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Rod Roddenberry talks ‘Star Trek’ Creator Gene Roddenberry 100th Birthday plus our future

Today would have been the 100th birthday of “Star Trek” creator Gene Roddenberry, whose innovative television show in the 1960s has had a tremendous impact on not only its fans but on the broader culture as well. With ten television series and counting, and thirteen feature films, “Star Trek” continues to accumulate new fans as well as people who have counted themselves as fans for the past half a century.

In some cases, entire families are multi-generational “Star Trek” fans, passing on an appreciation for the franchise and what it stands for. There’s a new podcast just beginning, and a live showing of the “Star Trek: IV” movie in theaters this week, with a remastered version for the film’s 35th anniversary. Last week Creation Entertainment brought actors and fans together for its 55th anniversary “Star Trek” convention in Las Vegas.

think trek gene roddenberry centennial 2021

The “Star Trek” fandom has the same longevity. For many people, fandom and “Star Trek” are synonymous – the stereotype of ‘fan’ is a guy dressed as a Klingon at a convention. “Star Trek” fans are not all cosplayers or convention-goers, but they have been passionate from the start. Some of the first fan gatherings were for “Star Trek,” as was the first successful attempt at a fan campaign to get a show renewed. Writing actual letters to the network got “Star Trek” its third season for the original series. What has made this show and its multifaceted universe so popular and so enduring?

“Star Trek” has been, from the start, a philosophical show with a lot to say about humanity and how we are interconnected with each other and with the rest of the universe. Gene, and showrunners and writers after him, used the medium of science fiction to address social issues of the time that they might not have been able to talk about directly otherwise.

Gene infused the show with his personal beliefs and an ethical foundation that has remained over the decades, insisting on a racially diverse show with women in positions of power at a time when that was not the norm. He did not shy away from exploring and interrogating the challenges we face, from racism and sexism to xenophobia and prejudice. Those themes are perhaps more relevant than ever.

Star Trek Lego Build 1 controversial interracial captain kirk black kiss.
Courtesy Jade Alayne Photography

Roddenberry was also a believer in not being afraid of science, and a proponent of the quest for knowledge. “To boldly go where no one has gone before” described his refusal to be afraid of the unknown, encouraging exploration not just of the final frontier of space but also of our own human failings. At the same time, “Star Trek” is ultimately a hopeful vision of the future. Gene believed that we were capable of being better, and that given enough time, we would shape a better world. He stressed the importance of humans working together for the common good, which is more critical than ever in the midst of a global pandemic.

Those beliefs and values shaped generations of “Star Trek” viewers. Popular media has a significant impact, and a franchise that has been in existence for over half a century has had time to have greater impact than most. The show has even inspired countless fans to pursue their own real life quests for knowledge, with many finding careers as scientists, mathematicians, chemists, astrophysicists.

gene roddenberry with young son rod

To celebrate Gene Roddenberry’s centennial, Roddenberry Enterprises, helmed by Gene’s son Rod, launched a series of multi-media ways to remember the show and how it has inspired people over the past several months. On social media, #talkTREK shared many of Gene’s quotes, read by the actors, writers, scientists and others who have been part of the “Star Trek” universe.

Whoopi Goldberg’s reminded us that Gene believed in humanity – a reminder and some hope that feels more needed than ever.

Even NASA is in on the celebration, holding a panel this afternoon including Rod Roddenberry and George Takei from the original series.

The #seeTREK hashtag shared art and other creative projects inspired by the show and its characters, a reminder of the messages carried by the many incarnations of “Star Trek” (you can see some of those impressive block builds in this article). I met Rod at a “Star Trek” convention over a decade ago, and last week was able to spend some time talking to him again – about his father, the centennial celebration, and why “Star Trek’s” philosophy and values resonate so much today.

Rod Roddenbly 2012 star trek convention images movie tv tech geeks

Lynn: With your father’s 100th coming up, a lot of us have been looking back at the messages he was trying to deliver with “Star Trek” and it’s been emotional for me to revisit some of his quotes and some of the themes of the show. I think that’s partly nostalgia, but it’s also that the themes that made the show resonate with so many people over the decades are still relevant. The importance of embracing diversity, that the only way we’ll survive is through collaboration and mutual respect, that seems so important right now.

Rod: “Star Trek’s” backbone philosophy is IDIC, Infinite Diversity in Infinite Combinations. And of course, the idea in “Star Trek” is you’re never going to get out into the universe and we’re never going to evolve intellectually until we realize that it is the differences between us that are what is special, and learning about those differences and growing from them is how we make that “Star Trek” future a reality. They weren’t just out in space finding aliens that looked weird, they were trying to find intelligent species in our universe that looked at the universe in a different way. Because they knew that any life form, whether on earth or somewhere else, that had a unique perspective, was something we could learn from. We didn’t have to agree with it, we didn’t have to think it was right, but to hear a different perspective on something helps us grow as a person. It helps us form our perspective on life and the universe. Sometimes we’ll hear something and think, that’s great, I’m gonna take that in and incorporate that. Or, I don’t want any of that, let’s push that away. But we’ve gotta be listening. If we don’t, if we live in our bubbles, we will not get any further than we are right now.

Build 2 of #talktrek Star Trek roddenberry celebration.
Courtesy of Jade Alayne Photography

Lynn: Yes, and I think sometimes we do get stuck, and we do forget to listen.

Rod: Some of us do that – our species has been evolving, albeit sometimes incredibly slowly.

Lynn (laughing): It feels that way.

Rod: I wrestle with the idea of how far we’ve come from the 1960s. I’d like to give us credit on some level – we’ve certainly made technological advances – and in terms of social justice, I’d like to believe that we’ve made advances, but the messages that “Star Trek” had then are just as important. Some might say more important today. So it really is that IDIC philosophy that’s crucial, and what this [celebration] is all about. I’m doing this to celebrate my father’s 100th birthday, but not just to celebrate a man who passed away twenty plus years ago. It’s the ideas behind that, it’s those ideas that are infused into Star Trek. This is the platform to get those ideas back out there. Our society, we need it desperately. We’ve probably needed it for our entire existence, but in terms of Star Trek, from the sixties until now, let’s keep it going.

Lynn: And I do feel like so many of the ideas from “Star Trek” are more relevant than ever. I’m a psychologist who studies fandom, and I revisited your documentary film ‘Trek Nation’ recently and was struck by several things I didn’t focus on the first time I saw it. It’s sort of like you went on a journey of discovery, asking why fans loved Star Trek so much, and you discovered what I’ve found in so much of my research and write about in my books – that being a fan can be a really healthy positive thing. It can inspire creativity, provide comfort and community, can change beliefs and inspire hope. What do you feel like you learned about fandom from making that film?

Rod: Early on, what it became was discovering the breadth and diversity of the kinds of fans who are out there. I truly, for the past twenty plus years of my life, have been traveling the world meeting fans from all over, whether at a convention or just traveling, and to meet people who are, let’s say, highly religious in one faith and people who are highly religious in another, or politicians, or NFL players, or movie stars. You name it, there are people out there who all agree with this common idea of humanity coming together as one. We are one species, of course, but I guess, as one planet.

THird build of #talktrek leonard nimoy mister spock vulcan gretting lego build.
Photo courtesy of Jade Alyane Photography

Lynn: I was also struck by the fact that, in watching the documentary again, you kinda strike the same tone that your father always did – accepting, nonjudgmental, hopeful. Positive.

Rod: I attempt that. It’s sometimes difficult. I’ve moved a little bit from IDIC to empathy. They’re not one in the same but they’re closely related. Right now in this world, I think what we need is a lot more empathy. And by empathy, I mean not sympathy, not feeling bad for someone, but truly trying to understand them. Trying to step out of yourself and see them from a different point of view. Which “Star Trek,” when it was at its best, did that. On a daily basis, I look at the news and say, what a bunch of idiots! But there are moments, and trust me, I don’t do it often but I’m very proud of myself when I do because it’s a hard thing for any of us to do, but if I can say, you know what? I remember a year ago when I behaved like that, or when I was in that situation and I was kind of an ass or whatever. To be able to make that connection and then have a little more compassion as opposed to judgment, hatred or anger? It’s really a paradigm shift, and if we can all start to do that more often – it’s not going to happen overnight – but if we can all slightly increase that in ourselves a bit, I think we will advance forward faster as a species. It sounds preachy, and I’m not saying I always do it, but I have done it.

Rod went on to relate that challenge to politics and how we all get emotional and start to see others as evil or idiots, and specifically his own struggle with the last president.

Rod: I understand that a person is the way they are because of their experiences, how they were brought up. We are shaped by our surroundings and these are fears and insecurities that they have in themselves. That’s an extreme situation, but we can do that same thing much simpler with the people around us on a daily basis.

Lynn: It’s true, we are all impacted by our environments, even when we don’t realize it. The other thing that struck me as a psychologists watching “Trek Nation” again recently was how much the making of the film was about your own quest to discover your father. I teach a graduate course in grief and loss to future counselors, and one technique that helps a lot of people, especially if you loved the person you lost but felt you didn’t know them that well, is to write a ‘biography’ of the lost person, talking to people who knew them in ways you didn’t – it helps us reconcile the images we all construct of our parents as larger than life with their actual human flaws that impacted us. It seemed like you related to his vision of the world, and that was common ground you could find with him even after he was gone. Like embracing your father’s vision was a way of embracing him and staying connected to him, in spite of his flaws. Does that resonate with you?

Gene Roddenberry sitting with new Star Trek Movie show script 2021

Rod: Yes, most of what you say does. Taking on those philosophies I think began before that. It’s not that he and I sat down and talked philosophy, because we never really did, but I think simply by being in proximity and having the life I did, they were around me and I think slowly may have seeped in. Certainly once again influenced by my surroundings. I’ve had many privileges, but one of the greatest was having a father that I could go around [after he died] and talk to so many people and learn about him. And on some level – I would like to say unbiased people, though I’m sure some of them weren’t – but I got the spectrum. There were people who never made it to the documentary that I spoke with off camera that didn’t like my father, and then I had the people who adored him. And what was beautiful is, then I was able to find this man, this human, in the middle. And it sounds stupid for me to call him a human, of course he was human, but so many people idolized him that it was hard to get a real understanding of him. It’s so interesting to hear that there’s a grief process that is sort of like this, because that’s exactly what it did for me. And it worked on many levels, not just the loss of my father, but trying to figure out who I am too.

Lynn: That’s so much of a part of loss for us as humans – we lose someone important to us, and then have to figure out, who am I now, after that person is gone? It’s a big part of the adaptation process.

Rod: Yes, like am I trying to be the next Gene Roddenberry? Am I supposed to be? Am I following in his footsteps? Who the hell am I? It really was a journey. The documentary wasn’t about me, so a lot of that journey never made it onscreen, and that’s fine, because that part was my journey. That’s not the story we were trying to tell. But there was such a cathartic, growing part of that experience for me that will never be seen by anyone else, but it was a wonderful opportunity.

Gene ROddenberry on Star Trek set directing shatner nimoy

Lynn: I’m going to recommend the film to my grad students. Even if you didn’t consciously know you were doing that, you can see your evolution over the course of the documentary, and it’s a powerful journey.

Rod: I appreciate that very very much.

Lynn: Okay, last question. We’re dealing with a pandemic which is literally requiring us all to boldly go where no one has gone before. Are there messages from “Star Trek” that are directly related to the pandemic?

Rod: I struggle with this at different times with a different point of view. I’m just going to be bluntly honest with you – my daily comment is that we’re screwing ourselves again, we’re a bunch of dumbasses, we’re gonna end up right back where we were.

Lynn: That’s what I’m afraid of!

Rod went on to acknowledge his privilege in having had many life experiences and being exposed to a lot of intelligent people all over the world.

Rod: I’m not super intelligent, just a basic well-rounded person, but there are so many people who haven’t had those experiences and are stuck in this place of fear and uncertainty. It’s been going on for a while, but it certainly has been exacerbated by our last political leaders. It’s unfortunate because I know people who say, I’m scared to get the vaccine. These are people I know and respect, normal people, and I don’t have enough of the scientific knowledge to try to convince them. It’s sort of like religion too, what you believe is what you believe. People are a little trapped in that area. So, I feel a little lost right now because I don’t want to put my beliefs on them, but then I go to, well science isn’t my beliefs, science is science. So, it’s an internal struggle right now. I do think “Star Trek” can play a part – the ideas, the empathy, the compassion can play a part.

Lynn: Definitely.

Rod Roddenberry behind camera directing star trek nation project

Rod: I’m passionate about the vaccine, that it’s really going to save us here.

Lynn: I feel like that goes back to “Star Trek” too – we have to do this together. We have to care about each other and think of the common good. And that takes us right back to the themes we started with.

Rod: If I can throw out the word ‘education,’ which is a loaded word – I don’t mean STEM necessarily, I just mean life perspective, experience. If we can do more with ethics and empathy and these sorts of things at a younger age, I don’t think we’ll have people that live in so much fear, because they’ll be able to use their critical thinking to get out of those mindsets. It’s a multi-generational change.

Lynn: You don’t have to convince me, you’re talking to a professor here! The better we all are at critical thinking, the less vulnerable we are to all the misinformation that’s out there.

Rod: I can’t wait to read what you write.

Rod Roddenberrry looking at Star Trek memorabilia mttg
Photos courtesy of Roddenberry Entertainment

We ended our conversation and all I could think was how much Rod, from what I know of Gene, really is like his father. He is quick to acknowledge his own privilege and awareness that he doesn’t know it all by any means, but he is also open and eager for knowledge. He understands and shares with his father the values and beliefs that have infused the “Star Trek” universe from the beginning, but isn’t naïve about the complexity of the ethical dilemmas facing humanity right now.

I think he’s onto something, that Star Trek’s ideas – a half-century later – can help us navigate the challenges of 2021. We can’t be afraid of seeking out new knowledge and new ideas or counting on science.  Infinite diversity in infinite combinations is what makes the world beautiful. Humanity working together for a common good is what will save us.

I can’t think of a better person to bring Gene Roddenberry’s ideas into the future than his son.

‘Walker’ Drives Home An Action-Packed Season 1 Finale

As I sit down to write a review of the first season’s finale, let me be honest about something. I wasn’t sure I’d love “Walker.”

As a “Supernatural” fan who had come to love Sam Winchester and the man who played him so brilliantly, of course, I was going to give Jared Padalecki’s new show a try. I’d worked with Jared to write an autobiographical book chapter in ‘Family Don’t End With Blood’ and gotten to know him a little, so I was thrilled when he was given this new show to film right in his own backyard. I had never watched the original “Walker Texas Ranger” either; it wasn’t my kind of show.  

The first few episodes, I watched because it was Jared, and I was happy for him. But little by little, “Walker” grew on me. The characters began to be fleshed out, and the themes of the show began to make themselves clear, especially how grief and loss can impact a family – and sometimes tear them apart. My psychologist’s brain was intrigued. And then my heart got pulled in.

As the season progressed, Walker paralleled what was happening with the “Supernatural” fandom, a family also being torn apart by grief and loss. “Walker” became a refuge – a brand new little fandom that has not yet fragmented into ship wars and favorite character factions trying to tear each other apart on any given day.

The “Walker” fandom right now is a smaller group of fans who seem happy to watch the show and ship anyone and everyone and let everyone else ship different anyone’s and everyone’s without any shaming (imagine!) – or ship no one at all. Who happily post thirsty gifs of shirtless Cordell and Trey but are also excited to hear about props from the engaging crew or to celebrate that week’s guest star. Who are rooting for Liam and Bret to get back together – and also for Abeline and Bonham.  Who celebrate Micki and Geri’s burgeoning friendship (or ship them, whatever…) and the way Augie and Stella can open up to each other a little.

Thursdays have been a drama-free let’s-all-watch-and-enjoy evening, with Padalecki and some of the other cast joining in to live tweet or do Instagram takeovers. It’s been FUN. I’d almost forgotten when fandom was FUN.

The cast and crew shared some little videos of Lindsey Morgan and Coby Bell wrapping their seasons, and it seems like they had as much fun filming the show as the fandom did watching it – even though it was clearly challenging to film during the pandemic. Many of the actors have talked about the positive atmosphere on the set and credited Jared with setting that tone – just like he and Jensen Ackles did on “Supernatural.” I feel oddly proud of that, watching that legacy be carried on.

I’m so glad that “Walker” is already renewed for a Season 2, so I have more of that to look forward to. For now, here are my thoughts on the Season 1 finale, as Walker wraps up its very first season.

The final episode picks up right where we left off, in a tense confrontation between Walker and former boss Stan. Walker confronts Stan over the two dead bodies, holding a gun on him, accusing him of forcing Carlos to confess to Emily’s murder. Stan keeps protesting that’s not what happened, though he admits he was there. He insists it was his idea to pay Carlos and that Cali forced his hand. (We will later find out that this is partly true, but the truth is also a lot more painful than Stan is letting on).

Cordell realizes that the dead reporter must have had something on him and starts to understand just how dark this scenario really is. Jared Padalecki makes this scene incredibly tense from the very start, as he brokenly asks Stan, “did you kill my wife?”

Walker Jared Padalecki looking fierce as he points gun at Stan.
Walker STan watching concerned as Cordell holds gun on him.

“Cordi,” Stan answers, using the familiar nickname – a reminder that this is a man who has been nearly part of the family for a very long time, making it an even worse betrayal when he denies it.

Cordell suspects Stan still has people on the inside who will help him, so instead of taking him in and following the rules, he orders him to get in the car and “drive”.

Shout out to the suspenseful music here, which amps up the tension without getting in the way of it. This episode really did feel like a roller coaster at times.

While Stan and Cordell are driving and all hell is breaking loose, the rest of the Walkers are at Stan’s (very large) house that he offered to them for the wedding vow renewals. The juxtaposition of the rest of the family all casually setting up flowers and decorations at Stan’s house while Stan is driving at gunpoint is striking.

Walker family walking into office.

Augie finds a key under a statue (as you do), and they let themselves in. As they take in the opulence, Augie wonders why, if he lives in a house this nice, Stan wants to be DA, which is a relevant question. Why does Stan have such a nice house?? Hmmm.

(Of course, the entire fandom has found Stan sus from the jump, so no one is actually surprised by the house).

The rest of the family is clueless and un-angsty for the Walker clan, Stella saying that her dad has “actually been pretty cool lately.”  Stan even has a framed photo of Cordell’s swearing-in, with a pregnant Emily beaming proudly.

Walker Cordell swearing Stan in as new DA.
Walker Abilene hugging Augie and STella.

In another contrast to what’s happening with Cordell and Stan, Micki is getting along swimmingly with Trey’s mom. I’m glad about that, though the scene where you think she’s going to ask them something serious and then she asks if breakfast tacos are just for breakfast is….weird.  I get we’re supposed to worry that she’s gonna ask about having kids, but then – that? Anyway, no they’re not, and she’s relieved about that and maybe she starts making some off-camera and that’s why she asked. 

Walker Trey's mother watching her son and Micki playing.
Walker Trey and Micki being cute together.

Micki is enjoying the feeling of being a family and decides to invite her moms/mom and aunt to join in. I’m glad about that too in terms of the characters but disappointed that we didn’t get to see more of the journey.

One of the challenges of an ensemble show is that you don’t always get as much time as you want with any particular storyline. I thought the painful and complicated story of Micki’s upbringing was well done and I would have loved to see more of how the three women struggled to forge new relationships with each other as adults, after such an upheaval.

