele’s “Nope” kicked off the day with its first trailer early Sunday.

“Marry Me” opened with $8 million while simultaneously streaming on Peacock. The Universal Pictures release, which was timed to Valentine’s Day on Monday, stars Lopez as a pop star who, after finding out her fiancé has been cheating, marries a stranger (Owen Wilson) at one of her concerts. In recent years, streaming platforms have increasingly been rom-com’s primary home. Netflix, in particular, has pumped out a constant stream of new entries in the genre. On Friday, Amazon Prime Video debuted its own: “I Want You Back,” with Charlie Day and Jenny Slate.

The lukewarm performance of “Marry Me” allowed last week’s top film, “Jackass Forever,” to narrowly edge it for second place. Johnny Knoxville’s sequel dropped a steep 65% from last weekend, coming in with an estimated $8.1 million for Paramount Pictures. Its grossed $37.4 million in total.

Adds Gross, “Women, particularly older women, have been slower than others to return to moviegoing, and they are showing it again, here. The budget was reasonable, so the movie should not lose money.”

Another once dependable ticket-seller at the box office — a Liam Neeson thriller — also struggled. Briarcliff Entertainment’s “Blacklight,” a poorly reviewed action film starring the 69-year-old Neeson as a shadowy government agent, opened with $3.6 million.

Few films were set to capitalize in theaters on Tuesday’s Academy Awards nominations. As nominations came later than usual this year, most Oscar contenders — a field that Netflix led with 24 nominations — have been available for weeks, if not months, in the home. But a few films sought a post-nomination lift at the box office, even if the once-expected “Oscar bump” is all but dead.

Paul Thomas Anderson’s “Licorice Pizza,” up for three awards including best picture, had its widest week of release in its 12th week of release, playing in 1,977 theaters. It managed $922,500 in ticket sales, bringing its cumulative total to $14 million.

Branagh’s other film in release, “Belfast,” followed up its seven nominations by playing in 928 theaters and adding $285,000 to its $7.9 million gross. Other best-picture contenders — “Nightmare Alley” ($85,000) and “West Side Story” ($235,000) — made only minor blips.

The biggest bumps out there may have been for a few of the international contenders. Ryûsuke Hamaguchi’s “Drive My Car,” which is nominated for four Oscars including best picture, saw a 92% spike in grossing $192,000 from 127 theaters. Joachim Trier’s “The Worst Person in the World,” nominated for best original screenplay and best international film, earned $255,395 on 49 screens in its second weekend.

The film expected to lead the box office next weekend — Sony’s video-game adaptation “Uncharted,” starring Tom Holland and Mark Wahlberg — began its release overseas, where it took in $21.5 million in 15 territories.

Elsewhere, director Roland Emmerich’s disaster epic “Moonfall” collapsed in its second weekend of release. The sci-fi adventure dropped to the No. 7 spot and brought in $2.85 million from 3,446 theaters, plummeting 71% from its already-weak $10 million opening. The movie, which cost $140 million to produce, has generated a dismal $15.15 million so far.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday (reflected below.)

1. “Death on the Nile,” $12.8 million.

2. “Jackass Forever,” $8.1 million.

3. “Marry Me,” $8 million.

4. “Spider-Man: No Way Home,” $7.2 million.

5. “Blacklight,” $3.6 million.

6. “Sing 2,” $3 million.

7. “Moonfall,” $2.9 million.

8. “Scream,” $2.8 million.

9. “Licorice Pizza,” $922,500.

10. “The King’s Man,” $433,000.

Green Day, Miley Cyrus Kick Off Super Bowl 56

Who would have thought that the Super Bowl would suddenly usher in a new era of pre-show music festivals?

This year, for the third year in four (Coronavirus halted one year), Bud Light is hosting the Super Bowl Music Fest in the game’s host city making non-sports fans come out in droves. It used to be just the half-time show which could draw as much scrutiny as the actual game’s winner. What used to be called Staples Center has a new name and people can get used to saying L.A.’s Crypto.com Arena instead.

Miley Cyrus created a setlist on the eve of the 56th that spanned the whole history of the big game and then some. She may not have been alive for over half of them, but the consummate entertainer did her research and made quite the impression.

60’s, 80’s, 90’s Mash-up

Cyrus mashed up songs from the 60s, 80s and 90s with her own at the Bud Light Super Bowl Music Fest on Saturday night.

The 29-year-old was the co-headliner with Green Day on the third and final night of the festival at Crypto.com Arena in Los Angeles, about 10 miles (16 kilometers) from SoFi Stadium in Inglewood, where the LA Rams play the Cincinnati Bengals on Sunday.

The annual festival, which also featured Halsey, Machine Gun Kelly, Gwen Stefani, Blake Shelton, and Mickey Guyton, prides itself on bringing together artists from across genres, but Cyrus did that all by herself, blending country and pop rock, dance pop and alternative rock.

She sang Nancy Sinatra’s “Bang Bang (My Baby Shot Me Down)” from 1966 — the year before the Green Bay Packers beat the Kansas City Chiefs in the first Super Bowl at Los Angeles Memorial Coliseum — as an intro to her own 2007 “See You Again.”

“I hope this show is a representation of how you never need to choose who you want to be. You can be everything and anything,” Cyrus said as she donned a cowboy hat and pulled an oversized sportscoat over the futuristic Gucci tracksuit she took the stage wearing. “You may look ridiculous like you’re wearing workout attire from 3033 and a cowboy hat. It’s just how I feel tonight.”

We Can’t Stop

Miley Cyrus opened the show with her 2013 hit “We Can’t Stop,” and blended it with the Pixies’ “Where Is My Mind” from 1988, the year Washington beat Denver in the Super Bowl in San Diego.

Pulled the same trick in her first encore by blending her “Wrecking Ball” with the Prince-penned Sinead O’Connor hit “Nothing Compares 2 U” from 1990, the year Joe Montana and the San Francisco 49ers beat John Elway’s Denver Broncos.

Thrilling the crowd with Madonna’s “Like a Prayer” from 1989 — the last year the Bengals were in the big game, she transformed her backup singers into a small gospel choir.

Cyrus also mixed in music from Stevie Nicks and her godmother Dolly Parton while closing the night with the fitting-for-Super-Bowl-weekend “Party in the USA.” Cyrus owns her own past along with that of her musical forbears.

The members of Green Day focused on their hits of the 1990s and early 2000s. They opened with a rousing rip through 2004′s “American Idiot.”

“Los Angeles!” lead singer and guitarist Billie Joe Armstrong, who turns 50 on Thursday, shouted during the song. “Super Bowl!” he later yelled, in the only real mention the game got during the night.

They brought their own bit of 1966 with a cover of “I Fought The Law,” whose most famous version was released that year by the Bobby Fuller Four.

Crypto.com Arena

The 20,000-seat Crypto.com Arena was nearly full for all three nights. Fans had to show proof of vaccination to get in. Most ditched their masks once they were inside the main hall.

drake justin bieber john mayer performed super bowl party 2022

The night was the end of a week of pre-Super Bowl entertainment events as the LA area hosts the game for the first time in nearly 30 years, featuring its shiny new stadium and the hometown team favorites.

Drake was playing a set across town in West Hollywood on the second night of a party known as “Homecoming Weekend.” Justin Bieber sang and danced on the first night. John Mayer and Shaquille O’Neal each had their own events earlier in the week.

Justin Bieber Can Still Wow A Crowd

Even after suffering some downtimes, singer Justin Bieber can still leave a room full of elite athletes, actors and A-listers awe struck.

Unlike Miley Cyrus and Green Day’s concert show, Bieber’s was invite-only guests at Friday’s first of two nights of a Super Bowl-week party dubbed “Homecoming Weekend.” The invitees were crushed around a small stage-in-the-round under a tent at the Pacific Design Center in West Hollywood, California to get close to Bieber, who hopped, jerked and danced through a 45-minute set as the evening’s headliner.

That A-list crowd included Jeff Bezos, his girlfriend TV host Lauren Sánchez, “Hamilton” actor Anthony Ramos and NFL Hall-of-Famer Tony Gonzalez.

Most of the hands around the stage were holding phones in the air and filming. Some gleeful fans turned around to shoot selfies with Bieber, who wore a a black skullcap, shades, a white hoodie and a sparkling necklace as he boogied in the background.

With a spare five-piece band, the 27-year-old pop star played a set that leaned heavily on recent songs, including “Somebody,” “Hold On,” “Ghost,” and “As I Am,” with a few nods to the past, like 2015′s “What Do You Mean?”

He stood at a keyboard to play an earnest electric-piano intro to “Peaches” before getting back to the dancing.

Bieber kept the songs flowing and kept the between-song banter to a minimum.

“You guys having a good night?” he said at one point. “You guys rooting for the Rams?”

Despite the free food and top-shelf spirits being served, the outdoor patios were mostly empty as everyone jammed into the tent to watch Bieber.

Proof of vaccination was required of the 1,500 guests. Few wore masks.

It was one of a week full of entertainment events leading up to Sunday’s Super Bowl at SoFi Stadium in Inglewood, the first in the Los Angeles area in nearly three decades, with the hometown Los Angeles Rams playing the Cincinnati Bengals.

Night one also included a DJ set from Marshmello. Drake is set to perform on night two.

The event, presented by The h.wood Group, REVOLVE, PLACES.CO and Uncommon Entertainment was themed on a high school homecoming.

The mostly young guests posed at photo stations with bejeweled football helmets took pictures in front of a faux-high-school hallway of pink lockers and trophy cases.

Staffers were dressed in football uniforms, making the rounds with fancy versions of stadium food, including plant-based chicken bites, garlic fries and tiny pizzas.

Other pre-Super Bowl entertainment events on Friday night included Shaq’s Fun House, a public event thrown by Shaquille O’Neal at the Shrine Auditorium that featured a performance from Lil Wayne, and the second night of the three-night Bud Light Super Bowl Music Fest, which featured Gwen Stefani, Blake Shelton, and Mickey Guyton, who will sing the national anthem at Sunday’s big game.

drake performing homecoming weekend with flava flav justin bieber karrueche tran

Drake Was The Highlight At His Super Bowl ‘Homecoming Weekend’

There may have been plenty of stars shining Saturday night, but Drake’s shined the brightest of all.

In an all-white outfit, the multi-Grammy winner had many concertgoers jostling for position to watch him perform at the Super Bowl-week party dubbed “Homecoming Weekend.” He made a dramatic entrance, darting down an aisle before performing center stage under an airy tent at the Pacific Design Center in West Hollywood, California.

The crowd included several entertainers and athletes such as Issa Rae, a mask-wearing Mike Tyson, Lil Wayne, Paul Pierce, Derrick Henry, Ricky Gervais, John Hamm, Nicole Scherzinger, Cedric the Entertainer, Karrueche Tran, and Flava Flav.

While waiting for Drake, attendees mingled for a couple of hours. But once he arrived, many flocked toward the stage and pulled out their phones to capture the majority of his 45-minute set.

Drake told the crowd that he was initially asked to perform around five songs, but he extended his song list by triple the amount. The rapper said he felt compelled to perform for a longer stint because of where he traveled from.

“They flew me out of like three feet of snow for this, so I got to perform for you,” said Drake, who went on to perform several bangers including “No Friends in the Industry” and “Girls Want Girls” from his recent album “Certified Lover Boy.”

The rap star talked about being able to perform in person and showed appreciation to everyone in attendance.

“I’m sure at one point we’re all sitting at home – maybe a little depressed, maybe a little frustrated, maybe a little confused,” he said. “I want to make a toast to how grateful I am for being in this (expletive) room with each and every one of you. I wasn’t sure how and when we would be able to do this again. But cheers to each and every one of you. More life.”

Drake went on to perform his other hits including “Controlla,” “God’s Plan,” “Too Much” and “Passionfruit.” He surprised the crowd with a guest appearance by Future, who performed “Way 2 Sexy” with Drake before his uber-popular “March Madness.”

At the end, Drake paid homage to Lil Wayne – who watched from section – before closing out his set by playing “I Will Always Love You,” a Dolly Parton song that Whitney Houston made famous. He along with many in the crowd sang every word of the classic melody.

Proof of vaccination was required of the 1,500 guests. Only a few wore masks including Tyson.

The “Homecoming Weekend” show helped cap a full week of entertainment events leading up to Sunday’s Super Bowl at SoFi Stadium in Inglewood, the first in the Los Angeles area in nearly three decades, with the hometown Rams facing off against the Cincinnati Bengals.

Understanding Grief and Loss: Dealing and Healing

Since we have been covering shows like Jared Padalecki’s “Walker,” which is a television show about grieving, going further in-depth about this seemed to be the right thing to do. It seems like the past few years have really intensified with grieving and loss for so many people, but as we will be showing in our upcoming documentary film “Discarded America,” many people don’t know how to process all these intense feelings. Many just assume they’ve got to ‘get over it,’ and move on as many people have a tendency to think. Padalecki has spoken to the media about his battles with depression, and even how long he has grieved over the ending of his “Supernatural” tv show with Jensen Ackles. While some may see that as ‘silly,’ we all grieve differently over different things.

This article breaks down the difference between grieving and depression and how grief can turn into depression before we even realize it.

Introduction

“Life is a process of accumulating losses. How we integrate or ignore, process or push away those losses — of everything: jobs, friendships, relationships, health, things that matter to us — starts to become patterns” – Donna Schuurman, family therapist, executive director emeritus, the Dougy Center, Portland, OR.

indian woman crying into hands in grief bw picture

It’s human nature to form deep connections with other people, animals, places, and things. The things you love provide you with an immense amount of joy and even give you a newfound purpose in your own life.

Yet, you can rarely fully prepare yourself for the loss of something near and dear to you. When such a traumatic loss occurs, both the body and mind respond in the form of grief.

The grieving process can be long and arduous, but it’s absolutely necessary to move forward with your life.

Grief is very common. WebMD conducted a survey in 2019, “Grief: Beyond the 5 Stages,” which surveyed 1,084 people, and of those, 780 reported grieving a life event in the past 3 years, that’s 72% of respondents.