I appreciate that Walker is not just a show about romantic relationships (one of the things I also loved about “Supernatural”). The show explores sibling relationships, friendships, family relationships. It looks at relationships between teenagers, grandparents, gay, straight, new, and long-term. It lets relationships be complicated, the way they are in real life. I value that, and I want to SEE it.

I think they missed an opportunity for us to see Micki, Adriana, and Mercedes process the hurt they are all inevitably feeling and work to come out on the other side. Seeing them all sitting around the table laughing together would have been so much more satisfying if we’d seen more of the struggle.

Back to the roller coaster… as Stan drives and Walker sets his jaw, rage barely contained every time he looks at his former friend and boss. Stan tries to justify his involvement with drugs and Northside Nation with a rationalization story of cops and judges having their budgets cut and pensions impacted, though he doesn’t sound like even he really believes the justification. He seems to realize that once you make a deal with the devil, you don’t just get to walk away. I guess he found out the hard way.

Stan: You know how hard it is to crawl out of an abyss?

Walker Stan tries to explain killing Emily to Cordell.

Stan retains his sense of humor, however. He clearly doesn’t think that Walker really will kill him – or maybe there’s a part of him that doesn’t care and wanted to be caught. I saw a lot of Stan hate on my timeline and felt it too as the episode replayed what really happened, but I also thought that the script and Jeffrey Nordling made Stan a sad character too. I like that the show doesn’t paint him with a single color brush but lets us see some of his guilt and remorse and what seems like genuine affection for the family that ultimately his actions helped tear apart. The people who do horrible things can also sit around your dinner table and share a joke, no matter how much we don’t want to think that.

Stan: Don’t kill me but, we’re running on empty. Poor choice of words I know…

They stop at a gas station and annoyingly Walker isn’t very careful about keeping an eye on Stan or making sure he didn’t have any other phones (or weapons?) on him.  (We do get a much-giffed moment of Cordell shoving his gun in the waistband of his jeans though, so I won’t quibble too much about this scene).

He doesn’t notice Stan get out a phone and do some texting until it’s too late, the text is out – “I’ve been taken hostage by Cordell Walker, Texas Ranger.”

Uh oh.

Stan insists maybe he’s saving Walker from himself, still rationalizing like a pro. Walker realizes he’s trying to shift the narrative, make it look like a grieving Walker lost it and forced a confession from an old family friend. Walker tells him to keep on driving.

Walker STan looking in side truck mirror.

Meanwhile, a harried Capt. James tries to calm everyone down and keeps calling Cordell. He also interrupts Micki’s fun times with Trey and his mom.

Micki defends Cordell immediately, saying that he’s not returning James’ calls because he doesn’t want to disobey an order. She calls him back and he picks up for her, telling her that Stan has been working with NSN and they tried to kill him.

Walker: You’re the only one I can trust right now.

Micki (without hesitation): What do you need?

Walker Cordell calls Micki while with Stan.
Walker Micki on phone with Cordell.

Partners. I didn’t always see enough of Micki and Cordell’s initial head-butting to make their evolution as true partners as satisfying as it might have been, but I’m glad they got there.

Micki goes to get Carlos and keep him safe, taking Trey with her to help.

Meanwhile, Abeline and Bonham are happy and flirty, coming up with remarried couples’ names for their signature drink – the Taylor Burton is better than the Wood Wagner, says Abeline. Hmm. Was that a dirty joke? If it was, yay – I’m all for the show letting the mature couple be sexy and romantic. You know, just like in real life.

Bret and Liam also connect a little more as they set the table and Liam ignores his buzzing phone until Bret finally tells him to go ahead and pick up.

August goes exploring in Stan’s house, which is a little weird. He finds, to his shock, the missing poker chips like the one that was found with Emily when she died.  Kale Culley does an amazing job with this small scene – I so felt for August in that moment, as he takes in the implications of what that might mean.

Walker Augie finds missing poker chips.

Back on the drive, two police cars appear out of nowhere and corner Walker and Stan on the road. Walker orders Stan to stay in the car while he gets out, telling them that Stan is in his custody, and he doesn’t know who to trust. In fact, he quickly realizes the sheriff is awfully far out from Travis County – and that they didn’t call it in either. (Walker gets to be smart and competent in this episode and I’m here for it!)

The sheriff draws his gun, and a battle erupts, bullets flying and glass shattering.

Stan: They’re shooting at us!

Walker (deadpan): Yeah, I know, Stan.

Walker sheriff shooting at Cordell and STan.
Walker Cordell pointing gun at bad people.
Walker STan realizes Cordell knows his secrets.

There are times when I truly enjoy the Cordell and Stan story – Jeffrey and Jared work really well together.

The show turns the gunfight into a slow-motion music montage, and somehow it works perfectly, Cordell (and Padalecki) looking totally badass as he puts the cop cars out of commission and they get away.

1.18 jarpadandjensens (gif jarpadandjensens)

Cordell: You’re expendable now, Stan.

Stan realizes it’s true. NSN and his cops on the inside both do not want him to talk. They head to the border, tires screeching.

Cordi calls his family and asks to talk to his brother, asking Liam to make sure that Carlos can be kept safe. Liam promises that he’ll take care of it.

Walker family realizing something is up with Stan Drive.
Walker gay Liam and Brett trying to reach Cordell on phone.

Micki and Trey go to the hospital and sneak Carlos out. Trey gets to pretend to be a doctor and pulls it off brilliantly, and Tricki make a good team as always. They get Carlos out just as armed men come for him, and take him to the Sidestep, where Micki fills Geri in and asks for her help.

Micki: I didn’t know who to trust.

A little step forward in Micki and Geri’s relationship too, which made plenty of fans happy.

Walker Trey pretending to be doctor.
Walker Micki and Trey sneaking Carlos out of hospital Drive.
Walker Geri looking confused at Side Step bar.
Walker Micki and Geri not knowing who to trust.

Bonham reminds his son that they’re all there to help him, and Cordell comes up with a plan. He directs Stan to drive them to a familiar place and puts him in front of the entire family – who, as he says, deserve to know the truth.

Walker: No more lies. Tell us the truth. Confess. This ends tonight. Tell me how it went. Tell my family – no, you know what? Tell Emily’s family.

Walker family outside in trucks confronting Stan.
Walker Cordell pointing finger at Stan again.

That was a Jared addition, apparently. The scene is hard to watch, as Stan finally comes clean and tells them (and us) the whole story.  He insists that he wasn’t with NSN, that he wanted to save Emily.

Abilene isn’t having it.

Abilene: Tell me how I’m supposed to believe a single word you say, after everything. Tell me how I’m not supposed to kill you right now.

Walker Abilene confronts Stan about all his lies.

Augie shows him the poker chip he found at Stan’s house.

Bonham: You better start talkin’, you sonofabitch.

Walker Augie and Stella angry with Stan killing Emily.
Walker Cordell points finger at Stan.

Finally, Stan does.

Flashback to Emily delivering water bottles to the border. Stan and Cali and NSN with bags of drugs hit a pothole and Emily goes to investigate. They see her and Cali realizes that Stan knows her. He really does try to stop Cali from shooting her, but as Emily runs away, Cali shoots her in the back, and she falls.

Walker Cali shooting Emily in the back killing her.
Walker Cordell learns that Cali shot Emily in the back.
Walker Cordell listens to Stan about shooting Emily.

Walker (listening, tears in his eyes): There were two gunshot wounds, Stan.

And then we get the horrific rest of the story. That Cali forced Stan to deliver the death shot – to someone who was his friend, almost family. Gen Padalecki does a horribly wonderful job as Emily lays dying, and Jeffrey Nordling shows us both Stan’s anguish and also just how deeply he’s sold his soul. It’s a chilling scene, and hard to watch. As much as we wanted to know the truth, it hurts.

Walker Stan holding gun to shoot Emily dead Finale Season 1.
Walker flashback shows Stan shot Cordell wife Emily dead.
Walker Emily dead wife body shot in grass.

Cordell feels the same way. He needed to know the truth but hearing it – and imagining his wife’s last moments – takes a toll on him. All the kudos to Jared Padalecki for showing us all that pain. I have to admit, my eyes weren’t dry either.

Walker Cordell eyes welling up with tears finale 1.

Stan wasn’t lying that he wanted to try to save Emily, but he goes along with them anyway. It looked like she would have probably died out there anyway, also tragically, but it’s absolutely nauseating to watch Stan shoot Emily, apologizing as she looks into his eyes.

Stan: They owned me.

We see the phone ring beside Emily’s body – Cordell trying to call his wife. They don’t do a flashback to the pilot and I’m glad, because we all remember that frantic call, just like Cordell does. It makes the whole scene more tragic, more heartbreaking.

Augie: Why did you take the poker chip?

Walker flashback with poker chip Stan.
Walker Augie confronts Stan about poker chip.

Stan says he doesn’t know, maybe to remind himself of what he did. He’s clearly a man tormented by what he did and yet still a coward, trying not to get caught.

Geri fills in the rest of the blanks in the story from back at the Sidestep, telling Micki and Trey how she found Emily that night. Odette Annable also does an amazing job showing us Geri’s panic and anguish, and her sadness in the present when she thinks of it.  She also feels like she got herself in the middle of it, with NSN running money through her bar – and through Carlos’ art gallery.

Walker Geri finds Emilys dead body outside in grass.
Walker Emily dead in hay stack.
WAlker Geri telling Micki and Trey how she found dead Emily years ago.

Each family member confronts Stan and lets him see their anger and pain, and he eventually admits he’s a selfish bastard who couldn’t admit what he’d done.

Stan: I hated myself, but what makes up for that?

Walker Cordell angry at Stan with confrontation.
Walker Stan confronted by entire family with anger.

He admits he pushed Cordell to go undercover and out of town – that he even thought maybe the Rodeo Kings would end him, because he wouldn’t stop looking for Emily’s killer. At this point, it’s almost as though Stan is confessing to the worst things he can think of, just wanting it to end. Stan holds out his hands for Walker to cuff him.

I just have to reiterate one more time how good Padalecki and Nordling were in all these scenes. So hard to watch, but so so good.

Walker Stan hands out and handcuffed for Cordell.

After the commercial break, we’ve jumped forward in time, Walker and Stan in bulletproof vests, Stan ready to testify.

Walker: You ready to testify?

Stan: Hell yes. Against all of them.

And to confess what he did.

WAlker STan confesses to Cordell.
Walker Stan arriving with Cordell to testify.

Stan, it turns out, won the DA race.  He gives Walker an unlikely pep talk, saying that if he hadn’t stopped Stan, he probably would’ve kept going.

The tense music plays as they head to the courthouse. Micki and Carlos also approach, and then we see a sniper on top of the building aim at all four of them, going back and forth, waiting for a clear shot, unclear who they’re aiming at.

Walker STan wins DA race walking with Micki.
Walker assassin shoots at Stan killing him.

Gunshots ring out, Stan is hit and falls, wounded.  The shooter runs away as they drag Stan inside, Walker screaming for a medic. 

As he collapses, Stan grabs Walker’s vest, pointing out the two bullet holes, then he pulls him close and whispers something to him.

Every “Supernatural” fan watching: Shades of John Winchester!

Let’s hope it doesn’t take quite as long for us to find out what Stan said.

Walker looks shocked as Stan falls back and the medics arrive.

Walker Stan collapses after being shot by rifle.
Walker Stan dying out with Cordell in bullet proof vest.
Walker Stan whispers deep into Cordells ear before dying off finale.

Captain James meets with Walker and Micki after, Stan in critical condition. They complement each other, James and Cordell giving Micki some credit. (Though I think Cordell deserves a lot of the credit himself – they want to tell us it was mostly Micki, but they haven’t done a lot of showing us that).

Cordell: He’s a little bit right.

James: I’m a lotta bit right.

Walker: I’m steady, I swear.

Walker James smiling that Cordell is back with Micki.
Walker Cordell and Micki laughing in sergeants office.
Bruised up Cordell Walker smiling in shirt and tie.

They shake hands and then James calls Micki back and asks her to close the door. While he wants Walker to stay put, James wants her to go undercover to find out who that sniper was and how much danger they’re in – especially if one of those hits was on Walker.

Micki comes back home still contemplating, to find Trey with a set table and a hot frittata (no, that’s not a euphemism).

Trey: No, I didn’t make it, I bought it. I’m not that perfect.

The fandom: Pretty damn close.

Walker Trey telling Micki he's not that perfect.

(The food on this show is a thing of beauty, by the way, showcasing the vibrant food cultures of Austin beautifully. Everyone wants queso by the time an episode is over).

Adriana and Mercedes arrive and join them and Trey’s mom.

Micki: Did you two come together?

Micki opens door to find Adriana and Mercedes together Walker.

Adriana: Progress.

Everyone laughs and smiles; Micki contemplates James’ undercover proposal.

Liam and Bret discuss whether he’ll run in the special election. Liam says he didn’t take a partner in NY because he wanted to concentrate on family, but along the way somewhere, forgot that Bret was supposed to be family.

He asks about starting over.

Bret: How?

Liam: You wanna go on a date?

Walker gay Bret asking ex Liam out on date again Drive.
Gay Liam Keegan Allen smiling at Brett asking him on date Walker.

They are too adorable and flirty for words.

And so are Bonham and Abilene.

Abilene: I realized, we’ve already been saying everything that we needed to say. Are you ready to call the kids in and tell them?

Walker Bonham and Abilene talking about future.

He says yes that he should’ve done it a long time ago.

Bonham: Just give me one more moment. For us.

Some kind of romantic music plays, and the Walkers look into each other’s eyes with such understanding and devotion and – yes, passion! They get to share a real kiss this time, and I think I yelled “yay!”  I ship them, what can I say? Mitch Pileggi and Molly Hagan have great chemistry.

Walker Abilene smiling as Bonham strokes her cheek off.
Walker Mitch Pileggi looking into Molly Hagans eyes for Season 1 finale.
Walker Bonham kissing Molly Hagan hard for drive.

Augie and Stella hang out at home, sharing some fond memories of the mirror in their parents’ bedroom that Stella used to tap trying to somehow walk through some portal and be somewhere else.  It’s a nice moment between the kids, and then Walker comes home and finds them still awake, joining them on the couch.

Walker: What are we talking about?

They talk about having an adventure, not an escape.

Walker: You are far wiser than I ever was at your age, you both are.

Stella asks why he stays here, right where he grew up. He talks about how he went away when he was in the Marines, and also why he came back.

Cordell: I wanted to start a family, with your mom. And I needed to come back home. This is home. Our house. Texas is home.

Stella: Yeah. That’s why I stayed.

Cordell pulls his children in close.

Walker Cordell touching son Augie on back of neck to hug up on.
Walker Cordell touching daughter Stella neck and her tearing up.

They curl up on the couch together, no more awkwardness or resentments between them, feet up on the table as Emily watches from the doorway. It wasn’t entirely unexpected to see her there, and it was a nice full-circle moment, but it also made me tear up. They were good tears, for all this family has been through, and for how far they’ve come together.

Walker Emily watching Cordell with their kids on the couch.
Walker Cordell with arms wrapped around Augie and Stella on couch.

The shots were a nice bookend to the scene in the pilot on that same couch when there was still so much distance between all three of them. And again, the show doesn’t show us the flashback, trusts its audience to connect the dots so it’s so much more powerful.

And then, as we’re all basking in that nice season finale ending, the camera pulls back – and we see, to our shock, that we’re watching the scene on a screen (a brilliant shot!)  A shadowy figure is watching them. Multiple screens, keeping an eye on the whole family.

Walker tv monitor watching Cordell on couch hugging Augie and Stella Drive.
Walker close up of Travis watching Cordells family on several tv monitors.
Shadowy figure watching Cordell Walker family eating dinner together Drive Season 1 Finale.
Caps courtesy of Spndeangirl

I was so shocked I think my mouth fell open. It felt very different for Walker, in terms of style and almost in terms of genre, more a “Supernatural” ending than a “Walker” one. But I loved it! Surprise me and I’ll be happy – and that surprised me. And now I can’t wait to find out who that is when Season 2 begins in October.

Walker has made its points across the first season, about systemic racism and corruption and when traditional masculinity can be toxic. Stan is a good example of how that corruption can sometimes look – not a stereotypical mustache-twisting bad guy, but a friend of the family who started down a slippery slope and didn’t stop.

Some points were fleshed out more than others – we heard more than saw Micki’s challenges around racism and sexism, and at times the show took great pains to tell us that Cordell was unhinged and making it a habit to use unnecessary force, but we didn’t see enough of that to convince me. Because of that, I sometimes just felt sorry for him as other characters ganged up on him as he was lost in grief or insisted he wasn’t ready to get back to work.

With only eighteen episodes (more than originally slated), it’s impossible to flesh out every storyline – especially when a show is ambitious enough to tackle so many – but the finale episode did a particularly good job with the ‘showing not telling.’  I’m looking forward to even more of that in Season 2.

Congratulations to Jared Padalecki, Lindsey Morgan, and the entire cast and crew of “Walker” for a solid first season that got consistently better. I appreciated the exploration of grief and loss, the complexity of the characters and relationships, and the beautiful Austin scenery and cinematography. The “Walker” finale was the strongest episode of the season, and I can’t wait for more!

‘Star Trek’ with Gene Roddenberry’s Centennial, Gets a Brick Build

As a lifelong Star Trek fan, I’ve been celebrating ‘Think Trek,’ Star Trek creator Gene Roddenberry’s centennial celebration. For 100 days leading up to what would have been his 100th birthday, there have been daily inspirational quotes shared by a parade of Star Trek actors and writers from across the many iterations of the series. August 2021 is already a rather huge month for fans with some of your favorite Paramount+ shows returning like “Lower Decks” on August 12.

ThinkTrek” has gotten fans and stars to come together and share their love for the franchise on social media. It’s encouraged artists to celebrate how “Star Trek” affected them and what it means to them. The video below shows brick builder Samuel Hatmaker (a memorable builder on the first season of U.S. Lego Masters), who has made some pretty incredible pieces. This is his third build conveying a timeless and unforgettable message.

@user6790804147193

Star Trek Lego Time Lapse Video Live Long and Prosper

♬ original sound – Movie TV Tech Gee990
Star Trek Live Long and Prosper Time Lapse Brick Build Video Samuel Hatmaker

I’ve been sharing some of those on Twitter, and today a new installment of another facet of the celebration was released, showcasing fannish creativity and artistry inspired by Trek in a different way. With those famous brick build plastic pieces! (I have a fondness for them since they have been a favorite of my son’s since he was old enough to put two pieces together – and a passionate Star Trek fan himself since about the same age).

The first brick build piece released commemorated the cultural norm-challenging kiss between Lt. Uhura (Nichelle Nichols) and Captain Kirk (William Shatner) and the second was a beautiful rainbow-hued piece reminding us of Star Trek’s philosophy of embracing IDIC (Infinite diversity in infinite combinations).

Star Trek Gene Roddenberry lego 3
Jade Alayne Photographer

The newly released third piece of 3D art is Mr. Spock himself with the iconic Vulcan greeting ‘Live long and prosper’ by artist Samuel Hatmaker.

The famous hand gesture was created by Leonard Nimoy out of his own Jewish cultural tradition – as the artist says, “a reminder of the beauty within different cultures, the strength of diversity and the success that can come not simply from tolerating but from truly embracing each other’s differences.”

The centennial celebration is being put on by Roddenberry Entertainment, whose goal is to sustain the legacy of founder Gene Roddenberry. The company includes in its ‘mission statement’ that ‘We are devoted to producing viewer-centric entertainment that actively recognizes the integral role audiences play in the creation of any franchise, as well as the role substantive entertainment can play in bettering society. Our productions promote experience over observation; encouraging audiences to think, question, and challenge the status quo of the world in which we live.’

You can also check out a ton of pictures of the process over here on Jade Alayne’s site.

Sounds very Star Trek to me!

10 Movies You Probably Didn’t Know Were Filmed in Canada

Although Hollywood might be the world’s most famous filming location, there are lots of different places all around the world that regularly attract big-budget filmmakers when looking for the perfect setting. With its rich natural landscape and stunning backdrops, Canada makes a perfect filing location and over the years, lots of big directors have filmed iconic scenes right here in the Great North.

Several Academy Award-winning films have been made in our backyard, and the country continues to attract filmmakers from all over the world. We’ve rounded up ten of the most surprising examples of films that were filmed right here in Canada. See the full list below.

The Shape of Water

While it may not be director Guillermo Del Torro’s most famous piece of work, The Shape of Water won multiple Academy Awards, including Best Picture and Best Directing in 2018. The film was shot almost entirely in Toronto, Canada and features locations such as The University of Toronto, the Elgin Theatre, and Massey Hall. https://www.bonus.ca/ offers casino bonuses for Canadian casinos.

Twilight

The Twilight Series was one of the most popular sets of books and films among teens for some time, and although it was set in the Pacific Northwest, it was actually shot in Canada. Three of the four films that make up the Twilight franchise were shot in Vancouver. The films New Moon, Eclipse and Breaking Dawn all used locations such as David Fraser Secondary School, Minnekhada Regional Park and the Ridge Theatre for filming.

Suicide Squad

Although it was mostly panned by critics, Suicide Squad was extremely popular in the box office, making over US$700 million on a budget of under US$200 million. The film used downtown Toronto for lots of scenes, and those that live in the area recognized landmarks such as Union Station, the Skywalk and Yonge and Dundas Square.

Deadpool and Deadpool 2

Both the original Deadpool and its sequel were filmed in Vancouver, the hometown of leading star Ryan Reynolds. Both films were highly successful despite the R rating and used major downtown streets as well as the Georgia Viaduct for a lot of the big scenes.

Brokeback Mountain

This Oscar-nominated picture stars the late Heath Ledger, Michelle Williams, Jake Gyllenhaal, and Anne Hathaway. Although it’s set in Wyoming, USA, the movie was filmed entirely in the Canadian Rockies in Southern Alberta. It picked up multiple Academy Awards, including Best Director, Best Adapted Screenplay, and Best Original Score.

IT and IT Chapter 2

IT is one of Stephen King’s most popular novels, although it wasn’t adapted into a film until 2017. Because the book is so long and contains two separate parts, it was split into two movies, with the sequel being released two years after the first. Both the novel and the movies are set in the fictitious town of Derry in Maine, but they were largely filmed in Port Hope, a small town outside of Toronto.

Interstellar

Chris Nolan’s space travel epic Interstellar is one of the biggest films of the last decade. Just as with Inception, Nolan made the choice to film the movie in Calgary, Alberta. The farm and space research centre scenes were largely filmed in the city, while some of the shots from different planets were filmed in Iceland.

Good Will Hunting

Although the story of Good Will Hunting is largely based around Boston, the majority of the movie was shot in Toronto. The campus of the University of Toronto serves as both Harvard University and the Massachusetts Institute of Technology, with a few classroom scenes shot at Central Technical School.

The Titanic

For James Cameron’s legendary retelling of the tragic tale of the Titanic, many of the scenes were filmed in Canada. Halifax in Nova Scotia was actually the seaport where a lot of the survivors of the wreck ended up, and many of the victims were also laid to rest in the town. James Cameron invited his cast and crew to Halifax to begin filming on his 1997 epic. Many of the movie’s ocean scenes were filmed aboard the Canadian coast guard icebreaker CCGS Louis S. St-Laurent, which is normally based in Newfoundland.

‘Walker’ Digs Deep with Episode 1.17 aka Toxic Masculinity

This was another “Walker” episode that was well-paced, with a lot happening but not so much that it felt jampacked or overwhelming. Jared Padalecki’s former “Supernatural” co-star and frequent director, Richard Speight, Jr., joined the Walker family to helm this episode, with many of his signature striking shots enriching ‘Dig.’

In addition to the main characters, Stan (Jeffrey Nordling) had a roller coaster of evolution, from feeling on top of the world and confident of his success and power, to all his deceptions and shady alliances coming down on him by the end of the episode. Nordling is talented enough to let us see Stan as not just a stereotypical villain, but a man who longs for the family bonds that the Walkers have and the resilience those relationships give them.

Instead of using that as motivation, however, Stan is envious and bitter – and ultimately dangerous. Nevertheless, especially in a few scenes with Abilene, we see that Stan has a human side too, and Nordling makes me wonder what went so wrong that he ended up in the position he’s in now, harmful to the people around him and tied to North Side Nation whether he likes it or not.

The episode begins with Stan reinstating Walker with the Rangers – and warning him that they don’t need “some new breed of Ranger in touch with your feelings or whatever.”  At times, Stan seems like the embodiment of toxic masculinity beliefs and an example of what those beliefs can shape you into. Walker, however, has come to realize that he doesn’t have to embrace anger and aggression as the only acceptable emotions.

Walker Stan showing off toxic masculinity.
Walker Cordell responds to STan sleaziness.

Walker: Well, Stan, maybe it’s time we embraced some change.

Stan is unconvinced, warning Walker to “color inside the lines” – that is, don’t stray from those traditional values especially when it comes to masculinity or law enforcement. He knows how to play on the norms that we all absorb, Cordell included, to push him back into that ‘box.’

Stan: I’m hoping for both our sakes, you won’t have to take orders from your kid brother.

That was a good example of how we all police each other to stay inside those lines, with reminders of the consequences if we don’t. It’s all about competition and winning in Stan’s book, with relationships taking a back seat in importance.

Stan pins a ‘Vote for Stan’ button on Walker, as Cordell tries not to grimace.

Walker Stan forces Walker to wear a vote button 1.17

Stan: Welcome back, Ranger.

Even that is a reminder – I’m the one in power, giving you back the position you want. That means you’ll support me, that’s the way the game is played.

Back at the Walker house, there are more discussions about feelings and which ones are acceptable and which should be shared or kept to oneself. Stella urges Augie to tell Ruby how he feels. Bonham and Abilene discuss telling the rest of the family about his diagnosis. While he’s still reluctant (those masculinity tropes again…), Bonham is evolving just like his son. He’s already realizing that Stan Morrison is wrong about not getting emotional, and that suppressing your emotions can get you into trouble.

Bonham to August: It’s best not to keep things bottled up, trust me.

Walker Bonham warns Augie not to bottle things up.

This episode was rich in these kinds of subtle themes that make my psychologist brain happy. There’s a reason they call it toxic masculinity, and the demonizing of feelings, especially ones that are not anger or aggression, is part of why it’s so toxic.

Bret is back (yay!) though he and Liam are not back together. But there’s easy banter between the two of them, and the rest of the Walker family is clearly happy to have Bret in the kitchen hanging out again. The episode takes place during the school’s ‘Spirit Week’ as summer vacation is almost starting, and that means senior pranks and school spirit and telling people how you really feel. Hence Stella’s encouragement of Augie. Liam recalls Spirit Week mostly fondly, but he also remembers the reaction when he came out as gay.

Liam: Half the school wanted to apologize for how they treated me when I came out, and the other half wanted to hook up before going off to college.

Bret is a little skeptical about the impact of a week set aside to express feelings.

Bret: So, do people just talk about how they’re gonna change or do they actually do it?

That was a great line, and not just about Spirit Week.

Liam: Are we still talking about Spirit Week?

Walker gay Bret eyes up gay Liam hard.
Walker gay Liam talking with gay Bret.

And somewhere in there, Abeline gets in a great line herself. Her relationship with Bonham seems to be healing, and she’s got an appreciation for her family that Molly Hagan makes crystal clear in small moments as she’s watching them just go about their everyday activities. There’s a wistfulness in her expression, and a fondness. Gratitude for what they have, along with a realistic appraisal of what can be lost at any moment and what they’ve all lost already.

Abeline: Things do get better with age.

Walker Molly Hagan Things do get better with age.

Some things do, she’s right. And you rarely hear that on a TV show on the CW. As any “Supernatural” fan can attest.

Trey and Micki are also dealing with the impact of cultural norms, as Trey’s mother comes to visit and immediately starts laying out some other beliefs and values that can also be damaging – masculinity doesn’t have the corner on toxic norms, after all.

Mom:  Trey, she is beautiful. Wouldn’t the two of you make some beautiful babies…

Walker Trey mother pushes grandkids onto Micki.
Walker Micki talks to Trey mother in law about kids.
Walker Trey mother talking about grandkids.

That last shot is a great one by director Richard Speight, Jr., aptly right over his credit.

Micki realizes she missed a few of her birth control pills and takes two, which clearly makes Trey anxious. The couple aren’t entirely on the same page, with Trey seeming more ready than Micki for commitment and children.

Micki: I’m not ready yet but I’m up for practicing!

Walker Micki smiles about trying for babies but not having them.
Walker Trey and Micki work out birth control problems.

I enjoy Micki, and I thought this part of the story line was well done. Missing a few birth control pills is such a realistic little detail, but one you rarely see included in this kind of show, and the fact that Micki and Trey aren’t 100% lined up in their expectations right now is treated as something to work through, not a cause for tons of drama. They work it out, like couples do all the time. I think I’ve said this every episode, but I love how functional Tricki is.

(And I’m not even a viewer who tends to crave functional in my fiction!)

Stan and Liam give a press conference before their scheduled debate. Stan looks at some of the constituents gathered and fires off a “we only count legal votes here in Texas…” comment that again rang uncomfortably realistic.

He also takes every opportunity to get in a subtle jab at his opponent.

Stan: Of course, Liam here took off for NY the moment he got that diploma. A wayward son, maybe he should’ve stayed an outsider.

Every “Supernatural” fan watching: He said wayward son!!!

Liam is a fighter, though.

Liam: I had to come back after he made a mess of things.

Hah.

A determined reporter, Byron, keeps asking them both about Carlos Mendoza’s exoneration.

Walker reporter Byron pesters Liam about Mendoza getting him off.
WAlker gay Liam with Stan on steps to press talk.

Stan doesn’t want to answer at all; Liam eventually says that justice prevailed. Then suddenly a bomb threat is called in, and they have to clear the school, much to Stella and August and their friends’ dismay, in the middle of Spirit Week. Cordell and Micki go through the school to be sure it’s clear, finding a cow at one point as a moving (Moooooo-ving) up Seniors prank.

Walker Cordell Micki holding guns on cow in Wolverine drape.
Walker cow with SPirit Week Wolverine seniors

Cordell tells Micki he feels bad for the kids, that it’s been a tough year. Micki suggests that they really need someplace to unwind and have some food…

Cordell: I like how you’re thinkin’

Micki: Well, I am the smart one…

Walker Cordell responds to Micki asking if he wants to eat her out hard 1.1.7.
Walker Micki to Cordell Well I am the smart one.

They invite all the kids to the Side Step, and Walker gets a chance to reminisce with Geri, about early failed relationships and high school romances, laughing together and reminding us of the longstanding bond the two have. It’s easy to understand why they’re so drawn to each other, especially now that they both have lost the other person who was “with them” through their formative years. Nobody else, other than the two of them, shares those memories, which are now more precious than ever.

Padalecki and Odette Annable have some nice chemistry together so that fondness comes through. It’s hard to say how much is based on who they are as individuals and how much is a response to loss and a need to hang onto someone who knew the person you’ve lost though.

Walker Jared Padalecki with Odette Annable as Geri in Side STep bar.
Walker Geri smiling at Cordell at Side Step bar.

Geri: Hey Cordi, when I left before…

Cordell: Geri? I’m glad you’re back.

So, they don’t really talk, but they seem to have reached an understanding anyway.

Micki finds photos of Cordell in the display case in the school, including one of him in a school play, and she is absolutely overjoyed at this discovery.

Micki: You were a theater geek?

Me: Shades of Sam Winchester!

Walker Cordell admits being a theater geek to Micki.
Walker horrible senior year picture of Jared Padalecki.
Walker Cordell tells Micki and drama queen Becca Ferguson who dumped him in high school.

Apparently, Becca Ferguson, a literal drama queen, dumped him.

Everyone: What was she thinking??

Also everyone: They couldn’t use an actual photo of Jared as a teenager instead of….that??

There’s also one of Cordell and Hoyt playing football, which makes for some understandable sadness.

Micki tells Walker about forgetting to take her pills (realistically prefacing it with ‘I don’t know why I’m telling you this, but…’  and confesses that she’s having trouble trying to figure out this whole work life balance thing.

Cordell: Two things. One, you’re kicking ass as a Ranger. Two, you’re never gonna find that balance. No one does.

(That’s another theme of this episode, trying to figure out your identity especially when – like all of us – you’re a bit of a hybrid. Everyone has to find that balance, but it’s rarely if ever perfect.)

Micki also picks up on Cordell’s manner as he texts with Geri, since it’s undeniably flirty.

Walker Geri smiles as she texts flirty with Cordell
Walker Cordell texting nasty with Geri.
Walker Cordell flirty texting with Geri while Micki watches.

The kids hang out and play air hockey or something, and Bel says she’s going to see her parents in Mexico for the summer and invites Stella to come, as they work on getting their friendship back on track and Bel crushes on August.

Walker Stella checking out Ruby with brother Augie.
Walker Ruby hangs out with STella and Augie.

Augie, meanwhile, struggles with finding the perfect thing to say to Ruby. She asks him to sign her yearbook and he reads other notes that let him know that she’s moving away – and just then, she invites him over later, saying her parents are out of town.

Teenage code for come by and get more serious. What will Augie do?

Micki and Cordell end up in the auditorium where Liam and Stan were to have their debate, and they take advantage of the podiums to do some Spirit Week let your real feelings out interaction. Cordell asks how she felt about the things he did that got him in trouble.

Micki: I think they were excessive.

Cordell: Do you think I’m fit to wear the badge?

Micki: I think everyone should be held accountable for their actions, no matter their reputation or what they’ve been through.

Cordell: You think I shoulda quit?

Walker Micki reacts to sad Cordell.
Walker Cordell to Micki you think I shoulda quit Rangers?

Micki: No. You are a good Ranger. But I know you can be even better.

Cordell expresses himself too, after listening to her and taking it seriously.

Cordell: I’ve got a lot of dark in me, and it just took hold. I will do better, I promise. Might need your help.

Micki: Not going anywhere.

Walker Micki tells Cordell he wasn't ready to return to work yet.
Walker Cordell hurt that Micki thinks he returned to Rangers too soon.

Both Ramirez and Liam are candid about their doubts as to whether Walker really was ready to come back, but both trust that he’s going to succeed with that ‘do better’ motivation.

The Rangers find the guy who called in the bomb threat, Travis Pike, an ex-con who served time for arson. Walker and Micki confront him and manage to knock the gun out of his hand and knock him flat. He reaches for the gun, but Walker stays in control this time and talks him down.

(I am unsure why someone didn’t kick the gun out of his reach though – wasn’t that a better idea?)

Walker: This doesn’t have to get outta control.

Walker Micki and Cordell holding guns on Travis.
Walker Travis man reached for gun on floor.
Walker Cordell pulls gun on Travis mentally disturbed man.

Once again, the show tackles a common circumstance that can go wrong way too easily. Travis is experiencing mental health issues, possibly psychotic and most certainly frustrated with being ignored and not listened to. A man caught in the system and not served well by it at all, which happens far too often – and law enforcement can overreact with tragic consequences in real life.

Travis: The DA wouldn’t return my calls, DPS dropped my case. People think because I messed up, I can be ignored. I just wanted someone to hear my side of things, but no one would listen.

Micki is able to de-escalate the situation so that no one gets hurt, including Travis.

Micki: I promise you, we will relay your message, okay?

Travis allows himself to be taken in without protest.

Travis: Thank you, that’s all I wanted.

Walker Cordell and Micki with TRavis mentally unbalanced man.
Walker Travis reacts to Micki 1.17

Admittedly, things don’t often go that swimmingly and de-escalation isn’t actually quick or easy, but for a television show version, at least the message was there – that if law enforcement can do a better job of listening, better outcomes are more likely.

Micki’s not the only one listening; Cordell is too.

Cordell: That made me think about someone else who served his time and was never heard – Carlos Mendoza. We should’ve done a better job. I need to hear his side of things – I’m not going as a Ranger, but as a widower.

Stan offers to bring barbecue to the Walkers and hang out with them while the bomb threat is dealt with. He seems to genuinely want to be around them, but he needles Liam the entire time (and we now know he’s been keeping secrets about his involvement in Emily’s murder, so it’s extra weird that he wants to be there).

Liam talks about the system needing fixing, supporting sentencing reform and budget reform, and raising taxes as needed, which Stan scoffs at, accusing Liam of “reading from the liberal manifesto”. Even Bonham points out that Stan doesn’t seem to have any better ideas of how to get things done, though.

Walker LIam talks politics with Bonham and STan.
Walker Bonham talks to gay son LIam about fixing the government.

Stella asks Liam, would he have let her dad be a Ranger again?

Liam: I didn’t think he was ready, but I know that he wants to change and is trying to change.

Walker Stella asks gay uncle Liam if daddy should have returned to work yet.
Walker gay Liam admits Cordell shouldn't have returned to Rangers yet.

Interesting that two of the people closest to Cordell did not think he was ready to come back. The show is trying to set that up so we’ll be truly afraid that Walker is going to lose it and go darkside, so I’m assuming that’s why Micki and Liam both articulate their doubts, but I also don’t think they’re going there. I guess we’ll see.

Ruby comes on to Augie at her house, giving him a drink and rubbing his knee and clearly hoping for a kiss, but Augie hesitates.

Augie: If we do something, you’re still leaving.

Ruby: You’re so analytical…

Walker virgin Augie uncomfortable with Ruby coming on to him so strong.
Walker Ruby comes on to Augie before end of schoolyear.

Augie: I’ll just think about what else could’ve happened with us.

Ruby: You think too much.

Augie: Yeah, I know.

Walker Augie realizes Ruby is ready to pop his cherry 1.17.

But he sticks to his decision, even though he seems torn about it. (Honestly, that’s a tough one to make realistic – the person you’ve been crushing on forever is trying to seduce you and you say no? When you’re a teenager? I think Augie has good reasons for saying no, but that’s a tough call).

Augie: I really wish we’d tried, but I feel like it’s too late. Have a great summer.

As the episode nears its climax, determined reporter Byron (conveniently dropped off at the Walker ranch instead of driving himself for some reason) returns to ask Stan more questions, accusing him of being evasive and having something to hide. He points out that all the cases that were dismissed had ties to NSN – and Stan signed off on all of them. Hmmm.

The reporter continues to confront him, the confrontation turns to shoving, and Stan gives the reporter a push and he falls, hitting his head on a rock like always happens on TV and thankfully doesn’t happen nearly as often in real life. Stan gasps, trying to help him up, but blood gushes from his head and coats Stan’s hands. He stares at his hands in horror, and Speight gives us a symbolic shot of, literally, Stan with blood on his hands.

Walker Mendoza and Stan get into shoving match.
Walker STan realizes he's gone too far in pushing Mendoza down and bloddy.
Walker Mendoza knocked to ground from Stan.
Walker Stan has Mendozas blood all over his hands Dig 1.17

Abeline finds Stan scrubbing his hands later at the sink. He asks if Bonham is sick since he saw him take a pill earlier, and then seems to encourage her – confusingly, with seemingly genuine caring.