In this guide, we’ll go over the basics of what grief is, how grief typically manifests itself in humans, and how you can help guide yourself through the process and get to the other side.

I grieve for all the losses, I grieve for all I lost, I grieve so

I can walk through to the other side.

Anonymous

What Is Grief?

SExy white man holding head in grief by waters edge jared padalecki walker

According to the Mayo Clinic, grief is an intense period of sadness that typically follows some sort of loss or traumatic event. For the most part, grief is usually viewed as a period of mourning after something tragic occurs.

Grief is completely natural and is your mind’s response to losing something you genuinely care about.

When grief becomes more severe, it can dramatically impact your ability to function physically, emotionally, mentally, and socially.

Types of Losses

Though we often link feelings of grief to a recent death, grief actually can occur with any type of loss that you might be dealing with. Here’s a comprehensive list of other causes of grief.

  • A recent and severe medical diagnosis or a worsening prognosis
  • A loss of employment, a demotion, or an unwanted transfer
  • A looming relocation where either you or somebody you care about is moving away
  • An important relationship coming to an end, either romantic, familial, or platonic
  •  An end to an important chapter in your life, like a graduation or retirement
  • A loss of a limb or a newly developed disability that causes limitations
  • Grown children leaving the home (empty nest syndrome)
  • Loss of identity
  • Loss of a dream
  • Loss of freedom, plans or even normal life as seen in the recent pandemic
  • Changes in circumstances, for example, when you have to rework something in your life in order for something new to happen
  • All types of changes can cause grief since when there is a change it means something is lost
  • And many others

What’s unique about grief is that not all of these situations will cause a response in all people.

What causes you grief, in particular, depends on:

  • Your personality
  • Resilience
  • Coping mechanisms
  • Past losses
  • How intensely you were attached to what you’ve lost

Different Types of Grief

Even though there’s a clear definition of grief, that doesn’t mean that everybody grieves in the same way. In fact, there are several different types of grief that impact if and how you deal with the loss after it actually occurs. Let’s go over the other ways grief might show itself.

white woman covering face with hands in despair grief discarded america

Abbreviated

Abbreviated grief is when you move on from a loss quicker than what’s perceived as “normal.” However, experiencing abbreviated grief doesn’t necessarily mean that you simply didn’t care about what you lost.

This type of grief sometimes occurs when you begin grieving before the actual loss happens (also known as anticipatory grief). This is common in situations where a family member is sick for a while and you begin to prepare yourself for the upcoming death.

Yet, it also might occur if you find a replacement for what you lost rather quickly. This could mean entering a new relationship after your spouse passes away or finding a new home after you lose yours to foreclosure.

Absent

Absent grief is simply grief that doesn’t occur, or at least to the outside world. There are no outward signs of distress or emotions commonly associated with grieving an important loss, which means people might not even know that you’re struggling.

This type of grief is sometimes seen in the caregiver role, where a person must put on a brave face and be strong for those around them. Other times, absent grief is simply a way to put your grief on hold until you can deal with it directly at another time.

Anticipatory

latina woman sad and preparing for a death 2022

Anticipatory grief is the form of grief that occurs when you know a loss or a death is coming. In a sense, you begin to prepare your body and mind for the loss so you’re actually ready for it when it happens.

In some cases, you may have already imagined it in your mind and figured out how you would cope with it once it occurred. Even though you’ve come to terms with it sooner, anticipatory grief doesn’t make the grieving process any easier or the loss any less traumatic.

Complicated

“About 7% of bereaved older adults, however, will develop the mental health condition of Complicated Grief (CG)” (Bereavement and Complicated Grief; M. Katherine Shearh et al, https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3855369/#R2).

When grief continues well past the “normal” grieving period, it becomes complicated grief (or Persistent Complex Bereavement Disorder). Rather than being able to move past the loss, you find yourself unable to return to your normal everyday life.

black haired young woman leaning on hands with face sad

With complicated grief, you’re unable to let go of and accept the loss that you’ve experienced. When this type of grief becomes too severe, it can actually lead to the development of Major Depressive Disorder (MDD).

Collective

Collective grief is when an entire community or population is impacted by a loss and enters the period of mourning together. This type of grief is common in situations where many people are directly affected, including periods of war, natural disasters, and pandemics.

Cumulative

Cumulative grief is what occurs when you haven’t properly dealt with another recent loss. This type of grief usually happens when several losses or traumatic events build up one after another and seem to pile up uncontrollably.

Because of the massive amount of loss, cumulative grief has the potential to be the most intense type of grief there is. Rather than just dealing with just one loss, you now must deal with several, all at the same time.

Delayed

Delayed grief is grief that doesn’t begin until well after a loss has occurred. It might be days, weeks, months, or even years before you formally acknowledge the loss and officially begin the grieving process.

What actually triggers the delayed grief is somewhat complicated. You might be reminded of what you lost (i.e. An image, voicemail, video, special location, or date) and then suddenly begin to grieve the loss.

Disenfranchised

Disenfranchised grief is grief that’s typically hidden from the public eye. Usually, disenfranchised grief involves losses that you can’t admit to the public or that others would view as “too much” or “too personal.”

Some examples of disenfranchised grief include what’s perceived as “minor” losses like the death or illness of a pet or a less serious boyfriend or girlfriend. Others include events that you chose to proceed with, including getting an abortion or filing for divorce.

Distorted

Not everyone grieves the same, and that’s definitely the case with distorted grief. With this type of grief, your response to the loss is typically viewed as “unusual” and doesn’t match up with what’s considered to be “normal.”

You might experience an intense period of hostility and self-destructive habits like substance abuse or self-harm. You also might begin to develop intense behavioral and personality changes that others around you are beginning to pick up on.

Exaggerated

Exaggerated grief produces quite serious mental health effects. In some cases, exaggerated grief can cause frightening nightmares, suicidal thoughts or ideation, self-harm, or even a substance abuse issue.

latina woman experiencing exaggerated grief mttg walker

In more severe instances of exaggerated grief, a long-term mental health disorder might arise. For the most part, depression and anxiety are the most common and require immediate treatment by a medical professional.

Inhibited

Inhibited grief is the type of grief that you typically keep to yourself, especially when you’re around outsiders. When you experience inhibited grief, you might be extending the grieving process and limiting how much you’re actually grieving.

Masked

Masked grief is characterized by physical symptoms that occur after you experience a loss. To be identified as masked grief, there have to be no other definitive triggers for what’s causing your symptoms, which might be headaches, stomach aches, or other physical ailments.

When it is darkest, we can see the stars.”
Ralph Waldo Emerson

young woman dealing with grief and loss bereavement mttg

The Importance Of Dealing With Grief

The better you deal with your grief, the more you’re protecting yourself both mentally and emotionally. You’ll be able to focus more on the positive aspects of your life rather than solely focusing your energy on your recent loss. Failing to address your grief as soon as possible will absolutely be detrimental to your well-being and healing process.

“You have within you, right now, everything you need to deal with whatever the world can throw at you. – Unknown

“Bereavement and its care are particularly relevant to older adults because they experience bereavement at a much higher rate than younger adults; one study found that over 70% of older adults experienced bereavement in a 2.5 year period” (Bereavement and Complicated Grief; M. Katherine Shearh et al, ttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC3855369/#R2).

One way to look at the grief process is the journey of learning to accept the loss that has occurred and to find peace within yourself while living with that loss. This can be extremely difficult in some cases, for example, the death of a loved one, especially a child or a spouse.

It can also be much easier for other losses, such as a breakup or a job loss. Though there are no set rules, for some even the later losses can be devastating, so it is very important to deal with any loss head-on and go through a healthy healing process.

what happens when you deny the grieving process in life mttg

What Happens When We Deny Ourselves The Grieving Process

The pain and adversity you feel from a loss don’t just go away. When ignored, grief and its effects will manifest in other ways, typically those which are not good for you.

You know that it’s important to grieve because it allows you to move on, but it can also be extremely dangerous to avoid grieving altogether. Not only are you holding yourself back emotionally and mentally, but you’re also putting yourself at serious risk for further issues.

Here’s a look at what might occur when you deny yourself the grieving process.

  • Depression eventually develops and your mood will consistently remain low
  • You might become suicidal and think about ending it all
  • Intense periods of isolation in order to avoid things that remind you of your loss
  • Substance abuse or other dangerous coping strategies in a desperate attempt to cope
  • You’re mentally and emotionally stuck at that moment the loss occurred
  • Your attempt to “just move on” may lead you to staying in one place

Even though you might be uncomfortable showing your emotions, forcing yourself to skip the grieving process will only hurt you in the long run. It doesn’t make you strong or invincible to pretend you aren’t hurt and struggling.

How Others Respond

In WebMD’s “Grief: Beyond the 5 Stages” survey, a whopping 53% of responders reported encounters with people whose “sympathy seemed to have an expiration date” (https://www.webmd.com/special-reports/grief-stages/20190711/the-grief-experience-survey-shows-its-complicated).

  • 58% of those who lost a pet, a friendship or experienced a breakup said they felt people expected to see them recover within the first 3 months.
  • 91% of those who were grieving a death related loss felt people expected them to move on within 1 year.

No one can know for sure why this happens, perhaps those people are uncomfortable with someone who is sad, sorrowful and grieving. Perhaps it scares them to see the manifestation of losses that can happen to them.

No matter their reasons, do not let this keep you from going through your own processes. There is no “externally set time limit to grieve,” take the time you need, to feel, and to process.

Keep your head up. God gives his hardest
battles to his strongest soldiers. – unknown

Normal And Typical Grief Reactions

Even though everybody experiences and handles grief differently, medical experts have compiled a comprehensive list of several different emotional and physical symptoms that might occur in grieving.

However, there’s no guarantee that you’ll experience any of these symptoms at all. In fact, a lot of it comes down to how well you handle grief, whether you have appropriate and healthy coping strategies, and how traumatic this loss was to you.

Emotional Symptoms Of Grief

88% of survey responders reported emotional symptoms while grieving (Grief: Beyond the 5 Stages”; WebMD; https://www.webmd.com/special-reports/grief-stages/20190711/the-grief-experience-survey-shows-its-complicated). 76% reported sadness and 43% said they experienced depression.

When you think of grief, you think of a profound wave or sense of sadness. With that said, here are some of the emotional symptoms of grief that are relatively common.

  • Intense sadness or even depression
  • Guilt and the sense that the loss was your fault
  • Regret that you didn’t do more to stop the loss from occurring
  • Intense worry about the possibility of your own illness or death
  • Lack of motivation to continue on with life
  • Severe depression or anxiety
  • Intense anger for no known reason
  • Withdrawal and lack of desire to interact with others
  • Lack of hygiene and desire to keep up with physical needs

If you already have a pre-existing mental health condition (like bipolar disorder, depression, or anxiety) or are still going through the grieving process from another recent loss, these emotional effects can be even more severe.

Physical Symptoms of Grief

68% of survey responders reported physical symptoms (Grief: Beyond the 5 Stages”; WebMD; https://www.webmd.com/special-reports/grief-stages/20190711/the-grief-experience-survey-shows-its-complicated). Of those, fatigue was reported by 59% of survey responders and change of appetite by 48%.

What’s unique about grief is that you might not even realize that the physical symptoms you’re experiencing are your body’s way of coping. Here are just some of the physical symptoms that have been linked to the grieving process.

black man tired with grief by lake in city
  • Low energy levels and extreme fatigue
  • Inability to fall or stay asleep, or insomnia
  • Weakened immune system and greater risk of the cold or flu
  • Digestive issues like constipation, diarrhea, nausea, vomiting,
    or even acid reflux
  • Tightness in the chest and breathing difficulties
  • Headaches or other body aches with no known cause
  • Weight gain or loss as a result of appetite changes

Broken Heart Syndrome

According to the American Heart Association, there’s also a condition known as “Broken Heart Syndrome.” This condition is also known as stress-induced cardiomyopathy, which is severe chest pain that usually occurs after intense emotional stress or a recent traumatic loss.

Tough times never last, but tough people do.
Robert H. Schuller

Grief Is A Healing Process: The Five Stages of Grief and Loss

“The reality is that you will grieve forever. You will not ‘get over’ the loss of a loved one; you will learn to live with it. You will heal and you will rebuild yourself around the loss you have suffered. You will be whole again but you will never be the same. Nor should you be the same nor would you want to.”

 Elisabeth Kubler-Ross

In 1969, famed psychiatrist Elisabeth Kübler-Ross penned the now famous, On Death and Dying. In her book, she detailed what she refers to as the “five stages of grief and loss,” which describe how humans typically respond to a traumatic death or loss.

Before we offer overviews of each of the five stages, keep a few things in mind. First, remember that not everybody experiences grief the same way, so what you experience could be totally different than another person going through the same exact type of loss.

You also might not go through all of the stages of grief f at all. It’s very possible that you’ll skip some stages and come back to them or just completely skip them without experiencing them at all during the grieving process.

Denial

The denial stage is the first stage of grief and is the typical first response to a major loss. During this stage, you might catch yourself saying things like, “This can’t be happening,” and maintaining a sense of disbelief.

You might begin wondering how you can even go on with your life if this loss really is occurring. Yet, there’s also a possibility that you’ll completely avoid the topic altogether, as if not formally acknowledging the loss means it actually isn’t happening.

Anger

The anger stage is the first stage where you’re actually demonstrating outward emotion. The anger you develop can be extremely intense, and you might find yourself snapping at or belittling those that you care most about.

For the most part, the anger stage is about finding somebody to blame or blowing off some steam. You want somebody to be responsible for the loss you’re experiencing, whether it’s the doctor that diagnosed your loved one, the person driving the other vehicle in an accident, the bank that took your home or even yourself.

Though displayed as anger, this is truly just displaced pain. As the psyche tries to find a rationale for why the loss took place, in the initial stages, often aren’t any logical/acceptable answers. This lack of sense causes hurt which we experience and project as anger (Kubler Ross stages of grief. (n.d.)