Stan: He’s sick, isn’t he? But you’re gonna get through this.

Abeline: Whatever happens with the election, you still have a place here.

It may not be well placed sometimes, but Abeline’s empathy for everyone just warms my heart.

Stan offers her the use of his place for her and Bonham to renew their vows, which again seems like genuine caring. He tells her to go all out (because life is short?)

Walker Stan talking with Abilene about Cordell and Liam.
Walker Abilene tells Mendoza that Cordell is with Stan danger alert 1.17

She tells him that Cordell went to see Mendoza, and Stan immediately knows he’s in trouble. He stops to give Liam a message on his way out.

Stan: Whatever happens, you ran a great campaign.

Walker Mendoza tells Liam he ran a great campaign 1.17.
Walker gay Liam Keegan Allen smiling about winning campaign against Mendoza with Stan.
Walker close up on Stan shaking hands with LIam about campaign.

Then he gets on his cell phone.

Stan: We got problems….

(I’m a fan of Speight’s close shots, often symbolic, and often of hands – which are so evocative and full of meaning at times.)

Abeline tells Bonham about Stan’s offer as they cuddle on the couch.

Bonham: You haven’t gotten any more subtle over the years but you’re right, we should tell the family.

He also agrees to renew their vows, to make some happy memories for their family.

Walker Bonham and Abilene agree to renew marriage vows.

Bonham and Abeline are sweet, but not too sweet; their relationship, like Micki and Trey’s, really rings true.

Meanwhile, Cordell visits Mendoza in the hospital, saying he’s sorry for how things went down.

Mendoza: It was my decision, for my family. I’m a dying man. You’re a father – can’t you understand that?

Walker says he should have asked more questions, and Mendoza replies with empathy.

Mendoza: The people who did this to you – they should pay.

Walker Mendoza tells Cordell Calli is dead from Stan Morrison shooting.
Walker Cordell learns that Calli is dead 1.17.

Walker: She’s dead. Calli is dead.

He goes to leave, and then the realization hits him and he turns around.

Walker: You said ‘they.’

Mendoza tells Cordell that when Calli came to see him the last time in the hospital, a man was with her. Someone who seemed to be in charge, who put up the money.

Walker: What’d he look like?

Mendoza: His face is everywhere – Stan Morrison.

Walker Mendoza tells Walker Stan shot him 1.17.
Walker Cordell learns from Mendoza that crazy man Stan Morrison shot him.

Walker looks at him in shock, then rushes out.

Micki brings flowers for Trey’s mom and banana bread for him when she comes home, and when he brings up the baby issue again, she’s quick to shut him down.

Micki: What kinda Victorian fantasy are you living out? I’m not pregnant.

He realizes that she’s relieved, and says that.

Micki: I do worry about the future – but not because it’s bad. Maybe because it’s good.

They clasp hands in solidarity and kiss, and in the kitchen, Trey’s mom smiles. Micki and Trey are good at working things out, and I enjoy that.

Walker micki and Trey clasping hands together.
Walker Trey and Micki kissing after she forgets birth control pills.
Walker Treys mother cooking dinner for Micki

Augie joins his sister, who’s lying on the floor being a teenager (I remember doing the same thing, usually with loud music involved).  Augie tells her that he bailed on Ruby, and she didn’t even want him to.

Stella: August the noble.

He scoffs, but she says she’s not kidding.

Stella: No, for real. You see more than what’s in front of you. You see things other people don’t when you take pictures like Mom did.

Walker Augie and Stella laying on floor talking about dead mother.
Walker Augie and STella laying on floor talking end of school year.

They’ve both seen way too much for their age, but they’re fortunate to have shared both good times and good parents as well as some unfortunate trauma.

Stella says she’s thought about writing to Trevor but hasn’t. I like the Walker kids’ relationship – not too saccharine that it’s unbelievable, but there’s a genuine supportiveness there between them.

Stella: Wanna sign my yearbook?

Augie: Only if you sign mine.

He reads one of the entries and makes a face. “Stella, your dad is hot?”

Stella: I know, gross.

Walker Augie signing STella yearbook and sees his hot dad in there.
Walker Augie reacts to people thinking his dad Jared Padalecki is hot.

(Apparently Kale Culley’s sister in real life wrote that – and it was a perfect little Easter egg for the Walker fandom, who would agree with her wholeheartedly).

A shocked and enraged Walker is driving back to the ranch in his pickup truck when another pickup truck runs him off the road. The truck flips over, and director Speight films it from the inside, from Cordell’s perspective, which was terrifyingly effective.

Walker Cordell being driven off road from other trucks Dig 1.17.
Walker truck flipping down a hill 1.17
Walker Cordell bloodied face with a shotgun held on him by Stan.

He sits there dazed and bleeding, looking very Sam Winchester, as two guys with guns come after him.

They force him to dig a grave, for the unfortunate reporter and supposedly for himself as well, which seems like something that Stan and NSN would never get away with, but anyway. Unfortunately for the two goons, this is one of those episodes that actually shows Walker being a badass. He takes them both out, competent and dangerous and more than a little scary – and more than a little Sam Winchester too.

He turns the gun on Stan, who throws up his hands and backs away.

Stan: Won’t this be an interesting headline?

Walker Stan holding hands up to Cordell who has gun pointed at his head.
Walker Jared Padalecki Cordell going dark holding gun at Stan head 1.17.

Walker (menacingly): Oh, I’m not arresting you.

Stan: C’mon, you worked hard to reform yourself. You’re not this guy anymore…

Walker: Shut up.

He points the gun at Stan’s head.

Walker Cordell holding gunpoint on Stan Dig 1.17.
Caps courtesy of spndeangirl

Walker: Get in the truck.

I think we’re meant to be worried that Walker’s dark side has taken over, but in this case, his badassery seemed entirely called for – and I don’t think he’s going to shoot Stan, as much as he wants to. But I guess we’ll see in the next episode when Walker airs its first season finale.

Anyone who watched “Supernatural” knows that Jared Padalecki can pull off badass and a touch of dark side scary very well, and that it’s appealing as hell – so I was excited to see that side of Cordell here. All that competence? Mm mm mm. I hope we see more of it, along with Cordell who isn’t afraid to be in touch with his feelings or talk about them.

I don’t think Stan being the ‘bad guy’ was a surprise to many viewers, since he’s been ‘sus’ all along, but all the kudos to Jeffrey Nordling for making the character revolting and yet letting us see moments of vulnerability that create some surprising nuance there.

Kudos also to director Richard Speight, Jr., who gets better and better every time he directs. I’ve known Richard for a long time, and seeing his directorial success just warms my heart. He’s taking more chances on some innovative shots, and it’s paying off. I hope we’ll see Director Dick back in Season 2.

I’m looking forward to seeing where this goes in the final “Walker” episode of the season Drive, after a few weeks’ break, on August 12.

Jared Padalecki’s ‘Walker’ 1.16 Delivers a Hard-Hitting Episode with Bad Apples

Once again on vacation, so a true drive-by review, but I wanted to say a few words about last week’s new “Walker” episode. A lot happened, but the episode was really nicely paced, so it didn’t feel crowded as they sometimes have and it also didn’t drag.

Writer Aaron Carew penned a script that tackled some of the most disturbing and pressing issues facing us in real life in an unflinching (albeit television-ready) way, from a corrupt group of cops to the impact of racism, both overt and more subtle. Coby Bell especially did an amazing job showing the almost superhuman restraint required of Captain Bell in waiting until his case against the bad cop was so airtight it couldn’t be ignored, and his understanding that race is part of that equation (something Carew clearly understood as well).

“Walker” can sometimes get a little heavy-handed, but its willingness to hit right on the nose can also feel therapeutic. We all live in a world where it feels like the ‘bad guys’ are winning too much of the time, so seeing a creepy bad cop get taken down is undeniably satisfying. He was certainly a creep writ large, and the moment when he plants some illegal drugs on James’ son and drags him out of his car for no reason could have been over the top – except that happens in real life to young Black men and that made it terrifying instead.

As someone pointed out online, the way DJ handled himself during the fabricated traffic stop was telling – telegraphing and announcing his every move before he made it just in case, carefully and slowly placing both hands on the wheel, complying with every command even though he knew he had done absolutely nothing wrong. And unfortunately, that was not unrealistic.

Walker bad cop Campbell busting James black son DJ with fake drugs.
Walker James son DJ faced onto bad cop car with drugs Campbell.
Walker Campbell bad cop planting drugs on DJ.
Walker STella freaked out over DJ being traumatized by racist cop.

The bad guy’s lack of any redeeming qualities whatsoever doesn’t necessarily make for nuanced storytelling, but it did make me want to stand up and cheer when James, Walker, Micki, and Liam all showed how badass they are and took the asshole down! As several fans who are persons of color themselves pointed out, the episode was careful to show that taking down one asshole – one ‘bad apple’ – is not going to solve any systemic problems. The focus was not just on that one bad apple, but on how the system itself protects bad apples – even when the ‘threat’ is coming from within law enforcement.  (As evidenced by Capt. James’ car being bombed and the scope of people in power who are caught up in the cover-ups)

Walker police car firebombed with traitor written on side 1.16.
Walker Cordell watches firebombed car blaze with James and son DJ.
WAlker James and DJ see son car firebombed 1.16.

Nevertheless, the team taking down that one very bad guy felt good, and symbolic of what needs to happen on a much broader scale.

The diner scene in which James confronts Campbell (aptly played by Jesse Bush) was particularly satisfying. Campbell scoffs that he’ll have the charges dismissed easily, so the look on his face is priceless when he looks up to see his arrest warrant announced on the evening news on the television in the restaurant.

Walker James confronts Campbell about being a bad cop 1.16
Walker Jesse Bush looking at tv news with police corruption story.
Walker newscast about police corruption.
Walker James Coby Bell in Texas Rangers white hat.

Officer Campbell’s indisputable badness also inspires several of the main characters to turn a corner and make a big decision. Cordell decides to return to the Rangers – or rather it’s Stella who realizes that he’s still needed there, and that being a Ranger is part of her dad’s identity that he misses a great deal. Like every child, Stella wanted her father to prove to her that she comes first; now that he’s done that, she can let go of her childhood demands and start seeing her dad as a person with needs of his own.  And a job that, in part, defines him.

The two have a nice father-daughter moment over that revelation, punctuated by Augie’s perfectly timed “I’m on board” when Cordell says he’ll have to check with his son too. I’ve been frustrated by Stella at times during this season, but she did a lot of growing up in this episode.

Walker STella ready for daddy Jared Padalecki to get in bed with her.
Walker Cordell having heart conversation while in bed with daughter Stella.
Walker Cordell in bed with daughter Stella 1.16.
Walker Augie walks in on Cordell with his daughter 1.16.

Liam also turns a corner in this episode, after a touching heart-to-heart with his brother about ex-fiance Bret. Cordell is in Bret’s corner, encouraging Liam to tell him the truth about everything that happened. Liam gets up the guts to do that, and sparks fly when Bret and Liam have an actual conversation – and then the new guy in Bret’s life sticks his head out the door and asks if everything is okay.

Ouch.

We’ve all been there, Liam, but ouch. I was so glad to see Bret sign up to work on Liam’s campaign later, though they’re keeping it professional – which just means a lot more sparks will fly, I’m guessing. And I am down with that! It’s fanfic level set up, and that’s a high compliment coming from me.

Walker LIam tries talking deep to gay Bret fience 1.16.
Walker gay Bret talking to gay Liam about relationship while hes sleeping with a hotter guy.
Walker gay Liam finds man with Bret.
Walker Cordell going to hot guys apartment bad cop bad apples.

Micki turns a corner too, though a more subtle one. Captain James keeps telling her to trust him and let him take the bad guy down, but she doesn’t initially listen. She goes after him and ends up getting both of them caught spying on him, which results in the terrifying arrest and fabricated drug charges for Captain James’ poor son in retaliation. Joshua Brockington does a fabulous job as DJ, showing us the young man’s empathy in his connection with Stella and also his justifiable anger when he’s set up and arrested because his father “pissed off a bad cop.” 

DJ: All because I’m the son of a Black ranger. You know what makes this worse? I thought I was safe. I thought stuff like this wasn’t gonna happen to me because of who my dad is.

Walker James holding son DJ head with hand and hugging tight.
WAlker James hugging son DJ tight after prison.
Walker James talking to son DJ after prison.

That rang true, and Coby Bell and Brockington were both excellent. I hope we see more of DJ on the show.   For Micki, the consequences and her eventual realization that James has been working to bring this guy down for a long time – with a whole room of “Supernatural”-level photos taped to walls intelligence – make it clear that she should have trusted that he’d bring her in when it made sense. By the episode’s end, she admits to him that in order to be able to lead, she needs to learn how to follow.

WAlker Mickis wall looking like something from Supernatural show.
Walker James telling Micki she needs to trust him more 1.16.
Walker Micki talking with Cordell about coming back to work.

Ramirez and James do some bonding in this episode, sharing an understanding of what it’s like to be ‘other’ and how this impacts doing your job – especially one like this.

Walker James bonds with Ramirez with bad apples 1.16

Walker and Trey do some bonding too on horseback with Trey in a tee shirt. Not that that’s relevant… They’re both going through a bit of an identity crisis, trying to figure out what they really want to do with their lives and what they want to be. For Trey, that isn’t med school after all, and Walker encourages him to essentially ‘follow your heart.’

Walker Cordell and Trey ride horses talking about career 1.16.
Walker jared padalecki and Trey go bareback riding with white hat on.
Walker Trey talks to Cordell about switching from doctor to therapist.

Walker gives Trey the advice to go after what he really wants, but at the same time, he’s having a hard time doing that himself, his Ranger belt buckle still in his pocket because he’s having trouble giving it up. (Stella catches him regarding it fondly and later gives it back to him after he’s tried to hide what he was doing and encourages him to go back to the Rangers).

WAlker Cordell still holding his Texas Rangers belt buckle.

There’s also some adorable Tricki content, with Micki surprising Trey with a lab coat when he gets into med school but also being the most understanding partner ever when he tells her that he no longer wants that. What does he want instead? To be a psychologist!

(Obviously, I’m biased, but yay, go for it Trey!) 

That’s a complicated change, though, since Micki has such a conflicted relationship with the therapist mother/aunt who raised her. I love their supportiveness of each other, though – it seems like a truly healthy relationship and that’s a rarity on TV sometimes.

Walker Trey conflicted about being a doctor or therapist 1.16.
Walker Micki gives Trey a monogramed MD shirt 1.16.
Walker Micki giving Trey a white shirt thing 1.16.
Walker Micki kissing Trey at office.
WAlker Trey tells Micki he wants to be a therapist now 1.16

The ending scenes are rather triumphant, and that also feels good sometimes. Not everything is about realism every single time, after all. Liam’s boss owns up to his corruption (at least in private to Liam) and packs up his office, telling Liam to stick to his moral guns – something he clearly could not do.

Walker Liam boss shows up in office to pack after corruption charges kick in.
Walker Liam gives rousing speach that arouses Bret 1.16

Liam gives a rousing speech, which Bret overhears and takes to heart personally also, telling Liam he wants to work on his campaign. (Perhaps not realistic, but did it feel good? Yes!

Though, as someone else pointed out, this hopefully is not a way to tame their relationship. Instead, a setup for some sexual tension that will have a satisfying payoff.

Walker gay brother Liam running for gay District Attorney with Bret.
Walker gay Bret wants to work on Liams Texas Governor campaign 1.16.

Stella and Augie give Cordell permission to go back to the Rangers, and he shows up just in time to go take down the bad guy, white hat and badge and everything. It was a meaningful moment when Walker was sworn back in, and coincidentally Jared Padalecki just looked damn good in that white hat and with an expression of determination on his handsome face.

WAlker Cordell back to be a white hat Texas Ranger.
WAlker Coby Bell llooking longingly at Jared Pdalecki with mouth open wide.
Walker Jared Padalecki smiling looking proud with Rangers white hat.
Walker Micki watching Cordell reinstated with hand on Bible 1.16.

Walker fandom: He’s baaaaaack!

The takedown itself is amusing, Cordell kicking a cart in front of Campbell and bowling him over, then adding insult to injury with a little sarcastic “Whoa there, now, where’s the fire?”

Walker Jared Padalecki opening legs up wide for a man running with cart 1.16.
Walker Cordell knocks down bad cop Campbell with cart saying whats the rush.
Walker Cordell and Micki take down bad cop Campbell 1.16.

They all have a celebratory drink at the Side Step as the episode ends, and I have to admit it was nice to have an episode end with an all-is-well feeling for a change. I’m sure it won’t last – this is television drama after all – but I’ll take it for one lovely Thursday night.

Walker Micki toasting Cordell for getting back on force 1.16.
Walker friends and gay brother celebrate Jared Padalecki reinstatement to Texas Rangers at Side Step.
Walker Jared Padalecki opening up mouth wide to take Coby Bell member 1.16

Happy birthday, Jared Padalecki! You’re kicking ass with “Walker” and I’m so incredibly happy for you. Next week “Walker” is back with Dig 1.17.

Jared Padalecki birthday on Walker show 2021.

Throwback Video: MTV Bans Annie Lennox ‘Angel’ for occult reasons UPDATED

UPDATED: 7/15/2021

With all the weirdness going on today, we felt that this deserved a new look as every 30 years, history seems to repeat itself in the United States.

It’s hard to believe now that singer Annie Lennox came under the MTV ban hammer, but in the late 1980’s there was an embarrassing thing that happened in the United States that was later termed ‘Satanic Panic.’

Yes, it sounds odd now and the stuff of ‘The Crucible,’ and that’s basically what happened for nearly a decade. During this period anything that looked or even sounded occultish would put fear in certain segments of the country.

MTV may now have seemed to be the rebel of the music industry, but they were just as afraid of losing audiences, so they had quite the heavy hand on the censorship button. Annie Lennox felt this mainly when she was with her former band The Eurythmics early on for what was considered ‘too gay’ material in their videos. MTV was very transphobic and Lennox’s look confused them.

With ‘Angel,’ it seems ridiculous that the ‘rebel’ music channel forced Lennox to cut out all scenes that featured a seance or anything that might seem to be of the occult which guts the theme from a very beautiful video which is dealing with death. The video came out in 1989.

annie lennox mtv angel ban for seance scenes

As Lennox has said in interviews that the song couldn’t have been the furthest thing from what MTV claimed.

In December 1988, Annie Lennox’ first pregnancy with her second husband, the filmmaker Uri Fruchtman, resulted in a son Daniel, who was tragically stillborn. This song was inspired by Daniel, and also Lennox’ great-aunt, who died at age 57 by committing suicide. In Q magazine, she explained:

“‘Angel’ is sometimes hard for me to sing. It started off as a poem about a great-aunt who had died:

Underneath this canopy of snow
57 winters took their toll

I was fascinated by death. I thought of this concept of a burial place where seasons take their toll – snow covers the grave spot, leaves fall and buds come up – and this woman from my childhood.

The song turned into something else after the death of my first child. But it’s about death generally – I will die; we will all die. Where do we find meaning in our lives?” She further stated that she wished she could ask what had happened to make her aunt take her life, and this video was an extension of that.