Bargaining

Even if you don’t believe in God or a higher power, you might find yourself pleading with them for some extra time or attempting to negotiate some sort of deal. This stage is about being willing to do anything to reverse the loss and go back to normal life or have a little more time.

“what if” and “If only…” statements are extremely common in the bargaining stage. You might begin pondering whether there was something different that you or somebody else could’ve done to prevent the loss from happening in the first place.

two young black women grieving comforting each other

Depression

The depression stage is where you really begin to feel the true emotion of the loss after you’ve finally acknowledged it mentally. You’ll experience profound sadness and sorrow and find yourself thinking about the memories related to the person or thing that you’ve lost. You might become more withdrawn and lose motivation to engage with the outside world or keep up with hygiene. In this stage, it’s not unusual for unhealthy coping mechanisms to develop, like self-harm, substance abuse, or reckless behavior.

Acceptance

Even though you come to terms with the loss during the acceptance stage, it doesn’t mean that you’re okay with it. It just means that you’ve acknowledged it happened, dealt with it, and are attempting to return to your normal life.

Yet, there really is no “normal” after such a traumatic loss that’s impacted you emotionally and mentally. This is the stage where you’ll attempt to rebuild your life around your loss, working to develop a “new normal.”

What we have once enjoyed deeply we can never lose. All that we love deeply becomes a part of us.
 Helen Keller

27 Ways To Find Comfort Through The Grieving Process: Taking Care Of Yourself

While you’re attempting to get through the grieving process, the best thing you can do is learn to take care of yourself. Here are 27 of the best ways that you can help yourself through the process and get through to the other side.

  1. Deal with your feelings. All the anger, sadness, sorrow, anguish, guilt, and other emotions that you are feeling must be dealt with. Talk to someone about them, write and journal, scream and beat on a pillow, just get them out.
  2. Talk to someone. You might feel as if your emotions are becoming a massive burden to those around you, but that’s completely false. It’s in your best interest to find somebody that you can talk to who will listen to you talk without giving unsolicited advice.
  3. Take Things One Day At A Time. You will have good days and bad days. Don’t spend too much time worrying about when the grief is “over.” Take each day one day at a time or even one minute at a time. Make sure to stay in the present moment, don’t think about the past or future, just be in the here and now. This helps you from becoming overwhelmed and allows you to enjoy some moments of peace, which I promise will come.
  4. Write letters. Whatever the loss you can write a letter or two to whatever or whomever you’ve lost. Say goodbye, tell it or him or her how you feel, how you will miss them, write them anything you want. You can write a letter to a friend who died but you can also write a letter to a lost dream, a lost job, anything really.
  5. Don’t entirely avoid the subject. Even though talking about the loss might upset you right now, not talking about it can prolong the grieving process. It’s okay to say their name, look at old pictures, and think about them when you’re feeling sad.
  6. Rid yourself of guilt. You need to remind yourself that this loss had absolutely nothing to do with you. Holding onto any lingering guilt will destroy you mentally and emotionally and won’t be conducive to moving on with your life.
  7. Make A Gratitude List. Gratitude is healing. It heals you from within, promotes positivity and helps you to look at the bright side, which may be hard to find in times of great sorrow, sadness, and grief. Make a gratitude list and review it often. Focus on all that you have and all that you are.
  8. Lean On Your Faith. In an article on Help Guide, psychologists Jeanne Segal, Ph.D. and Melinda Smith, M.A. say that faith is an incredible source of comfort following a loss. This applies to all types of losses in life, and not only those that are death related. A higher power can be found at churches and temples, but you can also find this source of faith in nature, around trees, lakes, rivers, creeks, and mountains.
  9. Don’t put a time limit on your grief. Some people believe that you should be completely over a loss in a year, but that’s not true. Don’t hold yourself to any standards regarding when you should be completely moved on, as everybody grieves differently.
  10. Reminisce. Spend some time thinking about the positive memories you experienced with your deceased loved one. Focus more on the joy you had spending time with them, places you’ve been together, and things you liked to do that made you both happy.
  11. Consider grief therapy. By finding a licensed grief counselor, you can better cope with the grieving process and develop more positive coping strategies. You’ll learn new ways to deal with your emotions and how to move past the loss in due time.
  12. Pamper yourself. You’ve dealt with a lot in the last few weeks and months, so it’s time to do something just for you. Maybe go to the spa and sit in the sauna, get your nails done, get a relaxing massage, or try out a new haircut.
  13. Remember to eat. Your appetite will be totally off-balance when you’re grieving and it’s very normal to have very little appetite and lose weight. Try your best to eat several times per day, even if you’re only eating a little bit of food during each meal.
  14. Avoid substances. You know how calming it might be at first to smoke a cigarette, drink some alcohol, or try other drugs. Yet, substances are very addictive and might only intensify the emotions associated with grief, so do your best to avoid them.
  15. Think about group therapy. Not everybody likes sharing their emotions with strangers, but group therapy is a great way to deal with your grief. In a grief group, you can share your story, learn about how others are coping, and even make some lifelong friends.
  16. Remember that you’re not alone. Even though you’re isolating yourself and withdrawn socially, it doesn’t mean that you’re alone. There are likely other people that are dealing with the same loss and it’s okay to lean on one another when the emotions get tough.
  17. Honor the legacy of your loved one. One of the best ways to cope with your grief is by honoring your loved one. You might think about decorating a room the way they would’ve wanted, planting a tree in their honor, or even purchasing a nice memorial plaque.
  18. Do something you enjoy. When you’re grieving a loss, you might feel guilty about smiling, laughing, or experiencing happiness. It’s okay and actually recommended that you put yourself first and do something you find fun and enjoyable instead of grieving.
  19. Explore the world. Getting out of the house is the best thing you can do when you’re alone and grieving. Try going to your local park, trying out some of the easy hiking trails, going to a nature preserve, or just going on long drives down peaceful country roads.
  20. Give back. In honor of your loved one, you can think about giving back to those who really need it in your community. This might mean donating blood to the local hospital, spending some time at the local food pantry, or volunteering at an animal shelter.
  21. Listen To Soothing Music. Music is incredibly powerful in how it affects the brain. It can induce a wide range of feelings, including calm, peace, and serenity and even happiness. Create a playlist that calms you and brings you comfort in your time of grief.
  22. Do something positive with your grief. When you’re overwhelmed with sadness, it’s useful to turn your sadness into something positive. You can do this by picking up a new hobby, trying to make new friends, or making a gratitude list on what you’re thankful for.
  23. Don’t isolate. The worst thing you can do is distance yourself from people. Do your best to keep up with your relationships and reach out to people you care about. They want to hear from you, but they might not be sure how to start the conversation right now.
  24. Show your love. When you experience a loss, it’s quite common to feel as if life is short and can be taken from you at any moment. So, make it a point to remind the most important people in your life that you care about and highly value them.
  25. Find an emotional support animal. Emotional support animals are actually really great for keeping you from getting lonely and supporting you during the tougher moments of grief. Plus, you can adopt a cute cat, dog, rabbit, and nearly any other animal.
  26. Look to the bright side. In regard to losses other than death, consider the bright side. Whenever a door closes another opens. What opportunities or gifts have you received as a result of this loss? For example, perhaps you have lost a job, consider that this loss will make you stronger, more resilient, a better problem solver and someone who will overcome a major challenge, aren’t all of these things a bright side? A very bright side?
  27. Remember that the bad times won’t last forever. Right now, your grief seems endless and is often unrelenting. Yet, you’ve overcome everything in your life up until this point. Stick to that mindset and remember that things will get better eventually.

Not all of these things will work for everybody, so try to pick items from the list that seems reasonable in your life.

The goal here is to allow yourself the proper amount of time to grieve, but also continue on with your life as much as possible and to avoid drowning in pain and sorrow.

How lucky I am to have something that
makes saying goodbye so hard.”
 Winnie the Pooh

Grief: 6 Myths and Facts

Grief is a highly misunderstood topic. There’s a common belief that everybody handles grief the same and everybody goes through the five stages of grief as usual, but there’s actually a lot more to grief than what meets the eye.

We want to dispel any myths that are still circulating about grief and hit you with some hard-hitting facts to help you through the grieving process.

Myth #1: Grief only occurs after death

Grief is most commonly associated with a recent death, but that’s not always the case. You might experience grief when you go through any type of loss, whether you’ve lost your job, suddenly became disabled, ended a relationship, or received a poor medical diagnosis.

Yet, there’s no guarantee that you’ll even experience grief after death at all. When your grief manifests in the form of absent grief, you might show no outward signs of emotion or distress, even if the death was of somebody very close to you.

Myth #2: Everybody goes through the five stages of grief

When Elisabeth Kübler-Ross wrote On Death and Dying, her theory involved a typical response to grief and loss. Though most people experience some type of grief after a loss, there’s really no guarantee that grief will even occur.

It’s highly possible that you’ll skip one of the stages and eventually revert back to it later in the grieving process. It’s also not unusual to completely miss a stage and come out on the other side without ever going through all five stages.

Myth #3: There’s a set timeframe for getting over a loss

Some people think that you should be completely over death within a year’s time, but there should never be a timeline when it comes to grief. Some people struggle a lot more than others and grieving the loss of a person very close to you can be mentally and emotionally taxing.

If you hold yourself to this one-year timeframe, you might only be setting yourself back even further. You might force yourself to accelerate the process or skip some stages of grief, which might only extend the process or cause it to rear its ugly head at a later date.

Myth #4: You just have to get over it

This one is much easier said than done. If everybody were able to simply “get over it” with a snap of their fingers, don’t you think they would’ve done that by now instead of letting the sadness destroy them mentally, emotionally, and physically?

The grieving process is important to go through at your own rate. Plus, you need to spend more of your time focusing on getting through the trauma of the loss, not simply getting over it as if it’s that easy to leave behind you.

Myth #5: If you’re not crying, you just don’t care.

There should never be any standards for what’s considered “normal” when it comes to how you grieve. Just because you’re not crying or an emotional wreck while you’re out in public doesn’t mean the loss really didn’t impact you.

Some people just grieve differently. Some would rather express themselves on their own time when they’re alone while others might let their grief out through other outlets like their passions and their hobbies.

Myth #6: Grief comes to an end

The truth is it does not really end, but it does change over time. The process of grief and all the personal emotions and dynamics that go with it is an ever-changing process, it can change minute by minute and year by year. Various triggers, such as memories, a scent, a photo or even a word can bring the intensity of grief back to the forefront at any time, even years after having suffered that loss.

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.
Haruki Murakami

When To Seek Professional Help

Talking with a mental health professional may be helpful in any case, as a therapist can be a great source of comfort and healing.

If you’ve never experienced an intense amount of grief before, it might be difficult to figure out when you should seek professional help. After all, you might feel like you’re handling it pretty well on your own right now.

Sometimes, it becomes absolutely necessary to seek professional help.

Here are some signs it’s time to get help.

woman sitting with eyes closed in bar grieving
  • The most common reason that people get professional help for their grief is that it’s lasting longer than usual. Your entire life is suddenly centered around the loss and you can’t do anything without being brought down by these negative thoughts.
  • Your appetite is practically non-existent, and you have to force yourself to even eat a small bit of food.
  • Sleeping is nearly impossible even though you’re extremely tired and have been awake for what seems like days now.
  • You might experience panic attacks for no reason at all.
  • You’ve lost your desire to take showers, clean up the house, or care for your children or pets.
  • The most definitive sign that you need professional help is if you’re experiencing any form of suicidal thoughts.

Grieving is hard, but you don’t have to do it alone and there are plenty of people and organizations out there that are willing to support you.

Getting Help And Support

At a certain point, it’s just not reasonable to expect to be able to handle your grief alone. If you’ve noticed any of the reasons we went over in the previous section in your own life, it’s time to reach out and put yourself first.

You can do so in a variety of ways, either leaning on those closest to you or seeking more intensive, professional help.

Finding Emotional Support In Your Inner Circle

The first thing that most people do is find somebody that they can trust. This can be a family member, a friend, a coworker, a boss, or a teacher that you feel particularly close to.

The best quality to look for in your support figure is someone that’s a good listener. You want somebody that’ll listen to you as you open up about your feelings, not somebody who’s going to interrupt you and give you unsolicited advice.

If your go-to support system is also struggling with the loss, it might be helpful to lean on each other. Yet, this can also be counter-productive, so you should also have somebody to turn to that’s not involved.

A lot of people who are grieving are wary of turning to those who need help. Just remember that everybody needs support and, one day, they just might need to lean on you too.

person standing at the end of a wet dock overlooking lake and mountains

Organizations

If you’re having trouble finding somebody you can lean on, there are plenty of organizations out there that’ll connect you to a support group or a therapist that can help you out. Here are a few examples of grief organizations you might want to look into.

  • The Compassionate Friends. This is one of the most widespread grief organizations in America, having representation in all 50 states, Washington D.C., Puerto Rico, and Guam. The group focuses on providing support for those grieving a recent death.
  • National Alliance for Grieving Children. This organization is specifically for children and teenagers grieving a death. The organization focuses on providing education and support to children who are struggling.
  • Bereaved Parents USA. This organization was built for parents struggling with the recent loss of a child. The organization works to connect you to other families who are also struggling where you can then encourage one another.
  • Actively Moving Forward. This organization is for young adults and college-aged people. The focus of the group is to find support through your loved one’s memory.

Many grief organizations are also great resources for learning about the coping and grieving process and how you can work to move on peacefully. Some even offer events where you can get together with other grieving families and do something enjoyable.

Therapeutic Means

When it’s time to get professional help, there are two major avenues you can consider taking: Individual grief therapy and grief groups. Let’s go over what each is and the potential benefits of each of them.

Most people prefer individual grief therapy. Find a licensed therapist that specializes in grief and coping with losses for the best experience. While there, you can talk about the loss and come up with coping strategies to make the grieving process just a little bit easier.

According to the Hospice Foundation of America, grief groups are great for validating your loss and building empathy toward others that are struggling. At group meetings, you can share your story, lean on one another for support, and figure out how to cope with the loss.

One study found that when grief is treated with trauma-based therapy, it yielded a 25% better response rate than traditional forms of therapy (Treatment of Complicated Grief, A Randomized Controlled Trial, M. Katherine Shearh et al, https://jamanetwork.com/journals/jama/fullarticle/200995).

Losses Other Than Death

Non-death-related losses in life can be devastating. Don’t be afraid to seek professional help in those cases. Loss of dreams, identity, empty nest syndrome, and other losses can be dealt with, you can recover and grow as a person while building resilience and inner strength AND you don’t have to do it alone.

At the end of the day, you need to do what’s best for you. Find the method that fits into your lifestyle and try something new if what you’re already doing isn’t working too well.

Everybody goes through difficult times, but it is those who push through those difficult times who will eventually become successful in life. Don’t give up, because this too shall pass.”
Jeanette Coron

man in green hoddie overlooking lake with trees in background

Grief Vs. Depression: What’s The Difference?

There’s a very fine line between grief and depression and, sometimes, they’re difficult to differentiate between. Let’s go over some of the major similarities and differences between grief and depression, according to the Dana Foundation for brain research.

With both conditions, you might experience ruminating thoughts, particularly about the loss of your loved one, or negative thoughts about yourself. You’ll feel a persistent low mood and might lose motivation to do the things you once loved.

Generally, you just aren’t happy like you used to be. You might not have an appetite at all and begin to lose a significant amount of weight. Even though you’re extremely tired and weak, insomnia is really common, and you might lie awake at night just thinking about the bad things.

The major difference between the two is that grief usually comes in waves while depression is rather consistent. Yet, persistent grief can eventually turn into depression if left untreated.

When Grief Becomes Depression

This typically results from most types of complicated grief, also known as ‘the grief,’ that doesn’t seem to be going away any time soon. It’s like you’re stuck in your grief and can’t move past it like you normally would.

So, how do you know when grief has become depression? It mostly comes down to the intensity of the grief. If the grief that used to come in waves is suddenly there day in and day out, you might be facing depression.

When your grief doesn’t appear to be slowing down, it might be time to consider getting outside help. Individual grief therapy and grief groups are a great first step at healing yourself when you realize that your grief may have become depression

Cherish what you can control, let go of that which you cannot.
 Anonymous

As we’ve already mentioned, grief isn’t only about death. In fact, you can grieve nearly anything that’s been taken from you.

That’s why grief is very common in a pandemic, even if you haven’t been personally affected by the virus or disease. There are plenty of other losses that occur during such trying times that often go unnoticed.

Other Types of Losses

Think about what life is like while living in a pandemic. You’re trapped at home, only allowed to leave the home at certain hours of the day for emergencies or to buy essential goods like groceries or gasoline.

Work and school have essentially been canceled indefinitely. Nearly every plan that was scheduled for the near future is on hold until the pandemic finally breaks, and the world goes back to normal.

Here are some other types of losses common in a pandemic.

  • Loss of freedom. You’re mourning the loss of being able to do what you once did without a second thought. You can’t go to the park to go for a jog, go to the grocery store when it’s convenient for you, or even hang out with your friends at the restaurant.
  • Loss of people. You’re no longer allowed to socialize with people you really care about. Your interactions are limited to simple phone calls, text messages, and video chats, but it never seems like enough and is definitely nothing like it used to be.
  • Loss of control. You’re no longer in control of your own life. You’re forced to stay home from work or school, the government is deciding where you’re allowed to go and when, and there’s nothing you can do about it for the near future.
  • Grief for the suffering. People are being diagnosed with a fatal illness and some are losing their lives. Experiencing grief for the people who are suffering demonstrates empathy and that you genuinely care about other people.
  • Loss of work. It’s not just about having somewhere to go every morning. You now don’t have a steady paycheck to bring home to your family and you’re finding it difficult to pay the mortgage or keep food on the table. According to Aff.org, “Research shows that job loss is associated with increased depression, anxiety, distress, and low self-esteem and may lead to higher rates of substance use disorder and suicide. Recent polling data shows that more than half of the people who lost income or employment reported negative mental health impacts from worry or stress over coronavirus.”
  • Loss of the world as we know it. Things aren’t the same right now, and you have no idea when they will be back to the way they once were. Right now, you’re struggling with the thought that things will be permanently changed.
  • Loss of plans. Everybody had plans for the next few weeks and months. Graduations, parties, weddings, family vacations, and even funerals have been put on hold for the time being, with nobody knowing if and when they’ll be allowed to happen in the future.

You might feel guilty feeling grief during the pandemic if you or someone you know hasn’t been diagnosed with the illness. Yet, that doesn’t mean that your grief isn’t justified or that you’re selfish in any way.

It is only in our darkest hours that we may discover
the true strength of the brilliant light within ourselves
that can never, ever, be dimmed.”
Doe Zantamata

How To Be Supportive To Someone Who Is Grieving

When somebody close to you is grieving, remember that it’s not your job to “fix” them. It’s only your responsibility to provide a good listening ear and allow them to vent about their feelings and how they’re handling the loss.

Even though there’s only so much you can do to help somebody who’s grieving, there are plenty of things that you can do to make the whole process a little easier on them. It’s all about making them comfortable and providing as much support as possible.

red hand reaching to blue hand to comfort grieving sadness and depression

What You Can Do To Help

So, what can you actually do to help somebody who’s grieving a recent loss? Here are some of the best things you can do.

  • Be direct. Don’t be afraid to talk about the event, the loss, or how you’re feeling about it overall. If your friend or family member wants to talk about it, don’t cut them off or try to angle the conversation elsewhere. They might just want somebody to listen to them.
  • Check on them. You told them to reach out to you if they needed any help, but people in need tend to feel as if they’re a burden when they ask for help. Give a quick call, text, or video chat to ask how they’re doing today and what coping has been like.
  • Listen (that’s it)! As much as you might feel like you’re good at giving advice, a person who’s grieving might just want to vent. They don’t want to be told what they should do or how they should handle it. Just offer a listening ear when they need it most.
  • Be patient. You might have gotten over a death quicker than your friend, but that doesn’t mean they’re taking too long. Everybody grieves at their own pace, so be patient with them and be supportive (even if you’re tired of hearing about it).
  • Offer assistance. People hate to ask for help, especially if it makes them feel needy. Offer to go to the grocery store for them, cut their lawn over the weekend, or go out to watch a movie they’ve been wanting to see.
  • Keep them involved. As much as you might feel like your loved one is delicate right now, that doesn’t mean you should leave them out. Even if they say no, they’ll appreciate being invited to plans and events that help them to shift their focus somewhere else.

You know your friends and family members best. Just focus on being open to listening and allowing them the right to grieve the loss any way they personally see fit. Unless they specifically ask for advice, leave your opinions and advice to yourself.

When to Suggest Further Help

You love being a source of support for your friend, but it’s becoming a little overwhelming. When it feels like it might be a little bit above your paygrade, it’s time to suggest professional help. Here’s when you should do that.

  • Any mention of suicide, ending it all, or wishing they were with their deceased loved one
  • The grief doesn’t come in waves and seems persistent
  • They’ve lost interest in their favorite activities permanently
  • They aren’t bathing, shaving, cleaning the house, or keeping up with chores as usual
  • Their mood is consistently bad, and nothing seems to improve it

Handing your friend’s grief over to a professional counselor doesn’t mean you weren’t a good friend and couldn’t do what they needed. Some things are best left to the professionals and it’s in your friend’s best interest to get professional help.

Above all else, you need to get your friend or loved one immediate help if they’ve mentioned thoughts or plans of suicide. This is not something that you should be dealing with alone and definitely, requires professional intervention.

grief and loss healing is possible green and purple heart mttg
grief and loss healing is possible green and purple heart mttg

Final Thoughts

Grief is a process. The good news is that you can heal. You can move forward and live a life that is satisfying, peaceful and fulfilled. The most important thing you can do is keep an eye on your grief and recognize when the loss isn’t getting any easier, especially after a lot of time has passed.

Focus on opening up about your feelings and how you’re handling the loss. Find yourself a grief group or a grief therapist and develop coping strategies that you can actually implement in your own life.

Keep an eye out on those you love who are grieving. Not everybody likes to show the world that they’re in pain, even when they’re struggling. If you notice your loved ones struggling through grief, be there for them.

Loss is a part of life but healing from loss is possible.

Stay well and take care.

You will survive, and you will find purpose in the chaos.

Moving on doesn’t mean letting go.

Mary VanHaute

Jared Padalecki’s ‘Walker’ delivers way more than one Sucker Punch

Exciting news for “Walker” and #SPNFamily as the prequels for both “Supernatural” and “Walker” have been picked up at The CW. “Walker: Independence,” and “The Winchesters” have been given pilot orders!

“The Winchesters” was first reported as being in development back in June 2021. Told from the perspective of narrator Dean Winchester (Jensen Ackles), the show is the untold love story of how John met Mary and how they put it all on the line to not only save their love, but the entire world. Jensen and Danneel Ackles will executive produce via Chaos Machine, which has an overall deal with Warner Bros. Television. WBTV and CBS Studios will co-produce. Jared Padalecki will be the Executive Producer of “Walker: Independence.”

“Walker” prequel is set in the late 1800s and follows Abby Walker, an affluent Bostonian whose husband is murdered before her eyes while on their journey out West. On her quest for revenge, Abby crosses paths with Hoyt Rawlins, a lovable rogue in search of purpose. Abby and Hoyt’s journey takes them to Independence, Texas, where they encounter diverse, eclectic residents running from their own troubled pasts and chasing their dreams.

“Walker” will be taking a mini-hiatus until the end of February, so there was a lot of anticipation for last week’s episode to hold fans over for that drought. It was a hard-hitting episode in several ways, aptly titled ‘Sucker Punch’ – which is exactly what happened to a lot of the characters.  Directed by frequent “Supernatural” director Amyn Kaderali, there were some beautiful and powerful shots that brought the force of those punches home.

The episode picks up shortly after the last one ended, with Captain James returning to HQ after recovering from his gunshot wounds. Liam is there because he gave him a ride, and Trey is too just because (because their bromance is in full swing, obviously, complete with a welcome back fist bump).

Walker gay Liam checking out James Coby Bell from behind on Sucker Punch.
Walker James and Trey bonding deeper over Micki gone.

Walker, however, is not there – instead he’s the first to get sucker-punched at Serano’s bail hearing. Despite Denise’s argument against it, the judge grants Serano bail at only $50,000. Serano smirks; Walker grimaces.

On the way out, Serano can’t resist the opportunity to gloat. Denise reminds Cordell that the case has to stay on the up and up and asks for his promise not to try something like Liam did.

Walker: If Micki taught me anything, it’s that the ends don’t justify the means.

Denise looking up at Walker telling him to keep case legal 2.09.
Walker talking to Denise about Micki 2.09.

I like that the show is keeping Micki alive by showing us that the characters have not forgotten her – far from it. Cordell promises he’ll go completely by the book and refuses to get rattled by Serano getting in his face and asking, with a thinly veiled threat, “how’s the family?”  Walker really did learn a lot from Micki, and he’s evolved and grown in the length of time we’ve known him. He doesn’t rise to the bait, though he does engage in the power play with a thinly veiled threat of his own.

Walker: Hey Serano, now I‘m watching YOU.

Serano checking out Jared Padaleckis package on Walker 2.09.
Walker telling Serano now he's watching him from behind. 2.09

The glares between these two are epic and watching the two characters posture and try to stare each other down is fascinating. Henderson Wade and Jared Padalecki have a lot of chemistry, which makes their mutual hate and jockeying for power a lot more interesting to watch. I actually wish we could have had more of the two of them – when they’re onscreen together, you can’t look away. And as awful as Serano is, he’s also a fascinating character, in part thanks to Wade. There’s a bit of grudging mutual respect for each other as dangerous and powerful that makes for the best portrayals of enemies.

The two meet again in a restaurant where Walker is picking up takeout and Serano is chowing down on steak and showing himself to be an asshole in all settings. His attorney tells him that Dan Miller might have a video that links Serano to the Walker surveillance. Serano instructs his men to find Dan and “take what he has from him and send him packing” which does not sound like good news for Dan.

Cordell ends up at the same restaurant and Serano invites him to join him for a drink – because neither of them can resist a chance to challenge the other and try to come out on top.

Walker Cordell looking for Sorano in the romantic bar restaurant.
Serano showing his finger length to stick up in Jared Padalecki after filming Walker Sucker PUnch.

Cordell can’t resist the confrontation either and does, sending the others out so “the adults can have a little chat.”

Serano: You’ve got me all to yourself, so where were we?

That’s an intentionally suggestive bit of dialogue that Wade plays perfectly, and it’s a wonderfully tense scene, lit by candlelight and with incongruously romantic piano music playing in the background as the two spar verbally, each trying to tear the other down and keep the position of power.

Serano (gloating): Your little brother dealt me a get out of jail free card.

Jared Padalecki Walker having very intimate dinner with Serano 2.09.
Serano getting very sexy with Jared Padalecki on Walker 2.09.

Walker: That’s true. But we both know you won’t stay out of trouble, right? You can’t help yourself. You’re gonna mess up again and when you do – just know, I’ll be there.

Serano: Glares

Walker: Glares

Me: This is delicious.

Padalecki plays Walker perfectly here too, in dangerous mode himself which we do not get to see often enough!

Cordell gets the last word.

Cordell: Be seein’ ya.

It’s a threat and a promise, and Serano knows it. The two of them are playing a cat and mouse game and are both, in some strange way, enjoying it.

Walker smiling as Cordell plays cat and mouse game with Serano 2.09.

The fact that he’s dressed like Sam Winchester just makes Walker seem even more badass as he turns and walks out. Dayum Jared Padalecki.

The Davidsons’ story unfolds more in this episode too, once again intertwined with the Walkers in multiple ways.

We get a glimpse of the softer, more sympathetic side of Dan as he bonds with Colton, gifting him some concert tickets for a favorite indie band and calling him ‘kid’ affectionately.  He even understands when Colton wants to take Stella and does the good dad thing by saying that he absolutely should take her.