So the distributor cut out all the seance scenes for the American version, and it came and went rather quickly as it made no sense and felt very confused. The song ‘Angel’ did well in the UK where they were able to see the full uncut version pushing the video up the charts quickly.

annie lennox angel video banned

SATANIC PANIC HISTORY:

In the 1980s, allegations of ritual abuse at a preschool in Southern California led to the longest, most expensive trial in U.S. history. The McMartin Preschool case which resulted in zero convictions became emblematic of a much more widespread phenomenon known as Satanic Panic.

“In Satanic occultism, that which is good is bad. And that which is bad is good. As you view this learning and educational tape, pay attention to notice the reverse of everything that is normal becoming abnormal.”

Thus begins The Law Enforcement Guide to Satanic Cults, available for viewing on YouTube under the tag “Occult Hilarity” which you can check out above. It’s impossible to know if this 1994 oddity was ever used as an actual police training tool (hopefully not), but it’s presented matter-of-factly. It features input from “experts” like blatantly homophobic “former Satanic priest turned Christian” Eric Pryor (a fascinating guy in his own right), who interprets graffiti and sets up altars, presumably for the benefit of the wide-eyed police officers who suspected their communities were being overrun by a Satanic menace.

The video offers a glimpse at the context that spawned not just the McMartin trial, which ran from 1987 to 1990, but also at the widespread fear that a battle of good versus evil was raging just below the surface of American culture. Heavy metal songs (and the subliminal and backwards messages supposedly contained therein) and album art, horror movies, and fantasy games like Dungeons & Dragons all offered easy, obvious targets. (As seen in the classic TV movie Mazes and Monsters.)

Talk shows, the era’s number-one source for dubious investigations of hot-button topics, also helped fan Satanic Panic’s flames. (Check out the Oprah clip below; the technical quality isn’t good, but the content — in which a calm and clear-eyed representative of an alternative religion calls out an audience member who makes vague claims of having, uh, murdered a guy as part of a Satanic ritual — is very telling.)

“It was something we didn’t realize at the time, but now, it looks like a low-scale version of the McCarthy-era paranoia around communism,” Peter Bebergal, author of Season of the Witch: How the Occult Saved Rock and Roll, tells io9.”The devil worshippers could be anywhere. They could be your next-door neighbor. They could be your child’s caregiver.”

The neurosis went even deeper. Like, conspiracy-theory deeper, a gift of crazy that’s kept on giving. Bebergal has a few theories as to Satanic Panic’s titanic rise:

“A lot of it was having a spiritual vacuum, created by the fact that the 1960s promise of this cosmic, spiritual consciousness didn’t really pan out. Then you had this 1970s uptick of paranormal investigations, ESP, an interest in UFOs, really climaxing with Close Encounters of the Third Kind. But the aliens never actually landed, you know?

I think it led to a cynicism that led to kind of a cultural paranoia: there is no meaning. There was already an uptick in fundamentalist Christianity. The Reagan Right had begun to dominate politics. And it was the beginning of a cultural war; that’s when the Parents Music Resource Center started to put labels on album covers to warn against profanity or even references to the occult. It was a perfectly ripe stew for [Satanic Panic.] In a way, believing that Satan is running the world is still [offering] a kind of order to things, in a world that can feel very disorderly.”

In the wake of all this paranoia came a slew of high-profile cases involving day-care workers, which were a perfect storm of paranoia about Satanism, cutting-edge psychotherapy that claimed to recover the children’s repressed memories, and a gathering awareness of the problem of child sexual abuse. It’s important to remember that the 1980s didn’t just see unfounded dread about Satanists. Prior to the late 1970s, law enforcement did very little to prosecute sexual abuse of children. But in the 1980s, the Department of Justice stepped up its fight against child pornography, with measurable success, and laws revolving around the reporting of child abuse were revamped, with an eye toward protecting innocent victims.

So these allegations of ritual abuse in day-care centers came from the combination of legitimate awareness of a previously hidden problem, and completely unfounded hysteria. As Georgetown Professor John Myers explained to PBS‘s Frontline:

Child sexual abuse (CSA) was never completely ignored by the American legal, medical, and child protection systems. Nevertheless, until the late 1970s and early 1980s, CSA was largely a hidden phenomenon. At the time the day-care cases arose, society was just beginning to acknowledge and come to terms with sexual abuse of children. Thus, the day care cases did not come to the surface all by themselves. Rather, the day care cases were part of the broader societal awakening to CSA. The day care cases captured our attention for several reasons. First, the children were very young and vulnerable. Second, some of the allegations were bizarre and fantastic. Third, some of the alleged offenses were unspeakably horrible. Fourth, with so many American children in day care, many parents could relate to these cases. Finally, the interviewing in some of the large day care cases was clearly defective.

A lot of the interest in patients claiming to have recovered buried memories of Satanic ritual abuse began with a 1980 book entitled Michelle Remembers, written by psychiatrist Lawrence Pazer and his patient (and later, wife) Michelle Smith, says Pamela Freyd, PhD, the executive director of the False Memory Syndrome Foundation, a nonprofit (met with some varying opinions in the scientific community) that mostly works with parents who have been accused of childhood abuse by their now-adult children. (Freyd and her husband have firsthand experience with this.)

Pazer and Smith’s book Michelle Remembersrecounted how Smith’s therapy dislodged sensational “memories” of being abused as a small child by a Satanic cult, spawning a best-seller that was initially accepted as fact. And though it was later discredited, “that book played a role in the McMartin case, and the topic seemed to be everywhere because of the extensive coverage of that case,” Freyd tells io9.

Although the McMartin case — in which a preschool director and her son faced 52 counts of molesting their students — was not the only one of its kind, it was by far the most high-profile.

A January 1990 New York Times article recounted the controversial case, noting that the not-guilty verdicts were “the final leg of a legal marathon that drew national attention, not only for its extraordinary length and complexity but also for the difficult questions it raised about the prosecution of child molestation cases, the reliability of children’s testimony and whether the news media stirred emotions when the charges surfaced.”

The children, the jury believed, were unreliable witnesses. The Satanically-inflected details that emerged were so shocking (children were “frightened into silence with bloody animal mutilations;” forced to watch “a rabbit sacrificed on a church altar,” “a parakeet squeezed to death,” and a pony killed before their eyes) they were found to be unbelievable.

west memphis three damien echols jason baldwin misskelley

Looking back, the McMartin case seems like a clear-cut case of mass hysteria. But even after it was closed, fears about Satanic ritual abuse refused to completely die. In 1993, a year before The Law Enforcement Guide to Satanic Cults found its way to VHS, the long saga of the West Memphis Three began, in which a trio of young men were accused of murdering a trio of young boys as part of a cult ritual.

The West Memphis Three case was one I personally became involved with after hearing about it so much from Henry Rollins back in 2001. From the outset, it appeared that the trio were guilty but once looking at all the materials involved with the case, things were definitely not what they seemed.

I spent several years getting to work with the people behind the WM3 support site along with many of the people involved in the case directly like John Fogelman and Damien Echols wife Lori. Lori acted as a go-between for myself with any direct questions I had for Damien Echols which only helped make the script for “West Memphis Three” stronger as we talked to everyone on both sides of this controversial case.

As with so many movies in development, things sadly didn’t work out even though we had support from a stellar cast, but something even better came out of all my hard work. As our project had numerous mentions in the mainstream press because of the cast that was involved, filmmaker Peter Jackson (Lord of the Rings, The Hobbit) became aware of the case and hired private investigators to help behind the scenes.

You can read our script which was praised by everyone involved with the West Memphis Three case for not taking sides but presenting a story that seems more like fiction the fact. The sad thing is that it can easily happen again as has been seen in the Stephen Avery case.

In 2008 Damien Echols, Jason Baldwin and Jessie Misskelley Jr were freed after taking an Alfred plea.

“[The police] had this whole thing about how the teenagers were into the occult,” author Bebergal remembers. “But in the court documents, they would always make note that they listened to heavy metal. That was a key point. The music that they listened to, it was believed, would make them more susceptible to whatever Satanic conspiracy. It was a way of noting that the kids were troubled.”

‘Walker’ gets defensive with Four Stones in Hand 1.15

I really enjoyed last week’s gentler, slower paced “Walker” episode, Four Stones In Hand.

The title refers to the hypervigilance that comes from being accustomed to being on the defensive, which is the position many of the show’s characters find themselves in after the events of the last year. As we’ve gone through Season 1, most of the characters have been slowly fleshed out, their complexity and emotional reactions to the stress of losses and trauma becoming more and more obvious.

With this episode, many of the characters seem to turn a corner, dropping enough of their defenses to start on the bumpy road to healing. Fifteen episodes in feels like the right time because in real life when we humans are hurt, we hang onto those defenses for a long time – sometimes longer than we need to, just to make sure. I like that “Walker” hasn’t rushed to sweep the traumatic events of the past onscreen year under the proverbial rug, but instead, has allowed us to watch the characters struggle and now try to deal with the messy aftermath.

This episode is nicely framed, beginning with Liam’s challenge to his big brother – and ending with the Walker brothers in a slightly different, less defended, place. They’re not the only ones.

Cordell is pretending to go over paperwork for the Side Step when he’s joined by Liam.

Cordell: I’m worried about you (as Liam heals from his gunshot wound).

Liam: I’m worried about YOU.

saving people hunting things 21 supernatural sam

And rightly so. Cordell is listening to a police scanner, unable to let go of his motivation to keep solving crimes (I’m tempted to say, saving people hunting things…) although he knows he’s on leave. He tries to BS Liam about that, but it doesn’t work; the brothers know each other.

Walker Liam giving Jared Padalecki I want you hard look.
Walker Liam comforting Cordell.

Liam: You chose to take a breather, but it feels like you’re not breathing.

Cordell insists he’s going to, and Liam challenges him to prove it.

Liam: Keep your mind on something other than solving crimes for one day.

He hands Cordell a Rubik’s Cube and challenges him to solve it.

(I confess to never having had the patience to do that, but Cordell accepts the challenge.)

Walker Liam helps Cordell while on Texas Rangers leave 1.15.
Walker gay brother Liam challenges Cordell to Rubiks cube 1.15.

Micki comes by the Side Step for some breakfast, avoiding both Adriana and her mother, feeling betrayed by both of them. Her anger is understandable, but Walker can see how much it’s tearing her apart to be estranged from both of them.

Micki: I don’t wanna talk to either of them.

Cordell (looking over her shoulder): She’s right behind you…

Walker Cordell gives wide eyed Jared Padalecki look at Micki.
Walker Cordell tells Micki her mother is right behind her at Side Step bar.

The relationship with her mother is strained, Micki insisting that her new name is who she is, not her birth name. Her mother says she’s been trying to find her daughter for a while – she found someone who said they were her daughter and scammed her, turning out obviously to not be. She pleads with Micki to stay, but Micki walks out, defenses fully up and running.

Walker Micki reacts to finding real mother in Side Step bar.
WAlker Mickis real mother comes up to her in Side Step bar.

Also, somewhere in this scene we find out that Trey and Cordell are texting each other a lot, which was a big hit with most of the fandom.

After Micki leaves, Cordell takes out the trash and sees Mercedes crying in her car. Though he (literally) tells himself not to get involved, he can’t walk away and ends up asking her to tell him about the woman who scammed her. He cares about Micki and wants to help both her and her mother, but he’s also having a really hard time actually taking that leave of absence.

Walker Micki Mercedes crying in car as Jared Padalecki walks up.
Walker Cordell comforts Micki crying in car.

Mercedes relates her painful experience of thinking she’d reconnected with her daughter only to find out she was being scammed, which resulted in years of sobriety being gone.

Cordell: I’m gonna take your case…but let’s not call it that…let’s just call it a favor.

He goes to the house she’d sent the letters to and starts to climb the fence (very athletically, to the appreciation of the fandom) and ends up getting arrested. Awkwardly, the cops who arrest him seem a bit in awe of him as a Texas Ranger and apologize profusely, but they still arrest him. This episode gave Padalecki a chance to flex his comedic muscles, especially in this scene and a few others, but props to the guest cast too.

Walker Jared Padalecki opening legs wide up for fence police.
Walker Jared Padalecki caught by police breaking into home.
Walker police arresting Jared Padalecki Cordell and realizing who he is.

Micki visits him in lock-up and is pissed, asking him what he did. Speeding? Driving while shirtless?

Walker fandom: Yes please!

Walker Jared Padalecki flamboyant in jail with Micki.
WAlker Micki taunting Cordell in jail.

Micki: If I did the same thing you did, I’d be deported. Even though I was born in this country!

She’s mostly pissed that he didn’t stay out of her relationship with her mother though.

Nevertheless, once he’s released, he visits Micki at her desk and gets a call from the Mayor’s office, who’s helping him figure out who scammed Mercedes. Micki is furious at him for meddling and quick to think the worst of Mercedes when at first it doesn’t seem like her story adds up.

(More of that defensiveness)

Micki: Who woulda thought that the woman who sold her daughter would turn out to be a liar??

Walker Cordell rudely on phone in front of Micki.
Walker Micki angry at mother 1.15.

Walker doesn’t give up, however, eventually gathering information from Mercedes to figure out the dates when the scam occurred (showing some of the smarts that Walker is supposed to have but that honestly, we haven’t seen much of yet). Micki at first chides him for getting so involved, reminding him that he’s a civilian “or supposed to be trying to be one”.

Micki eventually gets on board though. When Cordell asks her, “so, you ready to join my quest?” when they figure out the letters were for real, she says yes.

Everyone watching also: YES!

Walker Cordell so you ready to join my quest to Micki.
Walker Cordell works with Mickis mother.

Micki and Mercedes go to a recovery meeting led by the woman they suspect is the scammer; more or less undercover.

Mercedes: Act like we don’t know each other.

Micki: Oh, act normal then?

Walker Micki Mercedes going to undercover therapy session.

Micki is really good with the defensive barbs, that’s for sure.

She also plays an addict rather convincingly, saying she knows it’s hard to trust an addict, while her mother listens. Then Mercedes shares, talking about her pride in her daughter and saying that “she’s only the person who she is because I left.” She also says that forgiveness from her daughter was all she wanted. These are things that Micki very much needed to here, but she remains guarded and defensive, unwilling to trust and be hurt again.

Walker Mercedes working out therapy session with daughter Micki.
Walker Micki using therapy with Mercedes.

The therapist uses that same phrase ‘four stones in hand’ which makes Micki suspect the therapist from the group her mother is in as the scammer.

(Damn it, I hate it when it’s the therapist!)

Cordell breaks into the therapist’s place while she’s having coffee with Micki, trying not to get caught this time (and at Micki’s encouragement this time). It’s another amusing scene, though not helped by that annoying instrumental music that played on “Supernatural” sometimes when we were supposed to find something funny. Cordell is bumbling in an endearing way sometimes, and Jared pulls off the humor.

Walker Jared Padalecki posing as Uber Eats delivery for Side Step.
WAlker Jared Padalecki looking under bed for clues to Jensen Ackles divorce papers.

Walker remains smart and competent in this episode despite the bumbling, however, and figures out where the hidden letters from Mercedes that the therapist saved are hidden. Micki calls to warn him when the therapist heads for home.

Micki: Did you find anything?

Cordell: I found everything!

Walker Cordell digging through Mickis mothers belongings.
Walker Cordell bumbling around inside womans house almost getting caught.

However, he doesn’t even seem to hurry to get out of there, which left me yelling at my television, sure he was about to get caught. C’mon, Walker, get out of there!

He does make it out before she walks in, resuming his amusing disguise of being an Uber Eats delivery guy or something. My Uber Eats guy never looks like Jared Padalecki, alas.

Walker joins the undercover operation at the next meeting, ‘confessing’ that his addiction is breaking the rules and he realizes he needs to change (arguably there’s a kernel of truth there…).

Walker Jared Padalecki in undercover therapy session with Micki.

Then a parade of people that the therapist has scammed come into the meeting one by one, confronting her for what she’s done, including Mercedes. She is arrested still protesting that she wanted to give them all hope, and saying she’s a recovering addict herself, which makes it a complex situation that we’re probably not going to get more information about.

Micki confronts her as they take her away, saying “they’re humans with feelings, and you treated them like disposable income.”

Walker Micki confronts real mother at therapy session.

It’s a defense of her mother – at least her mother’s humanity – a step away from her own defensiveness to really see her mother.  Mercedes overhears and it’s what she too has needed to hear from her daughter. However, she tells Micki she can’t go out to lunch with her, she needs to go to a meeting.

Mercedes: A real meeting. I can’t risk sobriety now.

Meanwhile, Stella and Augie go back to school, initially feeling bonded by their shared ordeal, saying that no one is going to get it except the two of them.

Walker Augie and Stella back at school after Trevor Clint mess.

Augie says he’s glad for once that he’s invisible, but soon finds out that’s not the case – girls who ignored him before are now treating him like a hero.

Popular girl (pushing Ruby out of the way): You’re so brave…

Augie: You know my name?

Augie is pretty adorable sometimes. At some point, Stella comments that not everyone at school calls him Arlo, which was the original name of the character (and also a Padalecki dog, I believe).

jared padalecki service dog arlo 332

Editor’s Note:

Yes, Arlo is a service dog with the Padalecki’s.

While Augie is reveling in his newfound popularity and playing it up, Stella is realizing that she jeopardized her friendship with Bel by prioritizing Trevor.

Walker Stella trying to make things right with Bel after Trevor mess. 1.15.
Walker Stella realizes she jeopardized friendship with Bel.

Augie isn’t dealing as well as he seems to be either. He goes to plug in some A/V equipment and the loud noise triggers a flashback of the gunfight they were all in the middle of. He slumps to the floor, covering his ears. Outside the door, Ruby sees him sitting there, traumatized.

Walker Augie holding hands over ears at school with PTSD episode.
Walker shirtless LIam pointing his big unit at Clint with Augie hot for action.
Walker Augie suffers from PTSD with Clint pointing his big hard gun at him.

Later, August goes off on Stella about Bel when she complains that Bel is mad at her, losing his temper when she says he’s being a jerk.

Augie: You basically disappeared after Trevor. Whenever he showed up, you just ran off. Bel told me about her parents before she told you! Our mom is dead, our dad left us for a year, your boyfriend held a gun on us – I’d rather people think I’m a jerk than feel sorry for me!

WAlker Augie fights with STella at school with intercom on 1.15.

(That’s often the result when people stay defensive, four stones in hand always at the ready).

Stella (noticing the red light glowing on the console): Does that light mean that we aired this to the entire school?

Now that’s an adolescent nightmare if I ever heard one!

Walker Stella realizes intercom was on during her talk with Augie.

Near the end of the school day, Ruby finds Augie sitting outside on the stairs, and he drops his defensive posture and admits that he’s not doing so well.

Augie: I guess things weren’t so okay…

Ruby reassures him that she sees him, the way he really is.

Walker Ruby comforts Augie 1.15.
Walker Ruby stroking off Augie head to feel better.

Stella apologizes to Bel for shutting her out.

Stella: Turns out I was a bad judge of character and a bad feminist…

She also says she knows that Bel likes August and that’s okay, and that they don’t have to talk about it until Bel wants to.

Stella: But in the meantime, let’s talk about everything else!

Walker STella reunited with Bel after Trevor Clint mess.

The other story line that is heating up, and one that I thought rang very true, is Bonham’s cancer treatment. He goes to see a doctor (with Abeline along for moral support), but it’s clear from the start he doesn’t want to hear a word the doctor says. He criticizes the doctor for looking like a kid and doesn’t react well to hearing that he needs treatment right away and it will last for six months, since he doesn’t want to burden the rest of the family with even knowing about this.

(Those Walker guys are really the helper type, aren’t they? Also, four stones in hand, ready for throwing!)