WAlker Colton smiling big at daddy Dan.
WAlker Colton giving daddy dan a big crotch hug.

They share a hug and Denise looks happy too after witnessing that moment, more affectionate than we’ve seen her with Dan. He made her a smoothie too. I like that none of the characters are so one-dimensional that no one could ever believe they were liked by anyone else let alone loved.

Denise tells him that Serano made bail and Dan is instantly worried, even though he says he has faith in his wife to put him in jail. But as soon as he’s kissed Denise goodbye and they’ve exchanged ‘I love you,’ Dan goes into panic mode – sucker punched.

Walker Denise trying to smile and give Dan a kiss. 2.09.
Walker Dan freaking out in front of wife Denise.

He pulls the surveillance recording from its hidden spot on the bookshelf and reviews it on his laptop (presumably so we can all remember what it shows), and it clearly implicates Serano as just waiting to get another shot at Cordell. Dan hurriedly writes “your smoking gun” on a notepad and puts it and the tape in a manila envelope addressed to the Travis County DA’s office. But as he gets out of his truck to drop it off, Serano’s men confront him with guns and Dan flees.   Dan runs through a red light to set them up to be blocked at the intersection and gets away.

A little while later, he surprises Liam at home where he’s working to figure out the map of their property. Liam is none too pleased to see him – Liam and Dan are another fascinating pair of enemies, constantly needling each other but in this case forced to work together anyway.

(By the way, if I were Liam and had been recently shot, there’s no way I would open the door to frantic knocking without knowing who the hell was there!)

Dan shoves a bunch of bills at Liam, who’s trying to get him to leave.

Dan: It’s your retainer. You’re my lawyer.

Liam: eyeroll

Walker Dan showing gay Liam his huge bulge of money for him 2.09.
Walker Liam does big gay eyeroll at Dan 2.09.

These two have a different kind of chemistry – both Keegan Allen and Dave Annable are very capable of being subtly funny, and they were here even though the situation isn’t funny at all.

Dan refuses to take no for an answer even though he insists Liam is the last person he wanted to come to for help. He insists it’s about Liam’s family’s safety and confides that he has evidence that will put Serano away for good – and that Serano is responsible for the surveillance of their home. Oh, and that he plans to try again to kill Walker. Liam realizes that he was probably right about Dan somehow working with the enemy, but eventually agrees to help him anyway for their mutual goal of putting Serano back in jail. Dan demands both anonymity and immunity, and Liam takes the case, reluctantly.

He’s got Dan’s number though.

Liam: You’ll only do what’s right if it’s good for you.

Dan can’t deny it.

He insists that Denise can’t know and threatens to go after Liam as his attorney if she finds out.

Poor Liam, what a position to be in. As always, he’s got guts, though – and tries to do what’s right.

The other storyline running through the episode belongs to ‘the kids.’ Geri plans a local band night at the Sidestep and convinces Augie to enter. Faye (Bella Samman) overhears and then he can’t back out, especially when she plans to come by and record some content for her YouTube channel.

Ah, young love! It’s cute even if I’m not terribly invested in the kids’ romantic adventures.

Walker Faye smiling Bella Samman for Augie to play his band music at Sidestep bar.
WAlker Augie freaks out about playing at Sidestep bar in 2.09 Sucker PUnch.
Walker STella and Geri plan a local band night with Augie.

Kale Culley makes the best faces by the way – his Augie is a little bit nerdy and relatable in his occasional awkwardness. He’s believable as Cordell’s son too, with that same endearing occasional awkwardness.

Geri and Cordell hang out a bit at the Sidestep – the expressions on both their faces when they see each other are telling, even as they continue to avoid any deeper feelings for each other.

Jared Padalecki giving dorky smile smirk to Geri at Sidestep bar in Walker sucker punch.
Walker Geri and Cordell hanging out at Sidestep bar.

Cordell realizes that Stella and Todd (Cameron Vitosh) are getting a little closer than just two friends studying vocabulary words. Colton is also reluctantly realizing the same thing. He wrote some love song lyrics for Augie’s not-yet-existing band, but neither of them want to sing. When Augie overhears Todd singing the vocabulary words he’s trying to learn as a mnemonic device, he’s enlisted as the singer, and BOOM, it’s a band.

Called Sucker Punch.

Cordell is uneasy about Stella and Todd.

Geri: At least she’s not going for another guy in community service.

Walker confides in Geri that he’s impressed (and maybe a bit surprised) that the kids are thriving. Geri points out they’re from good stock, a reassurance, and a compliment. Also, kids are surprisingly resilient, for real.

Cordell is worried though, with Serano on the loose, that something could happen. Geri doesn’t deny it, but she still finds the right words to make him feel better.

Geri: Well, it could. Or…. Stella will graduate, and Augie will continue to steal hearts.

Walker considers, and Geri goes on.

Geri: You do realize your kids are lucky to have you as a dad, right?

Walker Geri smiling knowingly at Cordell.
Geri talking Cordell Walker up at Side STep about being a good daddy.

It’s a sweet moment, interrupted by a phone call for Cordell from James. He says he has to go and she promises to hold down the fort and watch over the kids, and I must say Geri looked a little wistful when he left. Those two have so much history and a genuine friendship, but it does sometimes seem like more too.

At the station, Liam lays it out for Cordell and Denise and James. It’s Denise’s call, but she finally agrees to Dan’s terms, including the anonymity. Little does she know that she’s granting that to her own husband!

WAlker LIam sitting with James, Cordell and Denise.

Denise: I hope you know what you’re doing, Liam.

Me too.

Back at the ranch (I just like saying that…), Dan is feeling extra paranoid (understandably) and just about takes Trey out with a pitchfork in the Walker stables. Trey was checking on the animals while Bonham and Abilene are away; Dan was giving the Walkers some extra feed, believe it or not. He’s a contradiction, isn’t he?

Walker Trey reacts to Dan almost stabbing him with pitchfork.
Walker DAn feeling very paranoid nearly kills Trey with pitchfork 2.09.

The two decide to have a normal conversation since they’ve ended up in the same barn and no one was pitchforked to death, and Dan asks how Colton is doing at school. Trey tells him that Colton is doing great – exemplary. Good grades, no parties.

Trey: He’s a good kid and he’s happy. And he loves you, he’s made that clear. So I don’t know what it is but whatever you’re doing, keep doing it.

Another nice moment for Dan, just enough to make me feel a little bit sorry for him – and a lot sorry for Colton – when the inevitable happens.

Walker Trey talking to Dan about Colton.
Walker Dan smiling wide at Trey 2.09.

Dan feels good for about ten seconds, then Serano calls and offers him a deal that he can’t refuse – because if he doesn’t, his wife and son will pay the price. He threatens Colton specifically, and it’s clear Dan really does love his son, because he blanches. Serano tells Dan to meet him, and Dan finally agrees. I really do kinda feel bad for Dan even though he definitely can be a dick.

Dan calls Liam on his way to meet Serano, backing out of the deal.

Dan: That deal I asked you to get, forget about it. Serano will never leave us alone.

Liam knows a bad idea when he hears one.

Liam: Don’t do something stupid.

Dan: I can’t gamble with my family’s life. I’m sorry, I’m sorry. Thank you anyway.

Gay Liam telling Dan on Walker not to do something stupid 2.09.
Walker Dan on phone with Liam can't gamble with my family's life. Sorry.

I get the feeling that Dan really is sorry, and that Liam really is trying to protect him despite his personal feelings about Dan. He’s a coward and let jealousy and resentment push him to do some shitty things, but he really does care about his family and I think he did feel good for the ten minutes that he was actually going to do the right thing (even if partially for selfish reasons).

Walker overhears the phone conversation and knows his little brother well enough to realize that the Serano deal is about to die. And we get to see smart Walker, because he instantly figures out what needs to be done.

Walker to James: I have a play, I need you to back me.

James is reluctant, but Walker convinces him. He knows Liam and that Liam only takes on clients he believes are innocent – and he can tell that Liam doesn’t want to help this client. And that means Walker can figure out who it is.

Following his (correct) hunch, Walker tails Dan to the South Congress Train station, and we get a wonderful little Supernatural Easter egg when the dispatch asks for Ranger 327 and Cordell responds, “Go for Walker.”

Cordell Walker on radio about Serano 2.09.

For those of you who are not “Supernatural” obsessed, 327 was the number of episodes in that series, which Padalecki starred in. I love that Jared puts those little shout outs in Walker for his fans who also loved that show and that character, and that he loves Supernatural as much as many of us do.

Dan meets with Serano, trying to bluster his way into making Serano keep his word, when Walker shows up and a gunfight breaks out in the crowded station, Walker yelling “Texas Rangers, everybody on the ground!”

Luckily all the train station passengers listen very well and hit the ground as shots ring out.  Dan runs away in the chaos and Serano takes a hostage, gun to her throat. Another Walker and Serano confrontation and standoff.

Walker: Drop it. Put the gun down.

WAlker Serano holding woman at gunpoint while Cordell tells him to put it down.

Serano does, but he also makes a run for it, carjacking a truck and taking off. Walker jumps into his truck and pursues, the two going on a wild car chase through downtown Austin, tires screeching, gravel flying, as they cut through alleys and race down streets.

Walker finally pulls up next to him, yelling for Serano to pull over. The two make eye contact and Walker warns Serano not to do something stupid.

Jared Padalecki Walker calling all units to chase Serano 2.09.
Serano smirking at Cordell WAlker as he chases him in police suv.

Serano smirks and pulls his gun anyway, at this point probably understanding that he’s not going to get out of this without jail time, desperation kicking in.

Walker drops back and Serano pulls ahead, reaching an intersection just as a tractor-trailer cuts him off – and T-bones his truck, sending it flying through the air in a pretty amazing stunt shot. (Which the fandom was lucky enough to see some behind-the-scenes footage of in fact).

Walker Serano SUV flying up into air from accident.

Walker gets out and approaches the crashed truck.

Walker: Let me see your hands, Serano! Hands where I can see them!

Walker Cordell with gun up ready to shoot Serano in car 2.09.

Serano is slumped over the steering wheel, bleeding. He smirks.

Serano: You got me, cowboy.

Walker shakes his head.

Walker: Nah nah, you’re gonna spend the rest of your life in jail….

WAlker Serano bloody head from suicide kill in car.

Serano smiles again, though now it’s clear he’s gasping for breath too.

Serano: Yeah yeah, not my style.

He takes another shaky breath as Walker comes closer and opens the door, sees that Serano has been impaled.

Serano: I’ll be seein’ ya.

Walker Serano smiling as he shoots himself in head in front of Cordell.
Walker 2.09 Jared Padalecki sees Serano bloody head on steering wheel.

He dies in front of Cordell, who looks shocked, backing away slowly. The cops are all lined up behind him, nobody approaching, as the music plays louder.

It was a pretty shocking scene for viewers too – I wasn’t expecting that, and the violence of it really had an impact. Serano was strangely likable even in those last moments, and the weird dynamic between him and Walker was evident to his last breath. Wade played Serano’s final words as an almost affectionate, grudging acknowledgment that Walker had won, in the spirit of “if someone has to take me down, I’d rather it be someone worthy” sort of trope. And Padalecki showed Walker’s shock and regret that he couldn’t convince Serano to just pull the hell over. You get the feeling that Serano preferred going out like that to life in prison. At any rate, it was memorable, so well done all.

WAlker Cordell realizes Serano has just killed himself in prison 2.09.

And another, major sucker punch.

Dan meets with Liam on a bridge, a beautiful Austin location shot, Liam handing him the immunity deal even though Serano is dead. The hard drive implicated his entire network, so some good came of it at least. Dan extends his hand to shake Liam’s, and Liam backs away.

Liam: I don’t like you, Dan.

Liam says again that he knows the only way Dan got that hard drive is if he was somehow connected to Serano. Dan warns him to stay quiet.

Dan: You’re my lawyer, keep your mouth shut or I’ll have you disbarred. I saved your life, so you owe me.

He starts to walk away and Liam calls after him.

Liam: One question. When you shot Earl in the back, was that to save my life – or yours? Defense of others is one thing, committing murder to cover up a crime is another.

Walker gay Liam talking hot to DAn 2.09.
Liam asking Dan about shooting Earl in the back on Walker 2.09.

A bit of a sucker punch to Dan right there.

Dan walks away.

The episode ends at the Sidestep’s open mic night. Denise comes in with Dan and goes over to congratulate Walker on Serano no longer being a threat.

Walker: Woulda rather seen him rot in prison.

Denise agrees and asks what else is on her mind. Walker is deadly serious when he answers, no trace of friendliness. I love when Padalecki taps into that side of Cordell – he’s got darkness in him, and I wish we saw more of it, when he’s dark and dangerous and smart.

Walker: You and I both know who Liam’s client was, right?

She hesitates, maybe doesn’t want to know.

Walker intense with Denise at Side Step bar.
Walker Denise talks to Cordell about LIam at Side Step.

Walker: Come on, Denise. Liam’s client didn’t want his identity kept from Serano, he wanted it kept from us. I went to the train station because I knew whose plates to run. And they weren’t Serano’s.

Denise pales.

Walker: Careful, counselor. You’re sleeping with the enemy.

Walker Cordell warns Denise about sleeping with the enemy 2.09.

Ooooh.

When Dan tries to hold her hand, Denise reaches for her drink instead.

Sucker punch.

There are few more sucker punches coming too.

Colton tries to ask Stella to the concert but never manages it, as Augie and Todd and the new band Sucker Punch is introduced.

WAlker Augie playing keyboard for singing people at Side Step bar.

Todd and Augie dedicate the love song (that Colton wrote) to “two special ladies in the room who brighten our day” and Stella and Faye smile back.

Mission accomplished, I guess! (For them, but not for Colton, whose words meant for Stella instead are received as from Todd)

Stella smiles watching brother Augie fisting Todd onstage at Walker Side Step bar.

Cordell watches every bit the proud dad.

Augie and Todd share a fist bump and credit each other after their performance, in the exact same way that Jared Padalecki and Jensen Ackles traditionally close out all their convention panels together – coincidence or subtle Supernatural fandom shout out? I don’t know but it was as heartwarming with Augie and Colton as it always is with Jared and Jensen.