Doctor: We can talk alone if you want, sir.

Walker cancer doctor talking to Mitch Pileggi about sex treatments with chemo.
Walker Bonham and Abeline with cancer doctor 1.15.

He says no, and the doctor lays out the side effects to both of them. Impotence, loss of sexual appetite, severe pain.  Bonham changes his mind about committing to treatment, sounding like he’s ready to sacrifice himself and assuming no one will care, but Abeline calls him on it, saying that refusing treatment is the easy way out.

The last portion of the episode brings things to resolution for most of the characters. Augie was real with Ruby; Stella was real with Bel. Cordell figures out the Rubik’s Cube (though actually he cheated). Micki confronts him about it.

Micki: That’s a perfect metaphor for the day. I believed you in there about breaking the rules. You can’t live your life as a civilian with the privileges of a Ranger.

Cordell confesses that he broke one more rule – he grabbed the letters from her mom.

Walker Cordell shows letters to Micki from her mother he snatched.
WAlker Micki smiles at Cordells meddling with her mother Mercedes.

Micki waits for her mother after a meeting, having read some of the letters.

Micki: Why did you keep writing after you knew?

Mercedes: If I stopped writing to you, it was like giving up on us. I just wanted to talk to you, Micki. I still do.

Micki: Then maybe you should have my address – see if any of these are worth mailing again to your real daughter.

Awww.

Walker Mercedes talks to Micki about writing her.
WAlker Micki deals with mother Merceded 1.15.

Liam is also meddling, like his brother – in his parents’ relationship.

Bonham: Your mother gave up a whole other life.

Liam: If this is about her, then do this FOR her.

Abeline sends Liam away with a kind ‘all right, son, you can go,’ and confronts her husband about his reluctance to get treatment. He says that if treatment doesn’t work, he doesn’t want her to think she’s failed, that he knows her and she’ll just focus on taking care of him.

Abeline brings him to the hotel where they met (the real life Driskill in Austin), where she’d just gotten engaged and was drinking champagne alone, so he joined her and they celebrated together – and the rest was history.

Abeline: You don’t get to tell me to quit in the name of sparing me. I didn’t ask for easy. I have no regrets.

Walker Abeline and Bonham in hotel.
Walker Bonham smiling dirty like for Abiline.
Walker Molly Hagan goes down on knee with Mitch Pileggi deep drive 1.15.

She gets down on one knee and asks him for a fresh start, to renew their vows.

He agrees to call the doctor.

Abeline: We can call him tomorrow. Why don’t we give Room 416 a try?

Walker Mitch Pileggi stroking off Molly Hagan chin 1.15.
Walker Bonham giving Abiline a deep kiss on forehead.

Awww.

My only complaint is I felt like we should really get subversive and let the grandparents have a passionate kiss instead of a peck on the forehead. C’mon, “Walker,” you’ve done so well with painting these two with a complexity that is rarely seen for the grandparents in a show, keep going! Shirley Maclaine and Jack Nicholson pulled it off brilliantly in “Terms of Endearment.”

Micki ends the day with the Walker brothers.

Micki: I was a bit hard on you earlier. Thank you for today – for everything.

Cordell: Even for meddling…

Walker Cordell apologizes to Micki for meddling with mother Mercedes 1.15.
Walker Micki apologizing to Cordell for being hard on him.

Liam: You solved it [the Rubik’s cube], wow.

Walker Cordell with finger over his lips about Liam Rubiks Cube 1.15.

Cordell then says he’s come to a turning point.

Cordell: My life can’t be what it was. Emily was who kept everything in check with work. I need to start keeping myself in check. It’s about figuring out who I’m supposed to be.

He turns to his brother.

Cordell: About that cube…

Liam: You cheated, yeah I know, white and blue are never next to each other.

Walker Cordell admits to cheating on Rubiks Cube challenge 1.15.
Walker gay brother LIam calls out Cordell for cheating 1.15.
Walker Liam tells Cordell he cheated on Rubiks Cube challenge 1.15.
Walker Micki holding up shot glass to Cordell 1.15.

I laughed, and it was a nice scene and a nice ending to the episode. The three of them drink to “moving on”, and it felt like that.

Not something that’s easy to do, and something I’m still struggling with even with things as seemingly inconsequential as losing a favorite TV show. I appreciate that this show has not glossed over how hard that is or how long it takes or how we never really move on completely from something we’ve loved that much.

To moving on…

Walker Micki Cordell Liam around campfire drinking 1.15.
Caps courtesy of spndeangirl

Next new “Walker” episode airs July 15 as Season One nears its end with Bad Apples 1.16!

Why do movie adaptations of video games always flop?

Film and video games have had an interesting relationship, to say the least. Both mediums have experienced judgment for being new and unknown after being initially created. It’s famously known that one of the first films to be shown, The Arrival of a Train by the Lumière Brothers, comes with an urban legend that the film is believed to have sent the audience running away in fear. In the early years of cinema, many were still unsure of this new medium and judged it unfairly.

Naturally, video games have experienced the same. Throughout the years, most games have battled with the misconception that video games can lead to violence and that people shouldn’t play them. Many politicians have tried to link violent acts to video games despite there being contradictory evidence stating otherwise.

It’s safe to say that these two mediums have been misunderstood and have a lot in common – but why can they not find a suitable balance. Films based on video games are almost always terrible and complete letdowns for fans. Both mediums have their own masterpieces and devoted fans but somehow rarely come together for the ultimate project.

So why do movie adaptations of video games always flop? This article will dissect video game movies and see exactly where they went wrong.

The first video game movies

It’s well known that the Super Mario Bros. film starring Bob Hoskins and John Leguizamo was a universal flop. Not only did the film bomb at the box office, but critics absolutely hated it. Throughout the years, it’s grown a cult following but still remains as one of the worst video game movies ever made. 

What many people don’t know is that this was the first ever film adapted from a video game. Depressingly, it set a poor landmark for these films and arguably doomed video game movies. The 1994 Street Fighter film fared a little better at the box office but remained a flop with fans and critics. Video game movies almost had a shining beacon with the first Mortal Kombat film but sadly it just wasn’t quite right.

Why did these films fail?

Video games are an experience for the player. Whilst there may be a linear story, players can decide on how they actually get there. You cannot do that with movies. There will always be just one path in the films’ journey and that’s something that films cannot change. 

This added with incredible designs of mechanics and more time into the story is why movie adaptations often fail. They are continuously competing with video games that can be way over the standard 2 hour film format.  

Adaptations like the Super Mario Bros. tried to turn a 2D platform game into a dark story. It’s appreciated that the directors tried to do something completely different but deviated too far from what fans expected. The casting choice in the film was perfection with Bob Hoskins as Mario but the world was too dark compared to its source material. Nintendo were so disappointed with the film that they were completely put off to do another live-action adaptation for almost 26 years until Detective Pikachu released.

Other adaptations like Street Fighter and Mortal Kombat were faithful to their sources in terms of characters and overall story – but it still wasn’t quite right. Ironically, they were too close to being like a video game which can seem odd in a film. The over the top fighting and dialogue comes off as goofy and cheesy rather than fun. Fight scenes may look impressive but struggled to find the balance needed for films.

In a dream world, movie adaptations of video games would be created by fans of the source material to create something wholly unique. The reality is big studios seeing the success of these games and wanting to get in on the profit. Directors of the Super Mario Bros. movie, Rocky Morton and Annabel Jankel, expressed their frustrations about the changes forced on them throughout the production.

Repeating mistakes

You’d think after the train wreck of the Super Mario Bros. film that filmmakers would learn from previous mistakes. Sadly, this isn’t the case. Alone in the Dark turned a survival horror game into a sex-crazed campy movie. Doom took a first-person game where you play a nameless protagonist and turned it into a film with complicated characters and a serious tone. These are just a few of the many movie adaptations of video games that strayed from the source material.

2020’s Sonic the Hedgehog got off to a bad start with the monstrosity of the Sonic design but turned it around after an estimated $5 million redesign. Arguably, the best of the bunch is Sonic the Hedgehog as it did reasonably well at the box office with a sequel in development. It did flop with critics who saw the plot as derivative or as a film with shameless corporate tie-ins. Hollywood studios clearly saw the monetary gain of the franchise and put an abundance of product placements in – showing their dedication to profit rather than a faithful film.

That raises the biggest question of how would they even make a fully faithful Sonic the Hedgehog film. In simple terms, they could never make an accurate and faithful adaptation as Sonic games are platforming puzzle games. The excitement comes from overcoming challenges – which you’ll never have control over when you are watching a film. To make it appealing to game fans and newcomers, they’d have to keep in tone with the Sonic brand whilst being a self-parody. Providing something for fans of the original whilst showing the best parts of Sonic to others.

The reverse is just as bad

Of course, there are some fantastic movies that have been expanded into video games such as Star Wars: Jedi Fallen Order and the iconic GoldenEye 007. Despite a few notable examples, movies turned into video games can be just as catastrophic as movie adaptations. The video game adaptation of E.T was so notoriously bad that the developers at Atari buried the cartridges to get rid of them.

Most recently, the Fast & Furious Crossroads game was an utter trainwreck. Developers thought that they could get away with awful graphics and bad storylines ultimately showing that translating material across mediums needs great attention to detail. The brand alone cannot carry a product as consumers are not stupid. 

It’s no surprise that people want better value and won’t settle for less. If the developers took what made the Fast & Furious franchise good such as the extravagant car chases and bonds of family – perhaps the game would’ve been better received. The video game made a knock-off version of these elements which ultimately disappointed everyone.

What needs to change

What is clear is that a huge majority of filmmakers and studios don’t fully understand the audiences attached to video games. They recognize certain audiences but fail to see why fans adore specific video games so much. 

Paul W. S. Anderson directed the Resident Evil film series and got some things right such as the casting of certain characters and the environments. He made a huge mistake in taking away from those beloved characters and giving the story to his own original character Alice. Fan favourite moments belonging to Claire Redfield and Jill Valentine were suddenly thrown towards Alice and invalidating their experiences in the games. Anderson thought he could get away with throwing in references to the games rather than realizing what fans loved about the series.

In this sense, he needed to find the balance between staying close to the source material whilst not straying too far. Understanding that video games give players control and recognizing that they cannot be replicated fully. This should be substituted with the epic moments from games but being built up so the payout is satisfying. For example, the animosity between Wesker and Chris in the films is barely explained – but we are expected to know their past. A great adaptation would’ve built on this instead of focusing on other elements.

Gamers are the furthest thing from stupid and can see things like this from a mile away. There’s no denying that making a movie is hard, but if comics can be adapted into universally loved films like The Avengers – then video games should be given the same treatment. You wouldn’t be expected to care about Luke Skywalker’s father-twist without knowing his journey and the context of the story – video game adaptations should be the same.

Conclusion

Despite directors and producers struggling to create high-quality films based on video games, slot developers such as NetEnt have enjoyed great success adapting video games. If other mediums can do this, then why can’t film do the same? It’s insane that films have struggled so much to create a universally loved movie adaptation of a video game.

For video game movies to be magnificent, filmmakers need to put in the same amount of care and effort they would with any other film. To understand the target audience and find the balance in bringing video games to the silver screen. This doesn’t mean copying it exactly – but translating it to the screen so that existing fans can recognise the source whilst bringing in new fans. It should be closer to an homage rather than a clone and that’s what films are getting wrong.

The future of movie adaptations does look promising with Resident Evil: Welcome to Raccoon City, Uncharted, and Borderlands – so let’s hope that these adaptations take note. Movie adaptations of video games have gotten better but they are still closer to flops than successes. With the growth of video games and the stigma of violence attached gradually reducing, hopefully, they’ll be some outstanding adaptations within the next few years. Only time will tell, but hopefully, the stereotype that movie adaptations of video games always flop will eventually die down.

2021 TikTok Guide for Beginners

Unless you’ve been completely living off the grid, you have heard of TikTok. It’s one of the great news platforms to grow your audience and exposure for your company, brand or just yourself being you.

The app has over 689 million monthly active users around the world, and it has been downloaded over 2 billion times on the App Store and Google Play. This makes it the seventh most-used social network with only Facebook, YouTube, WhatsApp, Messenger, Instagram and WeChat ahead. With the growth TikTok has achieved already, it will easily keep up or outpace as short videos have become all the rage in 2021 and beyond.

GenZ users flock more to TikTok than Instagram now.

What is TikTok?

While TikTok may seem like an overnight success story, the video-sharing social platform has actually
been around for a few years now.

Launched in 2016 by its Beijing-based parent company ByteDance, TikTok was an instant hit with Gen Z
users in China. But it wasn’t until 2017 when ByteDance acquired another video-sharing platform
(Musical.ly), that it took off in North America and Europe.

In 2018, TikTok had 55 million monthly active users. In late 2021, the company is projected to reach 1.2
billion
.

TikTok interest growth since 2019.

If you thought TikTok was just for viral dances or lip-syncing videos, you’re mistaken. There’s so
much more you can do with it.

From jokes and life hacks to beauty tutorials and puppy videos, there’s room for all kinds of content on
the platform. People of all ages are joining so don’t be surprised to see videos from Baby Boomers to Millenials.

How to Set Up Your TikTok Account

Before diving into the fun stuff like posting videos, you’ll need to create a TikTok account and familiarize
yourself with the platform.

Here’s how you do it step by step:

Step 1: Sign Up

Head to the App Store or Google Play and download TikTok. When you open the app, you’ll find yourself
on the “For You” page (aka TikTok’s homepage).

From there, go to the “Me” tab on the lower right-hand side of the screen. Here you’ll be prompted to
sign up using your phone number, email address, or pre-existing social media accounts.

Once you have an account, click “Edit profile” to update your username and bio, add a profile photo,
and add a link to your bio if applicable. If you have a LinkTree Account, this can be a great one to use so people can have access to all your social media platforms. If you put in your YouTube or Instagram link, people will be able to access you directly through the app so you’ve got some great choices whichever you go with.

These simple edits are great ways to optimize your profile. Now, when people visit your page, they’ll get
key information about your brand right away.

Step 2: Check Out the ‘For You’ and ‘Discover’ Pages

Like most social media platforms, trends quickly come and go on TikTok. So if you want to capitalize on
a trend, it’s a good idea to act fast.

The best way to find out what’s trending on a daily basis is to scroll through the “For You” and “Discover”
pages.

TikTok for your and discover pages with groupchate images

The “For You” page is algorithmically curated based on the videos you interact with, the accounts and
hashtags you follow, your location and language preferences, and the type of content you create.

The “Discover” page is curated using TikTok’s algorithm, which does the work of finding trends for you.
Here, you’ll see popular hashtags, sounds, and effects. Click on each trend to view its top videos or
favorite it for later.

Step 3: Follow (and Engage with) Like-minded Creators

Are you trying to reach a specific audience? Think about the type of content, brands, and creators they’d
be most likely to follow and engage with.

Once you’ve done some research, check out what those brands and creators are sharing on their TikTok
accounts. And if they resonate with your brand, give them a follow!

This is a great way to learn more about your target audience, familiarize yourself with the videos they
enjoy watching, and find trend inspiration.

And if you want to build an engaged community on your TikTok account, it’s a good idea to actively
engage with other creators in that community.

Luckily, TikTok makes it easy with a series of icons you’ll see to the right of each video:


●The first icon (a profile photo with a “+” underneath) will take you to a user’s profile where you can follow them
● The second is a heart, which you can tap to like a video
● There’s a speech bubble that you tap to leave a comment
● The arrow allows you to share TikTok videos to other platforms
And there’s a rotating record-like icon that will show you the sound used in the video (as well as
other videos that use the same sound)

Creating Content For TikTok

When you’re getting ready to film your first TikTok video, don’t worry about production quality.

Having a strong creative concept is much more important.

TikTok is known for its unrefined, imperfect, and authentic content — so you don’t have to be an editing extraordinaire.

Hit the red button and you are recording!

Part 1: Record Your First TikTok Video

To start, simply press the “+” button at the bottom-center of the screen. This will open your camera.

Using the icons on the screen, you can play around with recording speed, set up a self-timer, add a
sound or filter to your video, and get acquainted with TikTok’s many in-app effects.

TikTok video add sounds and effects to your work 2021.

TIP: You can also add sounds, text, effects, and stickers to your videos when you’re done recording.

Part 2: Effects, Duets and Challenges

Once you’ve got the basics down, you can start making your videos more interesting by using effects,
joining challenges, and dueting other popular videos.

At the bottom of the recording screen you’ll see the “Effects” button. Many of TikTok’s top trends and
challenges are centered around these effects.

So many effects and fun filters

There can be a bit of a learning curve when it comes to executing challenges and using effects correctly.
So don’t worry if you have to try a few times before getting it right. While it might look overwhelming at first, just play with it and try different things until you get more comfortable. If you just do one thing at a time and see how it looks, you’ll find it gets much easier to get what you’re hoping for.

TikTok Duet This function

You can also film duets — a popular feature on TikTok. Duets split your screen in half and enable you to
record alongside videos from other creators. To make a duet, tap the arrow on a pre-existing video and
then hit “Duet”.

Part 3: Uploading Your Content

Once your video is complete, the last thing to do is add a caption and hit “Post.” You can also increase
your reach by adding relevant hashtags and finding your best time to post.

Visually plan and schedule TikToks ahead of time. When it’s time to post, everything is sent to your
phone!

How to Use TikTok for Your Brand

We’ve said it before and we’ll say it again: there are millions of people on TikTok who love new, exciting,
fun, and educational content. And tons of companies are already successfully serving branded content
to these users.

The branded content that tends to perform best on TikTok is modeled after the types of videos that
regular users upload — videos that capitalize on trends and feel authentic.

Following this format, businesses like The Washington Post and Chipotle have amassed 842,000 and 1.4
million followers on TikTok, respectively.

Chipotle tiktok account images.

But you don’t have to be a big, well-established brand with tons of followers to do well on TikTok.

Even an account with zero followers can go viral if its content resonates with enough people.

So join in on a challenge (or create a challenge of your own), show off the human side of your brand with behind-the-scenes content, or lean into the life hack trend by creating how-to videos.

Like any other social platform, the best way to learn how to use TikTok is to experiment — don’t be afraid to try new things. And with these basics under your belt, you’re ready to go.

‘Walker’ brings healing with Mehar’s Jacket 1.14

I’m on vacation with the family for the next few weeks, so this will be a bit less in depth than my usual recap/reviews of “Walker.” That happens to work well for this episode, though, which comes on the heels of the action-packed thirteenth episode that was originally intended to be the season finale. Everyone is rocked by Hoyt’s sudden death, and that has everyone rethinking their priorities and reevaluating their relationships.

As Bonham puts it, ‘we’re all adrift’. He copes by working on the house. Abeline copes by worrying about everyone and trying to take care of a bunch of adults who probably don’t need as much taking care of as she needs to do. Liam protests that he can take care of himself as he recuperates from the gunshot.

Walker Cordell walking to police tape line where Hoyt was killed.
Walker Abilene sadly looking out window remembering Hoyt.
Walker gay brother Liam recovering from getting stabbed shot 1.14.

And Walker and Geri cope by taking Stella and Augie on a trip.

Walker is mired in guilt over Hoyt’s death and over how his kids have been impacted  by all the losses of the last year, blaming himself entirely. Geri also feels guilty; she’s wearing Hoyt’s jacket and has the bar coaster on which he wrote his last will and testament, leaving behind a plot of land. Geri had mentioned to him once that it would be a nice place to settle down, and he apparently took it seriously and bought it.