Augie and Todd fist each other onstage at Side STep bar for Walker.
WAlker Augie looking at boyfriend sexy 2.09.

Colton realizes he’s the odd man out and puts the concert tickets under his seat. 

Poor Colton, we’ve all been there.

After the performance, Geri gives Colton a pep talk.

Geri: Seen this movie before, kid. Been in it a few times myself.

Walker Geri gives Colton a pep talk at Side Step bar.

It turns out that Geri is also adopted and knows what it’s like to not look like your parents and to have people make a lot of assumptions about you.

Geri: Tell Stella how you feel – don’t leave it up to being misunderstood. Make a move. You got this.

She looks across the bar to Cordell, perhaps trying to tell herself the same, then smiles and looks away.

Geri looking at Walker Cordell at Side Step bar with that special look of sucker punch.
WAlker Cordell at Side Step bar.

Later that night, Denise watches the surveillance tapes, drinking. The song that’s playing gets to the lyrics “Oh, how you lied…” as Denise puts her framed photo of Colton in front of one of her and Dan.

On the screen, we see Cordell and Abilene’s heart-to-heart about the night the barn burned down.

Cordell (tearful): I remember taking a lantern into the barn and leaving it there… I know I did. The fire in the barn, Marv’s death, it was my fault…

The music keeps playing, “And you lie and you lie and still you lie…”

On the screen, Abilene holds her son as Denise watches.

Sucker punch.

Denise watching gay Liam talking to mom Abilene on Walker 2.09 Sucker Punch.
Walker Denise watches Abilene with her son's watch on video monitor.
Caps courtesy of spndeangirl

They got a lot of sucker punches into one episode! Special shout out to Henderson Wade and Jared Padalecki for their super-charged scenes. Sorry that Serano won’t be back to antagonize Walker another day!

Jared Padalecki’s ‘Walker’ 2.08 gives everyone Two Points for Honesty

Directed by Bosede Williams and written by Blythe Ann Johnson,  the new episode of “Walker” picks up where the last one left off – a cliffhanger of an ending with Captain James shot and lying in Trey’s front yard bleeding, while Trey calls out to him desperately, “Cap! Cap!”

Gifs courtesy of abordelimpala

Typical of James, he warns Trey to stay safe where he is, but Trey goes into full badass mode, yelling “No, that’s not an option” and running out to get him to safety, returning fire at the gunman until he drives away.

Trey running to return gunman's fire after finding James shot and bleeding on Walker.

James: Did he get you?

Trey: You’ve got two holes in you and you’re asking about me?

This episode gives us a deeper understanding of both James and Trey, with Coby Bell and Jeff Pierre really stepping up to the plate to show us who these men are and how their histories have brought them to where they are today. In some ways, the episode is all about courage, which looks very different in different situations. Sure, Trey saving James is courageous, but so is his ability to figure out what he does and does not want to do with his life. Both Trey and Walker, in this episode, confront a decision about what being a hero really means, and both are self-aware and secure enough to realize it doesn’t only mean the one calling the shots or running into a hail of bullets. An important message that we don’t get to see in media very often.

A trooper named Alexis Jackson rushes them to the hospital, with a ‘Call me Jack’ that means she might be back. It’s too soon for a Micki replacement, but Jack drives like a badass as James tries to keep giving orders – until he literally passes out. Trey utilizes a stuffed animal that’s in Jack’s patrol car to try to stop the bleeding as he asks her how long until the hospital.

Jack: Five minutes maybe?

Trey: Better make it two.

Jack: Copy that.

Walker James out cold after being shot 2.08.
Walker Jack talking to Trey.

Jack is Scotty in this scenario, if you’ve ever watched original “Star Trek.”

They’ve said her name multiple times, so my guess is we’ll see Jack again. Ione Butler did a great job making her memorable in only a few short scenes, so that bodes well for the character’s future.

As they wheel James into surgery, Trey realizes he’s got the Captain’s badge in his pocket, James still trying to give instructions.

James: Tell Walker…

Trey fingers the bloodied badge as they wheel James down the corridor.

Walker Trey fingering James bloody badge 2.08.

Walker gets a call from Trey (and Stella gets a call from James’ son DJ at the same time), interrupting a family game of Clue that Cordell is thinking about very deeply while his kids try to get him to move it along.

Most of the Walker family heads to the hospital, where Trey in his bloody shirt and Jack are waiting for news – Liam, Stella, Augie and Bonham all come with Cordell to support both him and James. I love how supportive the entire Walker clan is of each other. They bicker like every family but when someone needs help, it’s all of the Walkers on one side, a united front.

WAlker clan meet Trey at hospital to see James 2.08.
Trey gives Cordell Walker button from James uniform.
Walker Cordell at hospital with Trey.

Trey gives Walker the captain’s badge.

At first, the doctor gives them good news; that the bullet missed any major arteries and he’s got a positive prognosis. James comes to with Walker sleeping sitting up beside him and immediately asks about the shooter, wondering if it’s connected to Serano. Cordell assures him that they’ll find the guy, and James says yes, that he doesn’t want anyone else running point on this.

Walker tries to give him the badge back so he can pick up the responsibility, misunderstanding, but James says no, that he needs Cordell running point on it, as temporary Captain.

Cordell is hesitant, but James reassures him, “it’s you, man.”

WAlker Cordell asleep in chair next to James hospital bed 2.08.

He also says he doesn’t want anyone playing judge, jury or executioner on his behalf, no matter the intention – he asks Cordell to make sure that doesn’t happen.

DJ (Joshua Brockington) visits his dad, worried but relieved. James’ ex wife Kelly (Kearran Giovanni) does too – Cordell greets her with a warm hug, and she hugs Trey too, thanking him for being there and saving the day. Trey’s got a blue scrubs top on to replace his bloody shirt and it looks quite fetching on him, gotta say.

Trey shaking hands with James son DJ and wife Kelly on Walker.
Kelly and DJ visiting James at hospital Walker.

Kelly tries to get James to stop working, but Cordell and James both pretty much refuse, digging back into the investigation, which so far has come up with nothing.

James: Hey, you got this.

Walker Cordell nervously looking at James bulge in hospital gown.
Walker James smiling at Cordell in pain with tubes running in his nose.

It’s clear that James is hurting, though he keeps pushing through.

Cordell goes to visit someone in prison, and we’re surprised when it turns out to be Stan (Jeffrey Nordling).  I am a big Stan fan, not in the sense that he’s a lovable character, but in the sense that he’s complex and fascinating and I get the feeling he really does care about the rest of them even as he’s stuck in narcissism and went down the slippery slope of trying to take care of himself first a long time ago. Cordell admits that Stan did warn him in the nick of time about Serano having it out for him, but also says the tip could have used more context. Stan counters that he thought Walker would use his investigative skills to figure it out. It seems Stan isn’t faring too well in prison, which is not surprising – he has a big bruise on his face and is limping. 

Stan doesn’t think it was Serano who put out a hit on James, since Serano would have made it professional – and besides, Serano may end up getting off because of Liam’s mistake.

I love the tense confrontation between Cordell and Stan, both men leaning in, speaking softly and oh so seriously. Cordell points out that although Stan worked both sides, he also promoted James, seemed to support him, so maybe he knows him well enough to know something. Stan leans in, holding Cordell’s gaze.

STan smiling with fingers in prison scene on Walker 2.08.
STan being intense with Cordell on Walker 2.08.

Stan: You can never really know someone. There’s always gonna be secrets. Doesn’t matter who they are. Hell, I walked around for eight years with the biggest one of all.

Walker: You tryin’ to piss me off? You and James are nothing alike.

Stan agrees but then goes on: Everyone is a hero in their own story and a villain in someone else’s, and sometimes from the outside it’s difficult to know which you’re looking at.

Jared Padalecki giving face angles to show off scruffy beard in Walker 2.08.
Jared Padalecki doing a Walker Cordell white hat moment in shadow.

He’s right. That intrigues me about him.

Stan: If you’re lookin’ for a bad guy, you might wanna start lookin’ among the good ones.

Cordell: If that’s all you’ve got to say, enjoy rotting in here.

Quite a parting shot!

That was an incredible scene. Jeff Nordling is so damn good and so is Jared Padalecki, and Nordling and Padalecki having a showdown was delectable. I really hope we see lots more of Nordling – he’s the kind of ‘bad guy’ who I love watching and can never bring myself to outright hate. I like that ambivalence, those shades of gray. He’s smart – and he’s right about the fact that sometimes people aren’t who they seem.

Back at the hospital, James and Kelly reconnect over shared memories of ginger ale and Vicks Vapo Rub and the day that DJ was born. Big head, eleven pounds – ouch, it hurts just thinking about it.  Kelly is fondly remembering James in a ‘World’s Best Grandma’ shirt from the gift shop, but she also has a lot of memories about James working too much, newborn in one hand and case file in the other.

James wife Kelly laughing with him in hospital.
Walker James Coby Bell laughing with tubes in his nose.

Kelly: How long you gonna keep on like this?

James says he thought he knew exactly who was gonna take his place (Micki) but now the future is a lot less clear. She suggests he should start thinking about it.

Walker comes back to give him an update, saying he’s looking better – though James ominously says he’s feeling a little worse (he probably should have told the nurse that, just saying…). Cordell is also too stuck on trying to solve the case to notice that James looks like shit, asking again if he remembers anything else and sharing that they can cross Serano off the list – that even Stan couldn’t even wrap his head around that.

James is pissed that Cordell went to Stan, the two of them getting worked up and angry, which seems like a very very bad idea, but they’re both too caught up to realize. Cordell says he knows that James only put him in charge on a technicality because his first choice (Micki) wasn’t there, but James says no, don’t do that, in between rubbing at his head and looking like something is very wrong.

Walker Cordell reacts to James Coby Bell dying in hospital.
WAlker James passes out in hospital bed with Cordell and code blue called out.

His heart rate drops alarmingly, then the machines start beeping and Cordell yells for help – which at this point means the crash cart! They ask Cordell to leave as they start the procedure.

Uh oh.

In a realistic twist – because in real life sometimes you think everything is gonna be all right and life throws you a curveball – the doctor informs them all that sepsis has set in, and it’s touch and go for the next 12 hours. Too soon to be sure that he’s going to be okay. Trey explains sepsis with a home security network analogy, which apparently is how the writer’s dad explained sepsis to her when she actually had it!

Walker Trey giving James' family his update after shooting.

Then Cordell tries to reassure everyone that “James, he ain’t done. He’s gonna get through this. There’s no other outcome that makes any sense.”

Bonham grips DJ’s shoulder, the dad to everyone.

As Cordell is leaving, he promises to get to the bottom of this.

Bonham with DJ and Kelly while waiting to see if James is dead on Walker 2.08.

Liam stops him, saying he wants to help.

Walker asks Liam to be there for everyone, to make sure they know they’re not alone, and Liam says okay, asking if his big brother is all right – Walker says he is, but I’m not sure Liam believes it.  Not sure any of us do either.

Walker gay Liam making sure Cordell is okay or needs a hand job thing.
WAlker Cordell looking at gay brother LIam like he's ready to plow his everything 2.08.

Geri arrives at the hospital soon after and finds Cordell, lost in thought, standing in front of a pretty Austin mural. He takes his façade off when he sees it’s her, falling into a hug that he seems to need very much.

Walker: I’m out of my league here, Ger.

She says he’s used to the dark and scary, between Em and Hoyt, even Micki, that he thrives in the chaos but always second-guesses himself.

Geri finds Cordell Walker leaning on hall wall with hat in hand.
Walker Cordell hugging Geri after James shooting.

Walker: This is different, I’m used to having someone by my side, and now Micki is…and Captain James is in there… and I have to go talk to all of his Rangers and they’ll be looking to me for answers. I don’t think I can do it.

Geri: Well, you’re already doing it, and you’ve got more people on your side than you know.

Walker Cordell second guessing his actions with Geri.
Geri giving Walker Cordell a lifting spirit talk.

Walker: Ever wonder why it’s always you and me at the end of the world?

He takes her encouragement, though, puts on his hat and pulls the Rangers together to give them a pep talk. He reminds me of Sam Winchester in the bunker, becoming the leader that we all always knew he could be. Cordell steps up too, saying that James was the target and it seems this was a crime of passion – so they  need to look into all James’ old cases for potential suspects. He also lets them know that the Captain is in a rough spot and he can’t promise them that everything will be okay, but that he did promise that they’d figure this out. He’s still worried about being in charge, saying that “the Star is only as good as the person wearing it, right? Right now the person wearing it is a little nervous, scared. I imagine some of you might be scared too, but that’s okay, we can use it for fuel. I keep asking myself, what would James do? We can honor him by bringing about justice – morally.”

Then he sort of makes my heart ache.

Walker: We got work to do.

Walker Cordell giving inspiring speech to Ranger crew.

It’s a shout-out to “Supernatural,” what the Winchesters always said when they were up against seemingly impossible odds but refused to give up. I had to grab a tissue. I’m so grateful that Jared doesn’t forget either.

Walker’s speech was all about courage too – that it doesn’t mean not being afraid, but doing what’s right even when you are. That the fear can be fuel and motivation to do that, and that it takes courage to fight for justice morally and not just with any means you can get your hands on.

Liam listens to Cordell’s speech, clearly worried, and then makes a phone call. Later he tells Cordell that there is a recently released guy who was cozying up to Serano and was booked by James years ago – and taken to the same hospital where James is a short while ago. Allegedly for a car accident, but was that to disguise a gunshot wound? Or just to get into the hospital where James is? Uh oh.  Smart Liam for the win!

Walker Liam listening to Cordell's speech worried.

Meanwhile, the kids try to imagine their dads doing “a normal job”, DJ wishing he could press ‘pause’. Stella works hard to cheer him up, reminiscing about their sleepovers as kids and how they made their own rules, playing with rainbow candies. Stella gets some from the vending machine and suggests that instead of pressing pause, maybe they can pretend for a little while – and it works.

DJ hanging with Walker Stella and Augie.
Walker STella and Augie laughing with Trey and DJ.

Cut to James’ hospital room, where an unfamiliar orderly comes into James’ room. And draws a gun.

Walker gets to the hospital and tells Jack they’re looking for this guy Cole, who Liam clued him in about. Jack says that they have someone on guard – who clearly did a bang-up job. (Turns out they were taken out by Cole, though he assures James the guard will be all right). Walker comes in, gun drawn and tells Cole to drop it, but James tells him to stand down, they’re “just catchin’ up.”

Walker James talking down Cole who's distraught and messed up.
Walker Cordell creeping around James hospital door entrance with gun.
Cordell with gun pointed directly at mentally distraught Cole on Walker.

Cole is clearly anguished and has serious mental health issues, and James is trying his best to defuse the situation. Another commentary on courage and what it looks like sometimes.

A tense standoff ensues, Walker reluctantly listens to James and lowers his weapon as James tries to talk Cole down. It’s a Sixth Sense type moment with James as Bruce Willis, Cole saying that James promised him everything would be all right, but he lied. James says he asked for leniency and is sorry it didn’t happen. Cole tells his sad story, that he defended himself in prison and got 15 years for manslaughter. James says he’s sorry, that things like that are why he realized he had to be the one to call the shots, to try to change things.

Cole is agitated, says it’s not fair that James survived, raises his gun again. Walker immediately raises his own, trained on Cole, but James again intervenes.

Walker Cordell with gun cocked and pointed at Cole's head while checking out James package in the hospital bed.
WAlker James looking at Cordell with gun to Cole's head.
Cole worked up with James in hospital and gun ready to kill him on Walker.
Walker Cordell holding gun on Cole who has gun with James hospital room.

James: Walker, you made me a promise man, put your gun down.

James: Cole, listen, no one is gonna die here today.

Walker says Cole needs to make the first move, and we see him lower the gun – just as a SWAT team comes down the hallway, and my heart was immediately in my throat.

Just as James tells him his anger is justified and Cole lowers his weapon, BOOM, the SWAT officer shoots him through the door. I admit I felt sick to my stomach – Cole was clearly not okay and James had gotten through to him, it seems. His experience in the system was unfair to say the least, his whole life changed because that leniency didn’t happen. It’s realistic enough to hit hard.

James looks equally sick to his stomach, looking at the SWAT guy standing impassively at the door and Cole lying dead on the floor.

Walker Swat guy looking through broken glass from gun shot.
James with SWAT guy standing over Coles dying body Walker 2.08.

James: Why?

SWAT guy: Just doin’ my job.

More sick to my stomach. More realism that hits hard.

The messages in this episode are subtle, but they come through. Sometimes the courageous thing is not mindlessly ‘just doin’ my job.’  Coby Bell did an incredible job showing us James’ understanding of all those realities, his determination to change them, and his frustration and fatigue in often being unable to, confronted with a system that resists change at every turn.

DJ says goodbye to his parents, calling his dad ‘a black Batman’ much to his embarrassment (and possibly delight), and says they could all use a break, with a boy’s weekend in Boise planned.

James slapping hands with DJ on Walker 2.08.

James walks his ex-wife out after. James again says that Micki took on some of the burden for him and now James doesn’t know who can do that.

James: I’m really trying to change things around here, but I need help.

Kelly confides how scared she was that James wouldn’t come home, and says her fears came true. That he was so focused on protecting them, he forgot to let her and his family in.  She leaves room for some hope for them, though, suggesting that he call sometimes when the sky isn’t falling.

Kelly tells James she was scared he might die from gunshot Walker 2.08.

Kelly: Bye, babe.

They hug and she leaves, James sighing and looking after her.

The doctor gives them the good news that James will be discharged the next day, and tells Trey that he saved the Captain’s life.

Bonham plays dad to Trey too, apologizing for letting the cat out of the bag, but Trey realizes that Garrison was just the tip of the iceberg, that sometimes love just isn’t enough. He also says he knows that he’s good in a crisis but that’s not how he wants to live his life, he knows now ‘where to go from here’ as last week’s episode kept asking.  That takes courage too, to decide that what you want to do is not to play the stereotypical ‘hero’ but to change the world in other ways.

Bonham understands, compares it to when he came home from the service and returned to the ranch. He gives Trey a key to the ranch, saying he’ll always have a place to land if he needs it – a home.

Trey: Thank you.

Bonham: Yes sir.

Walker Bonham letting Trey know he's got a home for him too.
Walker Trey saying thanks to Mitch Pileggi Bonham.

James confides in Cordell, who assures him he’s doing a great job. But James says it’s not just about calling the right shots, it’s also about having someone who can follow them and make the right choice, regardless of protocol.

James: You made the right call, you listened to me over the protocol, over the instincts drilled into you. Sometimes there are ways to stop violence that doesn’t bring more violence.

It’s an important message, and I’m glad James is making it more explicit what he’s been trying to do with the Rangers, making systemic change.

Walker Cordell and James having intense talk at hospital 2.08.

Cordell says he realizes that James’ shoes are big shoes to fill, and that’s not what he wants.

Cordell: I needed that kick in the ass, but I realize now that I don’t want to be the one calling the shots. I can’t do what you do. I want to be the one that answers that call.

Walker Cordell realizing James shoes will be hard to fill 2.08.

James: Good, because I’m gonna need you.

Cordell: You got me.

There’s another subtle “Supernatural” shout-out with the reference to a kick in the ass, since “Kick it in the ass” is what beloved director Kim Manners always used to say to get the cast and crew inspired.  I also love the realization that Walker comes to – not all of us need to be the one in charge. Not everyone needs to be the Captain, the boss, the one calling the shots. Too often in our media, it seems like the hero has to be that person – and that’s a damaging message because we can’t all be “in charge” all the time. Heroes are in all sorts of positions. If the pandemic has taught us anything, I hope it’s taught us that the ones who are quietly helping others in some way are the actual definition of heroes, even if that’s not how they’re usually defined in books and movies and television. One of the best things about this show is that Walker is far from a stereotypical hero, and this little scene solidified that.

They both agree they need more Mickis.

James: Maybe even a few more Cordells.

Cordell questions whether James could handle that and they share a laugh.

Cordell smiling with scruff on Jared Padalecki.
Walker James Coby Bell smiling wide.
Walker Jared Padalecki smiling at James Coby Bell.

It’s a nice bonding moment, and as James says, it’s a start. Recruit, train, retrain.

James: And we’ll do it. Together.

We end with an ominous scene, as so often happens on this show. It’s also a really powerful one. Liam visits Stan in prison, apparently in return for good intel. A dangerous game to play. Stan says he sent Liam a letter.

Liam: I wasn’t in the market for a pen pal. But you know, there’s a whole demographic of people who get their rocks off marrying murderers behind bars.

Stan: Yeah, you have changed. Careful, it’s a slippery slope.

Stan looking at Liam across table in jail cell.
Walker gay LIam looking intense at Stan.

Gotta say, I am really fascinated with this new, slightly darker version of Liam. Just as Cordell has been changed by all that’s happened to him in the past few years, and the show hasn’t shied away from depicting that, Liam has been changed too. Stan is right. He’s not the optimistic, idealistic young man he was when we met him in the pilot. He’s experienced loss and grief, had any illusions of a safe or just world pulled out from under him, dealt with PTSD from being shot at his own family home. Experiences like that inevitably change you, and I’m so glad we’re getting to see the psychological aftermath with Liam too.

And speaking of courage, Liam is also trying to do what he thinks he has to do, even when that’s most definitely risky.

Just like with the tense scene between Cordell and Stan, this scene with Jeff Nordling and Keegan Allen is super charged and SO well acted by both. Liam isn’t interested in forgiveness and says he’ll never see Stan again.

Stan shrugs and brilliantly hooks him right back in. He says that Liam was right about the Davidsons, especially Gale, pulling his attention back.  Stan represented the Walkers after the fire, the boring financial stuff, land disputes, implying he knows a lot more than he’s ever let on. He says Esme will let Liam into the property. There’s a desk with a false bottom that has something that Liam might need, that he’ll know when he sees it.

Stan gets up to limp out but turns back and this time it’s he who gets the parting shot.

Stan: While you’re rummaging around in the past there, keep in mind you may not always like what you find.

Walker Stan limping out looking back at Liam who hurt him in 2.08.
Walker gay brother Liam getting a dark side in season 2.
Caps courtesy of spndeangirl

Damn. Way to leave it cliffhanging again. We know there are a lot of mysteries in the Walkers’ past. Are we about to get a clue to one of them?

Stay tuned for next week’s “Walker” new episode Sucker Punch to find out!

Jared Padalecki’s ‘Walker’ 2.07 asks Where Do We Go From Here?

“Walker” returned after a mini hiatus over the holidays last week, much to fans’ anticipation. Jared Padalecki did an Instagram Live with Entertainment Weekly’s Sam Highfill in the morning, teasing what to expect later that evening, and he live-tweeted the episode, which made the return extra exciting.

The titular question applies to just about everyone over the course of the episode, but the first iteration is for the brothers’ Walker. The episode starts out with the Walkers preparing a meal together, everyone joking around until Cordell accidentally knocks a bowl full of fresh rolls out of Liam’s hands. It shatters, an apt metaphor for the fragility of the brothers’ relationship right now.

Walker Cordell dropping glass that shatters on floor for gay brother Liam and gay son Augie.

Cordell snaps at him, Liam snaps back, and Augie and Stella want to know what the hell is going on. Liam decides to tell them about his suspicions about Dan Miller and how he made an ill-advised false police report.

Stella: That’s not good.

Stella with the understatement. The brothers glare at each other.

Walker STella noticed rift between Cordell and gay brother LIam.
Walker Cordell glaring mean at gay brother LIam.

Cordell: It’s a misdemeanor. Your uncle could be disbarred.

Liam: Thanks, Cordell, I know that.

Abilene says that’s enough as Liam storms out. She’s not exactly thrilled with either of her sons right now and I am, as always, loving her Mama Bear approach to trying to keep this volatile family of hers on a relatively even keel. It rarely works but I appreciate her efforts.

Walker goes to the office, watching as someone takes Micki’s nameplate down and carts it off in a box, and ouch. He’s still reeling from her departure, and to make things worse, the Serano case is getting more complicated. Serano, predictably, is trying to cast doubt on whether Liam might have tampered with some evidence since he filed a false police report, so there’s a continuance and an investigation and the possibility of Serano getting out on bail. Oh, and apparently it’s been three weeks since Cordell has even talked to Liam. What the hell? He disappeared for the holidays even? They’re as bad as the “Supernatural” Winchesters with their refusal to communicate sometimes!

Captain James gives Cordell the news that he’s not allowed on any case involving Serano or Northside Nation. Cordell blames Denise for retaliating, though Capt. James thinks maybe she’s just being a good DA. Time will tell…

James encourages Cordell to call his brother so he’s not caught off guard by Serano’s lawyers, but Walker’s too pissed.

Cordell: If he doesn’t wanna talk to me, then I’m done trying!

James: No you’re not.

Walker James talking to Cordell in office.
Walker Cordell in button up shirt tie thinking.

The brothers fall back into being ten-year-olds having a spat pretty easily, unfortunately.

Liam and Cordell aren’t the only ones trying to figure out where they go from here.

Stella’s Identity Crisis

Stella is also asking that question. She has a full-on identity crisis as she’s walking through a college fair, where it seems to her that everyone but her knows exactly what their future will entail.

Walker STella with North Texas shirt at college fair day.

She has a little bonding moment with Trey, who’s having an identity crisis of his own, both of them asking “What’s next?”

Stella’s feeling abandoned by her uncle, who’s always been there when she needed him. Trey’s feeling lost without Micki. They’re in the same boat, he says – which for some unknown reason is “a boat full of happy salmon” as the poster behind them says. Random – and my brain of course took it in a “Supernatural” direction, because Salmon Dean is a thing….but you probably had to be there. It’s an advertisement for a college in Maine, which becomes significant later on.

Stella with Trey on Walker at a Come To Maine show.

Also later in the episode, Stella and Trey bond over missing Micki, lamenting that they can’t fix things no matter how much they want to. Trey reminds her that she has the right to think about her own future and pick something that’s just for her.

Trey calls Walker after their conversation to tell him Stella’s having a hard time, and he is a good dad and shows up to greet her after school. I wish we all had the flexibility in our lives and jobs to do that every time one of our kids is having a tough day. There are days when I would have given anything to be able to drop everything just to pick them up – I’m happy for Cordell that he’s able to do that more now than he used to, and that he realizes how important it is that he does it when he can.

Cordell asks her where does she want to go from here, and Stella remembers a day when her mother picked her up from school in a flashback. She had a stomach ache that turned out to be more emotional than physical when the first day of high school overwhelmed her – another time when she felt out of step with her peers and not ready for something everyone else seemed fine with. I think we’ve all had that feeling – it’s universal and universally awful.

Emily (with Gen Padalecki returning) was understanding about it, though she had to take off work to come get her daughter. I’m not sure it’s the best idea to reinforce it with a “we day” of just the two of them, but it’s a fond memory for Stella.

Walker dead wife Emily always jumping in to remind viewers of her Gen Padalecki.

I’m glad the show isn’t forgetting Emily and continues to show how often the kids and Cordell think of her and how they still miss her. It’s realistic, grief that is still very real for them – but little by little they’re also able to enjoy those good memories instead of only being sad. Grieving is a slow process, but that’s how it ideally goes.

In the present, Stella suggests that she and her father have a “we day” to talk.

Stella: Dad, we’re so awkward…

Walker Cordell having a deep talk day with Stella.
Walker Stella Cordell at how awkward they all are.

It’s true, but Cordell is honestly trying. He shares his own path after high school, considering other things and then enlisting when 9/11 happened. Stella wonders if he ever feels like he missed out on going to college. He says sometimes, but he also reminds her that there are many happy and successful people who didn’t. This was an interesting scene because Padalecki himself didn’t go to college, although he was already accepted and enrolled and college is more the norm in the Padalecki family. I couldn’t help but think about the real-life parallels, and also that it’s probably a helpful message that doesn’t get put out there all that often.