Geri and Walker decide to take a trip out to see it, taking the kids with them to make a day of it.

Walker: I think Hoyt would’ve liked that.

Walker Cordell coming in on Geri hard.
Walker Geri gives Cordell a tight hug.
Walker Cordell with Geri about Hoyts funeral.
Walker Cordell reads intimate message from Hoyt about showering.

Although it’s clearly hard for him, Walker signs the papers for a leave of absence, saying “So I’m Joe Citizen now?” He cancels a taco truck lunch with Micki and she bristles, saying it’s fine but clearly not meaning it.

Walker, Geri, and the kids stop for lunch, Stella checking her messages and hearing one from Trevor asking if they can talk and if she might visit him, saying he’s so sorry.

Walker Trevor calls Stella 1.14.

The kids reminisce about “Uncle Hoyt”, remembering when he scooped up horse manure and scattered it around one Christmas pretending Rudolph “pooped on our porch” and then playing Santa in an actual sleigh.

Stella: You were so juvenile together.

But she’s smiling.

Geri: Your mom was way into it too!

Augie: It took a while for me to realize not all Santas wear assless chaps…

Walker Augie fantasizes about Hoyt in his leather bareback chaps.
Walker Augie remembering Hoyt fondly wearing chaps 1.14.

Meanwhile, Micki instead has tacos with Trey, telling him her exchange with Walker didn’t feel right.

Trey: Any chance you made it feel off? You also experienced a loss. You lost your partner. Your mom would say…

She interrupts him saying, she doesn’t want two shrinks in her family, and Trey grins.

Trey: In my family?

Walker Trey trying to help Micki with her issues.
Walker Micki giving Trey sideeye 1.14.
Walker Trey and Micki come up with Tricki for their name 1.14.

Tricki is seriously adorable, honestly.

Captain James comes by asking for information on a missing Army vet who’s been gone for three days, who is in PT at the same place that Trey is. He’s got an even more serious brain injury, so the three of them try to track him down. They find out the guy that’s missing doesn’t want his family to know about his brain injury, and also that he’s seriously in debt and about to lose his home according to his wife. He left an ominous note saying he was going to ‘fix everything’.

They also find an empty gun cabinet and are worried he’s taken on a black ops job to save his home and family. After a little digging, they find out that he was rejected from black ops because of his brain injury. Trey comes up with the theory that maybe he’s going to try an underground prize fight instead to make money, and they call around to see if there are any in the area – and find one that is. Micki threatens the guy in charge of the prize money to get information and they find who they’re looking for, about to fight even though he has a serious brain injury.

Trey immediately takes off his shirt.

James: Uh, what is happening right now?

Walker Trey showing off his body to Micki and Captain James 1.14.
Walker Trey takes his shirt off in front of Micki exciting Captain James.

Micki: Okay, allergic-to-shirts, you still have a TBI. Besides, you’re nowhere near his weight class. But I was the jujitsu star during our deployment…

They try to talk her out of it, to no avail.

James: I am not here. I was never here. Abs, are we clear on that?

Me: lol, great nickname!

Micki gets in the ring and shows off her fighting skills, while James and Trey watch and cheer her from the sidelines. She proves her badassery and wins, giving the prize money to the guy who needed it so badly. He’s floored, almost disbelieving that anyone would do something so nice for someone they don’t even know.

Walker Micki fighting a man in cagefight 1.14.
Walker Captain James and Trey rooting on Micki fighting in cage.
Walker Micki in the ring fighting with another person.
Walker Micki smiling at Trey after winning cage fight 1.14.

Geri, Walker and the kids arrive at Hoyt’s plot of land to collect his personal effects, and the woman who meets with them says that “his personal effects are probably out grazing.”  It’s four horses and a llama that the mare raised as her own.

Walker Augie and Stella playing with horses and llama.
Walker Geri shows Cordell four horses and llama left behind by man.

Sounds like Hoyt’s kind of family, Geri says.

And the kids REALLY want to bring them home.

Walker Augie and STella beg Cordell to keep the llama 1.14.
Walker llama face head on 1.14.

I mean, look at that face.

Lady: If you two are looking for a 3 bedroom for yourselves and the kids…

Geri and Walker are notably awkward with their um no, we’re not…

Sometimes “Walker” is a rom com!

The animals are a part of Hoyt’s dream so they decide to take them back with them, setting out on horseback for a ‘cattle drive’ of sorts. Cordell continues to feel guilty, though Geri tells him not to. Stella keeps checking her phone and Walker jokingly threatens to issue her a ticket for texting while riding, but it turns out she’s looking at Hoyt’s last messages to her – advice for her court date. Stella also feels responsible, since she was the one that brought Trevor – and Clint – into their family. She doesn’t tell her father about the driving into the hitching post deception though. (You know that will come back sometime, though.)

Walker Jared Padalecki riding bareback with his son August and daughter Stella.
Walker Cordell and Stella riding horsesback together.

The llama eventually starts to not do so well, kneeling down and slowing down, and Walker decides he may be better off with someone who can take better care of him. The kids get upset when he decides to look for a place to drop the llama off, and Geri I think tries to cheer Augie up by giving him the jacket, saying Hoyt wanted him to have it – it’s a lucky jacket, won from the “Mystifying Mehar”. The show sometimes treats Augie and Stella as though they’re younger than they are, it seems, but it does cheer Augie up.

Walker Augie cheered over something stupid Cordell says.

Walker finds a place to leave the llama and tries to justify doing that when they get to a steep ravine, saying there’s no way he could have made it over. Augie accuses his dad of retroactively justifying his abandonment of the llama, since he didn’t even know the ravine was there, which is fair. Stella gets hotheaded, as she does, and gallops right towards the ravine. Her horse freaks out and there’s a scary moment, but Walker helps the mare (and Stella) calm down a little and no one gets hurt.

Walker Cordell keeping Stella safe on their horses.

The four of them bed down in a barn for the night –  a very nice TV show ready barn – and Stella and Geri have a little heart to heart.

Stella: I’m so sorry about Uncle Hoyt, he was the best. I know he did some things that kept you apart, but you forgave him.

Geri: Not always. Wish I had. His heart was so big.

She gives Stella some advice about Trevor.

Geri: Don’t let that boy take up all the space in your head when other people need you.

Stella: I did this…

Geri: No you didn’t. You let love in maybe, that’s your worst crime.

Walker Stella guilty about bringing Trevor and Clint into their lives again.
Walker Geri comforting Stella about Trevor 1.14

Not sure most people would actually say something like that out loud, but Geri is sweet with the kids and clearly cares about them. The kids bed down in the barn, and Geri comes to sit with Walker – on a hay bale because of course it’s on a hay bale! I’m developing an appreciation for the unique aesthetic that this show has – it’s not realism, it’s more a representation of what a cozy barn would be like, lantern hung from a post, neat bales of hay to sit on, no cobwebs. It’s not gritty like “Supernatural” was in its aesthetic, but it’s sort of calming and pretty in its own way.

The two share high school memories of Hoyt bringing some (very high number) proof grain alcohol and some laughs. Walker says “this is nice, us together” then quickly corrects himself to “all of us together”, wondering if this is what Hoyt would have wanted.

Walker Geri and Cordell in bales of hay talking about love for Hoyt.
Walker Geri telling Cordell about Hoyts dreams and loyalty.

Geri: He had dreams. I underestimated him.

Walker: We all did.  If people didn’t expect too much of him then he wouldn’t let anyone down. I let him down.

Geri: You couldn’t have kept that boy from fighting for you if you tried!

Walker Geri and Cordell talking about love for Hoyt.
Walker Cordell sitting with Geri on bales of hay 1.14.

She remembers the night Hoyt proposed to her, and shares with Cordell that was their last conversation, when he told her that she was the reason he was alive – and she said no to his proposal.

Cordell empathizes, saying he made mistakes after Emily passed, and that he eventually realized that he needed to be with people who cared about him.

Walker: We kept your name on the place – there’s always space there with us.

Walker Cordell getting close with Geri in stable.

Geri turns in, and Walker visits the mare, who’s still upset about the loss of her ‘baby’ llama.

Cordell: You miss him…I miss him too. Sorry I left your boy behind. I should know better… And now I’m talking to a horse. You don’t leave them behind when they’re family like that.

He’s talking as much about Hoyt as the llama, but the mare seems to appreciate it anyway.

Walker: Let’s go fix this.

Walker Cordell going to take llama away from the horse 1.14.

No one gives anyone a heads up about anything on this show, so he treks over to wherever he left the llama and brings it back (whoever he gave it to must have been very understanding, like you again? You give me this and then take it back?)   He leads it as far as the ravine, saying look there’s your mama up there, come on, but it struggles and so does he.

Walker: Yeah I know, I’m the one that should pay for this – for everything.

He is incredibly hard on himself, the self-blame off the charts. Yes, he definitely made mistakes, but he was a man broken by grief and trying to do the right thing, and in part was manipulated into making some of those mistakes by his daughter’s deception (which he still doesn’t know about). Taking responsibility is all good, but the self-blame is going to destroy him, I worry.

Geri and the kids come looking for him, and by then Walker is stuck in the bottom of the ravine with the llama. Augie suggests using Hoyt’s jacket as a harness to pull the llama up, which is what they do. Cordell is still apologizing, saying that with all they’ve been through and what the little guy meant to Hoyt and what Hoyt meant to them, that he’s sorry he didn’t see it sooner.

Walker: And… I have a privileged view of this guy and I think he’s a she and about to give birth…

Plot twist!

Walker Cordell tells Geri Augie STella that Llama is female and giving birth 1.14.

Abeline and Bonham try to connect while everyone else is away, but he just wants to keep ‘fixing up our home’, a pretty obvious metaphor for what he hasn’t been able to do. She wants him to start treatment and is worried about him, but he goes right back to fixing.  Later, however, he tells her that he was thinking about mushroom hunting and what it means to her.

Bonham: How about we make some new memories?

Walker Abilene trying to connect with Bonham about Hoyt death and his cancer reveal.
WAlker Bonham to Abilene how about we make some new memories.

Later the two of them camp out on the floor, laughing together.

Abeline: I know it wasn’t easy for you to step out of your comfort zone and do this for me.

Bonham: You know, I wasn’t blind to Hoyt’s heart, I saw the joy he gave you. I’m starting to see it myself, maybe too little too late.

Abeline: No, it’s not.

Walker Bonham and Abeline laying on living room floor talking about Hoyt.
WAlker Abilene talking in bed with Bonham about cancer.
Walker Bonham Mitch Pileggi in bed with Abilene talking about his cancer.

And then he gets the idea to build….something, leaving her behind laughing. Not gonna lie, it’s nice to see the two of them playful. How often do you see two grandparents have those types of moments, and the sort of complex relationship these two have? Molly Hagan and Mitch Pileggi have some nice chemistry.

Liam’s political opponent Stan comes over with barbeque for Liam, which is weird, and encourages him to stay in the race, saying that Stan chose wrong once about that, and that Liam won’t want to live with a similar regret.

Stan is suspicious as hell, but he does help Bonham and Liam building whatever they’re building. Liam gets a text while they’re working – it’s Bret, who heard about what happened and is checking to see how they are. Most of the fandom was thrilled that the text conversation ended with plans to talk on the phone…

Walker Liam gets lext from Bret Mehars Jacket.
Walker gay brother Liam on phone with boyfriend Bret 1.14.

Bonham and Abeline are being more real with each other by the ending scene, Abeline admitting that maybe her over-protectiveness is because she’s trying to control the past by controlling the people she has left.

Abeline: I know it’s stupid.

Bonham: It’s not. I made the appointment, for radiation treatment. I’d sure love it if you came with me.

She holds his hand, and awwww.

Micki gets real with Trey too, admitting to him that she was passive aggressive to Walker the day before – that it’s hard for her to trust in something she doesn’t want to lose, like their partnership.

Trey: He’s still here. You too. And me!

Walker Micki and Trey having breakfast 1.14.
Walker Trey giving sexy smile to Micki 1.14.
Walker Micki and Trey laughing 1.14.

Back on the trail, Geri goes her own way, saying goodbye to Walker and the kids.

Geri: There’s an ocean of unsaid things between us, and we’re both too scared to dip a toe in. Hoyt reframed everything…it hits me hard.

Walker watches her go.

Walker Cordell riding horse with Geri baseball cap turned backward.
Walker Cordell confused sad watching Geri walk away 1.14.

They get back to the ranch, Augie carrying the baby llama, pleading with Cordell not to let their grampa sell him. Bonham rides out to meet them and sees the baby, who Geri gave them a heads up about.

Bonham: Sorry, I got a strict no llama policy.

Everyone looks on the verge of arguing when he continues.

Bonham: Good thing we’ve got an alpaca stable.

Every “Supernatural” fan: No! It’s not a Llama- it’s an alpaca!, dumbass!

Walker Cordell Augie and Stella bringing back llama 1.14.
Walker Bonham getting llama wrong and saying alpaca.
Jared Padalecki going bareback riding in Walker with backward baseball cap on 1.14.

That’s what Bonham was building. The alpacas settle into their new home. Cordell gets emotional.

Stan: Is he crying?

Liam: He’s big but he’s a soft touch.

Walker shady Stan with hurt LIam at table with llama.

Awwww. It’s true, and Jared Padalecki can play that emotionality beautifully.

Augie names the baby alpaca Hoyt.

Bonham: Good name.

Abeline: It’s a great name.

Walker baby llama put into Bonhams arms.
Walker Abilene dealing with Hoyts death. 1.14.

Stan is still being overly nice, which Bonham figures out is because he’s using Liam to split the progressive vote. Which explains why Stan felt so very shady.

Stella leaves a message for Trevor, saying she’s sorry too but she doesn’t think she can visit.

Stella: I might just need to leave the past behind, my family still needs me. I hope you’re healing somehow…and you know, we were real. Bye, Trevor.

Walker Stella saying goodbye to Trevor 1.14.

I wonder if that really is their ending. Gavin Casalegno is a fan favorite, so I sort of hope not.

Micki pulls up and gives Walker his hat that he left behind, admitting to him that she was holding a grudge earlier and didn’t know it.

Micki: When you left I felt…

Cordell: Adrift, I get it. We’re good, honest.

Walker Micki Cordell talk about feeling adrift.

She holds out her hand to shake his.

Walker: C’mon now.

They hug, Micki saying it’s nice that now they can just be friends.

Walker: Nah, Micki, we’re not friends. We’re family.

Walker Micki to Cordell we're not friends. We're family.
Walker Cordell hugging crying Micki over Hoyts death.
Walker Micki hugging Cordell tight after Hoyts death.

Micki: Omg when did you get an alpaca?

On the fence is carved, “In Memory of Our Boy, Hoyt Rawlins.”

Walker In Memory of our boy hoyt rawlins 1.14
Caps courtesy of spndeangirl

It still feels like there’s a gap between how the other characters feel about Hoyt, and how we as the audience feel about him, though he definitely was a likable character. Hearing their fond stories is not the same as having seen them, so I still don’t feel as sentimental about him being gone as they do. It was nice to see an episode that felt like a small step toward healing for many of the characters, though, and some sentimentality went along with that.

Four episodes left of the season, and it will be interesting to see where this part of the journey takes them.

New “Walker” episode this week with Four Stones in Hand 1.15!

‘Walker’ brings all the action with Defend the Ranch 1.13

The 13th episode of “Walker’s” first season was intended to be the season finale, and it felt like one. There was a whole lot of drama, twists and turns, and an ending that looked like a tragic tableau from a stage play. As usually is true for me and this show, the emotional aftermath for Walker is the part that’s most fascinating. But not always very easy to witness.

Sometimes the drama comes close to over the top for me (Clint even dresses in villainous all black), and I guessed the major tragedy that was going to happen, though not how or when. I liked that the episode played out almost in real-time, no jumping back and forth, which upped the suspense. I can see how this would have worked as a season finale – and in fact, it’s hard to imagine how they are going to continue with five more episodes after this one. But it’s a hard script to pull off because so much happens, and there were a few times when it strained credulity to go with it.

The episode picks up right where the previous one left off, with Liam shot and seemingly not alive, Cordell calling his name and trying to go to him but Clint warning him not to. Abeline comes out and sees her son on the ground and screams his name too, falling to her knees in the grass – Molly Hagan always makes me feel for her, all my own instincts as a mother pulled in because she makes it real.

Walker Clint holding gun on Cordell and STella.
Walker Liam laying on ground wounded 1.13.
Walker Abilene reacts to LIam getting shot.

Trevor follows his father’s instructions and yanks Walker’s holster and gun away from him. Clint is unconcerned about Liam, though Trevor is clearly upset and conflicted.

Clint: The attorney who helped put us away? Don’t matter, he’s dead now.

But he says no one else needs to get hurt if they do exactly as he says.

Abeline protests that they can’t leave him there, but Clint is unmoved by her plea.

Clint: Mrs. Walker, your son left me for dead and got my wife killed. Lose your notions of right and wrong.

He offers her a hand to get up, but she ignores him and gets up on her own.

Walker Abilene refuses Clints hands to help her from ground.

Clint is an interesting character, especially in this episode. He’s got the narrative twisted, blaming Walker and not acknowledging his own role in getting his wife killed, but he also is perceptive and at times almost friendly toward Walker and deferential toward Abeline, in particular. It’s a strange frenemy type situation, because apparently Clint and Duke were genuinely close at one time – or at least Clint felt that way.

I can’t help but wonder how much an undercover assignment that goes on for so long becomes real to both the people who are unaware and the person playing a role. Duke and Clint shared things, and Clint considered him part of his family – the extra rage that comes with that kind of betrayal is part of what drives him to attempt this revenge-fueled last action that never had much chance of real success. And what made him drag his son into it too, just as he seemed to have pushed his wife into it or at least kept her in.

Hoyt, who was there to confront Cordell about Geri, is now on his side, asking him what’s the play.

Walker Hoyts confronts Cordell about Gerri.

Cordell responds that there is no play as they’re moved into the house and tied to dining room chairs by Trevor. Jared Padalecki is adept at showing us just how thrown Walker is by this situation, and how much he didn’t expect anything like this. I imagine their ranch felt like a safe place, a kind of haven. They’re successful, hardworking but privileged, and it must have seemed like Cordell’s past couldn’t catch up to him here. Which of course was an illusion.

Cordell is scared, but he’s also angry. He demands to know what Clint wants.

Clint: I want my wife back.

When the kids protest that he didn’t kill her, Clint counters.

Clint: You got their minds all twisted up, like you did me and Crystal. (To Stella and August) You had to wonder why he was gone for so long…

Clint holding entire Walker clan hostage 1.13.
Clint holding Walker Cordell hostage.

He’s not entirely wrong, and for that last job at least, he did twist their minds up, encouraging them to go through with the robbery when Crystal wanted out and Clint wasn’t sure. Clint figures out that Hoyt was the inspiration for Duke too, calling Hoyt his ‘muse’ – ‘the real outlaw who put meat on your bones in creating Duke.’

He’s right again. For a guy who’s so smart and perceptive, he sure did screw up his family’s life by being a bank robber.

Clint tries to get Walker to convince Micki to bring Jaxon there, and he does try, but she says no and then reminds him of the DPS hearing that afternoon.

Clint is almost impressed by Walker’s acting, pointing out how convincing he was, and smiling, asking “he’s something, isn’t he?”

Walker Clint smiling broadly.

He is, and Clint is actually the only one who seems to see that.

Clint makes Cordell take him through their barn and “show him all the pretty horses”, asking if his father was pissed he didn’t “take up the family business”. That was a shout out to Supernatural fans, which I always appreciate, but it was totally weird that Clint wanted a barn tour. He misses horses, an odd little human touch, his gentleness with animals.

Cordell tries to say that the score is settled, if that’s what this is about, since “you killed my brother”. But Clint says it’s not the same thing, and he’s still not appeased.

Walker Clint and Cordell walking in barn.
Walker Cordell tries to reason with CLint over shooting brother LIam.

Bonham drives up and sees someone with a gun on the property, saying “well that’s never a good sign” and pulling a rifle from his truck instead of calling the police like any reasonable person would do!  Is this some kind of Texas machismo thing? He sees Liam lying on the ground and goes to him. Liam coughs and wakes, saying “I’m bleeding”. Which, yes, substantially.

Instead of calling 911, Bonham throws his son over his shoulders – which can’t have helped with the bleeding at all – and carries him to the guest house, telling Liam to keep pressure on the wound while Liam keeps saying he’s sorry, he tried to stop them.

Walker Bonham walking with a shotgun ready to fire.
Walker Bonham carries an injured gay Liam over his shoulders 1.13.
Walker Bonham Mitch Pileggi tends to Liam wounds.

Liam fills Bonham in, but says he can’t go in there or Clint will kill them. Bonham finally calls Micki, but all he gets out is “I need your help.” She says it’s kinda crazy right now, can she get back to him…. and I’m screaming why is he not interrupting her and saying ARMED MEN HOLDING FAMILY HOSTAGE?

Too late, he’s found out.

Abilene runs to Liam (why is she walking around and not tied up, I don’t know). At least it doesn’t show up on Bonham’s phone as having called the cops, though they don’t even try to figure out WHO he called or if that person is coming.

Walker Abilene runs to son Liam 1.13.

Bonham and Liam join the hostage party. Cordell tries to get through to Trevor, saying that whatever his dad told him is a lie.

Trevor: So you had nothing to do with my mother’s death?

Cordell: It wasn’t so simple.

Meanwhile, Stella is trying to free herself, but Hoyt gets a hand free first and silently tells her to stop, he’s got it.

Walker Stell tries to free herself from ropes 1.13.
Walker Hoyt held hostage by Clint.

Bonham tries to prevent them from hauling Liam away, but they do, and Bonham lashes out at Clint, asking what kind of man are you to have your boy be part of this?

Clint puts a gun to Bonham’s head, and Hoyt speaks up to pull Clint’s attention away from Bonham.

Hoyt: Pointing a gun at an old man, oh yeah, you’re a real tough guy.

Walker Clint pointing gun at Bonhams head 1.13.

Clint hits him, and he says “okay, I get it,” then pauses. “Nope actually don’t get it.”

Clint hits him again and knocks him over, still tied to the chair. Cordell, his eyes teary as he watches all the people he cares about in danger and hurting, pleads with Clint, saying he’ll do anything, just stop.

Walker Cordell learns he has to rob a bank for Clint.

Clint: Anything? How about robbing a bank?

It’s a kind of ridiculous plan but I guess Clint isn’t supposed to be thinking very clearly, revenge distorting everything – because he was at one time a relatively successful bank robber, right? He sits this one out and sends Cordell and Hoyt to do it, saying it only seems right that the bank robber who inspired the imposter should do it with him.

Hoyt is all sassy, jumping up before he has to be cut loose.

Hoyt: Oh look, must have broke loose in the fall… (wink)

Walker Hoyt getting sassy after being tied up by Clint 1.13.

Micki goes to see Captain James, concerned about Walker and the weird call she got from Bonham, so James calls, reminding him to be at the hearing at 4 pm. Clint once again makes sure Walker doesn’t give anything away, and while James admits he seemed a little off, he’s not concerned enough to go find out.

Walker Captain James reacts to Micki 1.13.
Walker Micki worried about Cordell with Captain James.

Hoyt and Walker head off to rob a bank, with one of Clint’s men tailing them to be sure they go through with it.

Clint: Best of luck.

Hoyt (still cocky): Luck’s got nothin’ to do with it.

Walker Clint to Hoyt Best of Luck.
Walker Hoyts wants to break law in style with Cordell.

Hoyt kind of gets a kick out of this caper, saying if they’re breaking the law, does Clint mind if they do it in style? This means they go to rob the bank in the red Mustang, armed with a gun with no bullets. It makes for an almost ‘fun’ sequence of the two friends in the flashy car being all badass and mending their relationship, but I couldn’t help thinking that it was setting up Hoyt to die – which it was.

While they’re off robbing a bank, Liam is losing blood and screaming in pain, and Stella and Augie try to get through to Trevor, saying if they don’t help him, he’s going to die.

Trevor: No one was supposed to get hurt…

Stella: What happened to your mom, I am so sorry, but if you don’t want this to get worse, you’ll let us help him.

Trevor tries to convince his dad to let them help Liam, but Clint insists that Liam helped put him away, saying don’t worry, this will all be over soon, I promise.

Trevor: You promised Mom you were getting out too.

Clint is at least somewhat moved by his son, and allows Stella and Augie to check on Liam, but warns Trevor not to “let them in your head”.

Walker Clint impressed with son Trevor helping him 1.13.

Trevor: There’s no room. You’re the only one there.

I thought that was a great line, because that is exactly what Clint has been trying to do to his son. He’s manipulating him to keep Trevor on his side, while at the same time not being honest with him about what he’s planning to do to Cordell in revenge.

Hoyt and Cordell race to the bank, and Cordell tries to apologize even in the middle of the insanity that’s going on, saying he’s sorry and knows he messed up and broke his friend’s trust. He feels guilty because if he hadn’t, Hoyt wouldn’t have been at the ranch and gotten embroiled in all this.

Hoyt: I’ll kick your ass when we get through this.

Walker Jared Padalecki with Hoyt in red Ford car.
Walker Cordell serious with Hoyt about fake bank robbery 1.13.
Walker fans realize that Hoyt will die in the Defending the Ranch episode.

It was at that moment I was pretty sure Hoyt would not in fact get through this. Especially when their conversation got even more emotional. Hoyt shrugs off Cordell’s apology, although he had been furious about the betrayal, saying that all that matters is that right now he’s parked in an alley (about to rob a bank) with “my best friend, who needs me.”

I don’t feel like we really know Hoyt very well, but that rings true – he seems like the friend who feels like a black sheep and desperately wants to prove himself, so it feels good to be needed.

Cordell: No, brother, I’ve always needed you.

Walker Cordell getting deep with Hoyt.
Walker Cordell telling Hoyts hes always needed him 1.13.

I wish we had a better sense of why Cordell does consider Hoyt a brother, or what they’ve been through in the past that created a bond that doesn’t seem to break even when they’re on opposite sides of the law. Or why Abeline loves him so much. I would have been more impacted by this episode if I’d had a better sense of that, seen more of their history.

Hoyt is happy to be in charge and maybe save the day, calling himself an outlaw.

Hoyt: Follow my lead, buddy.

Back at the ranch, Clint torments Abilene more, asking who her favorite son is. She lashes out at him, saying they treated his own boy like family, but Clint has a retort that seems pretty truthful.

Clint: My wife and I did the same for your boy. He was broken when he came to us. We saved him, made him whole again. And then he betrayed us.

Walker Abilene reacts to Clints anger at Cordell.
Clint talking to Abilene about Cordell betraying him 1.13.

At least some of that seems to be true, and I can understand Clint’s feeling of betrayal even as everything else he’s doing is just plain wrong. Clint picks up his cell phone as Hoyt and Walker arrive at the bank.

Clint: Yes I’d like to report a robbery…

He’s making sure that Walker goes through the same nightmare that Clint and his wife did. It makes sense from a psychological standpoint, but it’s shaky from a logical one. Did Clint really expect that this was going to work? Was he just going to leave all these people alive who knew what he did and just drive off hoping nobody catches up to them??

The bank robbery is a weird kind of music montage, with Hoyt being cocky and kinda badass and “putting on a show”. He pretends to take Cordell as a hostage and manages to get the money without anyone getting shot. They jump into the Mustang (as in leap into it without opening its doors) and take off, tires skidding, pursued by police with sirens blaring.

Walker Cordell pretending to be a hostage under gunpoint from Hoyt 1.13.
Walker Hoyt and Cordell robbing a bank 1.13.
WAlker Hoyt happy with Cordell in red car.

Improbably, they get far enough ahead that they’re able to hide under a bridge while the cops go screeching by above them. But no sooner do they get back on the road than Micki pulls up and confronts them. I’m not sure why she was part of the bank robbery chase or why she ditched the rest of them or figured out that Walker was part of it or what – but she’s there somehow.

Walker Cordell and Hoyt in red convertible.
WAlker Micki blocking Cordell and Hoyt in red convertible on bridge.
Walker Micki angry that Cordell lied to her 1.13.

She’s angry that he hasn’t been honest with her, so Cordell finally tells her that Clint has his family held hostage and will kill them if he doesn’t’ follow through and that there’s a tail on them (which, where IS that guy? He’s a terrible tail and Walker could have cued in a hundred people by now without that guy ever knowing, and why didn’t he? I’m assuming he’s too worried about Clint finding out and just blowing his family members away, which I guess is valid)

Micki lets them go, saying she’s not far (though she probably could have been a little closer than she was).

Back at the ranch, Clint goes through the Walker family’s things, taking Abeline’s mushroom cutting knife from a drawer and asking about a photo on the wall – of Wyatt Earp. The Walkers apparently used to ride with him.

Walker Clint talking about Wyatt Earp to Bonham 1.13.

Clint: He was a criminal before he was a lawman, not unlike your Cordell.

Then he finds Bonham’s pain pills, which are not very well hidden, and confronts him. Once again, Clint is very perceptive, figuring out that Bonham has cancer – and that he hasn’t told his wife. Abeline looks on, clearly upset.

Walker Clint taunting Bonham in front of Abilene.
Walker Bonham Mitch Pileggi admits having cancer.
Walker ABilene reacts to Clint finding Bonhams pain pills.

In the other room, Liam knows he’s bleeding out and tries to say an emotional goodbye to his niece and nephew. He tells Stella he’s glad he stayed, and Augie to stay strong because the family is gonna need him.

Walker LIam knows he is dying and says goodbye to August and STella 1.13.

The kids, horrified when they realize this is a goodbye, beg Trevor to let them call someone who can help.

Augie asks Trevor if he’s even human anymore, and Stella tries to get him to remember how much he wanted to get away with her, and not end up like this.

Walker August holding down on Liams bleeding wound with STella.
Walker STella doesnt recognize dark side of Trevor 1.13.
Walker Trevor has gone to bad side with father Clint.

She asks if she can call Coach Barnett, who’s a medic they can trust. Trevor hesitates, but finally gives her his phone so she can call Trey. He talks them through cauterizing the wound – with that branding iron that we saw Bonham make a few episodes ago. Stella jokes that he’ll have a new tattoo, and its placement is a bit of a “Supernatural” shout out, since it’s where the Winchester brothers had their anti-possession tattoos in that show.

I give Stella a lot of credit for pushing through her understandable reluctance to cut into her uncle and burn him, but Liam himself reassures her, saying “do it.”

All four actors were excellent in this scene, which could have easily been over the top but instead rang true for me. Gavin Castalegno lets Trevor’s ambivalence show on his face throughout the episode, as he tries to be loyal to his father but is upset by the violence around him, especially of people who Stella cares about being hurt.

Violet Brinson and Kale Culley are also excellent.  It IS a traumatizing situation to be asked to cut into your beloved (dying) uncle or to brand his wound, so Stella and Augie’s near-hysterical reactions seemed realistic. Keegan Allen looked like he really was dying, telegraphing Liam’s pain and increasing weakness. And props to the props folks because there was a truly alarming amount of blood, which struck me as realistic too.

Walker black cop on phone.
WAlker shot of shirtless Liam in pain from wounds and screaming.
Walker LIam feeling pain from wounds defending the ranch.
Walker August having to brand his Uncle LIams wound 1.13.

Clint runs in when Liam screams and lashes out at his son, who protests that Liam was dying. Clint grabs the phone and stomps on it, breaking it.

Clint: That was the point!

Cordell and Hoyt make it back with the cash and tell Clint to stick to their deal and end this, but he says no – that the “family went rogue, couldn’t leave well enough alone.”

Clint: You think it’s enough? I haven’t gotten what I came for.

Trevor: You got the money, Dad.

Clint finally tells the truth: We didn’t come for the money. They needed to suffer. Look that man in the eye – that is why your mother is dead!

Walker Clint tells Cordell the truth about his wife dying.
Walker Cordell learns the truth about his wifes death from Clint 1.13.

He accuses Cordell of letting them walk right into the lion’s den, knowing the cops would be waiting for them at the bank. Clint gets in Walker’s face, threatening, and Hoyt starts shooting and then it’s a shootout. Stella runs one of Clint’s guys over in her trusty Mustang, Bonham is a badass, and it looks like the good guys have the upper hand until Clint tosses down his gun and hides in wait.

Hoyt takes the bait and walks over, saying “I think I got him” and we know what’s going to happen. Clint stabs Hoyt with the knife he took from the drawer, and Hoyt staggers away, mortally wounded.

Walker Cordell firing shotgun at Clint 1.13.
Walker Hoyt getting stabbed by Clint 1.13.
Walker Clint fighting with Hoyt and getting shot 1.13.

Abilene: NOOOOOOOOOOOOOOOOO! (Shades of Dean Winchester running to his mortally wounded brother Sam at the end of Season 2 of “Supernatural” – that same kind of NOOOOO that breaks your heart).

supernatural dean with a dying sam jensen ackles season 2 all hell breaks loose

Cordell leans over his friend, saying his name, as the rest of the family joins him.

Hoyt: Oh man, that’s not good.

He looks around at all the Walkers looking down at him, and says “I love you all,” which reminded me of Castiel’s (Misha Collins) almost-death when he said the same thing to the Winchesters before Crowley managed to forestall his demise. No such luck this time.

WAlker Hoyt realizes hes been shot with Cordell catching him.
Walker family trying to keep Hoyt from dying 1.13.

Cordell: Oh no, don’t you dare.

Hoyt clasps Walker’s hand.

Hoyt: I always knew it would end this way, buddy.

In this, his final episode, I enjoyed the character of Hoyt more than in any other, which made it extra sad that this was his last one.

Walker Hoyt dying holding Cordells hand like Dean Winchester in Supernatural finale.
Walker Cordell holding dying Hoyt in his arms 1.13.

He dies and Cordell closes his eyes while Abeline sobs. I know not everyone who watches “Walker” is a “Supernatural” fan, and the show is very very different, but that scene was so reminiscent of the scene in the “Supernatural” finale when Dean (Jensen Ackles) dies similarly with his hand clasped in his brother Sam’s (Jared Padalecki).

supernatural finale dean grips sams hand
Supernatural Finale Dean and Sam Winchester hand grip.

I couldn’t help but notice the parallels and feel really bad for Padalecki having to go through a scene like this twice in the space of a year. Ouch. It would have been even more impactful if we had more of Cordell and Hoyt’s backstory, but even without more, both actors brought enough emotion to it that I felt it too.

Clint: I needed to take one from you myself. Now you know how it feels.

Cordell stares him down.

Cordell: Now I understand. I understand revenge.

WAlker Clint holding gun to Cordells head 1.13.

With little to lose, Walker grabs for Clint’s gun and they start fist fighting, Walker beating the crap out of Clint. Micki shows up finally and Trevor grabs a gun and fires it up in the air to stop the fight as Ramirez calls for backup.

Clint: Shoot him!

Trevor: (brokenly) Why didn’t you come home?

Clint: He talked me out of it!

Walker admits it, saying he did – because it was his job.

Walker: This is not about manning up. This is about humanity. Who do you wanna be? Who he expects you to be? Or do you wanna be me? Because if it was me right now, I’d pull that trigger. But you’re not me and you’re not your daddy.

(Though Walker has shown he actually does have restraint, so I think he’s selling himself short here).

Walker Trevor holding gun on Cordell Jared Padalecki 1.13.
Walker Cordell reacting to Micki gun on Clint 1.13.
Walker Clint looking up at Micki holding gun on him.

Micki intervenes too, talking to Trevor.

Micki: Put down the gun, Trevor. Let me tell you about your mom. I met her, I pulled her over because she was speeding so fast just to get to you. But who is really responsible for her death? This all ends if you just put down your gun.

Walker Micki holding gun on Clint 1.13.

Trevor, crying, puts down the gun. Clint goes for it and it looks for a moment like he’s going to win after all, raising it to shoot, when a shot rings out. Against all odds, it’s Liam who saves the day, bare chested branded and bleeding, staggering out of the house. Clint falls, Trevor sobbing “Dad!” 

Walker Liam reaching down to get gun on Clint Defend the Farm.
Caps Courtesy of spndeangirl
Walker shirtless Liam holding gun on Clint 1.13.

Micki holds him, while Cordell runs to Liam and holds his brother. Stella and Augie join them, Cordell trying to get his long arms around all of them.

There’s a real finale feel to the scene, like that stage play tableau I mentioned, Cordell holding Liam and his kids, Abeline leaning over Hoyt, Bonham holding her, Trevor sobbing over his dad, Micki holding him.

Walker Trevor breaks down over dead father with Micki.
Walker Jared Padalecki holding LIam close from dying 1.13.
WAlker Cordell holding hurt LIam August and STella Defend the Farm.
Walker Trevor sobbing over his dead dad while Micki is holding him.

The cops show up, sirens blaring.

The next day Walker goes to see the Captain, who tells him that DPS gave him two weeks probation.

Cordell: That’s not right. James, my past caught up with me and I got my best friend killed. I almost got my brother killed. I put my kids’ lives at risk, my parents, and for what? You were right. We have to do better. I — I have to do better. And right now…

Walker Captain James tells Cordell hes on two weeks probation 1.13.
Walker Cordell learns hes on two weeks probation Defend the Farm.

He places his badge on the desk.

Cordell:  … I can’t do this.

Walker Jared Padalecki quits his job I can do this anymore
Walker Cordell turns in badge quitting his job.

I think it’s a step in the right direction that he’s realizing just how broken he is, but honestly, if I were him, I would be saying ‘I can’t do this and I need to find another job!’  I’m assuming that’s not what he’s saying – that he just knows that two weeks isn’t gonna cut it to make things better.

Jared Padalecki excels when he lets himself go there emotionally, whatever that emotion is, and his understated sense of resignation in this last scene came through loud and clear. I feel for Cordell, who has been through so much. Who always tries to support other people, but doesn’t always have someone supporting him. Just the amount of loss he’s endured over these thirteen episodes feels overwhelming.

Since this will likely be Austin Nichols’ last episode, I wanted to give the actor props for making me care a little about Clint by giving the character some shades of gray and nuance so he wasn’t a cartoonish villain. I felt for him, and I feel for Trevor, who has now lost both his parents.

There are so many loose ends that I’m glad this wasn’t the season finale.

  • Whatever happened with that drug cartel?
  • What’s up with Geri and how will she and Walker feel now after what happened to Hoyt?
  • Not to mention Stella and Trevor and that heartbreak, or the (lack of) consequences for Stella’s lie about her dad driving into the hitching post that sent the story careening down this unfortunate path.
  • Is Emily’s murder really truly tied up and mostly just wrong place wrong time?

I guess it’s good to have lots of questions – and now the show has five additional episodes added on to hopefully answer some of them!

New “Walker” episode this week, with Mehar’s Jacket 1.14 – Thursday on the CW.