We find out that Emily went to college but stayed local in Austin, and that Liam’s decision to go to college out of state came as a big surprise to the family. I am really excited that the show is getting a little deeper into Cordell and Liam’s history and relationship – there’s clearly so much unsaid between them, and some simmering resentments as well as a whole lot of love.

Walker and Stella play a game of bocce, which was something Emily’s mom taught her. Cordell reminds her that Emily was a cutthroat bocce player as Stella remembers her mom teaching her how to play.

Walker STella playing bocce with Cordell Jared Padalecki.

Stella: She always said it’s about how it all works together, and don’t make a bad choice just to spite the other person.

Cordell recognizes the double meaning there of course and then gets a text from Bret that he and Liam are headed to HQ.

Cordell: I hope you know, it matters to me what’s going on in your world.

It’s a nice father/daughter moment, Walker trying to carry on the tradition that Emily started.

Meanwhile, August and his grandmother Abilene are pushing back against expectations about the Davidson-Walker feud, creating new answers to the ‘where do we go from here’ question.

Challenging the Barn Burner

Abeline and August have some “outside time” planting flowers and a container garden and it’s one of my favorite little scenes. I’m an Abeline stan, I admit it. Augie asks if she’s heard from his uncle.

Abeline: Last night I asked him if he was still alive and he sent me an emoji of an amoeba. I didn’t even know they made emojis of amoebas.

Walker Abilene trying to get Augie's attention.
Walker Augie with broken arm talking to abilene.

I literally laughed out loud. Molly Hagan can deliver a comedic line with the best of them, and this script by Katherine Alyse and Anna Fricke has some wonderful lines.

Augie: I think that’s technically a microbe…

Colton comes by looking for Stella and worried about her, and Augie invites him to help him with a track he’s working on. Abilene questions whether Colton’s parents would want him at their house, and he says he wasn’t planning on telling them.  Augie says ‘please’ and Colton looks a little lost, and of course, Abilene says yes. She cannot resist a lost soul and I love that about her.

Walker Colton giving Augie a sexy latino look with a bulge showing through everything 207.
Walker Augie looking like he wants to slurp up every drop Colton has in his pants.
Abilene playing mom to Augie and Colton on Walker 207.

I also love how open and enthusiastic August is, how he doesn’t give a damn that Colton is part of the family they’re ‘feuding’ with. He just sees a like-minded person who he now considers a friend and wants to spend time and collaborate and share their love of music.

Colton and Augie collaborate, playing a tune on the piano, and Abilene starts singing to the music. Colton is surprised she knows the song since his mom used to sing it to him. Abilene says that Marv, his grandfather, used to sing it. Colton is curious, saying that his family made the Walkers sound like supervillains. Both August and Colton can’t understand why before Dan even met them, he was “amped to hate you”.

Colton confides that Dan’s family was “crap” and that’s part of why they adopted him, to do right by someone else.  Abilene says she didn’t know that, and you can see her opinion of Colton changing just like that. Molly Hagan is so good, have I mentioned?

Colton: It’s been rough moving, and then we got here and my parents started talking divorce.

Abilene: I can’t imagine it’s been easy. Colton, it’s clear your parents are good people – judging by how you turned out.

Walker sexy Colton checking out Abilene.
Walker Abilene talking to Colton.

She tells him to call her Abilene. Awww.

Abilene and the boys have some nachos and we get a little hint of backstory that could be in the spinoff, that the feud between the Davidsons and the Walkers dates back all the way to the 1870s.  Abilene and Gail used to be friends, and though she kept in touch with Marv, Abilene assures Colton that “he loved your Gammy.”

Abilene: He was human. It sounds like a simple thing to say, but to be human is a gift.

As Colton and Augie grow closer, Augie confides that he found a lantern in the barn with his family’s brand. They get interrupted then, but it’s foreboding, a reminder that something will eventually come of that find. Probably something not so good.

Trey is asking ‘where do we go from here’ too, in terms of his love life and literally where he’ll decide to stay. He’s left with the house that he and Micki lived in but she’s gone, and that leaves him unsure of his future in multiple ways.

The Bromance We Didn’t Know We Needed

Poor Trey is sleeping on top of the covers on the bed he used to share with Micki, clearly feeling down. Captain James drops by, questioning a gray car parked outside and saying he wants to keep Trey safe.

Trey (chuckling): I’ve done three tours, I think I can handle myself.

Walker Trey sleeping on covers on bed bulge for Micki still showing.
Walker Trey looking out window while James checks him out from behind.

They share some traditional Haitian juice that Trey grew up drinking. James encourages Trey to stick around in Austin and they end up bonding and playing video games and it’s a bromance we didn’t even know we needed until it happened. James offers to talk about Micki, though neither really knows what to say, agreeing that they’re both trying to figure out what they could’ve done differently. Trey has come to some acceptance, though, saying this was what she needed and that she was taking care of herself. It’s a real-life parallel again for Lindsey Morgan’s departure.

Walker James and Trey clinking Haitian Juice glasses.
Walker James and Trey drinking bromance making haitian juice.
Walker James and Trey play house with Micki now gone.

Captain James gets a call and abruptly says “we gotta go” and Trey gets with the program immediately, sensing the danger and play acting a casual beer run as they leave his house and drive away, past the ominous gray car still parked there. Serano’s men are not exactly stealthy, are they? Sitting there in plain sight for hours on end looks just a wee bit suspicious.

James followed his instincts and ran the car’s plate. They head to HQ together.

The ‘where do we go from here’ question works in multiple ways for Liam too, about his professional aspirations, his relationship with his big brother, and about another important relationship – with ex-fiancé Bret.

Avoiding the Answers

We catch up with Liam in a sort of music video montage, Liam hiding out in the remote woods and taking all his frustrations out on some trees that he’s chopping up. (Keegan Allen says that’s something he does in real life to keep in shape, and it shows). Liam in a henley and jeans is a very good look.

Walker gay Liam working his butch lumber jack drag look.

He doesn’t want to answer his constantly ringing phone, however, in full-on avoidance mode. He finally does pick up when Captain James calls, retorting that he’s ‘not doing so good, thanks for asking,’ when James tells him the continuance for Serano was approved.

James: There’s no time for feelings!

Walker James Coby Bell hot in white cowboy hat tight khakis.

James tells him to come make a statement, and Liam, ever the little brother, petulantly asks if Cordi will be there. James essentially tells him to cut it out, that he’s trying to protect Liam.

Liam returns to civilization, and I was so excited I gasped out loud when we see Bret’s reflection in the window, heading toward his ex-fiancé.

Walker Keegan Allen tearing up seeing hot gay ex Bret coming hard into window for him.

Liam’s smile when he sees Bret is a beautiful thing, and most of fandom who are definitely rooting for the two of them were probably smiling just as widely. They greet each other with a hug, which I guess makes sense if they’re not technically back together (but if they are eventually, I hope their relationship is depicted the same way as the other couples on the show).

I love the banter between Liam and Bret, and the easy chemistry that Keegan Allen and Alex Landi have onscreen.

Walker gay Brett is back for gay Liam
Walker gay Brett hugging deep into LIam.

Liam drinks way too much, still in avoidance mode.

Bret, looking at the menu: Barn Burner?? Oh that’s the new Davidson one… a little on the nose, don’t you think?

YES I do think. I kinda love Bret. Okay, I entirely love Bret.

Liam doesn’t want to answer his phone, but Bret doesn’t fall for the ‘it’s a telemarketer’ excuse.

Walker gay Brett watching LIam suck hard at his long deep neck bottle of beer.

Liam finally picks up saying “it’s Bret”, which gets him a snarky laugh. It’s Serano’s legal team, which Liam tries to blow off until the attorney asks “is this your official recusal?”

Bret shakes his head, warning, and Liam is smart enough to say no, all their legal instincts telling them that it would be a mistake.

The boys play pool, looking a little like Winchesters, and Bret tries to get Liam to open up about “what’s going on in there”. Liam says he wanted to change the system, but he feels like the system changed him instead – and Micki and Stan too. 

Walker gay Liam ready to slam up Bretts pool balls hard.
Walker gay Liam bending over pool table so Brett can jam him up.

The more they talk, the more Liam suddenly realizes that he has to make a statement about what he did wrong, otherwise they’ll accuse Cordell of wrongdoing or lying, and as one of the arresting officers, try to get Serano’s arrest thrown out.

Liam: You have to take me to Ranger HQ.

Bret: You’re blitzed! I’m not taking you anywhere.

Walker Brett calling out Liam for being drunk again.

Liam insists they have coffee there (as though that will instantly sober him up lol) and Bret finally agrees.

Liam: Okay but you’re driving.

No kidding, Liam!

They get to HQ and Liam is way too drunk for this, but I have to say Keegan Allen just killed it as drunk Liam. As did the writers of this episode, Kathryn Alyse and Anna Fricke. Liam’s dialogue is witty and hilarious and Keegan makes you 100% believe Liam is totally wasted, sappy and handsy. Bret is indulgent, Trey and James are incredulous.

Walker gay Brett holding gay Liams shoulder as he holds on James hands for a job.
Walker Trey and James sharing a moment after Micki's gone.

Cordell, meanwhile, has listened to his daughter’s bocce analogies and come to some realizations. As they pull up to HQ, he says he’s remembering a time he and Liam got called into the principal’s office when they were kids.

Cordell: Kids at school, they put your uncle through the wringer. He knew who he was, and kids came after him for it. So one day I picked a fight with him – a fight I knew he would win. And that shut everyone else up.

Stella: Guys are weird.

Cordell: I think I might be the person who taught him to do something stupid in the name of doing something right.

Walker Cordell giving guy advice to daughter Stella.
Walker Cordell talking to Stell about guys.

Such a big brother thing to say, and such a protective big brother thing to do. I love that Cordell is willing to examine his own feelings and actions and sometimes to change his mind and see another perspective.

Meanwhile, Liam.

Liam: By the way, do we still consider this the holidays? Because I could go for a peppermint woowoo…

Bret (trying to get him to shut up): Okay, that’s fantastic.

Serano’s attorneys show up, and drunk Liam asks them where they get off being that smug because he’s just that drunk.

Serano’s attorney: You’re a joke, William Walker.

Liam: Your outfit is a joke…

Walker LIam gaying it up about fashion sense.
Walker dealing with Serano's attorney for gay brother Liam.

At that point, I literally started laughing out loud. This whole scene is absolute gold. All the kudos to Keegan and Alex for making it priceless.

James and Liam have a little heart-to-heart about what’s really going on with him.

Liam: I lost DA to a man who killed my sister-in-law.

He really has been through a lot, including getting shot, and the PTSD has taken a toll. Liam and Bret have a little heart to heart too, also asking their version of the episode’s title question.

Liam: I miss you every day.

Bret: Me too. What are we doing?

Liam: I think we’re waiting for me to be a person worth making a promise to.

Bret: I’m waiting for you to see that you are worth being that person. We’re on the same page here.

Walker gay brother Keegan Allen looking gruff and nasty for Bret.
Walker gay Brett touching up Keegan Allens hand for a job.
Walker Bret back trying to save gay brother Keegan Allen from slipping away.

Fandom: Us too!!

Cordi gives Bret a big hug and he takes Stella home, leaving the brothers Walker to talk. Big brother Cordell slaps little brother on the shoulder, pats him on the back of the head, reconnecting. He apologizes for “hitting your ball out of the way”, using the bocce analogy. Liam tries to avoid again, saying they’re good, but Cordell says no, they’re not, and Liam knows it too. That losing Micki hurt him and left a hole, that she was the partner he didn’t know he needed after everything that happened.

Cordi: But you are my partner too, you’re my brother.

Walker Cordell finding gay brother Keegan Allen outside ready to give hand jobbers to truckers at the truck stop.

He says he sees Liam slipping, that he was too close to see it before. The brothers sit down, talk for real.

Liam: I got so far away from who I want to be.

Cordell: I get it. Owning up to your mistakes takes courage, takes heart. Whenever you want to give your official statement, I’ll be there.

Cordell pulls Liam in, head on his big brother’s shoulder. Awww.

These quiet scenes are my favorite. Padalecki shines when he gets the chance to really connect one on one with a scene partner, and Allen is just as good at showing emotional vulnerability.

Walker Keegan Allen working up Jared Padalecki to stroke him off outside the farm.
Jared Padalecki stroking off Keegan Allens arm in Walker.
Walker Cordell hugging Keegan Allen tight.

So, Where Do We Go From Here?

The Walker family plays cards to end the day, Stella winning again, Liam and the kids ganging up on Cordell and Bret agreeing with “yeah, they do that.”

Cordell quotes Shakespeare, and Stella tells them that she started her first application – to Colby College. In Maine. Emily almost went there too, recruited for soccer. She justifies it by saying that Uncle Liam went to college back east, while Cordell has a more lukewarm reaction. Shades of Sam Winchester going off to college in California – though Cordell is being a lot more reasonable than John Winchester, that’s for sure.

Walker family with Jared Padalecki sitting in family room playing games and talking.

The last scene was a shocker, or it would have been except that a lot of us were spoiled for the fact that Captain James gets shot in this episode. So, as I watched him drop off Trey and the two of them banter happily, I was sitting there going nononononono. Sure enough, a guy starts shooting, hitting James in the leg as he yells for Trey to get down, and then, as James steps out, hitting him again right in the chest. The bullet goes all the way through and James goes down, Trey yelling “Cap! Cap!”

Walker Captain James gets shot and laying in pool of blood Coby Bell.
Caps courtesy of spndeangirl

The scene was still upsetting even though I was prepared for it. Captain James is a beloved character, and the shot was just graphic enough to be stomach-turning (though tame compared to what I was used to on “Supernatural”). Kinda glad this wasn’t the one Jensen Ackles had to direct, though.

Next week we get another new “Walker” with Two Points for Honesty, so we’ll find out how James is doing – we know he pulls through, thankfully, but it seems like he’ll have some recovering to do. Stay tuned!